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Cat-No:HTML008
Release-Date:26.11.2021
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1
Teddy Lasry - Raising Sun in Bali
2
Teddy Lasry - Los Angeles
3
Teddy Lasry - Blue Theme
4
Teddy Lasry - Chamonix
5
Teddy Lasry - Krazy Kat
6
Teddy Lasry - Funky Ghost
7
Teddy Lasry - Back To Amazonia
8
Teddy Lasry - Birds Of Space
TRACKLIST:
A1. Raising Sun in Bali
A2. Los Angeles
A3. Blue Theme
A4. Chamonix
B1. Krazy Kat
B2. Funky Ghost
B3. Back To Amazonia
B4. Birds Of Space
French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he
approached the craft of composing and experimenting with sounds and sonics.
Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to
fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge
Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist
politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les
Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores,
with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian
Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their
compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really
explore unconventional methods of composition.
Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering
prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member
Laurent Thibault, their album Mëkanïk Dëstruktï. Kömmandöh and its sound were strong influences on David Bowie during the recording
of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways
of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades.
Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but
with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early
age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly
mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair
with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he
once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths).
To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side,
even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of
expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation
itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious
approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s
work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving
"Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To
Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising
Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2
album, closes the comp, and is a fitting way to end this journey.
Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work
and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Raising Sun in Bali
A2. Los Angeles
A3. Blue Theme
A4. Chamonix
B1. Krazy Kat
B2. Funky Ghost
B3. Back To Amazonia
B4. Birds Of Space
French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he
approached the craft of composing and experimenting with sounds and sonics.
Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to
fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge
Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist
politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les
Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores,
with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian
Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their
compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really
explore unconventional methods of composition.
Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering
prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member
Laurent Thibault, their album Mëkanïk Dëstruktï. Kömmandöh and its sound were strong influences on David Bowie during the recording
of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways
of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades.
Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but
with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early
age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly
mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair
with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he
once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths).
To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side,
even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of
expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation
itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious
approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s
work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving
"Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To
Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising
Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2
album, closes the comp, and is a fitting way to end this journey.
Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work
and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Teddy Lasry
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1
Teddy Lasry - Kikinda
2
Teddy Lasry - Pajaritos De Los Andes
3
Teddy Lasry - Classic Fantasy
4
Teddy Lasry - Doulce Flute
5
Teddy Lasry - Tahiti
6
Teddy Lasry - And Now Whistlin'
7
Teddy Lasry - Monomotapa
8
Teddy Lasry - Wind In The Sky
9
Teddy Lasry - Organum
10
Teddy Lasry - Seventh Cloud
11
Teddy Lasry - Los Angeles
12
Teddy Lasry - Noir Ébène
13
Teddy Lasry - Jeremy
Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums. Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate, contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.
A1 - Kikinda
A2 - Pajaritos De Los Andes
A3 - Classic Fantasy
A4 - Doulce Flute
A5 - Tahiti
A6 - And Now Whistlin'
A7 - Monomotapa
B1 - Wind In The Sky
B2 - Organum
B3 - Seventh Cloud
B4 - Los Angeles
B5 - Noir Ébène
B6 - Jeremy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate, contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.
A1 - Kikinda
A2 - Pajaritos De Los Andes
A3 - Classic Fantasy
A4 - Doulce Flute
A5 - Tahiti
A6 - And Now Whistlin'
A7 - Monomotapa
B1 - Wind In The Sky
B2 - Organum
B3 - Seventh Cloud
B4 - Los Angeles
B5 - Noir Ébène
B6 - Jeremy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Vinymatic RECORDS
Cat-No:MC44
Release-Date:18.07.2025
Configuration:LP
Barcode:
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Label:Vinymatic RECORDS
Cat-No:MC44
Release-Date:18.07.2025
Configuration:LP
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1
Teddy Lasry - Metal
2
Teddy Lasry - Stabile
3
Teddy Lasry - March From March
4
Teddy Lasry - Aquaplane
5
Teddy Lasry - Reflection
6
Teddy Lasry - Highway
7
Teddy Lasry - Stress
8
Teddy Lasry - Downtown
9
Teddy Lasry - Trafic
10
Teddy Lasry - In The Gutter
With "Modern Way", Teddy Lasry delivers one of his most accomplished albums, where analog synthesizer mastery meets a distinctly modern vision of instrumental music. Originally released in 1981, this rare record embodies both the elegance of jazz-fusion and the boldness of electronic experimentation.
Known for his key role in Magma, Teddy Lasry established himself as a discreet yet essential pioneer of French cosmic music. A saxophonist, flutist, and keyboardist, he began developing a rich and personal body of work in the 1970s, blending film scoring, sonic science fiction, and synthetic dreamscapes.
On Modern Way, he explores a new path, at the crossroads of space funk, futuristic library music, and cinematic synthetic landscapes. Each track evokes a scene: a race against time, a machine-city, a digital dream... An imaginary soundtrack for an era that still believed in tomorrow.
Reissued on vinyl for the first time, Modern Way is a key work for fans of rare electronic gems, atmospheric jazz, and avant-garde music long left in the shadows.
Limited edition – The future won’t wait.
A1 - Metal
A2 - Stabile
A3 - March From March
A4 - Aquaplane
A5 - Reflection
B1 - Highway
B2 - Stress
B3 - Downtown
B4 - Trafic
B5 - In The Gutter
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Known for his key role in Magma, Teddy Lasry established himself as a discreet yet essential pioneer of French cosmic music. A saxophonist, flutist, and keyboardist, he began developing a rich and personal body of work in the 1970s, blending film scoring, sonic science fiction, and synthetic dreamscapes.
On Modern Way, he explores a new path, at the crossroads of space funk, futuristic library music, and cinematic synthetic landscapes. Each track evokes a scene: a race against time, a machine-city, a digital dream... An imaginary soundtrack for an era that still believed in tomorrow.
Reissued on vinyl for the first time, Modern Way is a key work for fans of rare electronic gems, atmospheric jazz, and avant-garde music long left in the shadows.
Limited edition – The future won’t wait.
A1 - Metal
A2 - Stabile
A3 - March From March
A4 - Aquaplane
A5 - Reflection
B1 - Highway
B2 - Stress
B3 - Downtown
B4 - Trafic
B5 - In The Gutter
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Vinymatic RECORDS
Cat-No:SI822
Release-Date:23.05.2025
Configuration:LP
Barcode:
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Last in:26.05.2025
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Last in:26.05.2025
Label:Vinymatic RECORDS
Cat-No:SI822
Release-Date:23.05.2025
Configuration:LP
Barcode:
1
Teddy Lasry - Escalade
2
Teddy Lasry - Blue Theme
3
Teddy Lasry - Après Rio
4
Teddy Lasry - Punching Dream
5
Teddy Lasry - Passages
6
Teddy Lasry - Africa
7
Teddy Lasry - Regardes Pas Le Soleil
8
Teddy Lasry - Bagarre A Toi
9
Teddy Lasry - Over The Town
10
Teddy Lasry - Electro Rock
11
Teddy Lasry - Piano A Pompes
Teddy Lasry "Escalade": first vinyl edition since 1976
Released in 1976, Teddy Lasry's Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.
Limited to 200 copies worldwide exclusive at The Pusher Distribution!
A1 - Escalade
A2 - Blue Theme
A3 - Après Rio
A4 - Punching Dream
A5 - Passages
B1 - Africa
B2 - Regardes Pas Le Soleil
B3 - Bagarre A Toi
B4 - Over The Town
B5 - Electro Rock
B6 - Piano A Pompes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Released in 1976, Teddy Lasry's Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.
Limited to 200 copies worldwide exclusive at The Pusher Distribution!
A1 - Escalade
A2 - Blue Theme
A3 - Après Rio
A4 - Punching Dream
A5 - Passages
B1 - Africa
B2 - Regardes Pas Le Soleil
B3 - Bagarre A Toi
B4 - Over The Town
B5 - Electro Rock
B6 - Piano A Pompes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Hot Mule
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Label:Hot Mule
Cat-No:HTML011
Release-Date:14.02.2025
Genre:Afrobeat
Configuration:2LP
Barcode:
1
Souley Kanté - Bi Magni
2
Doussou Bagayoko - Taman
3
Abdoulaye Brévété - Faalé Mokoba
4
Djelikeba Soumano - Tougharanke
5
Kankaba Sakho - Foty
6
Soninkara - Tamajoujou
7
Bande Koné - Togo
8
Lassana Tamoura - Lassana Boubou N’kana Ké Kiye
9
Mamadou Mariko - N’diaye Sylla 2014
10
Aïchata Sidibé - La Vie Est Si Belle
11
Adja Soumano - Dja-Dja
12
Mah Kouyaté N°2 - Bani
In Paris, a creative force of artists molded the cultural identity of the Malian diaspora, infusing the city’s eclectic mix of sounds with their own rich heritage. At the heart of it all was Gaye Mody Camara, a towering figure in Malian music and culture since the late 1970s. Born in Abidjan and raised in Kayes, he grew up fascinated by the rhythms of Wassoulou, steeped in the rhythms of a land shaped by diverse ethnicities and traditions, including the Peul, Bambara, and Dogon. His migration to Paris didn’t sever these ties; instead, it amplified them.
Camara’s entrepreneurial spirit took root early, first in the markets of Paris, where he sold kola nuts and wax fabrics, and later as he built a reputation as a producer and distributor of West African music. Working between Paris, Bamako, and Abidjan, he captured music from artists hailing primarily from Mali and neighboring countries such as Senegal, Mauritania, Guinea, Ivory Coast, Burkina Faso, and occasionally The Gambia. Whether flying musicians to studios in Bamako, Abidjan, or Paris, Camara’s productions bridged continents, preserving the sounds of home while documenting the voices of an ever-shifting diaspora.
Where Wagadu Grooves: The Hypnotic Sound of Camara 1987–2016 focused on the sounds of the Soninke, Wagadu Grooves Vol.2 delves into the entirety of Camara Production’s vast catalog, shining a light on the syncretic sounds that resonated through the streets of Montreuil, Saint-Denis, and the numerous migrant housing centers around the city. Here, Malian musicians carried with them the rhythms of Wassoulou, from the traditional harvest dance sogonikun, to djaga, didadi, and sumu, the joyous, female-led celebrations rooted in Mali’s pre colonial traditions.
Yet these were not merely echoes of the past; the city’s gritty undercurrent shaped these soundscapes, blending the hypnotic plucks of the kamélé ngoni, and the rhythms of the djembé with heavy autotune, drum machines and synths, funk arrangements, Afropop, Afro-Zouk, Rap, and even proto house.
Through its 12 tracks originally released on cassette tapes or digitally, Wagadu Grooves Vol. 2 brings to life these rich and diverse sounds, honoring the vision, creativity, and business savvy of Gaye Mody Camara, whose five-decade long career has shaped the sound of Malian communities in Paris and beyond.
A1 - Souley Kanté - Bi Magni
A2 - Doussou Bagayoko - Taman
A3 - Abdoulaye Brévété - Faalé Mokoba
B1 - Djelikeba Soumano - Tougharanke
B2 - Kankaba Sakho - Foty
B3 - Soninkara - Tamajoujou
C1 - Bande Koné - Togo
C2 - Lassana Tamoura - Lassana Boubou N’kana Ké Kiye
C3 - Mamadou Mariko - N’diaye Sylla 2014
C4 - Aïchata Sidibé - La Vie Est Si Belle
D1 - Adja Soumano - Dja-Dja
D2 - Mah Kouyaté N°2 - Bani
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Camara’s entrepreneurial spirit took root early, first in the markets of Paris, where he sold kola nuts and wax fabrics, and later as he built a reputation as a producer and distributor of West African music. Working between Paris, Bamako, and Abidjan, he captured music from artists hailing primarily from Mali and neighboring countries such as Senegal, Mauritania, Guinea, Ivory Coast, Burkina Faso, and occasionally The Gambia. Whether flying musicians to studios in Bamako, Abidjan, or Paris, Camara’s productions bridged continents, preserving the sounds of home while documenting the voices of an ever-shifting diaspora.
Where Wagadu Grooves: The Hypnotic Sound of Camara 1987–2016 focused on the sounds of the Soninke, Wagadu Grooves Vol.2 delves into the entirety of Camara Production’s vast catalog, shining a light on the syncretic sounds that resonated through the streets of Montreuil, Saint-Denis, and the numerous migrant housing centers around the city. Here, Malian musicians carried with them the rhythms of Wassoulou, from the traditional harvest dance sogonikun, to djaga, didadi, and sumu, the joyous, female-led celebrations rooted in Mali’s pre colonial traditions.
Yet these were not merely echoes of the past; the city’s gritty undercurrent shaped these soundscapes, blending the hypnotic plucks of the kamélé ngoni, and the rhythms of the djembé with heavy autotune, drum machines and synths, funk arrangements, Afropop, Afro-Zouk, Rap, and even proto house.
Through its 12 tracks originally released on cassette tapes or digitally, Wagadu Grooves Vol. 2 brings to life these rich and diverse sounds, honoring the vision, creativity, and business savvy of Gaye Mody Camara, whose five-decade long career has shaped the sound of Malian communities in Paris and beyond.
A1 - Souley Kanté - Bi Magni
A2 - Doussou Bagayoko - Taman
A3 - Abdoulaye Brévété - Faalé Mokoba
B1 - Djelikeba Soumano - Tougharanke
B2 - Kankaba Sakho - Foty
B3 - Soninkara - Tamajoujou
C1 - Bande Koné - Togo
C2 - Lassana Tamoura - Lassana Boubou N’kana Ké Kiye
C3 - Mamadou Mariko - N’diaye Sylla 2014
C4 - Aïchata Sidibé - La Vie Est Si Belle
D1 - Adja Soumano - Dja-Dja
D2 - Mah Kouyaté N°2 - Bani
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Hot Mule
Cat-No:HTML007
Release-Date:23.08.2021
Configuration:LP
Barcode:
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Last in:22.02.2022
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Cat-No:HTML007
Release-Date:23.08.2021
Configuration:LP
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1
José Carlos Schwarz Le Cobiana Jazz - Indicativo
2
José Carlos Schwarz Le Cobiana Jazz - Estin
3
José Carlos Schwarz Le Cobiana Jazz - Po Ka Ta Bida Lagartu
4
José Carlos Schwarz Le Cobiana Jazz - Lua Kata Kema
5
José Carlos Schwarz Le Cobiana Jazz - Dispus Ke E Lebal
6
José Carlos Schwarz Le Cobiana Jazz - Tiu Bernal
7
José Carlos Schwarz Le Cobiana Jazz - Na Kolonia
8
José Carlos Schwarz Le Cobiana Jazz - Mindjeris De Panu Pretu
9
José Carlos Schwarz Le Cobiana Jazz - Pintcha Kamion
10
José Carlos Schwarz Le Cobiana Jazz - Pena De Galiña
11
José Carlos Schwarz Le Cobiana Jazz - Amigo s Cabali
In the beginning of the 1970’s, Guinea-Bissau was a country broken up into many ethnic groups and at the heart of a war for independence. By reviving traditional musical genres as Gumbé and singing in guinean Kriol, José Carlos Schwarz & Cobiana Djazz established an immediate affective bond with their audiences. Through its music and politically engaged spirit of the lyrics, the band played a significant role in shaping the social and political consciousness of the masses. As well as influencing local bands like Super Mama Djombo and giving back a deep sense of cultural identity to bissau-guineans.
The explosive birth of Cobiana Djazz brought about other kinds of detonation. Schwarz became involved in urban guerilla activities which resulted in several bombings in the centre of Bissau, leading to his imprisonment and torture. He remained in lockup for a total period of about 2 years, between 1972 and 1974.
The process of decolonisation, in the wake of the Portuguese revolution of 25 April 1974, led to the recognition, during the same year, of the sovereign nation of Guinea-Bissau.
TRACKLIST:
A1. Indicativo
A2. Estin
A3. Po Ka Ta Bida Lagartu
A4. Lua Kata Kema
A5. Dispus Ke E Lebal
A6. Tiu Bernal
B1. Na Kolonia
B2. Mindjeris De Panu Pretu
B3. Pintcha Kamion
B4. Pena De Galiña
B5. Amigo s Cabali
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The explosive birth of Cobiana Djazz brought about other kinds of detonation. Schwarz became involved in urban guerilla activities which resulted in several bombings in the centre of Bissau, leading to his imprisonment and torture. He remained in lockup for a total period of about 2 years, between 1972 and 1974.
The process of decolonisation, in the wake of the Portuguese revolution of 25 April 1974, led to the recognition, during the same year, of the sovereign nation of Guinea-Bissau.
TRACKLIST:
A1. Indicativo
A2. Estin
A3. Po Ka Ta Bida Lagartu
A4. Lua Kata Kema
A5. Dispus Ke E Lebal
A6. Tiu Bernal
B1. Na Kolonia
B2. Mindjeris De Panu Pretu
B3. Pintcha Kamion
B4. Pena De Galiña
B5. Amigo s Cabali
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:18.11.2019
Label:hot Mule
Cat-No:html003
Release-Date:09.09.2019
Genre:Afrobeat
Configuration:LP
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
1977, Paris France. Two brothers freshly arrived from Casamance, the Senegalese ‘Florida’, are living the tough immigrant experience. Their plan: becoming pop stars. A challenge so ambitious it sounds like science fiction at the time: Bob Marley, Fela Kuti and a handful of others artists have started making waves in the Western World , but the rise of the Pan-African sound is still at an early stage. The Touré brothers have formed a band, written some songs, and start frequently playing their music live, to great effect, at an underground theatre called the Dunois in the 13th Parisian district. The hype starts spreading. Overcoming the odds, their parents' ban on playing music ("a satanic activity"), the death of their brother and mentor Amadou and a stint in a Mauritanian prison, they will ultimately reach stardom a few years later under the name Touré Kunda (The Elephant Family). A legendary 40-year career will follow: 16 albums released, millions of records sold, numerous world tours, awards and collabs with the likes of Manu Dibango, Talking Heads, Carlos Santana, Bill Laswell, Alpha Blondy, Bernie Worrel … Released in 1979, self-financed by loans from friends and allies, Mandinka Dong is the genesis of Touré Kunda, the cornerstone of the band’s unique sound, at the crossroads of Disco, Funk, Pop, Reggae, Portuguese, Guinean, Cuban, Zairean, Mandinke and Soninke music. Limited to 700 copies and very difficult to find in decent condition, the original pressing faded into oblivion for decades. A low-resolution digital version of the album started circulating in recent years, not doing justice to the rich analog sound of the recording. It is an honour for Secousse and Hot Mule Records to present a complete reissue of Mandinka Dong. Faithfully restored and remastered, it will be available in both digital and physical formats
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Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available
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Part 2 of our series of official reworks of The Warmer Music catalogue
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Special remarks : 12” with printed deluxe sleeve
Tracklist
A1 Nechîrvano
A2 Weso
B1 Tesîye De Bi Lûr Lûr
B2 Kurdistanê Baxcê Gulan
B3 Baran Barana
Shortinfo:
We gladly present the long awaited debut album by kurdish multi-instrumentalist Philippos Sîpano and Frankfurt am Main’s mighty duo Dan Bay & Le Rubrique aka The MPC Orchestra. “The Spirit of Dilovan” pays tribute to Philippos Sîpano and Dan Bayat’s youth band “Spirit Of Dilovan”, sketches the different musical paths the two took over the years and finds its final form in their new collaboration with Dilovan Le Rubrique, a master in the studio and a true patchbay wizzard.
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* good-hearted people <3
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Liebigstrasse 2-20
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Germany
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Tracklist
A1 Nechîrvano
A2 Weso
B1 Tesîye De Bi Lûr Lûr
B2 Kurdistanê Baxcê Gulan
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Shortinfo:
We gladly present the long awaited debut album by kurdish multi-instrumentalist Philippos Sîpano and Frankfurt am Main’s mighty duo Dan Bay & Le Rubrique aka The MPC Orchestra. “The Spirit of Dilovan” pays tribute to Philippos Sîpano and Dan Bayat’s youth band “Spirit Of Dilovan”, sketches the different musical paths the two took over the years and finds its final form in their new collaboration with Dilovan Le Rubrique, a master in the studio and a true patchbay wizzard.
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A1) Orlando Magic, A2) Cabrio Mango
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Liebigstrasse 2-20
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Tracks 2 + 4 remixed - Mafia & FluxyRecorded and Mixed - Jamtone Studio by Darren Mathers
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Ricardo Eddy Martínez - Expreso Rítmico
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Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies.
Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library music. The album was directed, written, and orchestrated by keyboardist and drummer Ricardo Eddy Martinez, who was also the mastermind behind the orchestration of the Los Reyes 73 album (that was recently reissued by Mr Bongo). Martinez would later go on to work with international musicians and singers such as Gloria Estefan, José Feliciano, Chick Corea, and many more, whilst also working as a sound engineer in the US.
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A record that was ahead of its time, Expreso Ritmico is a superb and unique album that merges western influence with Cuban flair. It comes housed in a replica of its original Cuban sleeve design.
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Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library music. The album was directed, written, and orchestrated by keyboardist and drummer Ricardo Eddy Martinez, who was also the mastermind behind the orchestration of the Los Reyes 73 album (that was recently reissued by Mr Bongo). Martinez would later go on to work with international musicians and singers such as Gloria Estefan, José Feliciano, Chick Corea, and many more, whilst also working as a sound engineer in the US.
Produced by Adolfo Pichardo, who worked on much of Areito’s output, Expreso Ritmico is packed with gold. The opening title track carries a loose, breezy Latin-disco-funk vibe that breaks into a brilliant Afro-Cuban workout. ‘Que La Tristeza Se Fue’ was expertly sampled and looped by Jazzanova on their 2008 song ‘Look What You Are Doing To Me, featuring Phonte from the hip hop group Little Brother. Elsewhere, ‘Tambo Iya’ has an Afro-funk, Soul Makossa-esque groove, while tracks such as ‘Te Quedas’, ‘Mi Conga Es La Que Es’ and ‘La 132’ run with a heavy pulsating Latin-funk sound. Head to the sultry psych funk of ‘Este Tumbao’ for a spacey journey that blends and morphs through genres.
A record that was ahead of its time, Expreso Ritmico is a superb and unique album that merges western influence with Cuban flair. It comes housed in a replica of its original Cuban sleeve design.
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Swamp Children - Taste What's Rhythm
2
Swamp Children - You've Got Me Beat
3
Swamp Children - Softly Saying Goodbye
Territories: Worldwide no restrictions
Format Notes: 2023 reissue, 140g vinyl, remastered from the original tapes by Simon Francis
Track List:
A1 Taste What's Rhythm
B1 You've Got Me Beat
B2 Softly Saying Goodbye
Release Notes:
Manchester's Avant-Jazzy-Funk outfit Swamp Children were enviably eclectic and Taste What's Rhythm is their mini masterpiece. Flitting gracefully through a feast of genres with consummate ease, the band were almost indefinable and, accordingly, nigh-on impossible to market. So whilst this cult EP, originally out in 1982 on Factory Benelux, remains in demand for those in the know, it has also glided under the radar of many otherwise clued-up heads for over 40 years. If you don't know, get to know...
The Taste Whats Rhythm EP was originally released in 1982 on Factory Benelux (an informal partnership between the legendary Manchester-based Factory Records and Belgium-based Les Disques du Crépuscule). With it's kaleidoscopic brightness, silky panache and superb execution, it remains one of the most startling documents of a remarkable time and place.
The EP opens with the oh-so-Balearic title track. "Taste Whats Rhythm" gently unfolds with a Spanish guitar, hazy, drifting vocals and sun-bleached Latin percussion. After this most sumptuous of intros, the tempo is raised, the rhythms grow in complexity as horns jostle amidst the restrained chaos quite wonderfully. And then it winds down again. Proper fluctuating rhythms and tempos throughout. I guess that was the point - taste the variety!
“You’ve Got Me Beat” is a *perfect* piece of post-punk pop-jazz. A mysterious, after dark jazz-dancer, the aching vocals serve as a touching, tender resignation to love. A guitar hook which seems to elegantly reference The Blackbyrds' "Rock Creek Park" and a flowing pulse from New York's No Wave scene. It still sounds so fresh all the years later.
Closing out this most perfect of EPs, the twisted synths and nimble rhythms of bass-heavy roller "Softly Saying Goodbye" combine to create a super-slinky gem; Brit-Funk of the highest order.
Swamp Children formed in Manchester in 1980, around core members Ann Quigley (vocals), Tony Quigley (bass, metalaphone, percussion), John Kirkham (electric & acoustic guitars, metalaphone, percussion), Ceri Evans (keyboards, bass, percussion, background vocals), Cliff Saffer (saxaphone, clarine) and Martin Moscrop (drums, percussion, trumpet). They initially practised at a rehearsal space shared with fellow post-punk funkers A Certain Ratio and Joy Division/New Order. Young and relatively inexperienced upon getting together, the ages of Swamp Children's members ranged from just 16 to 19. Talk about the brilliance of youth.
From the outset, Swamp Children shared DNA with A Certain Ratio. Martin Moscrop was a founder member of Ratio, while Ann provided artwork for them. Although the close association with ACR led some to assume that Swamp Children were simply a splinter group, the new band pursued a more overt latin and jazz tinged direction, at the same time adopting a post-punk attitude towards making music, influenced by the records they were listening to at the time: Miles Davis, Brazilian jazz fusion and heavy funk dancefloor sides.
The band made their live debut at Manchester's infamous Beach Club in May 1980. Thanks to a double-booking blunder another support band turned up and were turned away, having travelled all the way from Dublin for a string of British dates. The name of the unlucky band was U2...
With arrangements that emphasised Tony Quigley’s darkly-coloured basslines (and Ann Quigley’s impressionistic vocals as another instrument in the mix) Swamp Children possessed an easygoing grace and a bubbling energy which indicated that the band's true strength was as an ensemble. The band’s musical sophistication (a fusion of funk, jazz, and bossa nova) would prove to be a strong influence on later UK acts like Sade. Indeed, Swamp Children themselves later mutated into the more known and acclaimed latin jazz outfit Kalima.
Working directly with James Nice, custodian of Factory Benelux, means that the audio for this re-issue of the classic EP comes from the original tapes. Cut at 45 RPM and released in the house Be With disco sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2023 reissue, 140g vinyl, remastered from the original tapes by Simon Francis
Track List:
A1 Taste What's Rhythm
B1 You've Got Me Beat
B2 Softly Saying Goodbye
Release Notes:
Manchester's Avant-Jazzy-Funk outfit Swamp Children were enviably eclectic and Taste What's Rhythm is their mini masterpiece. Flitting gracefully through a feast of genres with consummate ease, the band were almost indefinable and, accordingly, nigh-on impossible to market. So whilst this cult EP, originally out in 1982 on Factory Benelux, remains in demand for those in the know, it has also glided under the radar of many otherwise clued-up heads for over 40 years. If you don't know, get to know...
The Taste Whats Rhythm EP was originally released in 1982 on Factory Benelux (an informal partnership between the legendary Manchester-based Factory Records and Belgium-based Les Disques du Crépuscule). With it's kaleidoscopic brightness, silky panache and superb execution, it remains one of the most startling documents of a remarkable time and place.
The EP opens with the oh-so-Balearic title track. "Taste Whats Rhythm" gently unfolds with a Spanish guitar, hazy, drifting vocals and sun-bleached Latin percussion. After this most sumptuous of intros, the tempo is raised, the rhythms grow in complexity as horns jostle amidst the restrained chaos quite wonderfully. And then it winds down again. Proper fluctuating rhythms and tempos throughout. I guess that was the point - taste the variety!
“You’ve Got Me Beat” is a *perfect* piece of post-punk pop-jazz. A mysterious, after dark jazz-dancer, the aching vocals serve as a touching, tender resignation to love. A guitar hook which seems to elegantly reference The Blackbyrds' "Rock Creek Park" and a flowing pulse from New York's No Wave scene. It still sounds so fresh all the years later.
Closing out this most perfect of EPs, the twisted synths and nimble rhythms of bass-heavy roller "Softly Saying Goodbye" combine to create a super-slinky gem; Brit-Funk of the highest order.
Swamp Children formed in Manchester in 1980, around core members Ann Quigley (vocals), Tony Quigley (bass, metalaphone, percussion), John Kirkham (electric & acoustic guitars, metalaphone, percussion), Ceri Evans (keyboards, bass, percussion, background vocals), Cliff Saffer (saxaphone, clarine) and Martin Moscrop (drums, percussion, trumpet). They initially practised at a rehearsal space shared with fellow post-punk funkers A Certain Ratio and Joy Division/New Order. Young and relatively inexperienced upon getting together, the ages of Swamp Children's members ranged from just 16 to 19. Talk about the brilliance of youth.
From the outset, Swamp Children shared DNA with A Certain Ratio. Martin Moscrop was a founder member of Ratio, while Ann provided artwork for them. Although the close association with ACR led some to assume that Swamp Children were simply a splinter group, the new band pursued a more overt latin and jazz tinged direction, at the same time adopting a post-punk attitude towards making music, influenced by the records they were listening to at the time: Miles Davis, Brazilian jazz fusion and heavy funk dancefloor sides.
The band made their live debut at Manchester's infamous Beach Club in May 1980. Thanks to a double-booking blunder another support band turned up and were turned away, having travelled all the way from Dublin for a string of British dates. The name of the unlucky band was U2...
With arrangements that emphasised Tony Quigley’s darkly-coloured basslines (and Ann Quigley’s impressionistic vocals as another instrument in the mix) Swamp Children possessed an easygoing grace and a bubbling energy which indicated that the band's true strength was as an ensemble. The band’s musical sophistication (a fusion of funk, jazz, and bossa nova) would prove to be a strong influence on later UK acts like Sade. Indeed, Swamp Children themselves later mutated into the more known and acclaimed latin jazz outfit Kalima.
Working directly with James Nice, custodian of Factory Benelux, means that the audio for this re-issue of the classic EP comes from the original tapes. Cut at 45 RPM and released in the house Be With disco sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:Soundway Records
Cat-No:SNDW12025
Release-Date:09.09.2022
Configuration:12"
Barcode:5056032309890
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Last in:12.09.2025
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Label:Soundway Records
Cat-No:SNDW12025
Release-Date:09.09.2022
Configuration:12"
Barcode:5056032309890
1
Steve Monite - Only You (Frankie Francis Disco Jam edit)
2
Tabu Ley Rochereau - Hafi Deo (Nick The Record & Dan Tyler re-edit dub)
Repress mid August 2022 !
Now a frm favourite in many a DJ's record bag, Nigerian disco-boogie king Steve Monite's hit Only You' (featured on Soundway's recent Doing It In Lagos' compilaton), is given a rework by Sofrito's own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys' Dan Tyler to take on Haf Deo' - a beautful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Now a frm favourite in many a DJ's record bag, Nigerian disco-boogie king Steve Monite's hit Only You' (featured on Soundway's recent Doing It In Lagos' compilaton), is given a rework by Sofrito's own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys' Dan Tyler to take on Haf Deo' - a beautful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:MG.ART
Cat-No:mg.art904
Release-Date:23.09.2016
Configuration:LP Excl
Barcode:4260017599041
in stock
Last in:12.02.2026
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Last in:12.02.2026
Label:MG.ART
Cat-No:mg.art904
Release-Date:23.09.2016
Configuration:LP Excl
Barcode:4260017599041
LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
