WORLD EXCL. FRANCE & USA
New FLEE publication focused on Arabian Gulf's pearl divers, their culture through their soundscape, traditional songs & rhythms. Including archival recordings and reinterpretations by moderns electronic artists such as Joakim, Tomaga, Ben Bertrand, Conny Frischauf, Hieroglyphic Being .....
2LP+258p book (English & Arabic text) bundle.
The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries, their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a 2XLP compilation with undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Ben Betrand, Tarek Yamani or Hieroglyphic Being. Along with that record, a 258 pages long book in Arabic and English is available featuring contributions from regional experts and artists to contextualize the tremendously rich theme that is pearling and its music.
Tracklisting :
A1: Tomaga - Dub Divers
A2: ZZMMYYHH - YPY
A3: Kuzaliwa Upya - Hieroglyphic Being
A4: Hilal - Tarek Yamani
A5: Vaguement (Haddadi) - Alan Strani
B1: and the ashes of our burning souls will fly away - Ben Bertrand
B2: Schein davon - Conny Frischauf
B3: Sitt-il Muhanna - Aya Metwalli
B4: Zumayyah (remix) - Joakim
C1: Ya Mal (Midaf ) - Poul Rovsing Olsen (archive)
C2: Zumayyah - Poul Rovsing Olsen (archive)
C3: Haddadi - Poul Rovsing Olsen (archive)
D1: Bahrï - Poul Rovsing Olsen (archive)
More
New FLEE publication focused on Arabian Gulf's pearl divers, their culture through their soundscape, traditional songs & rhythms. Including archival recordings and reinterpretations by moderns electronic artists such as Joakim, Tomaga, Ben Bertrand, Conny Frischauf, Hieroglyphic Being .....
2LP+258p book (English & Arabic text) bundle.
The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries, their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a 2XLP compilation with undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Ben Betrand, Tarek Yamani or Hieroglyphic Being. Along with that record, a 258 pages long book in Arabic and English is available featuring contributions from regional experts and artists to contextualize the tremendously rich theme that is pearling and its music.
Tracklisting :
A1: Tomaga - Dub Divers
A2: ZZMMYYHH - YPY
A3: Kuzaliwa Upya - Hieroglyphic Being
A4: Hilal - Tarek Yamani
A5: Vaguement (Haddadi) - Alan Strani
B1: and the ashes of our burning souls will fly away - Ben Bertrand
B2: Schein davon - Conny Frischauf
B3: Sitt-il Muhanna - Aya Metwalli
B4: Zumayyah (remix) - Joakim
C1: Ya Mal (Midaf ) - Poul Rovsing Olsen (archive)
C2: Zumayyah - Poul Rovsing Olsen (archive)
C3: Haddadi - Poul Rovsing Olsen (archive)
D1: Bahrï - Poul Rovsing Olsen (archive)
More
More records from Flee
Bundle: 2LP + Book (GR, US, FR)
Territories: worldwide minus France, Italy, Greece & Benelux
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
Territories: worldwide minus France, Italy, Greece & Benelux
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
Territories: worldwide minus France, Italy, Greece & Benelux
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
CD
Territories: worldwide minus France, Italy, Greece & Benelux
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
Territories: worldwide minus France, Italy, Greece & Benelux
Genre: Archival, Electronic, Experimental
Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.
After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.
Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.
A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).
A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.
Tracklist
A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)
B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)
C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)
D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir) More
1
Women from Cherkessk - Dance With Me & Let Me Drink
2
Women from Cherkessk - My Beloved One
3
Women from Cherkessk - I Miss You
4
Women from Cherkessk - My Yura
5
Men from Ulyap - I Swear I Won't Drink
6
Yura Nagoev & Elena Dokshokova - Vodka is a Bitter Water
7
Men from Ulyap - Vodka is a Bitter Water
8
Men from Ulyap - Aminat
9
Damir Guagov - Aminat
10
Damir Guagov - Circissian Dancing Tunes
11
Misha Sultan - Siii Babe
12
Emmanuelle Parennin & Colin Johnco - Au dela du vent
13
Ease - Simone Aubert
14
Valentina Goncharova - Evergrowing Tree
15
Minami Deutsch - Aminat
16
G.A.M.S & Vatannar - Aminat
17
Jrjpej & Ben Wheeler - Si Aminat
18
Zongamin - My Darling
WORLD
Tracklist
A1. Dance With Me & Let Me Drink - Women from Cherkessk
A2. My Beloved One - Women from Cherkessk
A3. I Miss You - Women from Cherkessk
A4. My Yura - Women from Cherkessk
A5. I Swear I Won't Drink - Men from Ulyap
B1. Vodka is a Bitter Water - Yura Nagoev & Elena Dokshokova
B2. Vodka is a Bitter Water - Men from Ulyap
B3. Aminat - Men from Ulyap
B4. Aminat - Damir Guagov
B5. Circissian Dancing Tunes - Damir Guagov
C1. Siii Babe - Misha Sultan
C2. Au dela du vent - Emmanuelle Parennin & Colin Johnco
C3. Ease - Simone Aubert
C4. Evergrowing Tree - Valentina Goncharova
D1. Aminat - Minami Deutsch
D2. Aminat - G.A.M.S & Vatannar
D3. Si Aminat - Jrjpej & Ben Wheeler
D4. My Darling - Zongamin
Flee new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture & post-soviet society; and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronic-esque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, Ben Wheeler...
Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.
This publication reflects on a music phenomenon involving talented female and male musicians, performing in lively (and sometimes festive) social dynamics. It does so by revealing important songs of the repertoire on the one hand, inviting original artists to experiment with Ulyap songs on the other.
Built around an important work of documentation on this genre mixing criminal songs, Adygean culture and lyrics related to post-Soviet society, the book and record (available separately or as part of a bundle) include essays, archive and contemporary photographs as well as three art commissions questioning this original phenomenon from various point of views. Written in English and Russian, the book encompasses a dozen contributions.
Musically, the double LP conists of rare and unpublished archives as well as recordings made by FLEE, Ored recordings and Nikita Rasskazov over the last years in various locations of the Caucasus. These original celebration and drinking songs performed by group of professional and amateur musicians alike have been used as a creative fabric by sonic sound artists and musicians.
More
Tracklist
A1. Dance With Me & Let Me Drink - Women from Cherkessk
A2. My Beloved One - Women from Cherkessk
A3. I Miss You - Women from Cherkessk
A4. My Yura - Women from Cherkessk
A5. I Swear I Won't Drink - Men from Ulyap
B1. Vodka is a Bitter Water - Yura Nagoev & Elena Dokshokova
B2. Vodka is a Bitter Water - Men from Ulyap
B3. Aminat - Men from Ulyap
B4. Aminat - Damir Guagov
B5. Circissian Dancing Tunes - Damir Guagov
C1. Siii Babe - Misha Sultan
C2. Au dela du vent - Emmanuelle Parennin & Colin Johnco
C3. Ease - Simone Aubert
C4. Evergrowing Tree - Valentina Goncharova
D1. Aminat - Minami Deutsch
D2. Aminat - G.A.M.S & Vatannar
D3. Si Aminat - Jrjpej & Ben Wheeler
D4. My Darling - Zongamin
Flee new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture & post-soviet society; and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronic-esque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, Ben Wheeler...
Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.
This publication reflects on a music phenomenon involving talented female and male musicians, performing in lively (and sometimes festive) social dynamics. It does so by revealing important songs of the repertoire on the one hand, inviting original artists to experiment with Ulyap songs on the other.
Built around an important work of documentation on this genre mixing criminal songs, Adygean culture and lyrics related to post-Soviet society, the book and record (available separately or as part of a bundle) include essays, archive and contemporary photographs as well as three art commissions questioning this original phenomenon from various point of views. Written in English and Russian, the book encompasses a dozen contributions.
Musically, the double LP conists of rare and unpublished archives as well as recordings made by FLEE, Ored recordings and Nikita Rasskazov over the last years in various locations of the Caucasus. These original celebration and drinking songs performed by group of professional and amateur musicians alike have been used as a creative fabric by sonic sound artists and musicians.
More
1
Women from Cherkessk - Dance With Me & Let Me Drink
2
Women from Cherkessk - My Beloved One
3
Women from Cherkessk - I Miss You
4
Women from Cherkessk - My Yura
5
Men from Ulyap - I Swear I Won't Drink
6
Yura Nagoev & Elena Dokshokova - Vodka is a Bitter Water
7
Men from Ulyap - Vodka is a Bitter Water
8
Men from Ulyap - Aminat
9
Aminat - Damir Guagov
10
Circissian Dancing Tunes - Damir Guagov
11
Misha Sultan - Siii Babe
12
Emmanuelle Parennin & Colin Johnco - Au dela du vent
13
Simone Aubert - Ease
14
Valentina Goncharova - Evergrowing Tree
15
Minami Deutsch - Aminat
16
G.A.M.S & Vatannar - Aminat
17
Jrjpej & Ben Wheeler - Si Aminat
18
Zongamin - My Darling
WORLD
Bundle including the 2LP + a 250p book.
Tracklist
A1. Dance With Me & Let Me Drink - Women from Cherkessk
A2. My Beloved One - Women from Cherkessk
A3. I Miss You - Women from Cherkessk
A4. My Yura - Women from Cherkessk
A5. I Swear I Won't Drink - Men from Ulyap
B1. Vodka is a Bitter Water - Yura Nagoev & Elena Dokshokova
B2. Vodka is a Bitter Water - Men from Ulyap
B3. Aminat - Men from Ulyap
B4. Aminat - Damir Guagov
B5. Circissian Dancing Tunes - Damir Guagov
C1. Siii Babe - Misha Sultan
C2. Au dela du vent - Emmanuelle Parennin & Colin Johnco
C3. Ease - Simone Aubert
C4. Evergrowing Tree - Valentina Goncharova
D1. Aminat - Minami Deutsch
D2. Aminat - G.A.M.S & Vatannar
D3. Si Aminat - Jrjpej & Ben Wheeler
D4. My Darling - Zongamin
Flee new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture & post-soviet society; and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronic-esque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, Ben Wheeler...
Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.
This publication reflects on a music phenomenon involving talented female and male musicians, performing in lively (and sometimes festive) social dynamics. It does so by revealing important songs of the repertoire on the one hand, inviting original artists to experiment with Ulyap songs on the other.
Built around an important work of documentation on this genre mixing criminal songs, Adygean culture and lyrics related to post-Soviet society, the book and record (available separately or as part of a bundle) include essays, archive and contemporary photographs as well as three art commissions questioning this original phenomenon from various point of views. Written in English and Russian, the book encompasses a dozen contributions.
Musically, the double LP conists of rare and unpublished archives as well as recordings made by FLEE, Ored recordings and Nikita Rasskazov over the last years in various locations of the Caucasus. These original celebration and drinking songs performed by group of professional and amateur musicians alike have been used as a creative fabric by sonic sound artists and musicians.
More
Bundle including the 2LP + a 250p book.
Tracklist
A1. Dance With Me & Let Me Drink - Women from Cherkessk
A2. My Beloved One - Women from Cherkessk
A3. I Miss You - Women from Cherkessk
A4. My Yura - Women from Cherkessk
A5. I Swear I Won't Drink - Men from Ulyap
B1. Vodka is a Bitter Water - Yura Nagoev & Elena Dokshokova
B2. Vodka is a Bitter Water - Men from Ulyap
B3. Aminat - Men from Ulyap
B4. Aminat - Damir Guagov
B5. Circissian Dancing Tunes - Damir Guagov
C1. Siii Babe - Misha Sultan
C2. Au dela du vent - Emmanuelle Parennin & Colin Johnco
C3. Ease - Simone Aubert
C4. Evergrowing Tree - Valentina Goncharova
D1. Aminat - Minami Deutsch
D2. Aminat - G.A.M.S & Vatannar
D3. Si Aminat - Jrjpej & Ben Wheeler
D4. My Darling - Zongamin
Flee new issue tries to document a Caucasian musical phenomenon mixing criminal songs, Adygean culture & post-soviet society; and features original recordings of traditional songs, and contemporary reinterpretations by a selected line-up of electronic-esque producers: Emmanuelle Parrenin & Colin Johnco, Misha Sultan, Zongamin, Minami Deutsch, Valentina Goncharova, Simone Aubert, Ben Wheeler...
Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.
This publication reflects on a music phenomenon involving talented female and male musicians, performing in lively (and sometimes festive) social dynamics. It does so by revealing important songs of the repertoire on the one hand, inviting original artists to experiment with Ulyap songs on the other.
Built around an important work of documentation on this genre mixing criminal songs, Adygean culture and lyrics related to post-Soviet society, the book and record (available separately or as part of a bundle) include essays, archive and contemporary photographs as well as three art commissions questioning this original phenomenon from various point of views. Written in English and Russian, the book encompasses a dozen contributions.
Musically, the double LP conists of rare and unpublished archives as well as recordings made by FLEE, Ored recordings and Nikita Rasskazov over the last years in various locations of the Caucasus. These original celebration and drinking songs performed by group of professional and amateur musicians alike have been used as a creative fabric by sonic sound artists and musicians.
More
1
V/A - Rendição - João Pais Filipe
2
V/A - Gaha Gaha! - Romain Baudoin
3
V/A - Leva-vaga - Filipa Cordeiro
4
V/A - Leva (as Magumbas) - Nandele
5
V/A - Leva Leva (versão da dança do peixe) - s1m0nc3ll0
6
V/A - Leva Leva - Armando Leça
7
V/A - Leva Leva - Michel Giacometti; Fernando Lopes-Graça
8
V/A - Leva Leva - José Alberto Sardinha
WORLD EXCL. FRANCE &USA
Tracklist:
A1 Rendição - João Pais Filipe
A2 Gaha Gaha! - Romain Baudoin
A3 Leva-vaga - Filipa Cordeiro
A4 Leva (as Magumbas) - Nandele
A5 Leva Leva (versão da dança do peixe) - s1m0nc3ll0
B1 Leva Leva - Armando Leça
B2 Leva Leva - Michel Giacometti; Fernando Lopes-Graça
B3 Leva Leva - José Alberto Sardinha
Release Info:
For most of the 20th century, Portugal's economy has relied on fishery and an exploitative canning industry arising from it. To endure their hardship and coordinate their work, fishermen sang. Leva Leva: Litany of the Portuguese fishermen documents this particular culture of the Portuguese coast, through a vinyl compilation containing undisclosed original recordings of fishermen’s songs and contemporary compositions by artists Filipa Cordeiro, Joao Pais Filipe, Nandele, Romain Baudoin and S1m0nc3ll0. Alongside the record, the project features a detailed art book (Portuguese – French) (not available through wholesale). The volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of this culture and the rapid transformation it experienced.
More
Tracklist:
A1 Rendição - João Pais Filipe
A2 Gaha Gaha! - Romain Baudoin
A3 Leva-vaga - Filipa Cordeiro
A4 Leva (as Magumbas) - Nandele
A5 Leva Leva (versão da dança do peixe) - s1m0nc3ll0
B1 Leva Leva - Armando Leça
B2 Leva Leva - Michel Giacometti; Fernando Lopes-Graça
B3 Leva Leva - José Alberto Sardinha
Release Info:
For most of the 20th century, Portugal's economy has relied on fishery and an exploitative canning industry arising from it. To endure their hardship and coordinate their work, fishermen sang. Leva Leva: Litany of the Portuguese fishermen documents this particular culture of the Portuguese coast, through a vinyl compilation containing undisclosed original recordings of fishermen’s songs and contemporary compositions by artists Filipa Cordeiro, Joao Pais Filipe, Nandele, Romain Baudoin and S1m0nc3ll0. Alongside the record, the project features a detailed art book (Portuguese – French) (not available through wholesale). The volume gives a voice to artists, writers, witnesses and experts, all invited to reflect upon the question of this culture and the rapid transformation it experienced.
More
1
Nahma - A1: Tomaga - Dub Divers
2
Nahma - A2: ZZMMYYHH - YPY
3
Nahma - A3: Kuzaliwa Upya - Hieroglyphic Being
4
Nahma - A4: Hilal - Tarek Yamani
5
Nahma - A5: Vaguement (Haddadi) - Alan Strani
6
Nahma - B1: and the ashes of our burning souls will fly away - Ben Bertrand
7
Nahma - B2: Schein davon - Conny Frischauf
8
Nahma - B3: Sitt-il Muhanna - Aya Metwalli
9
Nahma - B4: Zumayyah (remix) - Joakim
10
Nahma - C1: Ya Mal (Midaf ) - Poul Rovsing Olsen (archive)
11
Nahma - C2: Zumayyah - Poul Rovsing Olsen (archive)
12
Nahma - C3: Haddadi - Poul Rovsing Olsen (archive)
13
Nahma - D1: Bahrï - Poul Rovsing Olsen (archive)
WORLD EXCL. FRANCE &USA
New FLEE publication focused on Arabian Gulf's pearl divers, their culture through their soundscape, traditional songs & rhythms. Including archival recordings and reinterpretations by moderns electronic artists such as Joakim, Tomaga, Ben Bertrand, Conny Frischauf, Hieroglyphic Being .....
Available as 2LP, black vinyls
The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries, their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a 2XLP compilation with undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Ben Betrand, Tarek Yamani or Hieroglyphic Being. Along with that record, a 258 pages long book in Arabic and English is available featuring contributions from regional experts and artists to contextualize the tremendously rich theme that is pearling and its music.
Tracklisting :
A1: Tomaga - Dub Divers
A2: ZZMMYYHH - YPY
A3: Kuzaliwa Upya - Hieroglyphic Being
A4: Hilal - Tarek Yamani
A5: Vaguement (Haddadi) - Alan Strani
B1: and the ashes of our burning souls will fly away - Ben Bertrand
B2: Schein davon - Conny Frischauf
B3: Sitt-il Muhanna - Aya Metwalli
B4: Zumayyah (remix) - Joakim
C1: Ya Mal (Midaf ) - Poul Rovsing Olsen (archive)
C2: Zumayyah - Poul Rovsing Olsen (archive)
C3: Haddadi - Poul Rovsing Olsen (archive)
D1: Bahrï - Poul Rovsing Olsen (archive)
More
New FLEE publication focused on Arabian Gulf's pearl divers, their culture through their soundscape, traditional songs & rhythms. Including archival recordings and reinterpretations by moderns electronic artists such as Joakim, Tomaga, Ben Bertrand, Conny Frischauf, Hieroglyphic Being .....
Available as 2LP, black vinyls
The pearls of the Gulf have stoked the imagination and desire of people around the world for centuries, their magnificence matched only by the courage of the divers who found them. This project aims to honor the memory of these valiant free-divers, their culture and their music by the means of a 2XLP compilation with undisclosed original recordings of pearl divers and inspired modern-day compositions by artists like Tomaga, YPY, Ben Betrand, Tarek Yamani or Hieroglyphic Being. Along with that record, a 258 pages long book in Arabic and English is available featuring contributions from regional experts and artists to contextualize the tremendously rich theme that is pearling and its music.
Tracklisting :
A1: Tomaga - Dub Divers
A2: ZZMMYYHH - YPY
A3: Kuzaliwa Upya - Hieroglyphic Being
A4: Hilal - Tarek Yamani
A5: Vaguement (Haddadi) - Alan Strani
B1: and the ashes of our burning souls will fly away - Ben Bertrand
B2: Schein davon - Conny Frischauf
B3: Sitt-il Muhanna - Aya Metwalli
B4: Zumayyah (remix) - Joakim
C1: Ya Mal (Midaf ) - Poul Rovsing Olsen (archive)
C2: Zumayyah - Poul Rovsing Olsen (archive)
C3: Haddadi - Poul Rovsing Olsen (archive)
D1: Bahrï - Poul Rovsing Olsen (archive)
More
1
Diego Carpitella & Alan Lomax - A1. E Ballamu Tutti Ddhoi Ti Paru
2
Diego Carpitella & Ernesto De Martino - A2. Pizzica tarantata n.014
3
Diego Carpitella & Ernesto De Martino - A3. Pizzica tarantata n.015
4
Diego Carpitella & Ernesto De Martino - A4. Pizzica tarantata n.026
5
Diego Carpitella & Ernesto De Martino - A5. Pizzica tarantata n.030
6
Diego Carpitella - A6. Santu Paolu meu de Galatina
7
Bjorn Torske & Trym Søvdsnes - B1. Pizzica tarantata n.026 (rework)
8
Uffe - B2. Pizzica tarantata n.015 (rework)
9
LNS - C1. Pizzica tarantata n.014 (rework)
10
Bottin - C2. Santu Paolu meu de Galatina (rework)
11
Don't DJ - D1. Pizzica tarantata n.014 (rework)
12
KMRU - D2. Pizzica tarantata n.030 (rework)
WORLD EXCL. FRANCE & USA & JAPAN
a limited 2LP Gatefold record.
Vinyl: 2x140gr LP Compilation, Gatefold, shrink-wrapped
This double LP captures original field recordings of musicians-exorcists registered by Diego Carpitella, Ernesto de Martino and Alan Lomax in the late 1950’s in Puglia as well as six unique reworks by contemporary vanguard electronic musicians and producers such as: Bjorn Torske & Trym Søvdsnes (NO), LNS (CA), UFFE (DK), KMRU (KE), Bottin (IT), and Don’t DJ (DE).
Tracklist
A1: Diego Carpitella & Alan Lomax - E Ballamu Tutti Ddhoi Ti Paru
A2: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.014
A3: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.015
A4: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.026
A5: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.030
A6: Diego Carpitella - Santu Paolu meu de Galatina
B1: Bjorn Torske & Trym Søvdsnes - Pizzica tarantata n.026 (rework)
B2: Uffe - Pizzica tarantata n.015 (rework)
C1: LNS - Pizzica tarantata n.014 (rework)
C2: Bottin - Santu Paolu meu de Galatina (rework)
D1: Don't DJ - Pizzica tarantata n.014 (rework)
D2: KMRU - Pizzica tarantata n.030 (rework)
Release Info:
After their first issue focus on Benga, a Kenyan musical movement, FLEE is proud to present its new project: «Tarantismo: Odyssey of an Italian Ritual», available on 2LP Gatefold and as a bundle with 2LP Gatefold and a 168 pages Book.
Dedicated to Tarentism, this project tells the story of a centuries-old choreo-musical ritual from Southern Italy, mobilizing frenetic rhythms and maniac dances, to exorcise women of a mysterious evil caused by the bite of a spider. Trans-disciplinary, this effort of documentation and artistic re-interpretation of one Europe’s most mysterious trance phenomenon is comprised of a double LP vinyl compilation including original recordings from Italian Maestro's Carpitella, Lomax and De Martino with reinterpretations from Don't DJ, Bottin, LNS, Bjorn Torske & Trym Søvdsnes, KMRU, Uffe and a hardcover Italian/English book.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Tarantism, as well as its numerous commissioned artworks. More infos : https://fleeproject.com/
More
a limited 2LP Gatefold record.
Vinyl: 2x140gr LP Compilation, Gatefold, shrink-wrapped
This double LP captures original field recordings of musicians-exorcists registered by Diego Carpitella, Ernesto de Martino and Alan Lomax in the late 1950’s in Puglia as well as six unique reworks by contemporary vanguard electronic musicians and producers such as: Bjorn Torske & Trym Søvdsnes (NO), LNS (CA), UFFE (DK), KMRU (KE), Bottin (IT), and Don’t DJ (DE).
Tracklist
A1: Diego Carpitella & Alan Lomax - E Ballamu Tutti Ddhoi Ti Paru
A2: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.014
A3: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.015
A4: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.026
A5: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.030
A6: Diego Carpitella - Santu Paolu meu de Galatina
B1: Bjorn Torske & Trym Søvdsnes - Pizzica tarantata n.026 (rework)
B2: Uffe - Pizzica tarantata n.015 (rework)
C1: LNS - Pizzica tarantata n.014 (rework)
C2: Bottin - Santu Paolu meu de Galatina (rework)
D1: Don't DJ - Pizzica tarantata n.014 (rework)
D2: KMRU - Pizzica tarantata n.030 (rework)
Release Info:
After their first issue focus on Benga, a Kenyan musical movement, FLEE is proud to present its new project: «Tarantismo: Odyssey of an Italian Ritual», available on 2LP Gatefold and as a bundle with 2LP Gatefold and a 168 pages Book.
Dedicated to Tarentism, this project tells the story of a centuries-old choreo-musical ritual from Southern Italy, mobilizing frenetic rhythms and maniac dances, to exorcise women of a mysterious evil caused by the bite of a spider. Trans-disciplinary, this effort of documentation and artistic re-interpretation of one Europe’s most mysterious trance phenomenon is comprised of a double LP vinyl compilation including original recordings from Italian Maestro's Carpitella, Lomax and De Martino with reinterpretations from Don't DJ, Bottin, LNS, Bjorn Torske & Trym Søvdsnes, KMRU, Uffe and a hardcover Italian/English book.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Tarantism, as well as its numerous commissioned artworks. More infos : https://fleeproject.com/
More
1
Diego Carpitella & Alan Lomax - A1. E Ballamu Tutti Ddhoi Ti Paru
2
Diego Carpitella & Ernesto De Martino - A2. Pizzica tarantata n.014
3
Diego Carpitella & Ernesto De Martino - A3. Pizzica tarantata n.015
4
Diego Carpitella & Ernesto De Martino - A4. Pizzica tarantata n.026
5
Diego Carpitella & Ernesto De Martino - A5. Pizzica tarantata n.030
6
Diego Carpitella - A6. Santu Paolu meu de Galatina
7
Bjorn Torske & Trym Søvdsnes - B1. Pizzica tarantata n.026 (rework)
8
Uffe - B2. Pizzica tarantata n.015 (rework)
9
LNS - C1. Pizzica tarantata n.014 (rework)
10
Bottin - C2. Santu Paolu meu de Galatina (rework)
11
Don't DJ - D1. Pizzica tarantata n.014 (rework)
12
KMRU - D2. Pizzica tarantata n.030 (rework)
WORLD EXCL. FRANCE & USA & JAPAN
2LP Gatefold + a hardcover book housed in a printed plastic sleeve :
This double LP captures original field recordings of musicians-exorcists registered by Diego Carpitella, Ernesto de Martino and Alan Lomax in the late 1950’s in Puglia as well as six unique reworks by contemporary vanguard electronic musicians and producers such as: Bjorn Torske & Trym Søvdsnes (NO), LNS (CA), UFFE (DK), KMRU (KE), Bottin (IT), and Don’t DJ (DE).
With nine essays focusing on various dimensions of the ritual, this bilingual publication gives the voice to artists, photographers, sociologists, anthropologists, and catholic priests. Witnesses, experts or actors of the history of this music exorcism, the book contains the contributions and exclusive photographs of: Chiara Samugheo, Edoardo Winspeare, Claudia Attimonelli, Pamela Diamante, Luigi Chiriatti, Salvatore Bevilacqua, Gino Di Mitri and Mattia Zappellaro.
Book: 168 pages, hard cover, sewn, Arcoprint Milk 100g paper, Italian/English, 16,5x23,5cm
Vinyl: 2x140gr LP Compilation, Gatefold, shrink-wrapped
Tracklist
A1: Diego Carpitella & Alan Lomax - E Ballamu Tutti Ddhoi Ti Paru
A2: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.014
A3: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.015
A4: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.026
A5: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.030
A6: Diego Carpitella - Santu Paolu meu de Galatina
B1: Bjorn Torske & Trym Søvdsnes - Pizzica tarantata n.026 (rework)
B2: Uffe - Pizzica tarantata n.015 (rework)
C1: LNS - Pizzica tarantata n.014 (rework)
C2: Bottin - Santu Paolu meu de Galatina (rework)
D1: Don't DJ - Pizzica tarantata n.014 (rework)
D2: KMRU - Pizzica tarantata n.030 (rework)
Release Info:
After their first issue focus on Benga, a Kenyan musical movement, FLEE is proud to present its new project: «Tarantismo: Odyssey of an Italian Ritual», available on 2LP Gatefold and as a bundle with 2LP Gatefold and a 168 pages Book.
Dedicated to Tarentism, this project tells the story of a centuries-old choreo-musical ritual from Southern Italy, mobilizing frenetic rhythms and maniac dances, to exorcise women of a mysterious evil caused by the bite of a spider. Trans-disciplinary, this effort of documentation and artistic re-interpretation of one Europe’s most mysterious trance phenomenon is comprised of a double LP vinyl compilation including original recordings from Italian Maestro's Carpitella, Lomax and De Martino with reinterpretations from Don't DJ, Bottin, LNS, Bjorn Torske & Trym Søvdsnes, KMRU, Uffe and a hardcover Italian/English book.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Tarantism, as well as its numerous commissioned artworks. More infos : https://fleeproject.com/
More
2LP Gatefold + a hardcover book housed in a printed plastic sleeve :
This double LP captures original field recordings of musicians-exorcists registered by Diego Carpitella, Ernesto de Martino and Alan Lomax in the late 1950’s in Puglia as well as six unique reworks by contemporary vanguard electronic musicians and producers such as: Bjorn Torske & Trym Søvdsnes (NO), LNS (CA), UFFE (DK), KMRU (KE), Bottin (IT), and Don’t DJ (DE).
With nine essays focusing on various dimensions of the ritual, this bilingual publication gives the voice to artists, photographers, sociologists, anthropologists, and catholic priests. Witnesses, experts or actors of the history of this music exorcism, the book contains the contributions and exclusive photographs of: Chiara Samugheo, Edoardo Winspeare, Claudia Attimonelli, Pamela Diamante, Luigi Chiriatti, Salvatore Bevilacqua, Gino Di Mitri and Mattia Zappellaro.
Book: 168 pages, hard cover, sewn, Arcoprint Milk 100g paper, Italian/English, 16,5x23,5cm
Vinyl: 2x140gr LP Compilation, Gatefold, shrink-wrapped
Tracklist
A1: Diego Carpitella & Alan Lomax - E Ballamu Tutti Ddhoi Ti Paru
A2: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.014
A3: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.015
A4: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.026
A5: Diego Carpitella & Ernesto De Martino - Pizzica tarantata n.030
A6: Diego Carpitella - Santu Paolu meu de Galatina
B1: Bjorn Torske & Trym Søvdsnes - Pizzica tarantata n.026 (rework)
B2: Uffe - Pizzica tarantata n.015 (rework)
C1: LNS - Pizzica tarantata n.014 (rework)
C2: Bottin - Santu Paolu meu de Galatina (rework)
D1: Don't DJ - Pizzica tarantata n.014 (rework)
D2: KMRU - Pizzica tarantata n.030 (rework)
Release Info:
After their first issue focus on Benga, a Kenyan musical movement, FLEE is proud to present its new project: «Tarantismo: Odyssey of an Italian Ritual», available on 2LP Gatefold and as a bundle with 2LP Gatefold and a 168 pages Book.
Dedicated to Tarentism, this project tells the story of a centuries-old choreo-musical ritual from Southern Italy, mobilizing frenetic rhythms and maniac dances, to exorcise women of a mysterious evil caused by the bite of a spider. Trans-disciplinary, this effort of documentation and artistic re-interpretation of one Europe’s most mysterious trance phenomenon is comprised of a double LP vinyl compilation including original recordings from Italian Maestro's Carpitella, Lomax and De Martino with reinterpretations from Don't DJ, Bottin, LNS, Bjorn Torske & Trym Søvdsnes, KMRU, Uffe and a hardcover Italian/English book.
The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Tarantism, as well as its numerous commissioned artworks. More infos : https://fleeproject.com/
More