Nous'klaer Audio proudly presents Nicola Cruz's latest full-length album, Kinesia. On his third studio album, the Ecuadorian producer masterfully blends rich studio sessions with deep analog synthesis. Kinesia invites the listener to channel an inner voice - to pick up thoughts, words, and messages as if ancient information traveling through time has been received. This album functions as a form of 'antenna,' translating these ideas into compositions and movement. The album begins with a 5/4 rhythm structure, summoning the voice of machina into a textural atmosphere, led by Perma, Nicola's vision of an infinite breaks vortex, and sustains the tension with the meditative Telepathine, a substance fictionally associated with telepathy. Regardless of the tempo, each track is intricately laced with chants, subtle percussion, textures, and spacious details that draw you back for more. With Kinesia, Nicola Cruz continues to evolve his signature sound and takes you along for the ride. While the album is crafted for a deep, introspective journey, the kinetic influence remains ever-present on dance floors.

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Preceding Nicola Cruz' new album Kinesia coming on Nous'klaer Audio this autumn, the Rotterdam label and Ecuadorian producer present the first album single with two vinyl only remixes on a limited 12". Under his alter-ego Fauna Extinta, Nicola Cruz reworked the track Perma into a sublime grooving house remix and dub version. Limited to 200 copies. Stamp design by Pedro Zoz.

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As Klasse Wrecks enters the second chapter of our century of releases, we're happy to welcome the sounds and skills of Nicola Cruz to the roster. The Ecuadorian producer masterfully turns in a perfectly tuned handful of tracks for his 'Data Passenger' EP, the overiding soundscape being one of Electro, Breaks and infiniteless cosmic exploration. Sonically the tracks are as much for the soles as they are the souls, a heady mix of intricate rhythms and vibrations await the listener and dancefloor. Plug in to the console let the soundwaves carry you across the spectrum.

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Born and raised in Ecuador Nicola Cruz has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. Cruz’s ‘fabric presents’ shows awareness of the power of ancestral cosmology over art and music whilst driving fiercely towards the strange, experimental, and unexpected of underground electronica. From here he curates the first of the fabric mixes with strong roots in South America. Opening on the powerfully stabbing ‘Everything Falls Into Place’ from MMM (Errorsmith & Fiedel) the mix sweeps through bass, breaks, techno, analogue-glitch, all the way to the folky portuguese lyrics of ‘Mensagem Enviada’ from Rico Jorge. Nick León, Verraco, Veruna, machìna and Marcela Días Sindaco – whose sultry vocals also weave through Cruz’s own ‘Contato’ – are a few of the artists who have provided exclusives that count towards the fourteen unheard tracks on an essential delivery to the fabric series.
Tracklisting:
A1 Nicola Cruz - Contato ft. Marcela Días
A2 Syz - Unearth
A3 Nick León - Multiplex
B1 Rico Jorge - Mensagem Enviada
B2 Baseck & Pilo - FEEL307
B3 Nicola Cruz - System Mass
C1 Fauna Extinta - IER
C2 Verraco - Interpasividad
C3 Anderson - Sea Glass
D1 machìna - Glued
D2 Marcela Días Sindaco - Ficção Inédita
D3 Varuna - Reer

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‘Self Oscillation’ is made up of 5 club-ready psychedelic workouts swaying with natural momentum, from
Ecuadorian superstar Nicola Cruz, who makes his 2nd appearance on London’s Rhythm Section INTL.

The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. His previous projects have had the 4 elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, we are met with sounds of flowing water that Nicola describes as “aqueous explorations”. On this EP, ‘Self Oscillation’, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms.

‘Self Oscillation’ sees Nicola’s production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic 80s and 90s synths and the retro colours of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section INTL, ‘Self Oscillation’ showcases the synergy - or rather ongoing battle between the organic and inorganic, the analog and digital, civilisation confronted and confounded by nature. It’s within this dichotomy that Cruz revels, and manages to say so much, without words.

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Repress! Green Vinyl!
Rhythm Section welcomes Nicola Cruz to the fold with his debut EP on the imprint - “Subtropique”. Inspired by an Ecuadorian upbringing, percussion is at the heart of how Nicola operates. His rhythmic style finds a natural home on the London label - which presents 5 expansive efforts equally indebted to traditional drumming as they are to contemporary club sounds. Remaining sonically cohesive without feeling the need to settle into a definable style - the tracks are tied together by a lucid psychedelic thread which, despite challenging the expectations and fundamentals of electronic dance music - demand movement at a time where we yearn for it.

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Little did we know when we started Highlife back in 2010, that over in Quito, Ecuador a young Nicola Cruz was being drawn to the similar sounds and artists as us. Over time we've formed a mutual admiration and we couldn't think of a better example of a Highlife artist - so we're unbelievably excited to present his debut record on the label! The EP is inspired by walks around nature, cachoeiras, forests, simply all the beauty you find when visiting isolated, almost untouched spots of gorgeous nature.

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A1 - Naeku (John Talabot Remix)
A2 - Third Eye Dub (Azu Tiwaline Remix)
B1 - Aima (Auntie Flo Remix)
B2 - Naeku (Multi Culti Micro Dub)

The sonic melting pot of Nicola Cruz’s ‘Hybridism’ reinterpreted by John Talabot, Auntie Flo, Azu Tiwaline and the host label team of Multi Culti.

Leading things off, the Hivern records boss is a dream pairing for Nicola, delivering a deeply atmospheric but powerfully rhythmic club version of Naeku.

Rising Tunisian producer Azu Tiwaline dives into the cavernous soundscapes of Third Eye Dub, her North African influence a natural fit for the mesmerising Oud solo played by Nasiri.

Highlife founder Auntie Flo stretches the eminently catchy and cheerful Aima across a light and ethereal groove. Perfectly anti-depressant vibe from the creator and curator behind the brand new Ambient Flo online station.

Finally, Multi Culti label mates contribute a broken beat micro-dosed micro dub of Naeku, a closed-eye wiggler to tickle the pineal glands of the cult heads that consistently look to this globally garnered record label for psychedelic guidance.

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Siku is Nicola Cruz's eagerly anticipated new full-length album and first since 2015's game-changing Prender El Alma.
Building from where he left off, Nicola continues to develop his exploration of global sounds and cultures, and his fascination for electronics, translating this knowledge into expressive sound pieces that marry earthy textures with electronic sounds. With his new album, the in-demand Ecuadorian producer broadens his horizons beyond South America exploring a rich palette of sounds the world over.
On 'Siete' and 'Obsidiana', Hindu harmonies are present amongst raw percussion, which is a common factor throughout the album. 'Okami's colourful jazz-inflected vibraphone creates a woozy, alluring atmosphere that captures the rainy night it was recorded on (which can be heard in the takes) and the album closer 'Esu Enia' is rooted in the raw power of the African balafon, a piece made in collaboration with Portugal's Marcio Pinto. Yet Nicola doesn't neglect the sounds of his home continent, something instantly apparent on album opener 'Arka', the Colombian cumbia rhythms of 'Hacia Delante' and the poetic 'Criançada', sung in Portuguese and owing much to the melodies and rhythms of Brazilian samba.
All of Nicola's work is approached with a high level of experimentation and sound design and what is apparent through-out is his ability to move you - whether your mind and soul, with mystical, ethereal songs, or your body, with tracks that wouldn't be out of place spilling out of club speakers in the early hours of the morning. All of which are here on 'Siku'.


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Siku is Nicola Cruz's eagerly anticipated new full-length album and first since 2015's game-changing Prender El Alma.
Building from where he left off, Nicola continues to develop his exploration of global sounds and cultures, and his fascination for electronics, translating this knowledge into expressive sound pieces that marry earthy textures with electronic sounds. With his new album, the in-demand Ecuadorian producer broadens his horizons beyond South America exploring a rich palette of sounds the world over.
On 'Siete' and 'Obsidiana', Hindu harmonies are present amongst raw percussion, which is a common factor throughout the album. 'Okami's colourful jazz-inflected vibraphone creates a woozy, alluring atmosphere that captures the rainy night it was recorded on (which can be heard in the takes) and the album closer 'Esu Enia' is rooted in the raw power of the African balafon, a piece made in collaboration with Portugal's Marcio Pinto. Yet Nicola doesn't neglect the sounds of his home continent, something instantly apparent on album opener 'Arka', the Colombian cumbia rhythms of 'Hacia Delante' and the poetic 'Criançada', sung in Portuguese and owing much to the melodies and rhythms of Brazilian samba.
All of Nicola's work is approached with a high level of experimentation and sound design and what is apparent through-out is his ability to move you - whether your mind and soul, with mystical, ethereal songs, or your body, with tracks that wouldn't be out of place spilling out of club speakers in the early hours of the morning. All of which are here on 'Siku'.


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Contrary to the songs name, this interpretation of a traditional Afro-Brasilian candomble song, appears to be forged from mythical lost amazonian gold. Recorded in Sao Paulo with an allstar cast of Arteria FM (on vocal duties), Salvador Araguaya (caressing the Viola Caipira) & Spaniol (stroking the Baixo), steered by Nicola's production prowess, this quartet delivers a melodic enhancement to the summer sun. As if the sun wasn't shining bright enough already, the single comes backed by a remarkable remixer ensemble procured from their duties as fellow sun-worshippers:
Xique-Xique's Dragonfruit Mix is a wondrous journey full of surprising leaps and bounds, alternating between hypnotic electronics and organic song structure. Saving the best 'til last he raises the energy whilst keep the beats low and the vibes ecstatic. HIT ! Crussen's creamy cocodub raises the energy whilst concentrating on a dubbed out groove, (that) classic Crussen bassline and carefully sliced & re-appropriated vocals.
Finally in-house poster-boy Carrot Green's Granola mix combines disco, deep grainy bassines, juicy bells and signature flourishes into a bowl of magical mind-whirling hip-spinning edible sex.

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Ecuador's rising son, Nicola Cruz, returns to Multi Culti with Cantos de Vision, a truly visionary EP backed by remixes from Jaja, Argentinian Uji, and Multi Culti's own Thomas Von Party.



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Multi Culti World Records venture deeper into the new new age with the release of 'Ocean of Beauty - Meditations for Synthesizer and Bansuri Flute,' a collaboration between California-based artist/DJ Earthtones and Indian classical musician Sheela Bringi. Earthtones, fresh off his genre-defying debut album on Wonderwheel, here dives into the deep end of the ocean of ambient. With music that traverses cultures,he’s known for bridging influences from Cumbia to hip hop and house music. Here he presents his most consciousness-expanding work yet, no doubt influenced by his involvement in Ojai new age culture,years living in ashrams, practicing Shaktism,+ spending as much time curating sounds suitable foraural healing and meditation as for dance-floors. He’s found a perfect muse in Boulder-based Sheela Bringi, whose virtuosity in Indian classical music sets the tone of the record with her bansuri (Indianbamboo flute) & harp, blending traditional instrumentation with more contemporary influences. Bringi was a direct disciple of bansuri master GSSachdev, and represents a devotional musical lineage. She has released two solo albums, 'Shakti Sutra' and 'Incantations,' and her work has been featured on over 50 world and ambient records, plus publicly on outlets from NPR to NBC News, & more. 'Ocean of Beauty' is the English translation of an ancient Sanskrit text devoted to the divine mother, the Sri Saundarya Lahari, The song titles are taken from verses in that text, and the album is in fact a dedication to the goddess Lalita Devi. It creates a serene, meditative space which seamlessly blends traditions; synth-driven ragas with a spirit of tranquility that nurtures Multi Culti’s philosophical bent towards ‘music without borders.’

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DJ Support: DJ Sabo, Gordon Invisible Inc, Ground Chill Mountain, Roe Deers, Thomas Von Party, Vidis

Multi Culti serve up a full-length treat from Peruvian artist Aristidez. Cofounder of Lima-based party collective Casa Locasa and the non-profit label Behua Icara (translated as Healing Rhythms), in support of indigenous culture, Aristidez has recently relocated to Berlin. With releases on Calypso, Disque-Discos, and Kebrada, as well as remixes for Amplio Espectro, Ida Sound, Discos Aquelarre, Rotten City Files, and Playground Records, Aristidez has quietly made a name for himself with a growing catalog of low-key dance tracks that have been championed by the likes of Matias Aguayo, Andrew Weatherall (RIP), and Inigo Vontier, to name a few. With an emphasis on the hypnotic power of rhythm, Aristidez channels indigenous influences in subtle fashion, alluding to visionary experience without resorting to pastiche or obvious tropes. There are freaky tribal rhythms but no shaman samples, just expertly produced tracks than reveal an expansive set of electronic influences that range across tempos and decades, from breaky 90s rave, 80s proto-trance, cult dub, downtempo and more. It’s listenable, danceable, heady and kaleidoscopic stuff that should stand the test of time.

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The mysterious Orchid joins Multi Culti with a vibrant homage to the golden era of Spanish trance, infused with dewy drops of glowing Balearic beauty. Firmly believing that musical innovation is now a relic of the past., Orchid looks back and resurrects a sense fun and passion so often lacking in the realm of contemporary business techno and commercial dance. Living in isolation in a far off nation which never kissed by a proper psychedelic movement, Orchid operates with a deep sense of nostalgia for a scene he never got to experience first-hand. Digging through the archives, he developed a profound appreciation for the atmosphere of sex, power, love, and sweetness - elements he believes are masterfully blended in the music of Spanish-speaking cultures. 'Techno Valencia' invites listeners to experience the nostalgia, the passion, and the unadulterated soul of a time when music was not just heard but felt deeply.

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Two classically trained musicians from vastly different traditions, MD Pallavi and Andi Otto came together to create a jewel of a record in ’Songs for Broken Ships’ and Multi Culti have whipped up a stunning remix package for it featuring Simone de Kunovich, Auntie Flo, Peter Power, Kaleema and more.

Hailing from Bangalore, trained in Hindustani music and poetry since childhood, MD Pallavi’s beautiful voice makes an elegant companion to cellist / composer / producer Andi Otto’s idiosyncratic and unconventional style. Andi’s music has featured on labels such as Shika Shika and Pingipung (which he co-runs and curates) and, of course, Multi Culti, who released his previous album ‘Bow Wave’ which featured his first collaboration with Pallavi.

While the heart of "Songs for Broken Ships" showcased the duo's unique meld of cross-cultural folktronica and acoustic ballads with MD Pallavi's poetic Kannada verses at the core, "Remixes from the Clouds” reframes these elements for a vast spectrum of electronic listeners and club go-ers.

An ethereal hypnotic techno re-interpretation of ‘Prayer to the Cloud’ from Italian producer Simone de Kunovich. Scottish ambient maestro and mushroom aficionado Auntie Flo's ecstatic reinterpretation of "Clockshop". Multi Culti veteran downtempo wizard Peter Power's organic and earthy rendition of "Prayer to the Cloud." The mystic sounds of Kaleema breathing new percussive life into "Clockshop". The package concludes with a 'prayer-a-pella' version of "Prayer to the Clouds", spotlighting MD Pallavi's vocals in their purest form, for DJs and producers seeking to slather their rhythms with spiritual voice.

The Multi Culti imaginarium also present an expanded digital package that includes mixes from Hannah Lee, Bliz Nochi & Emil Jourjou, Migramara, and Poligra. In the words of Shawn Christopher: "people from all nations, dancing together." Celestial harmony, one 12” at a time.

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Thomass Jackson presents UFO HOUSE.

A fixture in Mexico's thriving electronic scene, the Argentinian import has made a name for himself alongside cohort Iñigo Vontier with a style that seamlessly blends haunted desert disco with gritty acid house and techno.

This EP might be his most cogent formulation yet, a mightily playable set of peak-time DJ-friendly tracks that bring enough mystery and wonkiness to a perfectly club-ready backbone. It's a conspiracy of sound, a cosmic abduction with pulsating rhythms and hypnotic bleeps sure to melt minds on the dance-floor.


DJ Feedback:

Tiefschwarz - "soooo gooood!!"

Roe Deers - "dope EP"

Matt FX - "an absolute tour de force EP. hard to pick a favorite, maybe guadalajara"

Justin Strauss - "great ep"

Kiki - "Cool trax!"

Mawimbi - "really like the acid touch in back in guadalajara"

Jerry Bouthier - "well put together madness yay!"

Phil smart - "Solid bunch of tracks, all great! Can't wait to test out on a dancefloor:)"

Vidis - "Cool stuff as per usual from señor Thomass. Young Woman in Kashmir and Back in Guadalajara are the faves."

Phred Noir - "Alll the tracks are so good, super happy to see Thomass back with sooo good tracks !"

Genish - "Back in Guadalajara for me ! fire"

Ayala (It) - "I'm a Thomas fan from years and years"

Kato - "mad fun”

Fabio Me Llaman Soltero - "Sublime work, always favorito Thomaaaaaazzzz"

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Multi Culti return with an expansive 8-track mini-LP showcase timed for summer solstice celebrations.

The a-side kicks off with the musically-gifted Mytron’s genre-defining title ‘Shisha House’, Italian Ayala teams up with Abrao on ‘Magia,’ Jamie Paton slices up the low-slung, serpentine ‘Sub Ritual,’ and Xanga & Zebulon deliver a literal love letter to the ‘Coca Leaf’.

B-side action begins with Ecuadorian newcomer Kunturi, whose ‘Eclosión’ portends a new wave of Nicola Cruz inspired, folkloric techno, Italian duo Future Island (Oltrefuturo teamed up with treasure island) rock an impressive slow-mo trance dub on ‘Wide Music II,’ Aiku debut out of Germany’s Harz mountains with ‘Fried Acid,’ while Argentine wizard Balam finishes the journey off with the incense and sitar laden ‘Caravana.’

While they may dabble in orientalist tropes, these are not mere Tulum-chasers out for shamanic DJ duty. This is avant-garde folk-Tronica that tows the limbo line and once again asserts cult supremacy in the great Psychonautical odyssey.

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Simple Symmetry turn in an epic, mournful EP that reflects on their journey in exile.

After a long-standing affiliation with Multi Culti that includes remixes for Nicola Cruz and Drugface, as well as a huge edit for Culted, the Russian brothers weigh in with a heavy 12” that comes on the back of an emotional year where they defected from Moscow, their world turned upside down by politics of aggression. ‘Problem’ is built around a kernel of punk panic performed by Hugo Van Heijningen (of Red Light Radio, Cawd Slaydaz, Order Collective).

The anxious rage embedded in that opener finds a kind of disoriented catharsis in ‘Where I Am’, an uptempo ravey anthem that recalls the rush of CJ Bolland’s ‘Electronic Superhighway’ with a sense of angst and energy all their own. It’s the song of the soul-searching raver, finding a sense of home in the ecstasy of the dance, amidst a backdrop of oppressive fear and uncertainty.

The triptych concludes with the mournful ‘Funeral Of Past Affections’, their own strange brand of horn sounding a vast and potent letting go. At once influenced by and homage to Andrew Weatherall, this one hits hard, emotionally. Imagine tears on the dancefloor, the strings reminding us that dance music can indeed be anchored in the very deepest centre of our soul.

Supporting them on this trip are long-time compatriots Red Axes, a natural fit for the indie-punk elements in ‘Problem.’

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Multi Culti co-founder Dreems joins forces with Jacoby for kaleidoscopic sonic wizardry that flows seamlessly from symphonic dream pop to ambient esoterica.

If this album had been produced by ai the prompt would have been: create the perfect mix of daft punk - homework crossed with Brian Wilson - pet sounds containing shades of Moby - play but with the complexity and scope of the avalanches - since i left you, containing a few saucy licks of Nile rogers funk, dainty fragments of French psychedelic library-kitsch, mind-expanding flourishes from the BBC radiophonic workshop, all culminating with a bell-filled percussive piano ballad outro masterpiece produced by Brian Eno and four Tet on 180 mics of LSD after watching sesame street with lee perry.

It’s a record of fantastic imagination, full of surprises. Crack open your head, dive in and enjoy the trip!

Limited edition 7” containing ‘all your time’ and ‘in your mind’.

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Multi Culti conjure Calypso Cult once again with this split ep from Iñigo Vontier & Thomass Jackson.

Fresh off back-to-back seasons of Tuluminati rituals, these two well-worn chug warriors of dark disco have kept Mexico dancing throughout the pandemic, maintaining a prolific release schedule on top of a world-leadingly busy calendar of gigs.

Thomass Jackson turns in a pair of wonky eyes-closed bangers with the modular-flecked ‘Big Plastic Room,’ and the restrained ecstatic power of ‘Slow Train.’ Iñigo fires back with the twerky, tribal madness of ‘Jungle Tungle’ and the meandering mushroom-inspired-madness of ‘Hipocampos.’

DJ Feedback:

Dude that is a fucking brilliant ep. I can use every track. There’s a Paranoid London track, a Sworn Virgins track, a Mister Deltoid track & a Decius track. It’s fuckin ace!!
- Johnny Aux / Paranoid London

Edgy, Obsessive, Trippy and a bit crazy. I love it (Slow Train the most)
- Jennifer Cardini

I like it in a funky Plastikman big room way.
- Ivan Smagghe (on Big Plastic Room)

Cool one. Trippy… mysterious… solid… positive.
- Rebolledo

LOVING Hipocampos and Slow Train
- Zillas on Acid

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Multi Culti return with five mind-altering bangers on SOLSTICE II, an appropriately diverse collection of music for the label’s flagship 12” series AXIAL TILT, celebrating cosmic collisions, chaos magick, transcendent dance and inner balance. In a watershed moment for the globally-garnered imprint, SHEILA CHANDRA’s ‘RAQS’ gets a licensed rework by ZILLAS ON ACID and it’s a bonafide spine-shaking psychedelic chakra-elevator. Keeping up the energy level but speeding up the tempo, CALYPSO CULT regular, Mexico's INIGO VONTIER shreds out powerful didgeridoo-based peak-time ignition on the A2. FRENZY, already. The B-side kicks off with a massive main-room remix of SABABA 5 ‘NASNUSA’ courtesy of Israeli trance-master KINO TODO & DANELZ, chopping the amazingly catchy and beautiful vocals of Japanese vocalist YURIKA into a club-pumping ear-worm.

ANDI OTTO brings things back down to the lower tempos Multi Culti is associated with, joining forces with Rwandan dancer and singer EVARISTE KARINGANIRE for a wonky, stompy and most of all unique track. Finally, cult wizard GOLDEN BUG turns in another spooky, subliminal groove, sounding like Toulouse Low Trax having a puff with Aleister Crowley - witchy incantation meets hypnotic beat.

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Multi Culti tune in to earth’s axial tilt in the second round of its flagship 12” series with EQUINOX I: The global occult label kick off the seasonal shift with a magical collaboration between Mexican chug-guru Iñigo Vontier and Moscow based brothers Simple Symmetry. ‘Hocus Pocus’ is an anthem for the fuzzy-minded, post-lockdown party-goer. It’s a mesmerizing merger of contemporary electronics and vintage psychedelia. We don’t know much about Ponty Mython, but their sound is right at home on this eclectic record. A freeform flea-market of samples strewn around a broken beat, strung together around a catchy melody, ‘Pinto La Meah’ has an optimistic feel, a subtly nostalgic sense of travel and discovery that suits the global groove collecting theme.

The B-side tracks take the tempo down while raising the hands in the air, perfect for lockdown house parties wherever big-room raves are still ruled out. Ecuadorian Pancho Piedra leads the proceedings with ‘Servio’, serving up a loopy banger that recalls classic Comeme in the best possible way. Punchy, no nonsense party track with just enough spice in the salsa. Colombia via Buenos Aires producer Hermetics teams up with ZZK affiliated, Quito based Hannah Lee on ‘Lux Naturae’ with an absolutely massive sounding beat with killer sub bass. Finally, Magic Pirate takes the downtempo breakbeat vibe into trippier territory with a wicked sounding piano and aphex-synth-sounding romp through his wild imagination on ‘Make me a Jazz Coffee.’ These are fresh, genre-defying and tracks to enter the autumnal equinox, and a fearless move forward in time for earth dance fans the world over.

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Multi Culti launch a new quarterly 12" series in step with the seasons beginning with SOLSTICE I:

Post-pandemic lockdown inspiration can be found in the great planetary balancing act that has taken place since a cataclysmic impact with an asteroid caused mass extinction and set our earth’s orbit off axis. This AXIAL TILT, or obliquity, is responsible for the seasons, and life as we know it has evolved around these unleashed forces. As our lives and for many, careers, have spun dramatically off axis as of late, we look ahead to the coming seasons, with the hope that we can weather the changes, and maintain inner stability. To aid in this quest, Multi Culti promises to deliver sonic support with utmost regularity at the peak moments of cosmic significance, with each Solstice and Equinox.

Beginning this journey are some of the label’s most beloved artists. Israeli duo RED AXES provide a chakra-elevating soundtrack with their inimitable blend of psych-garage-tronica, a sun-kissed banger that signals a long-awaited return to the togetherness of the dancefloor.

ZILLAS ON ACID turn in a robustly wiggly jam that electrifies, frazzling zaps and frenetic percussion recall the fritzy tension of the past year, a cathartic shock-treatment for traumatized dancers looking to get back to prime spine-shaking shape.

Mexico managed to stay open for the most part, and TYU seems to have not skipped a beat here, still in perfect form after breaking out as one of the hottest young producers to emerge in recent years. Dark disco, Mexi-chug, call it what you want, but the emergent genre is never better represented than here… spooky, phosphorescent tribal dance, Tulumminati-tested and approved.

Finally, the big guy - MANFREDAS - whose remixes and edits have been highlight-reel material the past couple of years, delivers a long awaited original track with his requisite heavy-weight swag. Wonky tunings and a chunky downtempo beat underpin Manny’s trademark masterful arrangement style, building patiently, with breakdowns that managed to wring every last drop of impact out of an odd, other-worldy assortment of sounds.

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A1 - Naeku (John Talabot Remix)
A2 - Third Eye Dub (Azu Tiwaline Remix)
B1 - Aima (Auntie Flo Remix)
B2 - Naeku (Multi Culti Micro Dub)

The sonic melting pot of Nicola Cruz’s ‘Hybridism’ reinterpreted by John Talabot, Auntie Flo, Azu Tiwaline and the host label team of Multi Culti.

Leading things off, the Hivern records boss is a dream pairing for Nicola, delivering a deeply atmospheric but powerfully rhythmic club version of Naeku.

Rising Tunisian producer Azu Tiwaline dives into the cavernous soundscapes of Third Eye Dub, her North African influence a natural fit for the mesmerising Oud solo played by Nasiri.

Highlife founder Auntie Flo stretches the eminently catchy and cheerful Aima across a light and ethereal groove. Perfectly anti-depressant vibe from the creator and curator behind the brand new Ambient Flo online station.

Finally, Multi Culti label mates contribute a broken beat micro-dosed micro dub of Naeku, a closed-eye wiggler to tickle the pineal glands of the cult heads that consistently look to this globally garnered record label for psychedelic guidance.

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A1 - High Tension Dub
A2 - Serpent Dub
A3 - DNA Mutation
B1 - Fractal Dub
B2 - Paramid Dub
B3 - Nonstop Outro T.I.M.E.

Zongamin returns with dubbed-out reworks of his 'O!' EP. Cult artist Susumu Mukai brings us into the fun-house of his musical process, re-playing and reworking his EP back-to-front, a far-out journey to the beginning of his last EP, an elliptical meditation on creation itself.

Giving space to the strangeness, allowing the music to bend and warp while somehow managing to hold the centre. These are cosmic explorations, as inwardly rewarding as they are outwardly groovy.

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A1 – Kometenschweif
A2 – Kreidekreis
B1 - Kreidekreis (Alexander Arpeggio Remix)
B2 - Kometenschweif (Whodamanny Reinterpretation)
B3 - Weg Vom Leder

Follow-up EP for Multi Culti from this Berlin duo merging sleek Krautrock influences, decades long production experience, jazz-percussion chops and funky German vocals.

‘Kometenschweif’ will sound the most familiar to fans of Sascha Funke’s club-ready tracks, with percussive and vocal flourishes from Niklas Wandt. ‘Kreidekreis’ takes the tempo down while ramping up the trippiness, a circular journey into funk bass, synth prog, and again, a percussion masterclass.

Finally, ‘Weg Vom Leder’ sounds like a lost Falco tune, brought up to date. On the remix side, Alexander Arpeggio somehow manages to swing ‘Kreidekreis’ into a digital reggae slowburner, while Whodamanny turns Kometenschweif toward indie-kraut-wave bop.

Release Date: 13th November (Subject To Change)


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Everyone's favourite trans-national non-denominational dance imprint joins forces with the dark lords of CALYPSO - the ever prolific Mexican Inigo Vontier and his Argentinian cohort Thomass Jackson.
Few producers are hitting the nail on the head of the zeitgeist with quite as much impact as these two, and their label has crystallized their sound. Frequently play-listed by the likes of Red Axes, DJ Tennis, Chloé and more, Calypso have found a niche for their hard-hitting, voodoo-licious tracks.
Inigo drops fierce power-chug that will melt minds at peak-time moments at Mayan Warrior or MN Roy, Mr. Jackson turns in eminently playable mid-tempo grooves sure to fit in to the early and late hours in all kinds of sets.


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Multi Culti strip down and sling low with this ep of restrained early-morning house from UK's Jamie Paton. One half of Cage & Aviary, the London-based producer follows up releases on Emotional Especial and Holga Nord with virtuosic depth.
It may be the power of suggestion, but Squeeze the Prime Time sounds like a well-worn night-life wayfarer wringing their very last brain cells for more serotonin on the dance-floor. On 'Syrens' especially, there is a sense of subdued, spectral ecstasy. Squelchy, spacey, bumpy, this is a masterful soundtrack to synapses firing to the world's most cherished tryptamine.
Multi Culti production duo Dreems & Thomas Von Party add a 'Self-Help' remix, an unashamed attempt to lend 75% more hippy to the package, taking holotropic breath-work to the masses as only a pair of gurus can do.


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It can now be revealed. Anonymous internet supergroup Drugface is going public, unmasking themselves as Multi Culti audio­visionary Thomas Von Party and Montreal cult legend John Shape, who absorbed the life rights to the Beaver Sheppard Story in an online game of Russian Roulette. If you’re reading this, the Von Party element probably makes so much sense that you’ll never forgive yourself for not realizing it sooner. The vibes, the production; it was there the whole time. Eagle­eared listeners may have ID’d Shape from his Ricardo Villalobos-produced remix pack on Sei Es Drum, or as the singer in German instrumental band Brandt Brauer Frick. Those who guessed both members are now on some kind of list.
“In the Clouds” is the latest single from the secretly prolific duo, a synaesthetic window into a realm where everything tastes like data and everything sounds like mushrooms. B­side “On the Prowl” is a collaboration with Multi Culti vitamin­-shaman Dreems, with the results entrusted to Finnish synth­-lord Jori Hulkkonen to ensure everything holds up 9,000 years from now.
For the remixes, Simple Symmetry pull you through a wormhole to the sunny beaches of Moscow, The Beat Escape add massive doses of class and elegance. We tested these descriptions on 50 tastemaker chimps, and all 50 were still at least “somewhat jazzed” about hearing the tracks anyway.
And of course it goes without saying that Multi Culti is proud to present this.


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