1
Dee Nasty - Orientic Groove
2
Scoop! - Asphalt Zombie
3
Vox Populi! & Man - Johnny Pour Toujours
4
3M - The Mark
5
Asmus Tietchens - Triumph Des Wilden
6
Melsjest - Der Sound Kosten
7
Vox Populi! - 1234567
8
Randall Kennedy - Enorma Jones
9
Dennis Young - Intuition
10
Stanalis Noel - Wondercat
11
Bene Gesserit - Kidnapping
12
Kosa - For Dance
13
Capital Funk - The Last Set
14
Psyclones - Fall In Time
15
Chukk Green - Shoes For Freedom
Repress!
Platform 23 presents the 2nd collection of songs selected from the Alternative Funk series released Vox Man and VP 231 Records. Originally appearing in 1985 across 1 vinyl and 2 cassette albums these cult collections have long been in collectors (and bootleggers) sights and finally see the first official reissue.
As with Volume 1 (PLA023) the series covers the weird, wonderful, esoteric, exotic and quirky sound and puts them in a reset context that immediately gives clarity of the original's curation.
This volume opens with some DIY electro stealers, first with Dee Nasty's Orientic Groove, where the early French hip-hop pioneer lays down a battle commence of beats, slapped bass and YMO keys, before the second offering from Scoop! and their rap attack, juxtapositions the past series and leads to label heads Vox Populi! & Man and their continued look at the rudiments of cut up manipulation and scratch techniques.
The avant rappears with 3M's percussive marker and legendary Amus Tietchens' is ever challenging, before Melsjest's post-punk meets the Weirmar possibly steals the side as Vox Pop spoken outro joins those (micro)dots.
The cult of Randall Kennedy returns with another garage-fuzz gem. His stories for wackos'n'weirdos end all too soon and are followed by Liquid Liquid's Dennis Young, diving deep with Intuition, before Stanalis returns with another winner. Bene Gesserit is a killer and welcome addition, before Kosa return with more industrial clippings and volume 2 heads to the door with Capital Funk's electro-punk bomb - possibly the series champion - while the slap bass-scratch of California's Psyclones leads to a music hall end in the homage to mum's favourite, Chukk.
What these Volumes again highlight is how the DIY aesthetic of so many independent labels was supplemented and spread via collections of friends, contemporaries and often, literally pen pals, to mail in their offerings that are then picked for wider ears. While some of these artists have become known, just as many are who and whats, but they sit side-by-side as warranted and often killing the scene of what Axel and co sought to be...the Alternative Funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Platform 23 presents the 2nd collection of songs selected from the Alternative Funk series released Vox Man and VP 231 Records. Originally appearing in 1985 across 1 vinyl and 2 cassette albums these cult collections have long been in collectors (and bootleggers) sights and finally see the first official reissue.
As with Volume 1 (PLA023) the series covers the weird, wonderful, esoteric, exotic and quirky sound and puts them in a reset context that immediately gives clarity of the original's curation.
This volume opens with some DIY electro stealers, first with Dee Nasty's Orientic Groove, where the early French hip-hop pioneer lays down a battle commence of beats, slapped bass and YMO keys, before the second offering from Scoop! and their rap attack, juxtapositions the past series and leads to label heads Vox Populi! & Man and their continued look at the rudiments of cut up manipulation and scratch techniques.
The avant rappears with 3M's percussive marker and legendary Amus Tietchens' is ever challenging, before Melsjest's post-punk meets the Weirmar possibly steals the side as Vox Pop spoken outro joins those (micro)dots.
The cult of Randall Kennedy returns with another garage-fuzz gem. His stories for wackos'n'weirdos end all too soon and are followed by Liquid Liquid's Dennis Young, diving deep with Intuition, before Stanalis returns with another winner. Bene Gesserit is a killer and welcome addition, before Kosa return with more industrial clippings and volume 2 heads to the door with Capital Funk's electro-punk bomb - possibly the series champion - while the slap bass-scratch of California's Psyclones leads to a music hall end in the homage to mum's favourite, Chukk.
What these Volumes again highlight is how the DIY aesthetic of so many independent labels was supplemented and spread via collections of friends, contemporaries and often, literally pen pals, to mail in their offerings that are then picked for wider ears. While some of these artists have become known, just as many are who and whats, but they sit side-by-side as warranted and often killing the scene of what Axel and co sought to be...the Alternative Funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Platform 23
1
Vox Populi! - Schmacht
2
Vox Populi! - Gole Mariam
3
Vox Populi! - Da Ma
4
Vox Populi! - Golnessar
5
Vox Populi! - De La Cohorte Mystique
6
Vox Populi! - Freaking At Ffm
7
Vox Populi! - Perse Voir La Lumiere
8
Vox Populi! - Fassle
9
Vox Populi! - Taghmanantes - Gin Gina - Un Jour
So-called 'ethno-industrialists' and Paris-based outliers Vox Populi are next in the spotlight for Platform 23 Records as it continues on its mission to unearth archival treasures both known and unknown. Half Dead Ganga Music is widely thought to be one of the group's most cohesive records as it meanders through lo-fi drones, muggy ambient and voodoo ritualism. Founder Axel Kyrou and partner Mythra who provides the ghostly vocals cook up alluring yet oddball sounds with obscured bass, rich layers of tape processing and weirdly uplifting gloominess. A superb album that sounds as new and innovative now as it did when it was first released all those decades ago.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
De Fabriek - Lullabye
2
De Fabriek - Lullabye (Dunkeltier 'Hey Robot' Mix)
3
Dunkeltier - Tik Tok Goes The Clock
4
De Fabriek - Come Down
5
De Fabriek - Come Down (Khidja 5AM Mix)
Platform 23 again explores to the dense voids, this time with a touch of the funk, with a reissue of Dutch experimentalists De Fabriek and two tracks from their "Music For" cassette series, this time calling all Hippies.
Featuring both original and reinterpretations from modern-day heads, Dunkeltier and Khidja, this double-pack is something of an oddity, showcasing the bands' expansive range, moving away from the noise, drone and industrial soundscape releases they had become known for and crafting here, free flowing, groovy longform jams.
Active since the late 70s to today, De Fabriek (The Factory) have never considered themselves a real band - being also a label too - with an evolving and irregular line up centred around Richard van Dellen, they present their music and output as a kind of work-union.
With literally four decades and dozens of releases across all formats, 1988's cassette release, 'Music For Hippies', has become something of a cult curio, with the long improvisational tracks, Lullabye and Coming Down eschewing the rougher, industrial experience for something completely different.
In opener Lullabye, we go full leftfield P-Funk meets Motorik undertones. An incessant beat is laid from the start and doesn't cease for over 10 minutes, while spoken vocals call closer to the Krautrock realms of Can and hark to Liebezeit's stylised grooving best.
Analog, echo washed, with touches of glam and wrapped in simple effects pedal work, the secrets are passed to Dresden / Berlin inhabitant Dunkeltier aka Sneaker DJ aka Thomas Smorek. His darker moniker, appearing on obscure edits for Macadam Mambo and the much-missed Bahnsteig 23, his 'Hey Robot' mix adds bass, percussion, strings and synth to remold Lullabye into a late night, red light, basement denzien. This is followed by an additional, bonus reimagining, creating an all-new time piece, an ear worm of the best kind with Tik Tok Goes The Clock.
The second slab presents in Come Down, a more resembling De Fabriek werk. Edited to fit, the darkness is entered as snapshot vocal quips, oscillations and synthesised mutations are laid over a lazy, relentless ostinato rhythm where cymbals crash on the bar. Inviting, calling, De Fabriek's aptly titled downer is in fact, a joyous journey.
To complete, label affiliates, Khidja take a break from finalising their debut album to unfold their 'Psychebabble Mix', a dozen plus minutes of warped, twisted, cassette machinations that suck the listener further along the trip. Added bass propels their edit suddenly to a new direction, a hook for mind and for the open willed, the body. De Fabriek's "coming down lullabye" arriving on vinyl for the first time, with a twist and shake, calling deeper to acceptance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Featuring both original and reinterpretations from modern-day heads, Dunkeltier and Khidja, this double-pack is something of an oddity, showcasing the bands' expansive range, moving away from the noise, drone and industrial soundscape releases they had become known for and crafting here, free flowing, groovy longform jams.
Active since the late 70s to today, De Fabriek (The Factory) have never considered themselves a real band - being also a label too - with an evolving and irregular line up centred around Richard van Dellen, they present their music and output as a kind of work-union.
With literally four decades and dozens of releases across all formats, 1988's cassette release, 'Music For Hippies', has become something of a cult curio, with the long improvisational tracks, Lullabye and Coming Down eschewing the rougher, industrial experience for something completely different.
In opener Lullabye, we go full leftfield P-Funk meets Motorik undertones. An incessant beat is laid from the start and doesn't cease for over 10 minutes, while spoken vocals call closer to the Krautrock realms of Can and hark to Liebezeit's stylised grooving best.
Analog, echo washed, with touches of glam and wrapped in simple effects pedal work, the secrets are passed to Dresden / Berlin inhabitant Dunkeltier aka Sneaker DJ aka Thomas Smorek. His darker moniker, appearing on obscure edits for Macadam Mambo and the much-missed Bahnsteig 23, his 'Hey Robot' mix adds bass, percussion, strings and synth to remold Lullabye into a late night, red light, basement denzien. This is followed by an additional, bonus reimagining, creating an all-new time piece, an ear worm of the best kind with Tik Tok Goes The Clock.
The second slab presents in Come Down, a more resembling De Fabriek werk. Edited to fit, the darkness is entered as snapshot vocal quips, oscillations and synthesised mutations are laid over a lazy, relentless ostinato rhythm where cymbals crash on the bar. Inviting, calling, De Fabriek's aptly titled downer is in fact, a joyous journey.
To complete, label affiliates, Khidja take a break from finalising their debut album to unfold their 'Psychebabble Mix', a dozen plus minutes of warped, twisted, cassette machinations that suck the listener further along the trip. Added bass propels their edit suddenly to a new direction, a hook for mind and for the open willed, the body. De Fabriek's "coming down lullabye" arriving on vinyl for the first time, with a twist and shake, calling deeper to acceptance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Stanislas Noel & Jean-Christophe Utz - Money Money
2
Scoop! - Caravan
3
Son Of Sam - Anti Apartheid
4
From Raushenberg - About Fritz
5
Fist Of Facts - Fire Breath
6
Philippe Laurent - Rapide
7
Vox Populi & Man - Alternative Fresh
8
Zoohtee - Track 8
9
Kosa - Nykowe
10
Randall Kennedy - Smith's Room
11
The Arms Of Someone New - Cool As Christ
12
Human Backs - Takayama Rising
13
ONY - Give It To Me
14
Vox Populi & Man - Megamix
Repress!
Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.
Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.
As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's (aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.
Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.
What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.
The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.
Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.
As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's (aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.
Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.
What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.
The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Ani Roy - Tilt #1
2
Ani Roy - Tilt #2
3
Ani Roy - Tilt #3
4
Ani Roy - Tilt #4
"When Aniruddha Das (DSPSSSSD) and Gary ""Roy"" Stewart (Dubmorphology) met at Nottingham Trent Polytechnic in the mid-80s, they started on a life-long friendship and musical collaborative partnership that continues today.
While Das went on to acclaim as part of Asian Dub Foundation, Stewart is an artist and experimental sonic musician, producing projects featuring sound design and immersive works, for the likes of Tate Museum.
Together they perform as Dubnoiz Coalition, exploring the outer limits of improvised bass, noise and distortion, which has seen them perform across the globe.
In 1990 they took their first steps in a recording studio, mixing the early influences of Acid House with their interest in drone and sound effects, to create two pieces, Tilt and Fari 116.
Recorded as improvisational jams and dubbed live to the mixing desk, they were pressed as very limited white labels. Here Tilt is all bubbling acid and taut percussion, recorded to a 2” 16 track. Using samplers, drum machines, Roland TB303 and sync box, Ani arranged the drum and bass lines, as well as programming the 'counter melodies' with the TB303, with acid modulations and sometimes in odd time signatures, while Roy looked after the samples and drones.
Archival testaments but set apart from the burgeoning acid house scene and simply great music, here remastered and reissued some 30 years later by Platform 23.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
While Das went on to acclaim as part of Asian Dub Foundation, Stewart is an artist and experimental sonic musician, producing projects featuring sound design and immersive works, for the likes of Tate Museum.
Together they perform as Dubnoiz Coalition, exploring the outer limits of improvised bass, noise and distortion, which has seen them perform across the globe.
In 1990 they took their first steps in a recording studio, mixing the early influences of Acid House with their interest in drone and sound effects, to create two pieces, Tilt and Fari 116.
Recorded as improvisational jams and dubbed live to the mixing desk, they were pressed as very limited white labels. Here Tilt is all bubbling acid and taut percussion, recorded to a 2” 16 track. Using samplers, drum machines, Roland TB303 and sync box, Ani arranged the drum and bass lines, as well as programming the 'counter melodies' with the TB303, with acid modulations and sometimes in odd time signatures, while Roy looked after the samples and drones.
Archival testaments but set apart from the burgeoning acid house scene and simply great music, here remastered and reissued some 30 years later by Platform 23.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Ani Roy - Fari 116 #1
2
Ani Roy - Fari 116 #2
3
Ani Roy - Fari 116 #3
4
Ani Roy - Fari 116 #4
Platform 23 presents Ani-Roy, a project from friends Aniruddha Das and Gary "Roy" Stewart, who recorded two 12's of improvisational acid-house meets drone and samples in 1990.
They met over a love of principally reggae and post punk at Trent Polytechnic, Nottingham in 1982, and started combining equipment, to make tape loops and delays for exploring the basics of dub, all the while building their own Sound System.
This learning and experimenting converged their interests in early possibilities afforded for programming sounds and effects. They moved to London / Birmingham respectively and continued their collaboration until all things aligned in 1990. Coming together with Andrew Campbell, a community / social entrepreneur based in Nottingham - and with access to the Marcus Garvey Centre studios - they recorded two improvisational jams to 2 16 track; Ani arranging drum and bass lines, programming 'counter melodies' with a TB-303, and Roy looking after the ominous ambient loops, melodies, riot and Prince Far I samples.
The fact there were so many "versions" compelled Andrew to put the results out on two 12's instead of one. Fari 116 and Tilt were self-released on hand-stamped white labels.
Archival testaments, but set apart from the burgeoning acid house scene - here they are re-mastered and reissued some 30 years later by Platform 23.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
They met over a love of principally reggae and post punk at Trent Polytechnic, Nottingham in 1982, and started combining equipment, to make tape loops and delays for exploring the basics of dub, all the while building their own Sound System.
This learning and experimenting converged their interests in early possibilities afforded for programming sounds and effects. They moved to London / Birmingham respectively and continued their collaboration until all things aligned in 1990. Coming together with Andrew Campbell, a community / social entrepreneur based in Nottingham - and with access to the Marcus Garvey Centre studios - they recorded two improvisational jams to 2 16 track; Ani arranging drum and bass lines, programming 'counter melodies' with a TB-303, and Roy looking after the ominous ambient loops, melodies, riot and Prince Far I samples.
The fact there were so many "versions" compelled Andrew to put the results out on two 12's instead of one. Fari 116 and Tilt were self-released on hand-stamped white labels.
Archival testaments, but set apart from the burgeoning acid house scene - here they are re-mastered and reissued some 30 years later by Platform 23.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Colin Potter - The French Polisher
2
Colin Potter - Diary Of A Nobody
3
Colin Potter - Solidarity At Wujeck Colliery
4
Colin Potter - Persistence
5
Colin Potter - Green Fields
6
Colin Potter - Saw
7
Colin Potter - Nine Months
8
Colin Potter - Ship That Pass In The Night
Platform 23 is delighted to present music from Colin Potter with It Was, a collection of tracks chosen from his 1989 cassettes Recent History Volumes 1 & 2.
After a burst of activity, mainly on his ICR label, from 1980 - 82, the tapes were the first released music in seven years and highlighted the intervening period.
While much of his earlier recordings have now been reissued by Dark Entries, Deep Distance and Sacred Summits, It Was covers the period where Potter recordings were limited while working as an engineer at his IC Studio, and pre-date his work with Nurse With Wound.
The ambience and guitar of The French Polisher leads to Diary Of A Nobody, an embodiment of Potter, sequencers and guitar against submerged, metallic percussion rising. Dense, claustrophobia follows in Solidarity At Wujeck Colliery towards the guitar refrains of Persistence.
Side two starts with Green Fields, where plucked guitars are surrounded and consumed by arpeggios. Propulsion without percussion, the layers of arps shift and redefine before the scatter of Saw with reversed synths and guitar acting as counterbalance. Nine Months, a possible centerpiece, has an autumnal atmosphere; crashing cymbals and ambulant guitar, leading to the closing Ships That Pass In The Night, a hazy drift of slowly sequenced synths & primitive voice samples.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
After a burst of activity, mainly on his ICR label, from 1980 - 82, the tapes were the first released music in seven years and highlighted the intervening period.
While much of his earlier recordings have now been reissued by Dark Entries, Deep Distance and Sacred Summits, It Was covers the period where Potter recordings were limited while working as an engineer at his IC Studio, and pre-date his work with Nurse With Wound.
The ambience and guitar of The French Polisher leads to Diary Of A Nobody, an embodiment of Potter, sequencers and guitar against submerged, metallic percussion rising. Dense, claustrophobia follows in Solidarity At Wujeck Colliery towards the guitar refrains of Persistence.
Side two starts with Green Fields, where plucked guitars are surrounded and consumed by arpeggios. Propulsion without percussion, the layers of arps shift and redefine before the scatter of Saw with reversed synths and guitar acting as counterbalance. Nine Months, a possible centerpiece, has an autumnal atmosphere; crashing cymbals and ambulant guitar, leading to the closing Ships That Pass In The Night, a hazy drift of slowly sequenced synths & primitive voice samples.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The 4th and final EP of music from Exquisite Corpse brings to a close this series of rebirth and definition. Together, Robbert Heynen, Debbie Jones and Tim Freeman released in just 2 years a stream of sacred, serotonin beats and hypnotic tribal rhythms that shape shifted dance floors. Returning to the source, the debut Reassembling Reaility EP, with Hollywood. A confluence of steppa rim, spoken mystics, found sounds, synth-strings and rolling basslines. Join us. Leading to Strange Attractor from the prized Dream Night Dance album, familiarity and progression. Euphoric onrush, bottom end pulsing, sentimental strings, serene keys, pitch shift, a master class of less becoming more. Aural injection. Calling The Quarters off 1993's Inner Light album starts the final side in bestowing beauty; above so below, in front, behind, around. Raw, natural, fluctuating, moody, obscure. The mystery. The release and series completes with Etoiles. Again (aptly) drawn from 1992's Dream Night Dance Music, the hallmarks' of this underrated project are there. Detroit bass, lazy hats, counter claps, harmonies for modern times. Tribal. Ambient. Techno. The terms do not justify the music included. As it should be. Primal, sanctified, conscious, living. The journey ending.
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DE - 22113 Hamburg
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The 3rd EP (of 4) looking at the music of Exquisite Corpse's output from 1992 to 1994. As with the rest of the series the music included covers the palette of Robbert Heynen's output and is presented here, remastered and redesigned for club play.
Working as ever with friend and engineer Tim Freeman, as well as partner Debbie Jones, Heynen's post-Psychick Warriors Ov Gaia productions took his techno, trance and tribal explorations to a new conclusions.
With Point Zero all these elements come together with possibly the strongest tracks of the EPs. Opening EC's sophomore album, Inner Light, there is confidence in the interplay between oscillating sequencing and rattling drums, perfectly and infectiously interweaving between headspace and dance floor.
B K S from the Dream Night Dance Music album follows and takes things down a notch. Ethnic leanings interplay with light percussion and a deep bass to pull you till dawn.
Side two opens with the clattering, syncro-rhythms of Traditional Ties With Dreaming. Taken from their debut EP, Reassembling Reality is itself the perfect elude. Quasi-dreamlands, drumming for 1000 musicians that loops and builds, dismembers and starts over like a gentile, hypnotic orchestra.
To complete the EP, Dream Night Dance Music appears again with Elevator showing a love of the original deep house odes emanating from Fingers and Jefferson of late 80s Chi Town. Fluorescent keys overlay somber drum and bass to sink the most melancholy sunsets. An end to the beginning. A beginning to the end. A third ending.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Working as ever with friend and engineer Tim Freeman, as well as partner Debbie Jones, Heynen's post-Psychick Warriors Ov Gaia productions took his techno, trance and tribal explorations to a new conclusions.
With Point Zero all these elements come together with possibly the strongest tracks of the EPs. Opening EC's sophomore album, Inner Light, there is confidence in the interplay between oscillating sequencing and rattling drums, perfectly and infectiously interweaving between headspace and dance floor.
B K S from the Dream Night Dance Music album follows and takes things down a notch. Ethnic leanings interplay with light percussion and a deep bass to pull you till dawn.
Side two opens with the clattering, syncro-rhythms of Traditional Ties With Dreaming. Taken from their debut EP, Reassembling Reality is itself the perfect elude. Quasi-dreamlands, drumming for 1000 musicians that loops and builds, dismembers and starts over like a gentile, hypnotic orchestra.
To complete the EP, Dream Night Dance Music appears again with Elevator showing a love of the original deep house odes emanating from Fingers and Jefferson of late 80s Chi Town. Fluorescent keys overlay somber drum and bass to sink the most melancholy sunsets. An end to the beginning. A beginning to the end. A third ending.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Platform 23 presents the 2nd (of 4) EPs of music from Exquisite Corpse. In Between Rhythms II, a deeper, ambient, percussive selection again returns to the project of Robbert Heijnen.
As part of the post punk / alternative Tilburg music scene of the mid-80s, Robbert influences of expression and interest in industrial and EBM is apparent. The move from the metallic sounds (as a member) of the early incarnation of Psychick Warriors Of Gaia to embrace the sounds emanating from late 80s Chicago and Detroit saw the band develop from their early cassette '1989' to the fully formed and now revered 1992 debut album, Ov Biospheres And Sacred Grooves (A Document Ov New Edge Folk Classics).
The parallels between this deep, trippy and haunting melodies meets tribal percussions, highlights some similarities of PWOG and Exquisite Corpse's outlook during this period. Looking further, upon leaving the former, the bands sound developed a harder edge, with more focus on rhythm and their exploratory properties indicating the nature of Heijnen influence and part in PWOG and how this was further explored when going solo in 1992.
The release starts with Shadow Play from his second album, 1993's Inner Light. Darkness descends to echo'd drums as the vestiges of developing European techno worlds can be heard in the distance. What A Life, from the Reassembling Reality EP, brings things down with an ambient beginning moving to Reich loops and sequencing that create shifting melodic horizons. A personal favourite of the artist, the EP saw the realization of the collaborations with Debbie Jones in design and life.
With the consistent presence of 'third member' - in mixing, engineering and support - from Tim Freeman, the songs in the series have a unique, but familiar and inclusive nature. This can again be heard in Sacrifice from the highly sought after Dream Night Dance Music album. The interplay of drums, claps and swing are enough alone to warrant acceptance. To close, Tepu returns to the Inner Light album. Darkness, Questioning. Calling. Second(s) ending.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
As part of the post punk / alternative Tilburg music scene of the mid-80s, Robbert influences of expression and interest in industrial and EBM is apparent. The move from the metallic sounds (as a member) of the early incarnation of Psychick Warriors Of Gaia to embrace the sounds emanating from late 80s Chicago and Detroit saw the band develop from their early cassette '1989' to the fully formed and now revered 1992 debut album, Ov Biospheres And Sacred Grooves (A Document Ov New Edge Folk Classics).
The parallels between this deep, trippy and haunting melodies meets tribal percussions, highlights some similarities of PWOG and Exquisite Corpse's outlook during this period. Looking further, upon leaving the former, the bands sound developed a harder edge, with more focus on rhythm and their exploratory properties indicating the nature of Heijnen influence and part in PWOG and how this was further explored when going solo in 1992.
The release starts with Shadow Play from his second album, 1993's Inner Light. Darkness descends to echo'd drums as the vestiges of developing European techno worlds can be heard in the distance. What A Life, from the Reassembling Reality EP, brings things down with an ambient beginning moving to Reich loops and sequencing that create shifting melodic horizons. A personal favourite of the artist, the EP saw the realization of the collaborations with Debbie Jones in design and life.
With the consistent presence of 'third member' - in mixing, engineering and support - from Tim Freeman, the songs in the series have a unique, but familiar and inclusive nature. This can again be heard in Sacrifice from the highly sought after Dream Night Dance Music album. The interplay of drums, claps and swing are enough alone to warrant acceptance. To close, Tepu returns to the Inner Light album. Darkness, Questioning. Calling. Second(s) ending.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Customers who bought this also bought this
Label:The Outer Edge
Cat-No:TAC-004
Release-Date:14.10.2022
Genre:Electronic, Electronica
Configuration:LP Excl
Label:The Outer Edge
Cat-No:TAC-004
Release-Date:14.10.2022
Genre:Electronic, Electronica
Configuration:LP Excl
1
Herbert Bodzin - Against the Wall
2
Herbert Bodzin - Lifting Blue
3
Herbert Bodzin - Voices of the Mind
4
Herbert Bodzin - Orbital
5
Herbert Bodzin - Lookin' Forward (Part 1)
6
Herbert Bodzin - Red Ocean
7
Herbert Bodzin - Flow Up
8
Herbert Bodzin - Go Ahead
9
Herbert Bodzin - Tender Words
Warehouse Find!
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!
VITAL SALES POINTS:
- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.
Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums
Originally recorded between 1979 to 1982
Tracklist:
Side A
A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)
Side B
B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Coldreams - A1 - EYES
2
Coldreams - B1 - MORNING RAIN
Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.
Tracklist :
A Eyes
B Morning Rain
Short Info:
Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.
We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.
Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.
Reissue limited to 500 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist :
A Eyes
B Morning Rain
Short Info:
Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.
We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.
Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.
Reissue limited to 500 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Film De Guerre - A1 Accident 3:15
2
Film De Guerre - A2 Dead End 3:14
3
Film De Guerre - A3 Station Balneaire 4:05
4
Film De Guerre - A4 Parano A La Campagne 2:29
5
Film De Guerre - A5 Acide Nuit 2:47
6
Film De Guerre - B1 Saint Raphael 2:26
7
Film De Guerre - B2 Matin Matin 4:15
8
Film De Guerre - B3 Blattes 2:24
9
Film De Guerre - B4 Courir Courir 3:49
10
Film De Guerre - B5 57ème Depression 1:56
LP, remaster - Includes 24"x24" poster
Dark Wave / Post Punk
Tracklisting
A1 Accident 3:15
A2 Dead End 3:14
A3 Station Balneaire 4:05
A4 Parano A La Campagne 2:29
A5 Acide Nuit 2:47
B1 Saint Raphael 2:26
B2 Matin Matin 4:15
B3 Blattes 2:24
B4 Courir Courir 3:49
B5 57ème Depression 1:56
File under
Remastered self-titled Swiss Romand sought after Dark Wave / Post Punk album from 1981.
Includes 24"x24" poster & original insert with lyrics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Dark Wave / Post Punk
Tracklisting
A1 Accident 3:15
A2 Dead End 3:14
A3 Station Balneaire 4:05
A4 Parano A La Campagne 2:29
A5 Acide Nuit 2:47
B1 Saint Raphael 2:26
B2 Matin Matin 4:15
B3 Blattes 2:24
B4 Courir Courir 3:49
B5 57ème Depression 1:56
File under
Remastered self-titled Swiss Romand sought after Dark Wave / Post Punk album from 1981.
Includes 24"x24" poster & original insert with lyrics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
La Nuit Je Mens - A1 Amazone C
2
La Nuit Je Mens - A2 Postérité Du Soleil
3
La Nuit Je Mens - A3 Les Nuits Magnétiques
4
La Nuit Je Mens - B1 Amores Perros
5
La Nuit Je Mens - B2 Black-Out
6
La Nuit Je Mens - B3 SOS Club
7
La Nuit Je Mens - B4 Art Dimension
LP
GENRE/S: Minimal Wave, EBM, Cold Wave, Synth-Pop, New Wave
TRACKLIST:
A1 Amazone C
A2 Postérité Du Soleil
A3 Les Nuits Magnétiques
B1 Amores Perros
B2 Black-Out
B3 SOS Club
B4 Art Dimension
SHORT INFO:
Teatro Del Metapresente is the debut album by La Nuit Je Mens, a duo hailing from the Parisian
suburbs and southern Italy. Now based in Rome, the two artists have crafted a striking sound that
merges their DIY ethos with raw, unfiltered energy.
Driven by synthetic, minimalist rhythms created on a fleet of analog machines, the seven tracks pay
homage to the sound of the '80s – yet entirely forward-looking and embracing the dancefloor modernity.
Blending genres such as EBM, synth-pop and minimal-cold-wave, paired with French vocals, the album
delves into themes of underground activities, the slow decay of the club scene and the depths of
emotional yearning.
Released on the Berlin-Basel-based label Reach Another System, Teatro Del Metapresente follows the
previously released 7” and reinforces the duo's own sound and unique identity.
VITAL SALES POINTS:
- Also known under their solo projects Rawmance and Asymmetrical
- In summer 2024, the duo released their first 7" single, which was very well appreciated
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
GENRE/S: Minimal Wave, EBM, Cold Wave, Synth-Pop, New Wave
TRACKLIST:
A1 Amazone C
A2 Postérité Du Soleil
A3 Les Nuits Magnétiques
B1 Amores Perros
B2 Black-Out
B3 SOS Club
B4 Art Dimension
SHORT INFO:
Teatro Del Metapresente is the debut album by La Nuit Je Mens, a duo hailing from the Parisian
suburbs and southern Italy. Now based in Rome, the two artists have crafted a striking sound that
merges their DIY ethos with raw, unfiltered energy.
Driven by synthetic, minimalist rhythms created on a fleet of analog machines, the seven tracks pay
homage to the sound of the '80s – yet entirely forward-looking and embracing the dancefloor modernity.
Blending genres such as EBM, synth-pop and minimal-cold-wave, paired with French vocals, the album
delves into themes of underground activities, the slow decay of the club scene and the depths of
emotional yearning.
Released on the Berlin-Basel-based label Reach Another System, Teatro Del Metapresente follows the
previously released 7” and reinforces the duo's own sound and unique identity.
VITAL SALES POINTS:
- Also known under their solo projects Rawmance and Asymmetrical
- In summer 2024, the duo released their first 7" single, which was very well appreciated
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Camisole Records
Cat-No:CAM024
Release-Date:17.06.2022
Genre:Alternative/Electronic
Configuration:LP Excl
Label:Camisole Records
Cat-No:CAM024
Release-Date:17.06.2022
Genre:Alternative/Electronic
Configuration:LP Excl
1
White Pain - Tomorrow's Enough
2
White Pain - Nowhere To Go
3
White Pain - State Of Mind
4
White Pain - Différentes Attitudes
5
White Pain - Get Out
6
White Pain - A Kick In Your Mind
7
White Pain - Paroles Absurdes
8
White Pain - Vienna [1985 Tape]
9
White Pain - Nowhere To Go [1985 Tape]
Territories: WW-FR
LP
Camisole is proud to unveil another part of the french cold wave history with the reissue of "Paroles Absurdes" LP by White Pain.
Hailing from Lyon the band began as a duo with Patrick Saveau and Patrick Gravier in 1984.Active figures in the underground scene of their city, they played some gigs and even had their own show on the local radio station.They developed a small following around them and recruited other members to record this album in 1986.
"Paroles Absurdes" is driven by the feeling that you can't escape your fate. Saying Words that you sometimes regret but you feel to be true.This testimony infuses this whole album.However, positive assumptions flow from time to time and left their more pop appeal roll into some songs.
This reissue also includes the first two tracks of the group only released on tape in 1985.As a duo, White Pain was a synth and drum machine band inspired by early 80's german pioneers like DAF or Din a Testbild.They used to have a raw, powerful, and dark sound quite unique in France at this time."Vienna" is probably the best way to resume their first intention.
A1-Tomorrow's Enough
A2-Nowhere To Go
A3-State Of Mind
A4-Différentes Attitudes view
B1-Get Out
B2-A Kick In Your Mind
B3-Paroles Absurdes
B4-Vienna [1985 Tape]
B5-Nowhere To Go [1985 Tape]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP
Camisole is proud to unveil another part of the french cold wave history with the reissue of "Paroles Absurdes" LP by White Pain.
Hailing from Lyon the band began as a duo with Patrick Saveau and Patrick Gravier in 1984.Active figures in the underground scene of their city, they played some gigs and even had their own show on the local radio station.They developed a small following around them and recruited other members to record this album in 1986.
"Paroles Absurdes" is driven by the feeling that you can't escape your fate. Saying Words that you sometimes regret but you feel to be true.This testimony infuses this whole album.However, positive assumptions flow from time to time and left their more pop appeal roll into some songs.
This reissue also includes the first two tracks of the group only released on tape in 1985.As a duo, White Pain was a synth and drum machine band inspired by early 80's german pioneers like DAF or Din a Testbild.They used to have a raw, powerful, and dark sound quite unique in France at this time."Vienna" is probably the best way to resume their first intention.
A1-Tomorrow's Enough
A2-Nowhere To Go
A3-State Of Mind
A4-Différentes Attitudes view
B1-Get Out
B2-A Kick In Your Mind
B3-Paroles Absurdes
B4-Vienna [1985 Tape]
B5-Nowhere To Go [1985 Tape]
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
System Olympia - The Only Way To Do It
2
System Olympia - Sirius Desire
3
System Olympia - So True
4
System Olympia - Look With Your Eyes
5
System Olympia - Possible Worlds
6
System Olympia - Erotic Line
7
System Olympia - Tommib
8
System Olympia - You’re Not Talking
9
System Olympia - 6AM Romance
10
System Olympia - Not Us (U)
Genre: Electronica Romantica / Nu Disco
System Olympia drops her album debut and, in turn, initiates her Okay Nature label. 'Delta Of Venus' takes elements of minimal synth/wave, pop, contemporary R&B, and fashions them into this steely, icy cool and highly original new form whilst keeping loyal to the DIY tradition. Stunning release that you really don't want to miss.
A Side:
The Only Way To Do It
Sirius Desire
So True
Look With Your Eyes
Possible Worlds
B Side:
Erotic Line
Tommib
You’re Not Talking
6AM Romance
Not Us (U)
Vital Sales Point:
First album from System Olympia
Sold out on presale twice when previously released
Currently selling for £ 100 average on Discogs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
System Olympia drops her album debut and, in turn, initiates her Okay Nature label. 'Delta Of Venus' takes elements of minimal synth/wave, pop, contemporary R&B, and fashions them into this steely, icy cool and highly original new form whilst keeping loyal to the DIY tradition. Stunning release that you really don't want to miss.
A Side:
The Only Way To Do It
Sirius Desire
So True
Look With Your Eyes
Possible Worlds
B Side:
Erotic Line
Tommib
You’re Not Talking
6AM Romance
Not Us (U)
Vital Sales Point:
First album from System Olympia
Sold out on presale twice when previously released
Currently selling for £ 100 average on Discogs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Stanislas Noel & Jean-Christophe Utz - Money Money
2
Scoop! - Caravan
3
Son Of Sam - Anti Apartheid
4
From Raushenberg - About Fritz
5
Fist Of Facts - Fire Breath
6
Philippe Laurent - Rapide
7
Vox Populi & Man - Alternative Fresh
8
Zoohtee - Track 8
9
Kosa - Nykowe
10
Randall Kennedy - Smith's Room
11
The Arms Of Someone New - Cool As Christ
12
Human Backs - Takayama Rising
13
ONY - Give It To Me
14
Vox Populi & Man - Megamix
Repress!
Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.
Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.
As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's (aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.
Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.
What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.
The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.
Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.
As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's (aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.
Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.
What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.
The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:HFN Music
Cat-No:senso030cd
Release-Date:13.10.2017
Genre:Alternative/Electronic
Configuration:CD Excl
Label:HFN Music
Cat-No:senso030cd
Release-Date:13.10.2017
Genre:Alternative/Electronic
Configuration:CD Excl
CD - slipcase, download code for 3 Bonus Tracks
Tracklist CD:
01. Taktik, 02. Poltergeist, 03. Egoist, 04. Malaria, 05. Anonym, 06. Rotlicht, 07. Absurd, 08. Manipulation, 09. Momentum, 10. Vertigo, 11. Doppelgänger, 12. Trick 17
Now with over 20 years of releases behind him, Oliver Huntemann finds himself on the cusp of yet a new era in his career. 'Propaganda' is the fifth proper artist album from the Hamburg-based DJ/producer, and like each of its predecessors, it shows a different side to one of the most consistently rewarding names in techno. Released on his own Senso Sounds label, the album exudes the level of assurance that perhaps only comes with being so active in curating and developing a label that has stood out from the masses since its inception in 2014.
'Propaganda' opens with 'Taktik', and the mood is quickly established through crisp motorik drum programming and deep, pulsing bass lines. 'Poltergeist' - the 2nd cut, continues this aesthetic - a deep and spacious groover. Clocking in at over 1 hour 15 minutes, the album allows a lot of space for itself, each tracking having the time it needs to develop and unfold. 'Egoist' ramps up the feel somewhat with intricate melodies and effects, before breaking down into something that will destroy many dance floors.
Yet the beauty of the album format is that it allows for various mood changes, and 'Malaria' brings us something of a shift into a more freaked out and edgy vibe, while 'Anonym' highlights Huntemann's mastery of atmosphere, serving as an ambient / downbeat interlude.
'Rotlicht' is perhaps a standout for fans of Huntemann's epic DJ sets, exhibiting all the control and release dynamic that make him such an engaging performer. It's also clearly a key cornerstone for the entire album
Next up is 'Absurd', followed by 'Manipulation' - both reference the exquisite sound design Huntemann instils into his precision- built tracks, while remaining primed for club use at all times. 'Momentum' switches up the tempo, perhaps influenced by more experimental, no wave and krautrock sources - and serving as punctuation before the album's final triptych.
'Vertigo' sees shimmering arpeggiated synths skip across a solid rhythm track, while 'Doppelgänger' builds a delicious tension through constant pads and pulsing, blocky bass tones. 'Trick17' ultimately rounds off 'Propoganda', - an expanse of emotionally charged techno with Huntemann's signature feel woven into its fabric.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist CD:
01. Taktik, 02. Poltergeist, 03. Egoist, 04. Malaria, 05. Anonym, 06. Rotlicht, 07. Absurd, 08. Manipulation, 09. Momentum, 10. Vertigo, 11. Doppelgänger, 12. Trick 17
Now with over 20 years of releases behind him, Oliver Huntemann finds himself on the cusp of yet a new era in his career. 'Propaganda' is the fifth proper artist album from the Hamburg-based DJ/producer, and like each of its predecessors, it shows a different side to one of the most consistently rewarding names in techno. Released on his own Senso Sounds label, the album exudes the level of assurance that perhaps only comes with being so active in curating and developing a label that has stood out from the masses since its inception in 2014.
'Propaganda' opens with 'Taktik', and the mood is quickly established through crisp motorik drum programming and deep, pulsing bass lines. 'Poltergeist' - the 2nd cut, continues this aesthetic - a deep and spacious groover. Clocking in at over 1 hour 15 minutes, the album allows a lot of space for itself, each tracking having the time it needs to develop and unfold. 'Egoist' ramps up the feel somewhat with intricate melodies and effects, before breaking down into something that will destroy many dance floors.
Yet the beauty of the album format is that it allows for various mood changes, and 'Malaria' brings us something of a shift into a more freaked out and edgy vibe, while 'Anonym' highlights Huntemann's mastery of atmosphere, serving as an ambient / downbeat interlude.
'Rotlicht' is perhaps a standout for fans of Huntemann's epic DJ sets, exhibiting all the control and release dynamic that make him such an engaging performer. It's also clearly a key cornerstone for the entire album
Next up is 'Absurd', followed by 'Manipulation' - both reference the exquisite sound design Huntemann instils into his precision- built tracks, while remaining primed for club use at all times. 'Momentum' switches up the tempo, perhaps influenced by more experimental, no wave and krautrock sources - and serving as punctuation before the album's final triptych.
'Vertigo' sees shimmering arpeggiated synths skip across a solid rhythm track, while 'Doppelgänger' builds a delicious tension through constant pads and pulsing, blocky bass tones. 'Trick17' ultimately rounds off 'Propoganda', - an expanse of emotionally charged techno with Huntemann's signature feel woven into its fabric.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Cat-No:LPS249
Release-Date:08.03.2024
Configuration:LP Excl
Cat-No:LPS249
Release-Date:08.03.2024
Configuration:LP Excl
1
SUSANA BARON SUPERVIELLE - A1.Vida
2
SUSANA BARON SUPERVIELLE - A2.Encontro
3
SUSANA BARON SUPERVIELLE - A3.Melancolia
4
SUSANA BARON SUPERVIELLE - A4.Marabaa
5
SUSANA BARON SUPERVIELLE - B1. Acuario
6
SUSANA BARON SUPERVIELLE - B2.Alli
7
SUSANA BARON SUPERVIELLE - B3.Angustia
8
SUSANA BARON SUPERVIELLE - B4.Espiral (2a version)
NON EXCL LP , LP IN FOLD OUT POSTER SLEEVE + INSERT
Susana Baron Supervielle was born in Buenos Aires in 1910, but she lived in Brazil most of her life. Creation with electroacoustic means represented one more step in her search for renewal and a new articulation of her triple cultural horizon articulated between São Paulo, Buenos Aires and Paris. The results open a new dimension in the interstices of the sound montage. Susana had been a follower of Pierre Schaffer and his peers in the Groupe de Recherche de Musique Concrète from Paris since they began in the early 1950s.
Baron Superveille’s catalogue of works, as selected by the artist herself, shows nine compositions for magnetic tape. With one exception (1977’s Continuo variante), the pieces are in the personal archives of the composer filed in the Archivo del Instituto Nacional de Musicología “Carlos Vega”, in Buenos Aires, which depends on the Ministry of Culture of the Republic of Argentina. This edition on Wah Wah Records is a coproduction with the Instituto Nacional de Musicología “Carlos Vega” and recovers all the available electroacoustic works composed between 1974 and 1980. While most of the collected works premiered in both Buenos Aires and São Paulo on dates close to those of their composition, there are not any previous known releases of these recordings, so this LP is not only an exception, but also a novelty.
Tracklist:
SIDE A
Vida
Encontro
Melancolía
Marabá
SIDE 2
Acuario
Allí
Angustia
Espiral
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Susana Baron Supervielle was born in Buenos Aires in 1910, but she lived in Brazil most of her life. Creation with electroacoustic means represented one more step in her search for renewal and a new articulation of her triple cultural horizon articulated between São Paulo, Buenos Aires and Paris. The results open a new dimension in the interstices of the sound montage. Susana had been a follower of Pierre Schaffer and his peers in the Groupe de Recherche de Musique Concrète from Paris since they began in the early 1950s.
Baron Superveille’s catalogue of works, as selected by the artist herself, shows nine compositions for magnetic tape. With one exception (1977’s Continuo variante), the pieces are in the personal archives of the composer filed in the Archivo del Instituto Nacional de Musicología “Carlos Vega”, in Buenos Aires, which depends on the Ministry of Culture of the Republic of Argentina. This edition on Wah Wah Records is a coproduction with the Instituto Nacional de Musicología “Carlos Vega” and recovers all the available electroacoustic works composed between 1974 and 1980. While most of the collected works premiered in both Buenos Aires and São Paulo on dates close to those of their composition, there are not any previous known releases of these recordings, so this LP is not only an exception, but also a novelty.
Tracklist:
SIDE A
Vida
Encontro
Melancolía
Marabá
SIDE 2
Acuario
Allí
Angustia
Espiral
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore