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Release-Date:26.11.2021
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Barcode:3760179356670
1
Teddy Lasry - Raising Sun in Bali
2
Teddy Lasry - Los Angeles
3
Teddy Lasry - Blue Theme
4
Teddy Lasry - Chamonix
5
Teddy Lasry - Krazy Kat
6
Teddy Lasry - Funky Ghost
7
Teddy Lasry - Back To Amazonia
8
Teddy Lasry - Birds Of Space
TRACKLIST:
A1. Raising Sun in Bali
A2. Los Angeles
A3. Blue Theme
A4. Chamonix
B1. Krazy Kat
B2. Funky Ghost
B3. Back To Amazonia
B4. Birds Of Space
French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he
approached the craft of composing and experimenting with sounds and sonics.
Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to
fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge
Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist
politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les
Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores,
with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian
Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their
compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really
explore unconventional methods of composition.
Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering
prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member
Laurent Thibault, their album Mëkanïk Dëstruktï. Kömmandöh and its sound were strong influences on David Bowie during the recording
of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways
of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades.
Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but
with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early
age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly
mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair
with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he
once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths).
To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side,
even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of
expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation
itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious
approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s
work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving
"Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To
Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising
Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2
album, closes the comp, and is a fitting way to end this journey.
Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work
and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Raising Sun in Bali
A2. Los Angeles
A3. Blue Theme
A4. Chamonix
B1. Krazy Kat
B2. Funky Ghost
B3. Back To Amazonia
B4. Birds Of Space
French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he
approached the craft of composing and experimenting with sounds and sonics.
Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to
fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge
Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist
politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les
Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores,
with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian
Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their
compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really
explore unconventional methods of composition.
Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering
prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member
Laurent Thibault, their album Mëkanïk Dëstruktï. Kömmandöh and its sound were strong influences on David Bowie during the recording
of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways
of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades.
Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but
with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early
age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly
mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair
with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he
once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths).
To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side,
even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of
expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation
itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious
approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s
work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving
"Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To
Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising
Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2
album, closes the comp, and is a fitting way to end this journey.
Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work
and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Teddy Lasry
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1
Teddy Lasry - Kikinda
2
Teddy Lasry - Pajaritos De Los Andes
3
Teddy Lasry - Classic Fantasy
4
Teddy Lasry - Doulce Flute
5
Teddy Lasry - Tahiti
6
Teddy Lasry - And Now Whistlin'
7
Teddy Lasry - Monomotapa
8
Teddy Lasry - Wind In The Sky
9
Teddy Lasry - Organum
10
Teddy Lasry - Seventh Cloud
11
Teddy Lasry - Los Angeles
12
Teddy Lasry - Noir Ébène
13
Teddy Lasry - Jeremy
Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums. Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate, contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.
A1 - Kikinda
A2 - Pajaritos De Los Andes
A3 - Classic Fantasy
A4 - Doulce Flute
A5 - Tahiti
A6 - And Now Whistlin'
A7 - Monomotapa
B1 - Wind In The Sky
B2 - Organum
B3 - Seventh Cloud
B4 - Los Angeles
B5 - Noir Ébène
B6 - Jeremy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate, contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.
A1 - Kikinda
A2 - Pajaritos De Los Andes
A3 - Classic Fantasy
A4 - Doulce Flute
A5 - Tahiti
A6 - And Now Whistlin'
A7 - Monomotapa
B1 - Wind In The Sky
B2 - Organum
B3 - Seventh Cloud
B4 - Los Angeles
B5 - Noir Ébène
B6 - Jeremy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Vinymatic RECORDS
Cat-No:MC44
Release-Date:18.07.2025
Configuration:LP
Barcode:
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Label:Vinymatic RECORDS
Cat-No:MC44
Release-Date:18.07.2025
Configuration:LP
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1
Teddy Lasry - Metal
2
Teddy Lasry - Stabile
3
Teddy Lasry - March From March
4
Teddy Lasry - Aquaplane
5
Teddy Lasry - Reflection
6
Teddy Lasry - Highway
7
Teddy Lasry - Stress
8
Teddy Lasry - Downtown
9
Teddy Lasry - Trafic
10
Teddy Lasry - In The Gutter
With "Modern Way", Teddy Lasry delivers one of his most accomplished albums, where analog synthesizer mastery meets a distinctly modern vision of instrumental music. Originally released in 1981, this rare record embodies both the elegance of jazz-fusion and the boldness of electronic experimentation.
Known for his key role in Magma, Teddy Lasry established himself as a discreet yet essential pioneer of French cosmic music. A saxophonist, flutist, and keyboardist, he began developing a rich and personal body of work in the 1970s, blending film scoring, sonic science fiction, and synthetic dreamscapes.
On Modern Way, he explores a new path, at the crossroads of space funk, futuristic library music, and cinematic synthetic landscapes. Each track evokes a scene: a race against time, a machine-city, a digital dream... An imaginary soundtrack for an era that still believed in tomorrow.
Reissued on vinyl for the first time, Modern Way is a key work for fans of rare electronic gems, atmospheric jazz, and avant-garde music long left in the shadows.
Limited edition – The future won’t wait.
A1 - Metal
A2 - Stabile
A3 - March From March
A4 - Aquaplane
A5 - Reflection
B1 - Highway
B2 - Stress
B3 - Downtown
B4 - Trafic
B5 - In The Gutter
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Known for his key role in Magma, Teddy Lasry established himself as a discreet yet essential pioneer of French cosmic music. A saxophonist, flutist, and keyboardist, he began developing a rich and personal body of work in the 1970s, blending film scoring, sonic science fiction, and synthetic dreamscapes.
On Modern Way, he explores a new path, at the crossroads of space funk, futuristic library music, and cinematic synthetic landscapes. Each track evokes a scene: a race against time, a machine-city, a digital dream... An imaginary soundtrack for an era that still believed in tomorrow.
Reissued on vinyl for the first time, Modern Way is a key work for fans of rare electronic gems, atmospheric jazz, and avant-garde music long left in the shadows.
Limited edition – The future won’t wait.
A1 - Metal
A2 - Stabile
A3 - March From March
A4 - Aquaplane
A5 - Reflection
B1 - Highway
B2 - Stress
B3 - Downtown
B4 - Trafic
B5 - In The Gutter
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Vinymatic RECORDS
Cat-No:SI822
Release-Date:23.05.2025
Configuration:LP
Barcode:
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Last in:26.05.2025
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Label:Vinymatic RECORDS
Cat-No:SI822
Release-Date:23.05.2025
Configuration:LP
Barcode:
1
Teddy Lasry - Escalade
2
Teddy Lasry - Blue Theme
3
Teddy Lasry - Après Rio
4
Teddy Lasry - Punching Dream
5
Teddy Lasry - Passages
6
Teddy Lasry - Africa
7
Teddy Lasry - Regardes Pas Le Soleil
8
Teddy Lasry - Bagarre A Toi
9
Teddy Lasry - Over The Town
10
Teddy Lasry - Electro Rock
11
Teddy Lasry - Piano A Pompes
Teddy Lasry "Escalade": first vinyl edition since 1976
Released in 1976, Teddy Lasry's Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.
Limited to 200 copies worldwide exclusive at The Pusher Distribution!
A1 - Escalade
A2 - Blue Theme
A3 - Après Rio
A4 - Punching Dream
A5 - Passages
B1 - Africa
B2 - Regardes Pas Le Soleil
B3 - Bagarre A Toi
B4 - Over The Town
B5 - Electro Rock
B6 - Piano A Pompes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Released in 1976, Teddy Lasry's Escalade is a jewel of jazz fusion and electronic experimentation, blending cosmic synthesizers, hypnotic rhythms and dreamlike atmospheres. A former member of Magma, Teddy Lasry explores a unique musical universe at the crossroads of space jazz and film music. Long out of print, this cult album is finally reissued on vinyl for the first time, offering a rare opportunity to rediscover this fascinating work, as avant-garde as it is timeless.
Limited to 200 copies worldwide exclusive at The Pusher Distribution!
A1 - Escalade
A2 - Blue Theme
A3 - Après Rio
A4 - Punching Dream
A5 - Passages
B1 - Africa
B2 - Regardes Pas Le Soleil
B3 - Bagarre A Toi
B4 - Over The Town
B5 - Electro Rock
B6 - Piano A Pompes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Hot Mule
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Label:Hot Mule
Cat-No:HTML007RP
Release-Date:05.06.2026
Genre:Afrobeat
Configuration:LP
Barcode:
1
José Carlos Schwarz & Le Cobiana Djazz - Indicativo
2
José Carlos Schwarz & Le Cobiana Djazz - Estin
3
José Carlos Schwarz & Le Cobiana Djazz - Po Ka Ta Bida Lagartu
4
José Carlos Schwarz & Le Cobiana Djazz - Lua Kata Kema
5
José Carlos Schwarz & Le Cobiana Djazz - Dispus Ke E Lebal
6
José Carlos Schwarz & Le Cobiana Djazz - Tiu Bernal
7
José Carlos Schwarz & Le Cobiana Djazz - Na Kolonia
8
José Carlos Schwarz & Le Cobiana Djazz - Mindjeris De Panu Pretu
9
José Carlos Schwarz & Le Cobiana Djazz - Pintcha Kamion
10
José Carlos Schwarz & Le Cobiana Djazz - Pena De Galiña
11
José Carlos Schwarz & Le Cobiana Djazz - Amigos Cabali
New repress from Hot Mule.In the early 1970s, Guinea-Bissau was fractured by ethnic divisions and a war for independence. By reviving traditional genres like Gumbé and singing in Guinean Kriol, José Carlos Schwarz & Cobiana Djazz created a powerful bond with the people. Through politically engaged lyrics and groundbreaking music, the band helped shape the social and political consciousness of the masses, influenced groups like Super Mama Djombo, and restored a strong sense of cultural identity to Bissau-Guineans.Cobiana Djazz’s rise also sparked political turmoil. Schwarz joined urban guerrilla activities linked to bombings in Bissau, leading to his imprisonment and torture between 1972 and 1974. Following Portugal’s April 25, 1974 revolution, Guinea-Bissau gained independence. A major figure in the liberation struggle, Schwarz played an important role in the democratic transition, using his popularity as an artist. But his criticism of opportunism and irresponsibility within the new regime made him a target, and authorities distanced him from the public by assigning him to the embassy in Havana.José Carlos Schwarz died tragically at 27 in a plane crash upon arrival at Havana’s José Martí International Airport on May 27th, 1977. Praised by artists such as Orchestra Baobab, Letta Mbulu and Miriam Makeba — with whom he recorded his only solo album — “Zé Carlos” secured a lasting place in Guinea-Bissau’s history, though these recordings remained largely unknown outside the country and its diasporas.Produced in close collaboration with the Schwarz family, this official vinyl reissue is remastered and pressed on heavyweight vinyl.
A1 - Indicativo
A2 - Estin
A3 - Po Ka Ta Bida Lagartu
A4 - Lua Kata Kema
A5 - Dispus Ke E Lebal
A6 - Tiu Bernal
B1 - Na Kolonia
B2 - Mindjeris De Panu Pretu
B3 - Pintcha Kamion
B4 - Pena De Galiña
B5 - Amigos Cabali
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 - Indicativo
A2 - Estin
A3 - Po Ka Ta Bida Lagartu
A4 - Lua Kata Kema
A5 - Dispus Ke E Lebal
A6 - Tiu Bernal
B1 - Na Kolonia
B2 - Mindjeris De Panu Pretu
B3 - Pintcha Kamion
B4 - Pena De Galiña
B5 - Amigos Cabali
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Hot Mule
Cat-No:HTML012
Release-Date:22.05.2026
Genre:World Music
Configuration:LP
Barcode:3760179358544
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Label:Hot Mule
Cat-No:HTML012
Release-Date:22.05.2026
Genre:World Music
Configuration:LP
Barcode:3760179358544
1
Titi Robin - L'aube impatiente
2
Titi Robin - Mehdi
3
Titi Robin - Lovari
4
Titi Robin - Kicsi Kicsi Kém - Nu No. 1
5
Titi Robin - La Petite Mer
6
Titi Robin - Ma Gavali Rumba
7
Titi Robin - Memed Ve Seyrane
8
Titi Robin - Janna
9
Titi Robin - Sandhya
An improvisational musician, composer and poet, Titi Robin has travelled extensively since the early 1980s – from Brittany
to Catalonia, India to Morocco – crafting his own musical aesthetic. Throughout his journey, he has built bridges between
his native Anjou, where he still resides, and the Gypsy cultures of many lands. Neither a compilation nor a mere summary,
this selection offers a certain perspective on his body of work, which has earned him praises by luminaries like Peter
Gabriel or Brian Eno.
Despite his many travels, it would be a mistake to view Titi Robin as an explorer of the "elsewhere". While he plays the
guitar, the bouzouq, or the oud, he does not seek to imitate a Gypsy, Syrian, or Greek style; rather, he plays in a voice that
is uniquely his own—a syncretism of his personal journey, from his teenage years playing at Moroccan community
celebrations to his collaborations with Gypsy musicians from Southeast France and India. In Angers, in the Roseraie
neighbourhood, he was immersed in the rhythms of Moroccan chaabi from an early age. Later, he frequented the gypsy
neighbourhood of Saint-Jacques in Perpignan. These encounters nourished an aesthetic territory he likes to call ‘Titistan’,
which includes Perpignan and Rajasthan. He views Mediterranean culture as "a bridge, a crossroads, a network of longstanding links woven between North and South, East and West." In this selection, you will hear the palmas marking the
compas of the Catalan rumba; strings enveloping the melody of the bouzouq, answered at times by the clarinet or the kaval
flute popular in the Balkans and Anatolia.
Produced between 1993 and 2011 these songs have been fully remastered and are presented here for the first time on vinyl,
with extensive liner notes.
TRACKLIST:
A1 - L'aube impatiente
A2 - Mehdi
A3 - Lovari
A4 - Kicsi Kicsi Kém - Nu No. 1
B1 - La Petite Mer
B2 - Ma Gavali Rumba
B3 - Memed Ve Seyrane
B4 - Janna
B5 - Sandhya
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
to Catalonia, India to Morocco – crafting his own musical aesthetic. Throughout his journey, he has built bridges between
his native Anjou, where he still resides, and the Gypsy cultures of many lands. Neither a compilation nor a mere summary,
this selection offers a certain perspective on his body of work, which has earned him praises by luminaries like Peter
Gabriel or Brian Eno.
Despite his many travels, it would be a mistake to view Titi Robin as an explorer of the "elsewhere". While he plays the
guitar, the bouzouq, or the oud, he does not seek to imitate a Gypsy, Syrian, or Greek style; rather, he plays in a voice that
is uniquely his own—a syncretism of his personal journey, from his teenage years playing at Moroccan community
celebrations to his collaborations with Gypsy musicians from Southeast France and India. In Angers, in the Roseraie
neighbourhood, he was immersed in the rhythms of Moroccan chaabi from an early age. Later, he frequented the gypsy
neighbourhood of Saint-Jacques in Perpignan. These encounters nourished an aesthetic territory he likes to call ‘Titistan’,
which includes Perpignan and Rajasthan. He views Mediterranean culture as "a bridge, a crossroads, a network of longstanding links woven between North and South, East and West." In this selection, you will hear the palmas marking the
compas of the Catalan rumba; strings enveloping the melody of the bouzouq, answered at times by the clarinet or the kaval
flute popular in the Balkans and Anatolia.
Produced between 1993 and 2011 these songs have been fully remastered and are presented here for the first time on vinyl,
with extensive liner notes.
TRACKLIST:
A1 - L'aube impatiente
A2 - Mehdi
A3 - Lovari
A4 - Kicsi Kicsi Kém - Nu No. 1
B1 - La Petite Mer
B2 - Ma Gavali Rumba
B3 - Memed Ve Seyrane
B4 - Janna
B5 - Sandhya
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Hot Mule
Cat-No:HTML011
Release-Date:14.02.2025
Genre:Afrobeat
Configuration:2LP
Barcode:
1
Souley Kanté - Bi Magni
2
Doussou Bagayoko - Taman
3
Abdoulaye Brévété - Faalé Mokoba
4
Djelikeba Soumano - Tougharanke
5
Kankaba Sakho - Foty
6
Soninkara - Tamajoujou
7
Bande Koné - Togo
8
Lassana Tamoura - Lassana Boubou N’kana Ké Kiye
9
Mamadou Mariko - N’diaye Sylla 2014
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Aïchata Sidibé - La Vie Est Si Belle
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Adja Soumano - Dja-Dja
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Mah Kouyaté N°2 - Bani
In Paris, a creative force of artists molded the cultural identity of the Malian diaspora, infusing the city’s eclectic mix of sounds with their own rich heritage. At the heart of it all was Gaye Mody Camara, a towering figure in Malian music and culture since the late 1970s. Born in Abidjan and raised in Kayes, he grew up fascinated by the rhythms of Wassoulou, steeped in the rhythms of a land shaped by diverse ethnicities and traditions, including the Peul, Bambara, and Dogon. His migration to Paris didn’t sever these ties; instead, it amplified them.
Camara’s entrepreneurial spirit took root early, first in the markets of Paris, where he sold kola nuts and wax fabrics, and later as he built a reputation as a producer and distributor of West African music. Working between Paris, Bamako, and Abidjan, he captured music from artists hailing primarily from Mali and neighboring countries such as Senegal, Mauritania, Guinea, Ivory Coast, Burkina Faso, and occasionally The Gambia. Whether flying musicians to studios in Bamako, Abidjan, or Paris, Camara’s productions bridged continents, preserving the sounds of home while documenting the voices of an ever-shifting diaspora.
Where Wagadu Grooves: The Hypnotic Sound of Camara 1987–2016 focused on the sounds of the Soninke, Wagadu Grooves Vol.2 delves into the entirety of Camara Production’s vast catalog, shining a light on the syncretic sounds that resonated through the streets of Montreuil, Saint-Denis, and the numerous migrant housing centers around the city. Here, Malian musicians carried with them the rhythms of Wassoulou, from the traditional harvest dance sogonikun, to djaga, didadi, and sumu, the joyous, female-led celebrations rooted in Mali’s pre colonial traditions.
Yet these were not merely echoes of the past; the city’s gritty undercurrent shaped these soundscapes, blending the hypnotic plucks of the kamélé ngoni, and the rhythms of the djembé with heavy autotune, drum machines and synths, funk arrangements, Afropop, Afro-Zouk, Rap, and even proto house.
Through its 12 tracks originally released on cassette tapes or digitally, Wagadu Grooves Vol. 2 brings to life these rich and diverse sounds, honoring the vision, creativity, and business savvy of Gaye Mody Camara, whose five-decade long career has shaped the sound of Malian communities in Paris and beyond.
A1 - Souley Kanté - Bi Magni
A2 - Doussou Bagayoko - Taman
A3 - Abdoulaye Brévété - Faalé Mokoba
B1 - Djelikeba Soumano - Tougharanke
B2 - Kankaba Sakho - Foty
B3 - Soninkara - Tamajoujou
C1 - Bande Koné - Togo
C2 - Lassana Tamoura - Lassana Boubou N’kana Ké Kiye
C3 - Mamadou Mariko - N’diaye Sylla 2014
C4 - Aïchata Sidibé - La Vie Est Si Belle
D1 - Adja Soumano - Dja-Dja
D2 - Mah Kouyaté N°2 - Bani
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Camara’s entrepreneurial spirit took root early, first in the markets of Paris, where he sold kola nuts and wax fabrics, and later as he built a reputation as a producer and distributor of West African music. Working between Paris, Bamako, and Abidjan, he captured music from artists hailing primarily from Mali and neighboring countries such as Senegal, Mauritania, Guinea, Ivory Coast, Burkina Faso, and occasionally The Gambia. Whether flying musicians to studios in Bamako, Abidjan, or Paris, Camara’s productions bridged continents, preserving the sounds of home while documenting the voices of an ever-shifting diaspora.
Where Wagadu Grooves: The Hypnotic Sound of Camara 1987–2016 focused on the sounds of the Soninke, Wagadu Grooves Vol.2 delves into the entirety of Camara Production’s vast catalog, shining a light on the syncretic sounds that resonated through the streets of Montreuil, Saint-Denis, and the numerous migrant housing centers around the city. Here, Malian musicians carried with them the rhythms of Wassoulou, from the traditional harvest dance sogonikun, to djaga, didadi, and sumu, the joyous, female-led celebrations rooted in Mali’s pre colonial traditions.
Yet these were not merely echoes of the past; the city’s gritty undercurrent shaped these soundscapes, blending the hypnotic plucks of the kamélé ngoni, and the rhythms of the djembé with heavy autotune, drum machines and synths, funk arrangements, Afropop, Afro-Zouk, Rap, and even proto house.
Through its 12 tracks originally released on cassette tapes or digitally, Wagadu Grooves Vol. 2 brings to life these rich and diverse sounds, honoring the vision, creativity, and business savvy of Gaye Mody Camara, whose five-decade long career has shaped the sound of Malian communities in Paris and beyond.
A1 - Souley Kanté - Bi Magni
A2 - Doussou Bagayoko - Taman
A3 - Abdoulaye Brévété - Faalé Mokoba
B1 - Djelikeba Soumano - Tougharanke
B2 - Kankaba Sakho - Foty
B3 - Soninkara - Tamajoujou
C1 - Bande Koné - Togo
C2 - Lassana Tamoura - Lassana Boubou N’kana Ké Kiye
C3 - Mamadou Mariko - N’diaye Sylla 2014
C4 - Aïchata Sidibé - La Vie Est Si Belle
D1 - Adja Soumano - Dja-Dja
D2 - Mah Kouyaté N°2 - Bani
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Hot Mule
Cat-No:HTML007
Release-Date:23.08.2021
Configuration:LP
Barcode:
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Last in:22.02.2022
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Cat-No:HTML007
Release-Date:23.08.2021
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1
José Carlos Schwarz Le Cobiana Jazz - Indicativo
2
José Carlos Schwarz Le Cobiana Jazz - Estin
3
José Carlos Schwarz Le Cobiana Jazz - Po Ka Ta Bida Lagartu
4
José Carlos Schwarz Le Cobiana Jazz - Lua Kata Kema
5
José Carlos Schwarz Le Cobiana Jazz - Dispus Ke E Lebal
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José Carlos Schwarz Le Cobiana Jazz - Tiu Bernal
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José Carlos Schwarz Le Cobiana Jazz - Na Kolonia
8
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José Carlos Schwarz Le Cobiana Jazz - Amigo s Cabali
In the beginning of the 1970’s, Guinea-Bissau was a country broken up into many ethnic groups and at the heart of a war for independence. By reviving traditional musical genres as Gumbé and singing in guinean Kriol, José Carlos Schwarz & Cobiana Djazz established an immediate affective bond with their audiences. Through its music and politically engaged spirit of the lyrics, the band played a significant role in shaping the social and political consciousness of the masses. As well as influencing local bands like Super Mama Djombo and giving back a deep sense of cultural identity to bissau-guineans.
The explosive birth of Cobiana Djazz brought about other kinds of detonation. Schwarz became involved in urban guerilla activities which resulted in several bombings in the centre of Bissau, leading to his imprisonment and torture. He remained in lockup for a total period of about 2 years, between 1972 and 1974.
The process of decolonisation, in the wake of the Portuguese revolution of 25 April 1974, led to the recognition, during the same year, of the sovereign nation of Guinea-Bissau.
TRACKLIST:
A1. Indicativo
A2. Estin
A3. Po Ka Ta Bida Lagartu
A4. Lua Kata Kema
A5. Dispus Ke E Lebal
A6. Tiu Bernal
B1. Na Kolonia
B2. Mindjeris De Panu Pretu
B3. Pintcha Kamion
B4. Pena De Galiña
B5. Amigo s Cabali
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The explosive birth of Cobiana Djazz brought about other kinds of detonation. Schwarz became involved in urban guerilla activities which resulted in several bombings in the centre of Bissau, leading to his imprisonment and torture. He remained in lockup for a total period of about 2 years, between 1972 and 1974.
The process of decolonisation, in the wake of the Portuguese revolution of 25 April 1974, led to the recognition, during the same year, of the sovereign nation of Guinea-Bissau.
TRACKLIST:
A1. Indicativo
A2. Estin
A3. Po Ka Ta Bida Lagartu
A4. Lua Kata Kema
A5. Dispus Ke E Lebal
A6. Tiu Bernal
B1. Na Kolonia
B2. Mindjeris De Panu Pretu
B3. Pintcha Kamion
B4. Pena De Galiña
B5. Amigo s Cabali
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:18.11.2019
Label:hot Mule
Cat-No:html003
Release-Date:09.09.2019
Genre:Afrobeat
Configuration:LP
Barcode:
1
Ismail & Sixu Toure - No Title
2
Ismail & Sixu Toure - No Title
3
Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
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Ismail & Sixu Toure - No Title
1977, Paris France. Two brothers freshly arrived from Casamance, the Senegalese ‘Florida’, are living the tough immigrant experience. Their plan: becoming pop stars. A challenge so ambitious it sounds like science fiction at the time: Bob Marley, Fela Kuti and a handful of others artists have started making waves in the Western World , but the rise of the Pan-African sound is still at an early stage. The Touré brothers have formed a band, written some songs, and start frequently playing their music live, to great effect, at an underground theatre called the Dunois in the 13th Parisian district. The hype starts spreading. Overcoming the odds, their parents' ban on playing music ("a satanic activity"), the death of their brother and mentor Amadou and a stint in a Mauritanian prison, they will ultimately reach stardom a few years later under the name Touré Kunda (The Elephant Family). A legendary 40-year career will follow: 16 albums released, millions of records sold, numerous world tours, awards and collabs with the likes of Manu Dibango, Talking Heads, Carlos Santana, Bill Laswell, Alpha Blondy, Bernie Worrel … Released in 1979, self-financed by loans from friends and allies, Mandinka Dong is the genesis of Touré Kunda, the cornerstone of the band’s unique sound, at the crossroads of Disco, Funk, Pop, Reggae, Portuguese, Guinean, Cuban, Zairean, Mandinke and Soninke music. Limited to 700 copies and very difficult to find in decent condition, the original pressing faded into oblivion for decades. A low-resolution digital version of the album started circulating in recent years, not doing justice to the rich analog sound of the recording. It is an honour for Secousse and Hot Mule Records to present a complete reissue of Mandinka Dong. Faithfully restored and remastered, it will be available in both digital and physical formats
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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2020PRODUCED - CHANNEL ONE SOUND SYSTEM
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Tracks 2 + 4 remixed - Mafia & FluxyRecorded and Mixed - Jamtone Studio by Darren Mathers
2020PRODUCED - CHANNEL ONE SOUND SYSTEM
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Swamp Children - Taste What's Rhythm
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Swamp Children - Softly Saying Goodbye
Territories: Worldwide no restrictions
Format Notes: 2023 reissue, 140g vinyl, remastered from the original tapes by Simon Francis
Track List:
A1 Taste What's Rhythm
B1 You've Got Me Beat
B2 Softly Saying Goodbye
Release Notes:
Manchester's Avant-Jazzy-Funk outfit Swamp Children were enviably eclectic and Taste What's Rhythm is their mini masterpiece. Flitting gracefully through a feast of genres with consummate ease, the band were almost indefinable and, accordingly, nigh-on impossible to market. So whilst this cult EP, originally out in 1982 on Factory Benelux, remains in demand for those in the know, it has also glided under the radar of many otherwise clued-up heads for over 40 years. If you don't know, get to know...
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Swamp Children formed in Manchester in 1980, around core members Ann Quigley (vocals), Tony Quigley (bass, metalaphone, percussion), John Kirkham (electric & acoustic guitars, metalaphone, percussion), Ceri Evans (keyboards, bass, percussion, background vocals), Cliff Saffer (saxaphone, clarine) and Martin Moscrop (drums, percussion, trumpet). They initially practised at a rehearsal space shared with fellow post-punk funkers A Certain Ratio and Joy Division/New Order. Young and relatively inexperienced upon getting together, the ages of Swamp Children's members ranged from just 16 to 19. Talk about the brilliance of youth.
From the outset, Swamp Children shared DNA with A Certain Ratio. Martin Moscrop was a founder member of Ratio, while Ann provided artwork for them. Although the close association with ACR led some to assume that Swamp Children were simply a splinter group, the new band pursued a more overt latin and jazz tinged direction, at the same time adopting a post-punk attitude towards making music, influenced by the records they were listening to at the time: Miles Davis, Brazilian jazz fusion and heavy funk dancefloor sides.
The band made their live debut at Manchester's infamous Beach Club in May 1980. Thanks to a double-booking blunder another support band turned up and were turned away, having travelled all the way from Dublin for a string of British dates. The name of the unlucky band was U2...
With arrangements that emphasised Tony Quigley’s darkly-coloured basslines (and Ann Quigley’s impressionistic vocals as another instrument in the mix) Swamp Children possessed an easygoing grace and a bubbling energy which indicated that the band's true strength was as an ensemble. The band’s musical sophistication (a fusion of funk, jazz, and bossa nova) would prove to be a strong influence on later UK acts like Sade. Indeed, Swamp Children themselves later mutated into the more known and acclaimed latin jazz outfit Kalima.
Working directly with James Nice, custodian of Factory Benelux, means that the audio for this re-issue of the classic EP comes from the original tapes. Cut at 45 RPM and released in the house Be With disco sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2023 reissue, 140g vinyl, remastered from the original tapes by Simon Francis
Track List:
A1 Taste What's Rhythm
B1 You've Got Me Beat
B2 Softly Saying Goodbye
Release Notes:
Manchester's Avant-Jazzy-Funk outfit Swamp Children were enviably eclectic and Taste What's Rhythm is their mini masterpiece. Flitting gracefully through a feast of genres with consummate ease, the band were almost indefinable and, accordingly, nigh-on impossible to market. So whilst this cult EP, originally out in 1982 on Factory Benelux, remains in demand for those in the know, it has also glided under the radar of many otherwise clued-up heads for over 40 years. If you don't know, get to know...
The Taste Whats Rhythm EP was originally released in 1982 on Factory Benelux (an informal partnership between the legendary Manchester-based Factory Records and Belgium-based Les Disques du Crépuscule). With it's kaleidoscopic brightness, silky panache and superb execution, it remains one of the most startling documents of a remarkable time and place.
The EP opens with the oh-so-Balearic title track. "Taste Whats Rhythm" gently unfolds with a Spanish guitar, hazy, drifting vocals and sun-bleached Latin percussion. After this most sumptuous of intros, the tempo is raised, the rhythms grow in complexity as horns jostle amidst the restrained chaos quite wonderfully. And then it winds down again. Proper fluctuating rhythms and tempos throughout. I guess that was the point - taste the variety!
“You’ve Got Me Beat” is a *perfect* piece of post-punk pop-jazz. A mysterious, after dark jazz-dancer, the aching vocals serve as a touching, tender resignation to love. A guitar hook which seems to elegantly reference The Blackbyrds' "Rock Creek Park" and a flowing pulse from New York's No Wave scene. It still sounds so fresh all the years later.
Closing out this most perfect of EPs, the twisted synths and nimble rhythms of bass-heavy roller "Softly Saying Goodbye" combine to create a super-slinky gem; Brit-Funk of the highest order.
Swamp Children formed in Manchester in 1980, around core members Ann Quigley (vocals), Tony Quigley (bass, metalaphone, percussion), John Kirkham (electric & acoustic guitars, metalaphone, percussion), Ceri Evans (keyboards, bass, percussion, background vocals), Cliff Saffer (saxaphone, clarine) and Martin Moscrop (drums, percussion, trumpet). They initially practised at a rehearsal space shared with fellow post-punk funkers A Certain Ratio and Joy Division/New Order. Young and relatively inexperienced upon getting together, the ages of Swamp Children's members ranged from just 16 to 19. Talk about the brilliance of youth.
From the outset, Swamp Children shared DNA with A Certain Ratio. Martin Moscrop was a founder member of Ratio, while Ann provided artwork for them. Although the close association with ACR led some to assume that Swamp Children were simply a splinter group, the new band pursued a more overt latin and jazz tinged direction, at the same time adopting a post-punk attitude towards making music, influenced by the records they were listening to at the time: Miles Davis, Brazilian jazz fusion and heavy funk dancefloor sides.
The band made their live debut at Manchester's infamous Beach Club in May 1980. Thanks to a double-booking blunder another support band turned up and were turned away, having travelled all the way from Dublin for a string of British dates. The name of the unlucky band was U2...
With arrangements that emphasised Tony Quigley’s darkly-coloured basslines (and Ann Quigley’s impressionistic vocals as another instrument in the mix) Swamp Children possessed an easygoing grace and a bubbling energy which indicated that the band's true strength was as an ensemble. The band’s musical sophistication (a fusion of funk, jazz, and bossa nova) would prove to be a strong influence on later UK acts like Sade. Indeed, Swamp Children themselves later mutated into the more known and acclaimed latin jazz outfit Kalima.
Working directly with James Nice, custodian of Factory Benelux, means that the audio for this re-issue of the classic EP comes from the original tapes. Cut at 45 RPM and released in the house Be With disco sleeve, we’ve made sure this record is well up to the job of having a permanent place in every DJ’s bag. As far as we’re concerned, this is essential stuff.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Repress mid August 2022 !
Now a frm favourite in many a DJ's record bag, Nigerian disco-boogie king Steve Monite's hit Only You' (featured on Soundway's recent Doing It In Lagos' compilaton), is given a rework by Sofrito's own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys' Dan Tyler to take on Haf Deo' - a beautful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Now a frm favourite in many a DJ's record bag, Nigerian disco-boogie king Steve Monite's hit Only You' (featured on Soundway's recent Doing It In Lagos' compilaton), is given a rework by Sofrito's own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys' Dan Tyler to take on Haf Deo' - a beautful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:MG.ART
Cat-No:mg.art904
Release-Date:23.09.2016
Configuration:LP Excl
Barcode:4260017599041
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Cat-No:mg.art904
Release-Date:23.09.2016
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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Ma Ze
Cat-No:MASS006
Release-Date:06.04.2026
Genre:Funk
Configuration:7"
Barcode:
1
VuVuVu / Mervealice - Keyif
2
VuVuVu / Mervealice - Keyif (Instrumental)
This latest Ma Ze Music release thrives on chemistry and colour. A tight, heavy-limbed groove anchors the VuVuVu & Mervalice single 'Keyif' with punchy drums, gluey synths and fuzzed guitar lines spiralling into psychedelic funk territory. Over the top, Mervealice's voice brings warmth and soul while cutting through the haze with effortless authority. What began as a spark of shared intuition between artists quickly becomes something richer, folding Middle Eastern rhythmic sensibilities into a modern psych-funk framework. The result is spontaneous and well-tuned, equally hypnotic in its vocal form and stripped-back instrumental.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Channel One Sound System
Cat-No:CO12011
Release-Date:23.01.2026
Genre:Dub/Reggae
Configuration:12"
Barcode:5050580866386
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Label:Channel One Sound System
Cat-No:CO12011
Release-Date:23.01.2026
Genre:Dub/Reggae
Configuration:12"
Barcode:5050580866386
1
Channel One, Sis Nya & Chiney Kiki - Step out on a Limb
2
Channel One, Sis Nya & Chiney Kiki - Step out on a Dub
3
Channel One, Sis Nya & Chiney Kiki - Know Your Culture
4
Channel One, Sis Nya & Chiney Kiki - Know Your Culture (Dub)
Sun I Tafari I / Tashomi Balfour
Tracks 2 + 4 remixed - Mafia & FluxyRecorded and Mixed - Jamtone Studio by Darren Mathers
2020PRODUCED - CHANNEL ONE SOUND SYSTEM
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracks 2 + 4 remixed - Mafia & FluxyRecorded and Mixed - Jamtone Studio by Darren Mathers
2020PRODUCED - CHANNEL ONE SOUND SYSTEM
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:The Outer Edge
Cat-No:EDGE-037
Release-Date:12.12.2025
Configuration:LP Excl
Barcode:4251804188418
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Last in:09.12.2025
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Label:The Outer Edge
Cat-No:EDGE-037
Release-Date:12.12.2025
Configuration:LP Excl
Barcode:4251804188418
1
Jo Tongo - Those Flowers
2
Jo Tongo - People Need Peace
3
Jo Tongo - Funky Feeling
4
Jo Tongo - Ain't No Man Like A Real Friend
5
Jo Tongo - Sun Belongs To All The World
6
Jo Tongo - We Human Beings
Following the acclaimed reissue of Sa Discossa earlier this year, Jo Tongo's third solo album Those Flowers returns to the spotlight.
Originally released just a year and a half after Sa Discossa, this 1982 gem came out on the small Context label and, in Tongo's own words, the two records are "like twins." Recorded with many of the same musicians, Those Flowers continues the vibrant fusion of disco-funk and reggae - this time dedicating one side to each, leaning slightly more into his Western influences.
But there's more than groove beneath the surface. Tracks like "People Need Peace" and "We Human Beings" channel his enduring themes of resistance, identity, and freedom. The synthesizer at the beginning of the song mimics the ominous drone of warplanes, and lyrics speak directly to global struggles - reminders that his music is both deeply personal and powerfully political. "I paid for these ideals in my career," Tongo reflects, alluding to the personal costs of his outspoken stance against colonialism and injustice.
Still, Those Flowers carries joy at its heart. Songs like "Ain't No Man Like A Real Friend" celebrate trust and loyalty, while the title track offers a tender ode to love and kindness - "picking flowers from the soul," as Tongo puts it. These songs reveal the inner world of a man who has always viewed music as a mirror of life.
This reissue marks the second installment in the African Edge series from The Outer Edge label. Fully restored and remastered, Those Flowers is now set to bloom again - another vital chapter in the legacy of Jo Tongo.
VITAL SALES POINTS:
- First ever reissue of sought after Afro Disco-Funk / Reggae LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Mastered & cut by Frederic Stader
Tracklist:
Side A
A1 Those Flowers
A2 People Need Peace
A3 Funky Feeling
Side B
B1 Ain't No Man Like A Real Friend
B2 Sun Belongs To All The World
B3 We Human Beings
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally released just a year and a half after Sa Discossa, this 1982 gem came out on the small Context label and, in Tongo's own words, the two records are "like twins." Recorded with many of the same musicians, Those Flowers continues the vibrant fusion of disco-funk and reggae - this time dedicating one side to each, leaning slightly more into his Western influences.
But there's more than groove beneath the surface. Tracks like "People Need Peace" and "We Human Beings" channel his enduring themes of resistance, identity, and freedom. The synthesizer at the beginning of the song mimics the ominous drone of warplanes, and lyrics speak directly to global struggles - reminders that his music is both deeply personal and powerfully political. "I paid for these ideals in my career," Tongo reflects, alluding to the personal costs of his outspoken stance against colonialism and injustice.
Still, Those Flowers carries joy at its heart. Songs like "Ain't No Man Like A Real Friend" celebrate trust and loyalty, while the title track offers a tender ode to love and kindness - "picking flowers from the soul," as Tongo puts it. These songs reveal the inner world of a man who has always viewed music as a mirror of life.
This reissue marks the second installment in the African Edge series from The Outer Edge label. Fully restored and remastered, Those Flowers is now set to bloom again - another vital chapter in the legacy of Jo Tongo.
VITAL SALES POINTS:
- First ever reissue of sought after Afro Disco-Funk / Reggae LP
- Fully Licenced
- Thick 350 g picture sleeve with hype sticker
- Mastered & cut by Frederic Stader
Tracklist:
Side A
A1 Those Flowers
A2 People Need Peace
A3 Funky Feeling
Side B
B1 Ain't No Man Like A Real Friend
B2 Sun Belongs To All The World
B3 We Human Beings
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith122lp
Release-Date:21.04.2023
Configuration:LP Excl
Barcode:4251804137881
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Last in:28.02.2023
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Cat-No:bewith122lp
Release-Date:21.04.2023
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Barcode:4251804137881
1
Sauveur Mallia - Discomax (4:40)
2
Sauveur Mallia - Space People (4:40)
3
Sauveur Mallia - Bass Power (6:00)
4
Sauveur Mallia - Holidays Morning (5:20)
5
Sauveur Mallia - Electric Maneges (4:10)
6
Sauveur Mallia - Loving Discovery (3:40)
7
Sauveur Mallia - Exotic Guide (3:30)
Format Notes:
2023 First time reissue, 140g vinyl, remastered for this edition by Simon Francis
Vinyl Track List:
A1 Discomax (4:40)
A2 Space People (4:40)
A3 Bass Power (6:00)
B1 Holidays Morning (5:20)
B2 Electric Maneges (4:10)
B3 Loving Discovery (3:40)
B4 Exotic Guide (3:30)
Release Notes:
Spatial & Co Vol. 2 may well be the best album in the Spatial & Co series. It's absolutely flawless. Again created by French disco lord and Arpadys maestro Sauveur Mallia for French library label Tele Music in 1979, it leans far more into the space disco sound than the clean cosmic funk of its predecessor. And it's all the more thrilling for it.
Wide-eyed opener "Discomax" is starts as pure piano-disco brilliance with a bassline to die for before heading off into wigged out territory, all acidic squelches and jaw-dropping percussive breakdowns. Perfection. "Space People" follows, an eerie, half-beatless sci-fi synth workout played out against a hauntingly metronomic pulse for the first half - proper slow-mo space disco business - before the beat kicks in, the electric guitar solo wails beautifully and the bassline that emerges at its conclusion rides in on some other shit.
Closing out the A-Side, the six minute long "Bass Power" is, unsurprisingly, a deep, low-end roller with head-nod drums, whizzing synths, blissed out ambient vibes and Mallia's otherworldly bass playing super high in the mix. It's white hot funk, make no mistake, and it sounds like a re-geared library version of Roxy Music. Yes, *that* good.
Side B is laced firstly by "Holidays Morning", an emotional disco-pop groover, all electric guitars, skipping drums and synthy bleeps with more than a few moments of pure driving funk.
One for the deep heads, longtime favourite "Electric Maneges" follows, a bleepy, haunted dancehall gem, uncut tropical balearic-funk from another dimension. The sophisticated digi-soul of "Loving Discovery" comes on like a weird, interplanetary Sade instrumental, all swelling synths, warm keys and syrupy guitar rhythms. Hearing is believing.
Arguably saving the best til last, the fierce, proto-techno of "Exotic Guide" closes out this extraordinary set. The intro genuinely sounds like Detroit would a good few years later - just wild - before it glides into a driving percussive funk break complete with both stabbing, insistent synths and those of a more winding, laconic variety. The one complaint? It's over far too soon. Remarkable.
Sauveur Mallia is a crucial figure in the history of electronic and dance music and a hugely underrated French library bass player and composer from the Arpadys / Voyage crew. This is just the beginning of Be With's Mallia - Tele Music reissue campaign!
The audio for Spatial & Co Vol. 2 has been remastered by Be With regular Simon Francis, ensuring the punch of Sauveur's bass and those sick drums come through to the fullest. Pete Norman’s expert skills has made sure nothing is lost in the cut whilst the original and iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2023 First time reissue, 140g vinyl, remastered for this edition by Simon Francis
Vinyl Track List:
A1 Discomax (4:40)
A2 Space People (4:40)
A3 Bass Power (6:00)
B1 Holidays Morning (5:20)
B2 Electric Maneges (4:10)
B3 Loving Discovery (3:40)
B4 Exotic Guide (3:30)
Release Notes:
Spatial & Co Vol. 2 may well be the best album in the Spatial & Co series. It's absolutely flawless. Again created by French disco lord and Arpadys maestro Sauveur Mallia for French library label Tele Music in 1979, it leans far more into the space disco sound than the clean cosmic funk of its predecessor. And it's all the more thrilling for it.
Wide-eyed opener "Discomax" is starts as pure piano-disco brilliance with a bassline to die for before heading off into wigged out territory, all acidic squelches and jaw-dropping percussive breakdowns. Perfection. "Space People" follows, an eerie, half-beatless sci-fi synth workout played out against a hauntingly metronomic pulse for the first half - proper slow-mo space disco business - before the beat kicks in, the electric guitar solo wails beautifully and the bassline that emerges at its conclusion rides in on some other shit.
Closing out the A-Side, the six minute long "Bass Power" is, unsurprisingly, a deep, low-end roller with head-nod drums, whizzing synths, blissed out ambient vibes and Mallia's otherworldly bass playing super high in the mix. It's white hot funk, make no mistake, and it sounds like a re-geared library version of Roxy Music. Yes, *that* good.
Side B is laced firstly by "Holidays Morning", an emotional disco-pop groover, all electric guitars, skipping drums and synthy bleeps with more than a few moments of pure driving funk.
One for the deep heads, longtime favourite "Electric Maneges" follows, a bleepy, haunted dancehall gem, uncut tropical balearic-funk from another dimension. The sophisticated digi-soul of "Loving Discovery" comes on like a weird, interplanetary Sade instrumental, all swelling synths, warm keys and syrupy guitar rhythms. Hearing is believing.
Arguably saving the best til last, the fierce, proto-techno of "Exotic Guide" closes out this extraordinary set. The intro genuinely sounds like Detroit would a good few years later - just wild - before it glides into a driving percussive funk break complete with both stabbing, insistent synths and those of a more winding, laconic variety. The one complaint? It's over far too soon. Remarkable.
Sauveur Mallia is a crucial figure in the history of electronic and dance music and a hugely underrated French library bass player and composer from the Arpadys / Voyage crew. This is just the beginning of Be With's Mallia - Tele Music reissue campaign!
The audio for Spatial & Co Vol. 2 has been remastered by Be With regular Simon Francis, ensuring the punch of Sauveur's bass and those sick drums come through to the fullest. Pete Norman’s expert skills has made sure nothing is lost in the cut whilst the original and iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith011twelve
Release-Date:12.07.2019
Configuration:12" Excl
Barcode:4251648412564
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Last in:05.03.2025
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Last in:05.03.2025
Label:Be With Records
Cat-No:bewith011twelve
Release-Date:12.07.2019
Configuration:12" Excl
Barcode:4251648412564
1
Skyy - A1 : Here’s To You (5:21)
2
Skyy - B1 : You Got Me Up (5:07)
Track List:
A1 : Here’s To You (5:21)
B1 : You Got Me Up (5:07)
Release Notes:
The word masterpiece gets bandied about a lot. Not least by us. But here is a release that truly befits such a lofty title.
In 1980, Randy Muller’s Skyy dropped the monumental “Here’s To You”, comfortably one of the greatest dance singles of all time. Released on Salsoul, “Here’s To You” is now exceptionally hard to find in its original form. On this special Be With double-header, we present the sought-after 12" mix and back it up with the strutting “You Got Me Up”, which has never been on a 12" before.
Naturally, both are cut loud and bumping for devastating dance floor power.
A sure-fire classic of the NYC club scene and a true block party rocker, “Here’s To You” beautifully combines sweeping synth-strings, loose cymbal hits and swaggering lyrics delivered with enviable style. But the real hero is *that* bassline. Oh, wait, no, actually, it’s *that* synth refrain halfway through. Harnessing the Oberheim Matrix 12 to emulate a horn section has provided goosebumps on discerning dance floors ever since.
As Muller expressed in his 2007 Red Bull Music Academy lecture, “It’s a very special record, it’s positive and has that spontaneous, life-giving spirit in the groove. Everything locks, just pure chemistry.”
Like we said, it’s a masterpiece.
If that wasn’t enough, over on the B-side is “You Got Me Up”, a real hidden gem from Skyy’s Skyway LP. Also released in 1980, the track is a wonderful showcase of the group’s airtight rhythm section and Muller’s uncanny ear for a groove and a melody.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 : Here’s To You (5:21)
B1 : You Got Me Up (5:07)
Release Notes:
The word masterpiece gets bandied about a lot. Not least by us. But here is a release that truly befits such a lofty title.
In 1980, Randy Muller’s Skyy dropped the monumental “Here’s To You”, comfortably one of the greatest dance singles of all time. Released on Salsoul, “Here’s To You” is now exceptionally hard to find in its original form. On this special Be With double-header, we present the sought-after 12" mix and back it up with the strutting “You Got Me Up”, which has never been on a 12" before.
Naturally, both are cut loud and bumping for devastating dance floor power.
A sure-fire classic of the NYC club scene and a true block party rocker, “Here’s To You” beautifully combines sweeping synth-strings, loose cymbal hits and swaggering lyrics delivered with enviable style. But the real hero is *that* bassline. Oh, wait, no, actually, it’s *that* synth refrain halfway through. Harnessing the Oberheim Matrix 12 to emulate a horn section has provided goosebumps on discerning dance floors ever since.
As Muller expressed in his 2007 Red Bull Music Academy lecture, “It’s a very special record, it’s positive and has that spontaneous, life-giving spirit in the groove. Everything locks, just pure chemistry.”
Like we said, it’s a masterpiece.
If that wasn’t enough, over on the B-side is “You Got Me Up”, a real hidden gem from Skyy’s Skyway LP. Also released in 1980, the track is a wonderful showcase of the group’s airtight rhythm section and Muller’s uncanny ear for a groove and a melody.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Because Music
Cat-No:bec5161908
Release-Date:19.01.2015
Configuration:LP Excl
Barcode:5060281619082
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Last in:15.01.2026
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Label:Because Music
Cat-No:bec5161908
Release-Date:19.01.2015
Configuration:LP Excl
Barcode:5060281619082
UPC: 5060281619082 - pale green vinyl, CD included + 4 Pages Poster Release: 19.01.2015
Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available
“SUPERNATURE“ (Cerrone III) 1. Supernature 2. Sweet drums 3. In the smoke 4. Give me love 5. Love is here 6. Love is the answer
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available
“SUPERNATURE“ (Cerrone III) 1. Supernature 2. Sweet drums 3. In the smoke 4. Give me love 5. Love is here 6. Love is the answer
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
