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Last in:20.01.2022
Label:Lapsus
Cat-No:LPS29
Release-Date:21.01.2022
Genre:Electro
Configuration:12" Excl
Barcode:4062548031973
1
Datassette - A1. Sentinel
2
Datassette - A2. The Grey Goo Scenario
3
Datassette - B1. Gong Zahlensender
4
Datassette - B2. Compound Eyes
Territory: WW excluding US
Format: 12" EP (Transparent vinyl, limited to 330 units)
Tracklist:
A1. Sentinel
A2. The Grey Goo Scenario
B1. Gong Zahlensender
B2. Compound Eyes
Key Selling Points
Described by his peers as a keystone in ambient-electro, Datassette is a bastion of the
underground and one of alternative electronic music’s most exceptional and enigmatic
talents.
His extensive and diverse discography spans two decades and includes a plethora of
albums, EPs and remixes for independent record labels, including: Ai Records, Apollo/
R&S, Wall Of Sound, CPU and Shipwrec. His work and creative output also extends to
the design of music libraries for TV and radio; producing sound effects for 8-bit video
games; working as a graphic designer and co-running the Misc label.
Datassette has never been shy of creating complex, addictive and emotive music and this
magical music formula is replicated on Sentinel, his new EP for Lapsus Records.
As is emblematic in his long-standing career, Datassette demonstrates a healthy non-
conformist approach to conventional labels and pigeonholing. By using a combination of
powerful vintage hardware and latest generation digital techniques, the British producer
continually manages to redefine his sound. This new four track EP sees him fuse dub,
electro, braindance, ambient, experimental electronica and even abstract hip hop.
More
Format: 12" EP (Transparent vinyl, limited to 330 units)
Tracklist:
A1. Sentinel
A2. The Grey Goo Scenario
B1. Gong Zahlensender
B2. Compound Eyes
Key Selling Points
Described by his peers as a keystone in ambient-electro, Datassette is a bastion of the
underground and one of alternative electronic music’s most exceptional and enigmatic
talents.
His extensive and diverse discography spans two decades and includes a plethora of
albums, EPs and remixes for independent record labels, including: Ai Records, Apollo/
R&S, Wall Of Sound, CPU and Shipwrec. His work and creative output also extends to
the design of music libraries for TV and radio; producing sound effects for 8-bit video
games; working as a graphic designer and co-running the Misc label.
Datassette has never been shy of creating complex, addictive and emotive music and this
magical music formula is replicated on Sentinel, his new EP for Lapsus Records.
As is emblematic in his long-standing career, Datassette demonstrates a healthy non-
conformist approach to conventional labels and pigeonholing. By using a combination of
powerful vintage hardware and latest generation digital techniques, the British producer
continually manages to redefine his sound. This new four track EP sees him fuse dub,
electro, braindance, ambient, experimental electronica and even abstract hip hop.
More
More records from Lapsus
Label:Lapsus
Cat-No:LPS40
Release-Date:29.11.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548098235
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Label:Lapsus
Cat-No:LPS40
Release-Date:29.11.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548098235
1
Suzanne Ciani - Jungle VINT
2
Marina Herlop - Collige Virgo Gladium
3
Lord Of The Isles - Ca11
4
Le Motel - Serenade Of The Seas
5
Pépe - And Everything Glimmers
6
Kettel - Opsterland 99
7
Wordcolour - Weightless
8
Plaid - Unions
9
Seph - Lunarglass
10
Kode9 - Nuvola
11
Simo Cell - Jesus Suave
12
Nueen - Potentia Gaudendi
13
GAZZI - Trece
14
µ-Ziq - Holmbush 2
15
naemi - Ambergris
16
CLARAGUILAR - Vega
A gas generator, a hi-fi system, a semi-abandoned house, and 20 hastily printed flyers. That's how, almost
without realizing it, Lapsus was born in 2004.
Over the course of two decades, we've ridden a rollercoaster of emotions: from soaring epiphanies, convinced that nothing could stop us, to moments of near defeat when we almost threw in the towel. Let's be honest:
Making a career out of music is not exactly choosing the easy path. But epic tales aside, today we look back with pride at having created something that, in our humble view, is genuine. To celebrate Lapsus' journey and what lies ahead—and also keeping an eye on what is yet to come—we've gathered some of the artists who have joined us along the way, musicians we consider friends and for whom we have the deepest admiration. In a way, VINT (Catalan for “twenty”) is like a sonic photo album, a tracklist that tells our story better than we could ourselves, a collection of unreleased music that celebrates the fact that we've made it this far. Leading this outstanding compilation are forward-thinking producers, with contributions from some of the most respected names in cutting-edge electronic music (A-Z): CLARAGUILAR, GAZZI, Kettel, Kode9, Le Motel, Lord Of The Isles, Marina Herlop, naemi, Nueen, Pépe, Plaid, Seph, Simo Cell, Suzanne Ciani, Wordcolour, and µ-Ziq.
VINT is our way of thanking you for your unwavering support over these 20 years. We hope you enjoy it! More
without realizing it, Lapsus was born in 2004.
Over the course of two decades, we've ridden a rollercoaster of emotions: from soaring epiphanies, convinced that nothing could stop us, to moments of near defeat when we almost threw in the towel. Let's be honest:
Making a career out of music is not exactly choosing the easy path. But epic tales aside, today we look back with pride at having created something that, in our humble view, is genuine. To celebrate Lapsus' journey and what lies ahead—and also keeping an eye on what is yet to come—we've gathered some of the artists who have joined us along the way, musicians we consider friends and for whom we have the deepest admiration. In a way, VINT (Catalan for “twenty”) is like a sonic photo album, a tracklist that tells our story better than we could ourselves, a collection of unreleased music that celebrates the fact that we've made it this far. Leading this outstanding compilation are forward-thinking producers, with contributions from some of the most respected names in cutting-edge electronic music (A-Z): CLARAGUILAR, GAZZI, Kettel, Kode9, Le Motel, Lord Of The Isles, Marina Herlop, naemi, Nueen, Pépe, Plaid, Seph, Simo Cell, Suzanne Ciani, Wordcolour, and µ-Ziq.
VINT is our way of thanking you for your unwavering support over these 20 years. We hope you enjoy it! More
Label:Lapsus
Cat-No:LPS-PS17
Release-Date:01.11.2024
Genre:Electronic
Configuration:3LP
Barcode:4062548092462
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Last in:05.11.2024
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Last in:05.11.2024
Label:Lapsus
Cat-No:LPS-PS17
Release-Date:01.11.2024
Genre:Electronic
Configuration:3LP
Barcode:4062548092462
1
Bedouin Ascent - Ancient Ocean III
2
Bedouin Ascent - Transition-R
3
Bedouin Ascent - Polarity Healing
4
Bedouin Ascent - He Is She
5
Bedouin Ascent - Lost In Glass
6
Bedouin Ascent - August Light
7
Bedouin Ascent - Ancient Ocean II
8
Bedouin Ascent - Beyond The 7th Gate
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Bedouin Ascent - In The Clouds
10
Bedouin Ascent - Mammon
11
Bedouin Ascent - Thru Water
12
Bedouin Ascent - Composition C For Neutral Space
13
Bedouin Ascent - CirroLude
14
Bedouin Ascent - In The Clouds (Reprise)
'Science, Art And Ritual' is a story of ‘process'. Growing up in Harrow (a then quiet suburb of London) in the 70’s and 80’s from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80’s dub via David Rodigan’s Roots Rockers shows was the first prominent influence he received, and with punk roots —and his burgeoning record collection— became exposed to the breathless post punk experimentation that followed in the early 80’s sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent’s house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby’s Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers —punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane.
At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.
'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.
Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.
Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this
left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.
'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey. More
At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.
'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.
Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.
Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this
left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.
'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey. More
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Last in:07.08.2024
Label:Lapsus
Cat-No:LPS39
Release-Date:26.07.2024
Genre:Electro
Configuration:LP
Barcode:4062548090338
1
Seph - OBI
2
Seph - Azure
3
Seph - Felina
4
Seph - Skyway Shuriken
5
Seph - Biker Bot Di4
6
Seph - Polycrom
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Seph - Dragonscale
8
Seph - Fictions
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Seph - Libra
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Seph - Séptimo Sentido
There are albums that tap into the very heartbeats of rhythm, melody and intricate sound design, pulsating with every musical note. This is the case of 'Se´ptimo Sentido', the new album by Buenos Aires-based producer Seph.
Sebastia´n Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes –a platform led by the DJ and producer from Medelli´n (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe– or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andre´s Zacco, a project that was recently released on the legendary Berlin label Tresor.
In his new album 'Se´ptimo Sentido', Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin.
At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey.
'Se´ptimo Sentido' hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground. More
Sebastia´n Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes –a platform led by the DJ and producer from Medelli´n (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe– or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andre´s Zacco, a project that was recently released on the legendary Berlin label Tresor.
In his new album 'Se´ptimo Sentido', Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin.
At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey.
'Se´ptimo Sentido' hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground. More
Label:Lapsus
Cat-No:LPS-PS16
Release-Date:07.06.2024
Configuration:3LP
Barcode:4062548085341
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Cat-No:LPS-PS16
Release-Date:07.06.2024
Configuration:3LP
Barcode:4062548085341
1
Kettel & Secede - A New Factory
2
Kettel & Secede - Kirsten
3
Kettel & Secede - Admittance
4
Kettel & Secede - Pentimento
5
Kettel & Secede - Ringvanes
6
Kettel & Secede - Missing Time
7
Kettel & Secede - Jahe
8
Kettel & Secede - Deliria Noon
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Kettel & Secede - Fullmoon
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Kettel & Secede - Grandcan
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Kettel & Secede - Canned Forever
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Kettel & Secede - Zipvanes
13
Kettel & Secede - Spoonful
'When Can' is a journey through the realms of musical serendipity, an ode to the unexpected twists of collaborative intuition. Conceived in the spring of 2012, this masterpiece is the culmination of a decade-long friendship between Reimer Eising aka Kettel, and Lennard van der Last aka Secede, two of the most talented electronic music producers from The Netherlands.
'When Can' is not just a collection of songs; it's a seamless continuum where each track breathes life into the next. As the listener delves into the sonic story, the music leads to uncharted territories, incorporating ambient and cinematic sounds and blending them with reminiscences from Renaissance to Baroque music. Far from a preconceived plan, the album organically unfolded, capturing the essence of the musical exploration from these two brilliant minds.
More than a decade after its birth, Lapsus is proud to release 'When Can' for the first time on vinyl. For this meticulously curated deluxe edition all the tracks have been remastered, and the artwork has been updated by Basora studio. And there's much more inside: two lithographic prints featuring original paintings by Jeroen Advocaat plus an extra 10" including the unreleased tracks 'Zipvanes' –a 10 minutes alternative cut of 'Ringvanes'– and 'Spoonful'. More
'When Can' is not just a collection of songs; it's a seamless continuum where each track breathes life into the next. As the listener delves into the sonic story, the music leads to uncharted territories, incorporating ambient and cinematic sounds and blending them with reminiscences from Renaissance to Baroque music. Far from a preconceived plan, the album organically unfolded, capturing the essence of the musical exploration from these two brilliant minds.
More than a decade after its birth, Lapsus is proud to release 'When Can' for the first time on vinyl. For this meticulously curated deluxe edition all the tracks have been remastered, and the artwork has been updated by Basora studio. And there's much more inside: two lithographic prints featuring original paintings by Jeroen Advocaat plus an extra 10" including the unreleased tracks 'Zipvanes' –a 10 minutes alternative cut of 'Ringvanes'– and 'Spoonful'. More
Label:Lapsus
Cat-No:LPS38
Release-Date:29.03.2024
Configuration:LP
Barcode:4062548083750
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Label:Lapsus
Cat-No:LPS38
Release-Date:29.03.2024
Configuration:LP
Barcode:4062548083750
1
CLARAGUILAR - Invisible Orchestra
2
CLARAGUILAR - Veo Un Ciervo A Oscuras
3
CLARAGUILAR - Ros Elavy
4
CLARAGUILAR - Mirada Interior
5
CLARAGUILAR - Eyes From You
6
CLARAGUILAR - Al Bosc, Cega I Visionària
7
CLARAGUILAR - Mise En Abyme
The scenic artist and multi-instrumentalist CLARAGUILAR moves from performing arts to cinema as a composer and live performer. Over the last few years he has created soundscapes that blend electronics and sampled elements with orchestral arrangements, becoming one of the main names of the Spanish theater scene when it comes to soundtrack and sound design creation.
After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', CLARAGUILAR's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design.
'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.
Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range More
After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', CLARAGUILAR's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design.
'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside.
Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range More
Label:Lapsus
Cat-No:LPS-PS15
Release-Date:08.03.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548079418
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Cat-No:LPS-PS15
Release-Date:08.03.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548079418
1
As One - Mihara
2
As One - Meridian
3
As One - Orchilla
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As One - Shambala
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As One - Dance Of The Uighurs
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As One - Star Gaze
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As One - Majik Jar
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As One - Forgotten Memory
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As One - The Priestess
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As One - Soleil Levant
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As One - Lunate
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As One - Asa Nisi Masa
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As One - Moon Over The Moab
Although 30 years after its birth this fundamental electronic gem called 'Reflections' has achieved cult status, it is worth remembering that it all started in 1993 in a small apartment in Waterloo, London, with the help of a mixer and a bunch of hardware synth and drum machines of hardware, with the mastodontic Oberheim OB-8 synthesizer as the main partner.
While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK.
If we look back, 'Reflections' is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early 90s. This timeless album fits into the delicate border between being enough club to work on the dance floor, and still being musical and cerebral enough to be listened to at home. A milestone that, whether premeditated or not, Degiorgio more than achieved.
Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs 'The Priestess' –never released on vinyl before– and Forgotten Memory –until now unreleased and rediscovered in one of the DATs dating back to 1992 from the 'Reflexions' recording sessions. We are therefore facing the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.
More
While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK.
If we look back, 'Reflections' is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early 90s. This timeless album fits into the delicate border between being enough club to work on the dance floor, and still being musical and cerebral enough to be listened to at home. A milestone that, whether premeditated or not, Degiorgio more than achieved.
Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs 'The Priestess' –never released on vinyl before– and Forgotten Memory –until now unreleased and rediscovered in one of the DATs dating back to 1992 from the 'Reflexions' recording sessions. We are therefore facing the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.
More
Label:Lapsus
Cat-No:LPS-PS14
Release-Date:01.12.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548066883
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Cat-No:LPS-PS14
Release-Date:01.12.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548066883
1
CoLD SToRAGE - A1. wipE'out? Intro
2
CoLD SToRAGE - A2. Hakapik Murder
3
CoLD SToRAGE - A3. Messij
4
CoLD SToRAGE - A4. Canada
5
CoLD SToRAGE - A5. Tenation
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CoLD SToRAGE - B1. DOH-T
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CoLD SToRAGE - B2. Trancevaal
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CoLD SToRAGE - B3. Surgeon
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CoLD SToRAGE - B4 Cairodrome
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CoLD SToRAGE - C1. Body in Motion
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CoLD SToRAGE - C2. Cardinal Dancer
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CoLD SToRAGE - C3. Cold Comfort
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CoLD SToRAGE - C4. Kinkong
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CoLD SToRAGE - D1. Operatique
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CoLD SToRAGE - D2. Plasticity
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CoLD SToRAGE - D3. Messij Extended
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CoLD SToRAGE - D4. Argon
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CoLD SToRAGE - D5. Phloem
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CoLD SToRAGE - D6. Xenon
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CoLD SToRAGE - D7. Xylem
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CoLD SToRAGE - E1. wipEout Intro (µ-Ziq Remix)
22
CoLD SToRAGE - E2. DOH-T (Wordcolour Remix)
23
CoLD SToRAGE - E3. Xylem (Brainwaltzera Remix)
24
CoLD SToRAGE - E4. Canada (James Shinra Remix)
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CoLD SToRAGE - E5. Messij (Kode9 Remix)
26
CoLD SToRAGE - E6. Trancevaal (Simo Cell Remix)
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CoLD SToRAGE - E7 Cairodrome (Surgeons Girl Remix)
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CoLD SToRAGE - E8. Messij (Datassette Remix)
Lapsus issue the much loved soundtrack from the legendary mid 90's Playstation game wipE'out'' This 3x12, gatefold sleeved edition also includes remixes from Kode9, µ-Ziq , Simo Cell, Datassette and more.
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Label:Lapsus
Cat-No:LPS-PS14CD
Release-Date:01.12.2023
Genre:Electronic
Configuration:2CD
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Genre:Electronic
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Lapsus issue the much loved soundtrack from the legendary mid 90's Playstation game wipE'out'' This 3x12, gatefold sleeved edition also includes remixes from Kode9, µ-Ziq , Simo Cell, Datassette and more.
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you’d soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon.
wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s.
wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game’s original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt.
These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven’t, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged –and also remixed by cutting edge producers such as Kode9, µ-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette– are some of the most important, thrilling, innovative and most fun songs ever committed to game release More
Label:Lapsus
Cat-No:LPS37
Release-Date:15.09.2023
Genre:Electronic
Configuration:LP
Barcode:4062548062397
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Release-Date:15.09.2023
Genre:Electronic
Configuration:LP
Barcode:4062548062397
1
RRUCCULLA - Sarrera: Afinación de Color
2
RRUCCULLA - Arquitectura Capilar
3
RRUCCULLA - Pure Air Contortion
4
RRUCCULLA - Eco-noise Hunting
5
RRUCCULLA - Wind Pose
6
RRUCCULLA - Zeru Freq.
7
RRUCCULLA - Pausa: Basque Rain Dances
8
RRUCCULLA - Draw Us Before We Fade (feat. Violeta Azevedo)
9
RRUCCULLA - 1 Tsp Breeze
10
RRUCCULLA - Igandea (feat. A. Txabarria)
11
RRUCCULLA - ¿Punto Final?
Composer, percussionist and multidisciplinary artist RRUCCULLA is undoubtedly one of the most eclectic projects to emerge from Spain in recent times, combining abstraction, plasticity and experimentation with an uncommon mastery.
Since her first impact on the electronic "headz" scene with SHuSH [Sound Sketches, 2018], the Basque producer has been carefully distilling her new album Zeru Freq., which will be released on Barcelona’s Lapsus record label. The album is wide-ranging, interweaving sound and art that transports the listener into an immersive universe.
Zeru Freq. envelops us in a Euskadi environment, guiding us through an open-air museum, containing a collection of eleven sound productions that fuse nature, landscapes and the local climate. This epic musical journey incorporates organic frequencies painted in Technicolor, in which hyper-realistic synthesizer textures merge with acoustic instruments, resulting in an atmospheric ambient sound that warps our perceptions of reality.
At a sonic level the unmistakable stamp of RRUCCULLA is omnipresent, but this time she climbs to even higher plains. Zeru Freq. explores an expanded aural palette, traversing the borders of strictly electronic music, while laying foundations for a new audio discourse. Throughout its eleven tracks, RRUCCULLA embraces the broadest spectrum of contemporary music, flirting with avant- garde electronica at will, without succumbing to labels or pigeonholing.
Zeru Freq. is the sound of shapes; figures and strokes, it is a work that mutates with each passing moment, until the last note is heard. More
Since her first impact on the electronic "headz" scene with SHuSH [Sound Sketches, 2018], the Basque producer has been carefully distilling her new album Zeru Freq., which will be released on Barcelona’s Lapsus record label. The album is wide-ranging, interweaving sound and art that transports the listener into an immersive universe.
Zeru Freq. envelops us in a Euskadi environment, guiding us through an open-air museum, containing a collection of eleven sound productions that fuse nature, landscapes and the local climate. This epic musical journey incorporates organic frequencies painted in Technicolor, in which hyper-realistic synthesizer textures merge with acoustic instruments, resulting in an atmospheric ambient sound that warps our perceptions of reality.
At a sonic level the unmistakable stamp of RRUCCULLA is omnipresent, but this time she climbs to even higher plains. Zeru Freq. explores an expanded aural palette, traversing the borders of strictly electronic music, while laying foundations for a new audio discourse. Throughout its eleven tracks, RRUCCULLA embraces the broadest spectrum of contemporary music, flirting with avant- garde electronica at will, without succumbing to labels or pigeonholing.
Zeru Freq. is the sound of shapes; figures and strokes, it is a work that mutates with each passing moment, until the last note is heard. More
Label:Lapsus
Cat-No:LPS-PS02
Release-Date:28.07.2023
Genre:Electronic
Configuration:2LP
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Cat-No:LPS-PS02
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Genre:Electronic
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1
Secede - Hospital Requiem
2
Secede - Foliage Pathway
3
Secede - Leraine (With Kettel)
4
Secede - The Realms Of Sanda
5
Secede - The King Of Sanda
6
Secede - Born In A Tropical Swamp
7
Secede - Kingdom Of Hearts
8
Secede - Friday Fall
9
Secede - Terata
10
Secede - Shrine
11
Secede - We No Longer Need Ourselves
Repress!
Originally released in 2005, "Tryshasla" is the second "Perennial" series release and was the second studio album by Dutch producer Secede. This classic album is one of our favourites and we are enormously proud to be able to reissue it on vinyl for the first time.
Lennard van der Last, better known in electronic music circles as Secede, has always remained an elusive character, preferring to prioritise to his work in the studio. Although "Tryshasla" is unanimously heralded as his finest work, throughout his career Lennard has continually demonstrated his unique ability in producing venerated musical pieces.
Upon its original release on CD by Dutch label Sending Orbs, "Tryshasla" immediately became a benchmark album and featured in many independent lists of that year. Lapsus Records is bestowed with the honour of pressing this masterpiece in a collector format: a double tricolor vinyl pack, remastered by Xavier Alarco´n and accompanied by a lithographic original art print from illustrator Jeroen Advocaat.
"Tyshasla" continues to sound as current and relevant as ever. It is an album with a powerful ambient spirit, replete with micro-passages in which field recordings and piano phrasing form its core sound, but which also include styles such as IDM, drum and bass and even trip-hop. As if this were not enough, Reimer Eising –aka our beloved label contributor Kettel– collaborates on one of the albums integral tracks, "Leraine". More
Originally released in 2005, "Tryshasla" is the second "Perennial" series release and was the second studio album by Dutch producer Secede. This classic album is one of our favourites and we are enormously proud to be able to reissue it on vinyl for the first time.
Lennard van der Last, better known in electronic music circles as Secede, has always remained an elusive character, preferring to prioritise to his work in the studio. Although "Tryshasla" is unanimously heralded as his finest work, throughout his career Lennard has continually demonstrated his unique ability in producing venerated musical pieces.
Upon its original release on CD by Dutch label Sending Orbs, "Tryshasla" immediately became a benchmark album and featured in many independent lists of that year. Lapsus Records is bestowed with the honour of pressing this masterpiece in a collector format: a double tricolor vinyl pack, remastered by Xavier Alarco´n and accompanied by a lithographic original art print from illustrator Jeroen Advocaat.
"Tyshasla" continues to sound as current and relevant as ever. It is an album with a powerful ambient spirit, replete with micro-passages in which field recordings and piano phrasing form its core sound, but which also include styles such as IDM, drum and bass and even trip-hop. As if this were not enough, Reimer Eising –aka our beloved label contributor Kettel– collaborates on one of the albums integral tracks, "Leraine". More
3LP
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Label:Lapsus
Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548058758
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Cat-No:LPS-PS13
Release-Date:14.07.2023
Genre:Electronic
Configuration:3LP
Barcode:4062548058758
1
Swayzak - Speedboat (2023 Edit)
2
Swayzak - Low Res Skyline (2023 Edit)
3
Swayzak - Blocks (2023 Edit)
4
Swayzak - Burma Heights (2023 Edit)
5
Swayzak - Skin Diving (2023 Edit)
6
Swayzak - Fukumachi (2023 Edit)
7
Swayzak - l.o.9.v.e. (2023 Edit)
8
Swayzak - Cone (Mix 2)
9
Swayzak - Bueno (2023 Edit)
10
Swayzak - French Dub (2023 Edit)
11
Swayzak - Evild Dub (2023 Edit)
12
Swayzak - Blufarm (Abbey Road 2023 Edit)
13
Swayzak - Unknown Mind
14
Swayzak - Bueno (Ambient Mix)
15
Swayzak - Speedboat (96 Demo)
16
Swayzak - l.o.9.v.e. (Boat Mix, 2023 Edit)
17
Swayzak - Redfarm (Abbey Road 2023 Edit)
Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin—a zip code can tell you as much about the music as the year it was made.
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
Label:Lapsus
Cat-No:LPS36
Release-Date:16.06.2023
Genre:Electronic
Configuration:LP
Barcode:4062548056877
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Cat-No:LPS36
Release-Date:16.06.2023
Genre:Electronic
Configuration:LP
Barcode:4062548056877
1
Gacha Bakradze - Boredom
2
Gacha Bakradze - Opi (Album Version)
3
Gacha Bakradze - Overtime
4
Gacha Bakradze - Tainted
5
Gacha Bakradze - Backup
6
Gacha Bakradze - Attention
7
Gacha Bakradze - Presence
8
Gacha Bakradze - Morning Chatter
9
Gacha Bakradze - Last Escape
10
Gacha Bakradze - ff31warning
11
Gacha Bakradze - Terror
12
Gacha Bakradze - Echoes Of Silence
Gacha Bakradze releases his third album on Lapsus entitled "Pancakes", and while the name may appear conventional at first glance, it actually contains esoteric philosophical concepts.
The Georgian producer perceives the making of pancakes -a transformative and healing parental activity that he loves to partake in with his son- as a metaphor for alteration, metamorphosis and change. A reflection that also accentuates the importance of balance during each process of preparing a simple recipe, which in turn highlights key human attributes such as patience, attention to detail and willingness to adapt to shifting circumstances.
On a sonic level, Gacha’s new album embodies precisely that: the contextual reworking of his music, while maintaining the essence of his previous work. "Pancakes" provides the typically melancholic yet vibrant genetics already recognisable in his music, but also embraces new genres, including his unique and personal take on hyper-pop and trance. It is an album of contrasting elements, where bucolic interludes make way for heavier tracks that are more suited to a club environment, an aural universe that hybridises IDM, electro, bass music and cutting edge techno, and once again demonstrates that trying to pigeonhole Gacha Bakradze's sound is a somewhat fruitless task. More
The Georgian producer perceives the making of pancakes -a transformative and healing parental activity that he loves to partake in with his son- as a metaphor for alteration, metamorphosis and change. A reflection that also accentuates the importance of balance during each process of preparing a simple recipe, which in turn highlights key human attributes such as patience, attention to detail and willingness to adapt to shifting circumstances.
On a sonic level, Gacha’s new album embodies precisely that: the contextual reworking of his music, while maintaining the essence of his previous work. "Pancakes" provides the typically melancholic yet vibrant genetics already recognisable in his music, but also embraces new genres, including his unique and personal take on hyper-pop and trance. It is an album of contrasting elements, where bucolic interludes make way for heavier tracks that are more suited to a club environment, an aural universe that hybridises IDM, electro, bass music and cutting edge techno, and once again demonstrates that trying to pigeonhole Gacha Bakradze's sound is a somewhat fruitless task. More
2LP
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Label:Lapsus
Cat-No:LPS-PS05
Release-Date:05.05.2023
Genre:Electronic
Configuration:2LP
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Genre:Electronic
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1
Abfahrt Hinwil - Bumperstufe2
2
Abfahrt Hinwil - Sonic Surface
3
Abfahrt Hinwil - The Light
4
Abfahrt Hinwil - Planquadrat
5
Abfahrt Hinwil - Tech10
6
Abfahrt Hinwil - Triology
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Abfahrt Hinwil - Tech8
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Abfahrt Hinwil - Links Oben
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Abfahrt Hinwil - Phase4
10
Abfahrt Hinwil - Tech7
11
Abfahrt Hinwil - Syntax Data
12
Abfahrt Hinwil - Radiowellen
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Abfahrt Hinwil - Untitled
Super Limited Repress!
From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep ‘n’ bass sound.
Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil.
Their only album to date ‘Links Berge Rechts Seen’ [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first –and only– three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: ‘Planquadrat’ and a hidden track at the end of the CD version. More
From its creation in the late 90s until its closure in 2009, the Toytronic label witnessed a digital revolution that transformed the record industry, turning glitch into a production tool for a whole generation heir to the of bleep ‘n’ bass sound.
Thanks to their impeccable A&R credentials, its head honchos, Martin Haidinger and Chris Cunningham, created an incredible IDM label catalogue, as well as producing their own material under pseudonym Abfahrt Hinwil.
Their only album to date ‘Links Berge Rechts Seen’ [Toytronic, 2002] was released as a compilation featuring tracks from their brief career that over the years has become a benchmark for the Toytronic sound. This album included their first –and only– three releases signed to Expending Records and Toytronic, and also included two previously unreleased songs: ‘Planquadrat’ and a hidden track at the end of the CD version. More
Label:Lapsus
Cat-No:LPS35
Release-Date:31.03.2023
Genre:Electronic
Configuration:LP
Barcode:4062548054569
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Cat-No:LPS35
Release-Date:31.03.2023
Genre:Electronic
Configuration:LP
Barcode:4062548054569
1
Pépe - Goma A Mix
2
Pépe - Goma Prime Mix
3
Pépe - From Seed
4
Pépe - Katta
5
Pépe - Act I Soliance
6
Pépe - Optical Activate
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Pépe - Act II Chasten
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Pépe - HSC
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Pépe - Act III Compatct City
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Pépe - Resonant Bodies
Valencian producer Pepe's love of iridescent melodies, velvety pads and complex rhythms has seen him skilfully combine house, bass music and breakbeat in recent years. His music is globally reaching, having garnered attention from top artists including Ben UFO, Peggy Gou, Shanti Celeste, Moxie, Mount Kimbie and Disclosure. His heartfelt, mercurial and emotive sound is ever present on his new album for Lapsus, which also incorporates a lush sonic forest, resplendent in detail and jam packed with influences. The album 'Reclaim' opens the door to experimentation and sound design, while embracing the braindance and hyperpop sphere with surprising maturity. It is an amalgamation of electronic sounds and pulsating structures in which orchestral sounds, folk music, ambient textures and a strong vocal presence, both synthetic and authentic, sparkle. 'Reclaim' imagines a post-human future, where nature once again reclaims lost ground and is free to flourish and take root around manmade structures. Pepe exhibits his personal reverence for the work of Antonio Cortes Ferrando, the architect behind the Espai Verd building, which broke architectural and urban planning norms by using computation to create structures that promote the organic growth of foliage. It is a building designed for the future, where flora cultivates indefinitely. In Pepe's own words, "At a time when we have witnessed how nature strives to regain ground, once humans are removed from the streets, it is important to start thinking critically about new techniques in the creation of art and design, and imagining a future where posterity is embodied in the rejuvenation of a greener world".
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Label:Lapsus
Cat-No:LPS34
Release-Date:24.02.2023
Genre:Electronic
Configuration:LP
Barcode:4062548052268
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Label:Lapsus
Cat-No:LPS34
Release-Date:24.02.2023
Genre:Electronic
Configuration:LP
Barcode:4062548052268
1
Earth Trax - Closer Now
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Earth Trax - Understand
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Earth Trax - Porcelain
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Earth Trax - White Carnations
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Earth Trax - Lullaby B
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Earth Trax - Bruises
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Earth Trax - Pied Piper
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Earth Trax - Today
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Earth Trax - Skin
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Earth Trax - The Great Blue Hole
Bartosz Kruczynski, also known as artist Earth Trax, is arguably among the leading names in Poland’s current electronic music scene. Based in Warsaw, his music is deeply emotive and explores a wide-ranging sonic palette that is complemented by well-defined artistic concepts. He has already featured on labels including Phonica Records, Growing Bin, Into The Light and Shall Not Fade –with whom he released his acclaimed debut album in 2020–.
His Lapsus release 'Closer Now', takes a different trajectory to his previous album 'The Sensual World' [Shall Not Fade, 2022], fundamentally an energetic and high tempo club record. In contrast, 'Closer Now' focuses on fresh and disparate ideas, with tracks that could typically be classified as more unrestrained B-sides that deconstruct sounds aimed at the dancefloor.
‘Closer Now' is influenced by liminal spaces and cultivates surreal and dreamlike qualities. Conversely it also possesses a sense of strength and grit, highlighted by moments where electronic distortion bares its teeth. It is an album that both refers both to IDM and chill out rooms. More
His Lapsus release 'Closer Now', takes a different trajectory to his previous album 'The Sensual World' [Shall Not Fade, 2022], fundamentally an energetic and high tempo club record. In contrast, 'Closer Now' focuses on fresh and disparate ideas, with tracks that could typically be classified as more unrestrained B-sides that deconstruct sounds aimed at the dancefloor.
‘Closer Now' is influenced by liminal spaces and cultivates surreal and dreamlike qualities. Conversely it also possesses a sense of strength and grit, highlighted by moments where electronic distortion bares its teeth. It is an album that both refers both to IDM and chill out rooms. More
Label:Lapsus
Cat-No:LPS33
Release-Date:23.12.2022
Genre:Electronic
Configuration:LP
Barcode:4062548049756
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Label:Lapsus
Cat-No:LPS33
Release-Date:23.12.2022
Genre:Electronic
Configuration:LP
Barcode:4062548049756
1
Lord Of The Isles - Storm Mother
2
Lord Of The Isles - Soloi
3
Lord Of The Isles - Lo Theory
4
Lord Of The Isles - Coco Melon
5
Lord Of The Isles - Return To Yourself
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Lord Of The Isles - Medi
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Lord Of The Isles - Poly Ballad
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Lord Of The Isles - Peak Flow
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Lord Of The Isles - Embers
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Lord Of The Isles - Spirit Owl
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Lord Of The Isles - Open Mode
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Lord Of The Isles - Subtle Thoughts
Beautiful cinematic electronix on this full length album by Lord Of The Isles inspired by the beauty of the islands of Scotland. Neil McDonald's love of the outdoors is a constant feature in his music, hence his Lord Of The Isles moniker, a direct reference to the Highlands and islands of his native Scotland. His vivid, effervescent and blissfully cinematic sound paints a soundtrack to unmade films, building imaginary worlds inspired by his childhood passion for science fiction. It is therefore no coincidence that the closing track 'Subtle Thoughts' samples the inimitable voice of Carl Sagan and is also the name of his forthcoming album on Lapsus Records. Subtle Thoughts' is an album of sumptuous melancholic electronica that, like all his previous works, avoids being pigeonholed. In it we find ambient and IDM, but also breaks and down-tempo 4x4 beats with deep ruminations, and even passages akin to new age and Balearic. In Neil's own words, the real concept behind 'Subtle Thoughts' is "The spaces in between. Listening to the quiet voices. Freedom of expression and being open. It also contains my hopes and fears for the future of our world, but mainly hope and love". Subtle Thoughts' will be released on 8 December with two advance singles: 'Open Mode' accompanying the album launch on 7 October; followed by 'Return to Yourself' on 4 November.
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Label:Lapsus
Cat-No:LPS-PS12
Release-Date:23.12.2022
Genre:Electronic
Configuration:2LP
Barcode:4062548046694
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Label:Lapsus
Cat-No:LPS-PS12
Release-Date:23.12.2022
Genre:Electronic
Configuration:2LP
Barcode:4062548046694
1
Vector Lovers - City Lights From A Train
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Vector Lovers - Arrival, Metropolis
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Vector Lovers - Substrata
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Vector Lovers - Microton
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Vector Lovers - Nostalgia 4 The Future
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Vector Lovers - Post Arctic Industries
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Vector Lovers - Melodies And Memory
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Vector Lovers - Empty Buildings, Falling Rain
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Vector Lovers - Boulevard
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Vector Lovers - Neon Sky Rain
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Vector Lovers - Capsule For One
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Vector Lovers - To The Stars...
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Vector Lovers - A Simulation
14
Vector Lovers - Perfect Score
Beautiful seductive modern electronix alert!!! Vector Lovers has remained a firm favourite of the underground electronic music scene and holds a coveted place among the most hallowed of record shelves, and with good reason. Since the early 2000s Martin Wheeler has explored a sparse audio wasteland in order to develop a new sonic palette that looks outward to electro, IDM and ambient. After self-releasing a handful of his own productions on the Iwari label, Wheeler's career defining album was signed by British label Soma in 2005, leading to the first great revival of 90s IDM. Capsule for One' was an unrivalled masterpiece that perfectly synthesised the heritage of the Hardcore Continuum with renewed airs and degree of clarity that ushered in a new millennia and sound. It arrived as a worthy successor to the venerated Warp artists of the time, while embracing new panoramas and technologies. Capsule for One' is a melancholic album, with an almost cosmic spirituality that provokes daydreaming. From its opening track 'City Lights From a Train' it welcomes the listener onto an infinite journey at the speed of light, connecting the past, present and future, folding time and space and painting neon cities populated by cyborgs. The album reaches its zenith with 'Melodies and Memory', featuring Wheeler's very own voice, which has arguably become one of this century's greatest electronic ballads to date. In fact, the impact of 'Capsule for One' was such that Tracey Thorn commissioned him to produce her song 'Easy', from the album 'Out of the Woods' [Virgin, 2007]. For its forthcoming release on Lapsus Records, Martin Wheeler has remixed each and every song on 'Capsule for One', as well as adding two previously unreleased tracks 'A Simulation' and 'Perfect Score', both produced around the same epoch. This extra special release, with artwork redesigned by Josep Basora, features a double marbled vinyl and a limited edition insert print. TIP!!
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Label:Lapsus
Cat-No:LPS26
Release-Date:30.11.2021
Genre:Electronic
Configuration:LP
Barcode:
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Cat-No:LPS26
Release-Date:30.11.2021
Genre:Electronic
Configuration:LP
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1
Gacha Bakradze - Indivisible
2
Gacha Bakradze - Thank You For This Upload
3
Gacha Bakradze - Driver
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Gacha Bakradze - Frame
5
Gacha Bakradze - Impression
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Gacha Bakradze - Lift
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Gacha Bakradze - Lead
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Gacha Bakradze - Endless Tool
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Gacha Bakradze - Slow Heart
Repress!
Hailing from Georgia’s capital Tbilisi, Gacha Bakradze is one of the national scene’s leading electronic music exponents. He returns to Lapsus Records with his new album 'Obscure Languages', his second release for the Barcelona label.
Following the superb LP 'Word Color' [Lapsus Records, 2018], which appeared in several ‘album of the year’ lists for publications such as Pitchfork and XLR8R, the prolific producer now presents 'Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.
‘Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design. More
Hailing from Georgia’s capital Tbilisi, Gacha Bakradze is one of the national scene’s leading electronic music exponents. He returns to Lapsus Records with his new album 'Obscure Languages', his second release for the Barcelona label.
Following the superb LP 'Word Color' [Lapsus Records, 2018], which appeared in several ‘album of the year’ lists for publications such as Pitchfork and XLR8R, the prolific producer now presents 'Obscure Languages'. This new piece of work could well be described as a sound continuation from his previous album and maintains a powerful narrative at its core.
‘Obscure Languages' delves into the world of cinematic soundscapes, replete with microscopic details and fragments that showcase a luscious IDM style audio palette, laced with ambient, avant-techno, bass and sound design. More
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12" Excl
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Label:Frank Music
Cat-No:FM12042/43
Release-Date:07.07.2023
Configuration:12" Excl
Barcode:4251804142564
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Label:Frank Music
Cat-No:FM12042/43
Release-Date:07.07.2023
Configuration:12" Excl
Barcode:4251804142564
1
Lauer & Johannes Albert - Based On Boss (05:06)
2
Lauer & Johannes Albert - Four 44 (04:44)
3
Lauer & Johannes Albert - Posh-O-Rama (04:19)
4
Boris Dlugosch x Marc Romboy x C.A.R. - Survivor
5
Boris Dlugosch x Marc Romboy x C.A.R. - Survivor (Johannes Albert Remix) (06:05)
comes with inlay & MP3 Code
Genre: House
Tracklist 12”:
A1 Lauer & Johannes Albert “Based On Boss” (05:06)
A2 Lauer & Johannes Albert “Four 44” (04:44)
A3 Lauer & Johannes Albert "Posh-O-Rama" (04:19)
B1 Boris Dlugosch x Marc Romboy x C.A.R."Survivor" (06:23)
B2 Boris Dlugosch x Marc Romboy x C.A.R."Survivor" (Johannes Albert Remix) (06:05)
Short Info:
Sharing a mutual love for Dance Music in all its shapes and forms please welcome Philipp Lauer & Johannes Albert for the first time together. These Bucketheads overcame the franko-hessian border and give us a 3-Tracker on the A side that is "Based On Boss". The title track swims in 909 Drums, vocal samples shine through, and organ chords lead the way. You will be moving your feet with "Four 44", still all about a basement, a red light and lots of feeling. Rounding things up with the loopy powers of "Posh-O-Rama", if you are in need of soft breaks with a lovely twist. Now who's the boss?
Speaking B sides: Hamburg-Moenchengladbach-London? Probably not your everyday route. Three pillars in their own leagues team up for "Survivor": Boris Dlugosch, Marc Romboy and C.A.R. on vocal duties. Created in times of lockdowns and standstills "Survivor" is a midtempo stomper, slightly dark yet extra moving. Clocking in at 110 BPM a percussive beat is haunted by C.A.R.'s voice and a hypnotic robot bassline. Occuring melodies and pads do the rest. Remix time? Oh yes! Spicing and speeding things up a little the Johannes Albert remix arrives with additional chords, gated snare drums and maybe even happiness.
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Genre: House
Tracklist 12”:
A1 Lauer & Johannes Albert “Based On Boss” (05:06)
A2 Lauer & Johannes Albert “Four 44” (04:44)
A3 Lauer & Johannes Albert "Posh-O-Rama" (04:19)
B1 Boris Dlugosch x Marc Romboy x C.A.R."Survivor" (06:23)
B2 Boris Dlugosch x Marc Romboy x C.A.R."Survivor" (Johannes Albert Remix) (06:05)
Short Info:
Sharing a mutual love for Dance Music in all its shapes and forms please welcome Philipp Lauer & Johannes Albert for the first time together. These Bucketheads overcame the franko-hessian border and give us a 3-Tracker on the A side that is "Based On Boss". The title track swims in 909 Drums, vocal samples shine through, and organ chords lead the way. You will be moving your feet with "Four 44", still all about a basement, a red light and lots of feeling. Rounding things up with the loopy powers of "Posh-O-Rama", if you are in need of soft breaks with a lovely twist. Now who's the boss?
Speaking B sides: Hamburg-Moenchengladbach-London? Probably not your everyday route. Three pillars in their own leagues team up for "Survivor": Boris Dlugosch, Marc Romboy and C.A.R. on vocal duties. Created in times of lockdowns and standstills "Survivor" is a midtempo stomper, slightly dark yet extra moving. Clocking in at 110 BPM a percussive beat is haunted by C.A.R.'s voice and a hypnotic robot bassline. Occuring melodies and pads do the rest. Remix time? Oh yes! Spicing and speeding things up a little the Johannes Albert remix arrives with additional chords, gated snare drums and maybe even happiness.
More
12" Excl
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Label:Bondage-Music
Cat-No:BOND12073
Release-Date:16.02.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804135191
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Cat-No:BOND12073
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Genre:Deephouse
Configuration:12" Excl
Barcode:4251804135191
1
Sascha Dive - Dub Chronicles #6
2
Sascha Dive - International Sun-Earth Explorer
3
Sascha Dive - Deep Inside (feat. Robert Owens)
4
Sascha Dive - Promise Street
Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE
Tracklist 12":
A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street
Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release
More
Tracklist 12":
A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street
Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release
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Label:MM Saturns
Cat-No:MMS007
Release-Date:14.06.2024
Configuration:LP Excl
Barcode:4251804180894
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Label:MM Saturns
Cat-No:MMS007
Release-Date:14.06.2024
Configuration:LP Excl
Barcode:4251804180894
1
Corben - Make it Move
2
Corben - Fire to Flame
3
Corben - Six Inches
4
Corben - Get Open
5
Corben - Staring into the Sun
6
Corben - Potion
7
Corben - Precious
8
Corben - Falling Backwards
It's a pleasure for us to present one of the most awaited albums of the MM Saturns saga, a record on which we have been working for almost 3 years, and it finally sees the light.
Corben introduces us to "Peachland," an introspective retro-futuristic journey where early electro and downtempo go hand in hand in order to create a cybernetic vision of the '80s subculture. It's like an inner spaceship that immerses you in infinite space, allowing you to reach unknown universes.
Pure no-wave nostalgia filled with contagious vocoders and hypnotic synthesizers that shape a dreamlike and unsettling landscape, in which Corben shows us what could be the most sentimental and human side of an imaginary and futuristic artificial intelligence.
TRACKLISTS:
a1 Make It Move
a2 Fire to Flame
a3 Six Inches
a4 Get Open
b1 Staring Into the Sun
b2 Potion
b3 Precious
b4 Falling Backwards
More
Corben introduces us to "Peachland," an introspective retro-futuristic journey where early electro and downtempo go hand in hand in order to create a cybernetic vision of the '80s subculture. It's like an inner spaceship that immerses you in infinite space, allowing you to reach unknown universes.
Pure no-wave nostalgia filled with contagious vocoders and hypnotic synthesizers that shape a dreamlike and unsettling landscape, in which Corben shows us what could be the most sentimental and human side of an imaginary and futuristic artificial intelligence.
TRACKLISTS:
a1 Make It Move
a2 Fire to Flame
a3 Six Inches
a4 Get Open
b1 Staring Into the Sun
b2 Potion
b3 Precious
b4 Falling Backwards
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Label:Pocochin
Cat-No:PC04
Release-Date:12.01.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144698
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Label:Pocochin
Cat-No:PC04
Release-Date:12.01.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144698
1
Claw-Z - Glocken Jr. (9:12)
2
Claw-Z - Tears (Shakuhachi Mix) (8:44)
GENRE/S: Acid, House, Electro, Techno
TRACKLIST:
A. Glocken Jr. (9:12)
B. Tears (Shakuhachi Mix) (8:44)
SHORT INFO:
Spaced-out, Electro- and Techno-leaning Acid journeys by Pocochin’s own, Claw-Z
VITAL SALES POINTS:
- Artist debut
- Hand printed custom disco sleeve
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TRACKLIST:
A. Glocken Jr. (9:12)
B. Tears (Shakuhachi Mix) (8:44)
SHORT INFO:
Spaced-out, Electro- and Techno-leaning Acid journeys by Pocochin’s own, Claw-Z
VITAL SALES POINTS:
- Artist debut
- Hand printed custom disco sleeve
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10" Excl
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Label:Too Slow To Disco
Cat-No:TSTDEdits014
Release-Date:31.03.2023
Configuration:10" Excl
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1
Flying Mojito Bros - Good Feeling
2
Flying Mojito Bros - Fadin’ West Of LA
Super smooth and funky 2 track EP, limited red 10 Inch. UK Duo Flying Mojito Bros have their unique sound, mixing several US styles together to make their own brand: Disco, Westcoast and Swamp/Stoner Rock become: Swamp Disco! (side b of our release is an edit for none other than the Grateful Dead!) They have a huge following and just released their debut album. The duo has their boots firmly planted in dusty 70s sunsets, their pan-USA productions take cosmic country funk and rock to modern dancefloors via NYC latin disco and baggy acid house - on a bed of hefty contemporary rhythms. Their music has turned party people loose in clubs, parties and late-night festival tents at Glastonbury, Bestival, Pikes Ibiza, Austin City Limits and beyond. In addition to residencies at The Social, Spiritland and Nobu, they've been invited to work their hoodoo on remixes of Flamingods, Raf Rundell (The 2 Bears), Black Peaches, Jouis, 77:78, Scott Hirsch, James Matthew VII, Katy J Pearson, Jeffrey Silverstein, Rudy Norman and more - releasing on prestigious independent labels such as Heavenly, Paper Recordings and Ubiquity. The Flying Mojito Bros have seen over a million streams worldwide and a mushrooming US fanbase.
TRACKLIST:
A Good Feeling
B Fadin’ West Of LA
http://flyingmojitobros.com/
Youtube album trailer for their debut album: https://www.youtube.com/watch?v=PqKykRdiJfc&ab_channel=FlyingMojitoBros
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TRACKLIST:
A Good Feeling
B Fadin’ West Of LA
http://flyingmojitobros.com/
Youtube album trailer for their debut album: https://www.youtube.com/watch?v=PqKykRdiJfc&ab_channel=FlyingMojitoBros
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LP Excl
in stock
Label:London Records
Cat-No:lms5521219
Release-Date:15.03.2019
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:5060555212193
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Last in:27.03.2019
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Label:London Records
Cat-No:lms5521219
Release-Date:15.03.2019
Genre:Indie Rock/Alternative
Configuration:LP Excl
Barcode:5060555212193
Rights: World excluding France, UK & Eire
Special Remarks: 1 colored green LP in single sleeve with 3mm spine. Printed inner-sleeve. Collector’s edition CD album included.
Vinyl (Limited Colored Edition) tracklist:
A1. True Confessions / A2. Ready or Not / A3. A Trick of the Night / A4. Dance with a Stranger / A5. In a Perfect World
B1. Venus / B2. Do Not Disturb / B3. Cut Above the Rest / B4. Promised Land / B5. More Than Physical
B6. Hooked on Love
CD (Collector’s Edition) tracklist:
1. True Confessions / 2. Ready or Not / 3. A Trick of the Night / 4. Dance with a Stranger / 5. In a Perfect World / 6. Venus / 7. Do Not Disturb / 8. A Cut Above the Rest / 9. Promised Land / 10. More Than Physical / 11. Hooked On Love / 12. Ghost / 13. White Train / 14. Scarlett / 15. Riskin' a Romance / 16. Venus [Extended Version] / 17. A Trick of the Night [The Number One Mix]
Short info:
Bananarama’s third album “True Confessions” features the smash hit ‘Venus’ which hit the top spot in the US on Billboard Hot 100. The track was a huge dance floor hit across Europe, South American and Asia.
The album includes the singles: ‘A Trick Of The Night’, ‘Venus’, ‘Do Not Disturb’, ‘More Than Physical’.
Bananarama are often cited as the UK’s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama’s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK & USA Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop’s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.
More
Special Remarks: 1 colored green LP in single sleeve with 3mm spine. Printed inner-sleeve. Collector’s edition CD album included.
Vinyl (Limited Colored Edition) tracklist:
A1. True Confessions / A2. Ready or Not / A3. A Trick of the Night / A4. Dance with a Stranger / A5. In a Perfect World
B1. Venus / B2. Do Not Disturb / B3. Cut Above the Rest / B4. Promised Land / B5. More Than Physical
B6. Hooked on Love
CD (Collector’s Edition) tracklist:
1. True Confessions / 2. Ready or Not / 3. A Trick of the Night / 4. Dance with a Stranger / 5. In a Perfect World / 6. Venus / 7. Do Not Disturb / 8. A Cut Above the Rest / 9. Promised Land / 10. More Than Physical / 11. Hooked On Love / 12. Ghost / 13. White Train / 14. Scarlett / 15. Riskin' a Romance / 16. Venus [Extended Version] / 17. A Trick of the Night [The Number One Mix]
Short info:
Bananarama’s third album “True Confessions” features the smash hit ‘Venus’ which hit the top spot in the US on Billboard Hot 100. The track was a huge dance floor hit across Europe, South American and Asia.
The album includes the singles: ‘A Trick Of The Night’, ‘Venus’, ‘Do Not Disturb’, ‘More Than Physical’.
Bananarama are often cited as the UK’s most successful ever girl group with 5 UK singles and 10 top 10's.
They were the girl group that defined the eighties with their run of pop hits which soundtracked the lives of fans around the world. The news of Bananarama’s reunion, after nearly 30 years, was met with universal approval and saw the band celebrated all over again. In 2017 the trio reassembled for a UK & USA Tour in a pop reunion only dreamt of in the wildest imaginations by many quarters. The band reunited in their original line up for the first time in years. For many Siobhan stepping back into her natural habitat once again is pop’s very own version of Morrissey and Marr re-uniting. The band play their final dates as a trio this summer in a run of gigs including Edinburgh Castle, British Summer Time and Smukfest.
More
Vinyl Album Excl
in stock
Label:Moll- Selekta
Cat-No:moll16lp
Release-Date:28.01.2022
Genre:Dub/Reggae
Configuration:Vinyl Album Excl
Barcode:4260038318034
in stock
Last in:03.05.2017
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in stock
Last in:03.05.2017
Label:Moll- Selekta
Cat-No:moll16lp
Release-Date:28.01.2022
Genre:Dub/Reggae
Configuration:Vinyl Album Excl
Barcode:4260038318034
1
rocksteady (v.a.) - You Don't Love Me (No No No) - Dawn Penn
2
rocksteady (v.a.) - People Rocksteady - Leroy Sibbles
3
rocksteady (v.a.) - Sounds & Pressure - Hopeton Lewis
4
rocksteady (v.a.) - Silent River Runs Deep - Judy Mowatt
5
rocksteady (v.a.) - Stop That Train - U-Roy
6
rocksteady (v.a.) - Freedom Street - Ken Boothe
7
rocksteady (v.a.) - Tougher Than Tough - Derrick Morgan
8
rocksteady (v.a.) - Take It Easy - Hopeton Lewis
9
rocksteady (v.a.) - Love Me Today feat. Gladstone Anderson - Stranger Cole
10
rocksteady (v.a.) - Shanty Town (007) - Ken Boothe
11
rocksteady (v.a.) - Tide Is High - Marcia Griffiths
12
rocksteady (v.a.) - Equal Rights - Leroy Sibbles
13
rocksteady (v.a.) - Rivers Of Babylon - Hopeton Lewis
14
rocksteady (v.a.) - Conquering Ruler - Derrick Morgan
15
rocksteady (v.a.) - Bog Walk - Lynn Taitt
2021 Reoress - finally available on Vinyl for the First time. 2LP in full Original Coverart.
The legendary movie soundstrack based out of Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved.
The sixteenth release on the Moll-Selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. It documents the recordings being made for this very album at the Tuff Gong studios, Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. Excerpts from an all star reunion concert staged in Kingston and older archive material complete the picture. Never before in the history of Jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. The album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain Bob Marley. Under the musical direction of Ernest Ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer Errol Brown - in Duke Reid's employ at the Treasure Isle studio in the sixties - and freshly arranged by Lynn Taitt.
Tracklisting:
SIDE A
You Don't Love Me (No No No) - Dawn Penn 5:13
People Rocksteady - Leroy Sibbles 3:10
Sounds & Pressure - Hopeton Lewis 4:28
Silent River Runs Deep - Judy Mowatt 3:21
SIDE B
Stop That Train - U-Roy 3:49
Freedom Street - Ken Boothe 4:09
Tougher Than Tough - Derrick Morgan 3:02?
Take It Easy - Hopeton Lewis 3:35
SIDE C
Love Me Today feat. Gladstone Anderson - Stranger Cole 5:22
Shanty Town (007) - Ken Boothe 4:36
Tide Is High - Marcia Griffiths 3:13
Equal Rights - Leroy Sibbles 3:11
SIDE D
Rivers Of Babylon - Hopeton Lewis 5:20
Conquering Ruler - Derrick Morgan 3:38
Bog Walk - Lynn Taitt 5:34
More
The legendary movie soundstrack based out of Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved.
The sixteenth release on the Moll-Selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. It documents the recordings being made for this very album at the Tuff Gong studios, Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. Excerpts from an all star reunion concert staged in Kingston and older archive material complete the picture. Never before in the history of Jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. The album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain Bob Marley. Under the musical direction of Ernest Ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer Errol Brown - in Duke Reid's employ at the Treasure Isle studio in the sixties - and freshly arranged by Lynn Taitt.
Tracklisting:
SIDE A
You Don't Love Me (No No No) - Dawn Penn 5:13
People Rocksteady - Leroy Sibbles 3:10
Sounds & Pressure - Hopeton Lewis 4:28
Silent River Runs Deep - Judy Mowatt 3:21
SIDE B
Stop That Train - U-Roy 3:49
Freedom Street - Ken Boothe 4:09
Tougher Than Tough - Derrick Morgan 3:02?
Take It Easy - Hopeton Lewis 3:35
SIDE C
Love Me Today feat. Gladstone Anderson - Stranger Cole 5:22
Shanty Town (007) - Ken Boothe 4:36
Tide Is High - Marcia Griffiths 3:13
Equal Rights - Leroy Sibbles 3:11
SIDE D
Rivers Of Babylon - Hopeton Lewis 5:20
Conquering Ruler - Derrick Morgan 3:38
Bog Walk - Lynn Taitt 5:34
More
12" Excl
in stock
Label:Tresor Records
Cat-No:tresor371
Release-Date:25.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804182775
in stock
Last in:20.09.2024
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in stock
Last in:20.09.2024
Label:Tresor Records
Cat-No:tresor371
Release-Date:25.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804182775
1
Exos - Dark Light 05:09
2
Exos - Fire Chant 04:30
3
Exos - Grátt Silfur 04:41
4
Exos - Green Light 05:11
5
Exos - Ráðabrugg 05:31
6
Exos - Ruff Cut (Digi Bonus) 05:41
7
Exos - Only One Way (Digi Bonus) 05:02
8
Exos - Everyday (Digi Bonus) 04:59
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Dark Light 05:09
2. / A2 Fire Chant 04:30
3. / A3 Grátt Silfur 04:41
4. / B1 Green Light 05:11
5. / B2 Ráðabrugg 05:31
6. / DX1 Ruff Cut (Digi Bonus) 05:41
7. / DX2 Only One Way (Digi Bonus) 05:02
8. / DX3 Everyday (Digi Bonus) 04:59
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.
More
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in stock
Last in:19.10.2023
Label:Veyl
Cat-No:VEYL025
Release-Date:11.06.2021
Genre:Electro
Configuration:LP Excl
Barcode:4251804125871
1
Harlem - A1 Bait
2
Harlem - A2 Juice
3
Harlem - A3 Target
4
Harlem - A4 Sthlm Muscle
5
Harlem - B1 Spastic Puppy
6
Harlem - B2 Pocket Candy
7
Harlem - B3 Night Vision
LP (incl. poster & download)
Tracklisting:
A1 Bait
A2 Juice
A3 Target
A4 Sthlm Muscle
B1 Spastic Puppy
B2 Pocket Candy
B3 Night Vision
Info:
VEYL is pleased to welcome Harlem to the label for a new seven track album titled 'Bait'. The
Stockholm-based duo of Martin Thomasson and Johan Skugge bring a vast history of production behind
them, operating since the early aughts and known for their work in dub and minimal techno.
‚Bait' ventures into new territory for the project, delivering infectious strains of body music, new beat,
industrial and beyond coupled with soul-stirring vocals which quickly dig beneath the skin. The release is
about everyday manipulation, soft power and persuasion. We exist in a world in which corporate
management techniques are deployed in our everyday lives, nudging each other for short-term gain,
slowly hallowing out any lasting trust while ultimately all being crushed by a hyper-capitalist system.
From the opening synths of the title track to the ominous ending notes of 'Night Vision', we also uncover
funky grooves and diabolical floor shakers which remind us of something from the past but exist
perfectly in this corrupted new world. As is customary, the striking cover art was photographed by
Tomaso Lisca, and it’s a fitting piece for the record, depicting a tantalizing well-oiled machine, all while
something menacing lurks under the hood. More
Tracklisting:
A1 Bait
A2 Juice
A3 Target
A4 Sthlm Muscle
B1 Spastic Puppy
B2 Pocket Candy
B3 Night Vision
Info:
VEYL is pleased to welcome Harlem to the label for a new seven track album titled 'Bait'. The
Stockholm-based duo of Martin Thomasson and Johan Skugge bring a vast history of production behind
them, operating since the early aughts and known for their work in dub and minimal techno.
‚Bait' ventures into new territory for the project, delivering infectious strains of body music, new beat,
industrial and beyond coupled with soul-stirring vocals which quickly dig beneath the skin. The release is
about everyday manipulation, soft power and persuasion. We exist in a world in which corporate
management techniques are deployed in our everyday lives, nudging each other for short-term gain,
slowly hallowing out any lasting trust while ultimately all being crushed by a hyper-capitalist system.
From the opening synths of the title track to the ominous ending notes of 'Night Vision', we also uncover
funky grooves and diabolical floor shakers which remind us of something from the past but exist
perfectly in this corrupted new world. As is customary, the striking cover art was photographed by
Tomaso Lisca, and it’s a fitting piece for the record, depicting a tantalizing well-oiled machine, all while
something menacing lurks under the hood. More
Label:Aspecto Humano
Cat-No:AH008
Release-Date:18.01.2021
Genre:Electrobass
Configuration:12"
Barcode:
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Last in:-
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Last in:-
Label:Aspecto Humano
Cat-No:AH008
Release-Date:18.01.2021
Genre:Electrobass
Configuration:12"
Barcode:
1
Asymetric80 - Dark Lights
2
Asymetric80 - So The Echo
3
Asymetric80 - Dystopia
4
Asymetric80 - Defected Logic
5
Asymetric80 - Destroyed System
Debut release by Asymetric80. Music made during lockdown, a reflection of these uncertain times. From Apoptygma Berzerk to Covenant, with a genuine ‘Valencia Sound’ from ’90s.
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12" Excl
in stock
Label:Una Vida De Barrio
Cat-No:UVDB001
Release-Date:24.07.2020
Genre:Funk
Configuration:12" Excl
Barcode:4251804103657
in stock
Last in:17.07.2020
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in stock
Last in:17.07.2020
Label:Una Vida De Barrio
Cat-No:UVDB001
Release-Date:24.07.2020
Genre:Funk
Configuration:12" Excl
Barcode:4251804103657
1
V/A - Una Vida De Barrio (vinyl sampler+ - A1 Harry Baldi - Ik Wist Het, Philippe Albert
2
V/A - Una Vida De Barrio (vinyl sampler+ - A2 Trujillo - O Fenomeno
3
V/A - Una Vida De Barrio (vinyl sampler+ - A3 Nemorna - Tony Yeboah
4
V/A - Una Vida De Barrio (vinyl sampler+ - B1 The Checkup & Project89 - The Flying Dutchman
5
V/A - Una Vida De Barrio (vinyl sampler+ - B2 E-Talking - Tony Vairelles
Around six years ago, a bunch of djs, musicians and music lovers started gathering for weekly five-a-side football matches on a small, run-down pitch in Kreuzberg 61. Because much like music, football brings people together, wherever they are from. This collection has been a long time coming and collects tracks by players from seven different nationalities, all based in Berlin, united by both their love of the beautiful game as well as their passion for electronic club music.
11 tracks are on offer here (what did you expect?), each one dedicated to the composer’s football hero - a tribute to their unique skill and the beautiful moments they've brought us on the pitch. As such, the tracklist forms an all-star fantasy "Mannschaft".
Compiled by player-coach Tristan Jong (aka Gratts) and made possible thanks to Markus Lindner (aka Delfonic), the package lives on the grass pitch between corner flags techno, deep house, disco and broken beats. It features music by established underground artists like Venezualan digger Trujillo, We Play House Recordings stalwart Harry Baldi or Juliano as well as debuts from the likes of Nemorna, James Martin and plenty more indeed. Five of the tracks are pressed loud onto vinyl as a club sampler - including full artwork comprising of some of the team pictures taken throughout the year - to the complete 11 track package.
“Una Vida De Barrio”, then? That’s what the graffiti on the wall of the football cage says. Sometimes you don’t need to look for a title, it finds you
Special remarks :Vinyl sampler comes with free downloadcode Bandcamp
Genre: deephouse, house, disco, broken beat
Tracklist 12":
A1 Harry Baldi - Ik Wist Het, Philippe Albert
A2 Trujillo - O Fenomeno
A3 Nemorna - Tony Yeboah
B1 The Checkup & Project89 - The Flying Dutchman
B2 E-Talking - Tony Vairelles
Tracklist digital compilation:
1. Carlo - Paco Buyo
2. Nemorna - Tony Yeboah
3. E-Talking - Tony Vairelles
4. The Checkup & Project89 - The Flying Dutchman
5. Harry Baldi - Ik Wist Het, Philippe Albert
6. Trujillo - O Fenomeno
7. Juliano - Discorentin Martins
8. Sentient Beings - Roma´rio’s Pants
9. Elayas - Gheorghe Boy
10. James Martin - George Best
11. Ian Blevins - Clayton Blackmore
More
11 tracks are on offer here (what did you expect?), each one dedicated to the composer’s football hero - a tribute to their unique skill and the beautiful moments they've brought us on the pitch. As such, the tracklist forms an all-star fantasy "Mannschaft".
Compiled by player-coach Tristan Jong (aka Gratts) and made possible thanks to Markus Lindner (aka Delfonic), the package lives on the grass pitch between corner flags techno, deep house, disco and broken beats. It features music by established underground artists like Venezualan digger Trujillo, We Play House Recordings stalwart Harry Baldi or Juliano as well as debuts from the likes of Nemorna, James Martin and plenty more indeed. Five of the tracks are pressed loud onto vinyl as a club sampler - including full artwork comprising of some of the team pictures taken throughout the year - to the complete 11 track package.
“Una Vida De Barrio”, then? That’s what the graffiti on the wall of the football cage says. Sometimes you don’t need to look for a title, it finds you
Special remarks :Vinyl sampler comes with free downloadcode Bandcamp
Genre: deephouse, house, disco, broken beat
Tracklist 12":
A1 Harry Baldi - Ik Wist Het, Philippe Albert
A2 Trujillo - O Fenomeno
A3 Nemorna - Tony Yeboah
B1 The Checkup & Project89 - The Flying Dutchman
B2 E-Talking - Tony Vairelles
Tracklist digital compilation:
1. Carlo - Paco Buyo
2. Nemorna - Tony Yeboah
3. E-Talking - Tony Vairelles
4. The Checkup & Project89 - The Flying Dutchman
5. Harry Baldi - Ik Wist Het, Philippe Albert
6. Trujillo - O Fenomeno
7. Juliano - Discorentin Martins
8. Sentient Beings - Roma´rio’s Pants
9. Elayas - Gheorghe Boy
10. James Martin - George Best
11. Ian Blevins - Clayton Blackmore
More
Label:Heist Recordings
Cat-No:heist088
Release-Date:25.10.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182539
in stock
Last in:17.10.2024
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in stock
Last in:17.10.2024
Label:Heist Recordings
Cat-No:heist088
Release-Date:25.10.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182539
1
DJ Sneak - I Can Tell You What You Want
2
DJ Sneak - A Taste of the 90s
3
DJ Sneak - Dirty Jazz
4
DJ Sneak - You Know What I Mean?
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?
Release Info:
DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.
Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.
Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.
The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.
If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.
On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.
The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.
On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.
Grab this record while you can and share the love,
Heist Recordings. More
Track list:
A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?
Release Info:
DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.
Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.
Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.
The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.
If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.
On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.
The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.
On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.
Grab this record while you can and share the love,
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