12"

GENRE/S: Ambient / Experimental

TRACKLIST:



1. mmah-iae_abstraction_180929
2. mmah-iae_impressionism_180929
3. mmah-iae_tradition&innovation_180929
4. mmah-iae_underscore_cezanne_180929
5. jr-iae_thegarden_180614
6. jr-iae_rocksatbelle-ile_180614

SHORT INFO:
‘e is sky’ is a collective born out of these first collaborations between Melbourne based experimental composer CORIN, electronic-pop musician Sui Zhen and music producer Casey Hartnett.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

2025 Repress, LP

Short info:
Wilson Tanner’s 69 returns to Australian soil for a new season. A uniquely provincial take on ambient music, Andrew Wilson (Andras) and John Tanner (Eleventeen Eston) assembled their prized debut over a shared love of seafood, wine and LPG. Recorded in a Perth backyard, these two new friends reached for the tools at hand and made the best of the fine weather. Instrument and implement combine in a languorous bricolage of synthesizer, clarinet and building materials - interrupted only by the occasional flutter of pigeon wings or a call to lunch. Back in print for the first time since 2017, Wilson Tanner hop into Efficient Space’s expanding pot.

Tracklist:

1. Sun Room
2. Long Water
3. Before Lotus
4. Keith
5. Further Than Your Headlights
6. Pilot
7. Tray Tail
8. Odd Low




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Territories: world (minus USA, FR, BENELUX, IT)

Format: 2LP, Marbled (white & black) vinyls + 7"
Genre: Electronic, Beats, Trip-hop

Tracklist

1. Behind the Curtain (opening) 1:08
2. Que Sera 2:44
3. Ungodly Fruit 3:00
4. Between Fellows 0:28
5. Hypnosis Theme (feat. Marina Quaisse) 4:53
6. Damn that Music Made my Day 0:51
7. Where my Heart's at (feat. The Others) 4:33
8. Birth of a Struggle 0:59
9. Am I Free 6:02
10. Ringing Score 0:17
11. I Don't Know 3:39
12. Our Dance (feat. Charlotte Savary) 4:24
13. Stay Tuned 0:35
14. Walk the Line (feat. The Others) 4:28
15. A Woman's Voice 3:23
16. Don't You Remember 4:20
17. How I Feel 4:18
18. Behind the Disguise "Closing" (feat. Marina Quaisse) 1:33

7" - Seize the Day

1. Seize the Day 2.41
2. Seize the Day (Instrumental Version) 2.42


20 years after its release, Wax Tailor's cult album, which made him a household name the world over, is back in a marbled 2LP collector's edition with the bonus single ‘Seize the Day’ (previously unreleased on vinyl). Long unavailable due to its success, this eagerly-awaited repress offers the chance to discover once again this essential work of the trip-hop scene.

This exceptional box set includes two marbled vinyl records along with an exclusive 7-inch single of Seize The Day.


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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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- NO SALES TO JAPAN

Vinyl: Gold Vinyl - Limited Edition, 350gsm, Sleeve With Logo by Shintaro Kago Printed Inside, Sticker

Tracklisting
A1. Golden Dog
A2. Wandering Days
A3. Cesca's Emergency
A4. Injured Love
A5. Being Chased
A6. Angel's Tombstone (Instrumental)
B1. A Challenge to Lie
B2. Love Does Not Return
B3. The Great Solitude
B4. Eyes in the Dark
B5. Beyond the Twilight
B6. Angel's Tombstone



Info

Presented by Mitsuko & Svetlana Records, distributed by WRWTFWW Records.

Archival reissue of highly sought-after 1979 soundtrack from funky maestro Yuji Ohno, the genius jazz player/composer behind the music of Lupin III (?????) and Capitaine Future (?????·??????) and much much more. Big grooves, irresistible basslines, horns for days, funk for-ever. This superb piece of music from the legendary Toho Records catalogue is a MUST HAVE for fans of Japanese gems.

It’s the original soundtrack of Shigeyuki Amane’s excellent TV movie Golden Dog (Ôgon No Inu). With a secret agent dog carrying secret documents. Last appearance by the one and only Reiko Ike!

Highly recommended to everyone who loves good dogs and good music.



Points of interests

- For fans of funk, jazz, Japanese music, rare groove, boogie, 70s soundtracks, rare gems, WRWTFWW Records, Lupin III, library music, and beautiful dogs.

- Rare gem reissued on vinyl for the first time since 1979.

- Fifth release from Mitsuko & Svetlana Records (Bells of Koyto, Masahiko Sato - Kayobi No Onna, Piero Milesi - The Nuclear Observatory of Mr. Nanof, Sora - Re.sort), distributed by friends WRWTFWW Records (Midori Takada’s Through The Looking Glass, Lunar Cruise and MWKAJU en-semble’s projects, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakas-hi, John Carpenter’s Dark Star Soundtrack, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mon-do Dei Romani, Bernard Parmegiani soundtracks, Colored Music’s self-titled album, EP-4’s Lingua Franca-1, Normal Brain’s Lady Maid…), label founded and curated by Olivier Ducret of Mental Groove and Musique Pour La Danse (Miss Kittin, Orbe, Donato Dozzy, Imperial Tiger Orchestra...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Ste-phan Eicher & Rainier Lericolais, John Armleder, Sylvie Fleury…)



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DE - 22113 Hamburg
Germany
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Tracklist:

01. Hashish
02. The Last Straw
03. Nu Stone Groove
04. On Release
05. Poor Man Beggar Man Thief (Feat Kye)
06. Suicide Bomber
07. Roll Up
08. For Love's Sake


Short info:

Efficient Space honours the memory of producer and MC Ali Omar with Hashish Hits, a posthumous selection from the dub rebel’s self-released discography.
One of ten children in working-class Liverpool, Omar drew deep influence from his father's Arabic heritage—a thread central to his identity and sample origins. After art school and a spell clubbing during Manchester's halcyon days, he relocated to Sydney, where he co-founded the blunted downbeat duo Atone with fellow British expatriate Andy Fitzgerald. As an MC, he infiltrated the city’s house, dub, jungle, and bass circuits, becoming a regular fixture at the Bentley Bar, where he commanded the mic with his versatile, rumbling baritone and charisma.
Freakishly talented in the studio, Omar was a pioneer of the Akai sampler and Atari, deftly recording live sessions straight to DAT. Drawing on industry insights from his sister, Merseybeat firebrand Beryl Marsden—who supported The Beatles on their final UK tour and was signed to Decca and Columbia—the non-conformist sought to build a self-sufficient business model. Between 1998 and 2004, he independently issued four albums on CD through his Hashish Studios imprint, hustling copies directly to local record stores and live shows for instant returns, even hand-sewing screen-printed hessian sleeves for his final release.
Uncompromising in his principles and refusing to suffer fools or charlatans, Omar relished the opportunity to collaborate with those who embodied the same spirit. Hashish Hits offers a snapshot of his inner sanctum—Fitzgerald on the opening track's billowing smoke stacks, the serpentine vocals of Gina Mitchell and the magic hands of mixer Louis Mitchell on 'On Release,' and Wicked Beat Sound System’s Kye on 'Poor Man Beggar Man Thief'. Meanwhile, 'Suicide Bomber' smoulders with the tension of a lost Muslimgauze relic, as the instructional 'Roll Up' and 'The Last Straw' spiral deeper into Omar’s signature production vortex—where space stretches in slow motion and walls reverberate with ricocheting delay.
A true icon of Sydney’s underground scene, the larger-than-life Omar passed away on 23 June 2009 after a valiant battle with cancer. He is remembered for his assertive spirit, larrikin humour, wild anarchic personality, and enduring mantra: “Love and live your life”.


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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
- light green vinyl

Genre: House

Tracklist 12":

A1 Guinness Italo (05:58)
A2 Guinness Emotions (03:20)
B1 Guinness Trance (06:22)
B2 Guinness Drumapella (04:21)


Short Info:

Third times's a charm! Sir - or better - Signore David Jackson is back with his third record for Frank Music. Our Heidelberg posterboy has constructed some of his best work to date. "Guinness Italo" is by far the recipe you need at your party too. Imagine the spice of a perfect Negroni mixed with all the charme of another pint in your favourite pub with all your mates. Nothing but good times indeed. "Guinness Italo" arrives in various forms, shapes & dreams. One for the euphoric Italo moment, one a hundred percent emotional, one going Trance all the way and finally one just for the Drums. What's your choice lad? Slainte!





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- LP , GATEFOLD, STICKER
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching


GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient


TRACKLIST:

Side A : Light And Darkness

A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20

Side B : Schwingungen 19:00

We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“


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