Fourth R.A.N.D. Muzik x Echocentric Records collaboration release is an album by DC Salas.

DC Salas' second album, To The Places I Call(ed) Home, is a deeply personal exploration of memories, grief, and the concept of home, blending house, progressive, new beat, acid, goa, and trance.

Crafted over two years in his Brussels studio and on the road, the album served as a healing process following personal losses and reconnects Salas with his father's Peruvian roots. It features collaborations with Curses and Moroccan artist Zaatar, and each track reflects moments that shape his life while honoring fragments of his past.

Despite its themes of loss, the album radiates positivity with bright dancefloor moments and new beginnings.

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DC Salas returns to his own Higher Hopes imprint with the ‘Pixelated Dream Theory’ EP. A club-centric, no nonsense four tracker, the EP is a collage of influences drawn from various strands of dance music knitted together in Salas’ imitable style.

Kicking off proceedings we have the aptly named ‘Acid Breathe’, a brooding number punctuated by spooky synth work and a gnarly (you guessed it) acid line that sets the tone for a release loaded with peak time madness. Next we have the title track ‘Pixelated Dream Theory’, a track that nods back to the rich heritage of the Belgian underground, effortlessly fusing some of the key motifs of New Beat & EBM with a modern perspective.

The B-side opens with a secret weapon of Eclair Fifi's ‘Blaes’. Named after the street Fuse is situated on, it is crafted with the institution’s dancefloor in mind. A bassbin warping, head spinning affair that’s sure to be a critical part of DJs sets throughout spring and beyond into summer. For the EP’s final stanza we have the impressive ‘Phased Dance’. A suitable closer, the track leans slightly more into house than previous offering with flourishes of progressive, balearic all whilst maintaining the chugging fundamentals of the EP, teasing whats to follow with Salas’ planning a new album for the second half of 2024.

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The label has a simple mantra; no frills club cuts designed for the dancefloor. For their second outing, Demi Riquísimo has enlisted Kiosk Radio and Fuse Brussels resident DC Salas to fulfill the brief, via the ‘Tio’ EP.

A DJ noted for his versatility with his sets effortlessly melding a plethora of styles from house, techno and trance to disco & new beat. This broad range of influences is on full display on the buttons as DC Salas shows his range as a producer right across the ‘Tio’ EP.

The EP kicks off with the emotive title track ‘Tio’. DC explains the context:

“It features the voice of my godfather (my dad’s uncle, who was like a brother to him) who passed away unexpectedly some months ago. We found a video of him (he hated being filmed) one week after he passed away, with a wonderful talk he did on his birthday last year. The vocal is an extract of this video.”

Up next is 'Fearless Is More', a track where DC’s production dexterity comes to the fore. The track combines elements of 90’s trance, with a jackin’ bass line and vocal samples that evoke images of the early Amnesia Ibiza golden era.

The B-side opens with 'Never Ending Story', another track which speaks to Salas’ vast array of influences with a synth topline sounding like it was straight out of the Ancienne Belgique. 'A Departure' chugs along menacingly with an acid house flourish in its second stanza, for some peak time perfection. The EP is completed with 'Slowtospeed', which juxtaposes melancholic pads with progressive synths and a driving to bass to make for an extremely well rounded first outing for DC Salas on the burgeoning imprint.


DJ Feedback:

Job Jobse - Great release!!!

Make A Dance - this is wicked, Never Ending Story is the track for me.

Kiara Scuro - Absolutely love this! Definitely will be playing.

Dave Harvey - This is great.

Tech Support / Asa Tate - DC is king!

Timo Deeprhythms / Echocentric Records - Stupid good release!

REES - Love this one!

Martyn Bootyspoon - Absolutely send these over!!

Sara Miller / Public Possession - Really really like this record. Totally my vibe :) All are excellent tracks but Fearless is More is my fave. But really digging Never Ending Story and Tio too!

Aletha / Rinse FM - Sounding perfect for my sets at dimensions

Aiden Francis - Wooooah, love these. Such a varied release!

Ciel - I love the A1 on this! Tio is gorgeous.

Holly Lester - Great release, Tio is biggg!

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Second RAND Muzik x Echocentric collaboration. Four mesmerizing club tools for total floor control by the mighty Belgian beat smith DC Salas. Highly flammable, handle with care.

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Brussel's beat smith DC SALAS is back on the block - the Robert Johnson block that is! His 3rd release for LIVE AT ROBERT JOHNSON is also his 20th official release so far - so we have two things to celebrate spread over Diego Cortez Salas' powerful four-tracks EP called »Voces«.

Let's start with the title track: »Voces« is a call to alarm right from the beginning with its stabbing synth bass line and sirens. Add a couple of drum breaks and a heavy beat - et voilà: You have the first of four tunes to jump up and down to. Et oui, Salas surely knows how to build tension in a track - even in a voiceless track named »Voces«.

Next up is »The Lights« - and oh boy does Salas turn them on! These are quite trippy lights with a sound that could easily come from a twisted didgeridoo … The beat of »The Lights« is (of course) groovy as f*** - excuse our French. So let's turn on »The Lights«!

B-side opener »Metallic Glow« does just that: The track glows in bright metallic from the first second and features plenty of crazy sounds to do a crazy dance. Did we mention the groove? No? Well … just listen.

For »Safe Pace« Diego pulls out beautiful percussive elements and the 303 thus surfing on a not-so-safe pace to be honest: The last track of »Voces« is as fast and demanding as all the others.

DC Salas again managed to build four really solid stompers here to set any dancefloor on fire - without using any voice or vocal - these are REALLY SERIOUS SOUNDS you all should listen and dance to. NOW.

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It's hard to believe DC Salas has yet to appear on Pets. A kindred spirit of Catz 'n Dogz, their paths have crossed many times and their sounds have crossed even more. Sharing a similar vision for deep, explorative, exciting and innovative house and techno, a release like this was only a matter of time. Following big releases on Slowciety and Correspondant, Salas eases us into 2021 with four more wide-ranging cuts. 'Le Réveil' rings the alarm and wakes us up. An electrified maze of melodic layers and arpeggios, there's a great sense of mid 90s German house sounds that would eventually spill into the trance diaspora. Majestic, playful and crystal clean. 'Her Smile' takes us even deeper down the rabbit hole as acidic entrails weave in and out of the beats while more cosmic leads layer over the top. Reaching a great melodic crescendo mid-way, it's yet another great storytelling tune. And it's backed by two more late night delights: 'Another Chapter' takes us deeper and darker into the mix with a soaking wet, jelly-like bassline and big pads and chords that are reminiscent of Justin Martin or Ben Watt before 'The Morning Dance' brings us back home. Broken drums, clipped horn leads, a jacking spirit and an acid breakdown you could cook your breakfast eggs on. Good morning, good afternoon, good evening and goodnight. A release like this can be played at any time of day.

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DC Salas’s second EP indeed is a tale of beautiful feelings: After his last year’s debut EP on Live At Robert Johnson called The Complicated Art of Dreaming, this fresh four tracker is a proof to his creative continuity. A1 Did They Listen rhythmic structure banks on a pounding and effective combination of bassdrum, conga and cowbell, joined by a mildly distorted bass line figure, which embeds itself in a panoramic soundscape. A2 Beautiful Feelings introduces a remarkable striking sawtooth sequence, with repeated filtered and resonating variations, alternating throughout the track. On the flipside, B1 Within employs yet another bubbly bassline, keeping the soundscape wide-open to retain enough sonic space for that eerie, yet highly energetic Cosmic Disco touch. B2 Liquid Perception signature is a liquid acid bassline introduced in the second part of the track, perfectly befitting its track title. All tracks of this monolithic EP, thanks to its consistent approach to sound design, could easily be mixed subsequently with each others. DC Salas is thirtysomething year old Diego Cortez Salas, a skilled talent with peruvian origins hailing from Brussels. A regular DJ at C12 and Kiosk Radio both in Brussels, Diego also co-runs Biologic Records with his mate Abstraxion since 2014.

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Live At Robert Johnson deploys a very true to its school release by one of Brussels finest, DC Salas. „The Complicated Art of Dreaming“ tells a four-track tale of joyous and airy nights on the dancefloor. A few euphoric sixteenths and a few quirky acid lines, lush pads and irresistible drums—it’s all about giving you that driving and energetic feeling, with more than one genuine hands in the air floorfiller at your disposal. Things are what you expect of LARJ: Driving high quality tracks with an emotional twist, a nod to the luscious moments on the wooden dancefloor. — DC Salas is thirtysomething year old Diego Cortez Salas, a skilled talent with peruvian origins hailing from Brussels. His four-track EP „The Complicated Art of Dreaming“ delves into classic territories, an eclectic amalgamation of his musical inspirations in 15 years of digging and DJing. A regular DJ at C11 and Kiosk Radio both in Brussels, Diego also co-runs Biologic Records with his mate Abstraxion since 2014.

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Support from Cocoon juggernaut Sven Vath to mobilee's multi-skilling deep tech lass Maya Jane Coles as well as Seth Troxler and Luciano. The youANDme rmx is their best to date. DC Salas 'Positive Shade EP' by Doctor Vinyl records. Pick your favorite!


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Already an accomplished composer and producer, crafting music and soundscapes for film and television, Gensi AKA András Genser deploys a trio of smooth and inspiriting cuts on the ‘Primavera 707’ EP. The title track gets the remix rub from British brothers Decius. ‘Primavera 707’ is tinged with a gloss and sheen, and a pop edge, that stays on the right side of classy. Heavenly melodies skit around an effervescent vocal, as Gensi distributes bubbly acid lines and expansive synths that elegantly crescendo. Decius stamp their rugged sound onto the remix of ‘Primavera 707’, having impressed via releases on their own Decius Trax imprint. Chugging drums and bags of mechanical funk are plugged into this re-rub, as the vocal gets pulverized, and a dark & sleazy tone is forged. Further explorations into acid are mined on ‘Humble Brush’, as the wiggly worm forages around energizing chords and weighty drums, whilst ‘The Great Body Buzz’ glides across the cosmos with booming 808 beats and intergalactic electronics.

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LA’s Warehouse Preservation Society cue up a suitably long slung and sophisticated release for Dave Harvey’s well established Futureboogie imprint. Dave Aju (Circus Company/Mule Musiq) completes the release with proper tasty remix. Comprising Travis ‘TK’ Kirschbaum & Tavish Graham, Warehouse Preservation Society have released cuts on Rogue Cat Records and Machine Limited, works with such esteemed artists as Daniele Baldelli & DJ Rocca, Newborn JR, DJ Garth & Anthony Mansfield, and Paramida’s Love On The Rocks label as well as landing a spot on DJ Harvey's "The Sound Of Mercury Rising Vol II" Pikes compilation. ‘Endlessly’ sets itself at ‘chugger pace’, as its mechanical body funk groove teases out a myriad of micro vocals and steadfast melodies, whilst its counterpart, ‘Dublessly’, goes down the rabbit hole and smothers itself in spring reverbs and delays for a transcendental pilgrimage!

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Italian siblings, The Robinson, deliver a mesmerizing triplet of tracks on the ‘Nightmares’ EP, having popped up recently on Futureboogie’s 2020 Summer Riot IX EP. And the FBR HQ has been all of a quiver after one of the deep house scene’s most prominent and revered figures, Ron Trent, blessed the release with a fine remix in his own inimitable style. With only a couple of releases on RYE Records behind them, The Robinson are clearly fully formed already, as evident on ‘Burnout’, a sprawling and luscious house joint that’s replete with melodic emotion and rhythmic power. Having been responsible for so many classic jams over the years (‘Altered States’ recorded & released at the age of 16, nuff said!). Through his productions on the mighty Prescription Records, Peacefrog, Future Vision and so many more, Ron Trent is the epitome of classy, deep vibes, and he stamps his sound onto a fantastic remix ‘Burnout’ with elegance and grace. In fact, the other original cuts here, ‘Nightmares’ and ‘Matrix’ owe much to the sounds honed by the likes of Ron Trent and other Chicago and Detroit pioneers, as crunchy drum machines, emotive string synths, haunting vocals and sparse yet stirring basslines are all the ingredients needed for the timeless sound and energies contained within these cuts. TRACK LISTING: A1. Burnout, A2. Nightmares, B1. Burnout (Ron Trent Remix), B2. Matrix

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Back with his third EP for Dave Harvey’s forward thinking Futureboogie label, Kiwi serves up three pulsating jams on ‘Charlie’s New Vision’, backed with a remix from Johnny Aux. Drawing upon his many influences across the house/disco/funk spectrum, South London based Kiwi has been illuminating the more discerning dancefloors of late with a strong of releases for Cin Cin, Needwant and his own new label venture, Crossbreed. A low-slung groove is explored on ‘Charlie’s New Vision’, incorporating tripped out film dialogue, bleeps and dubby tones, and a serpentine bass riff, all forging an off kilter yet infectious & hedonistic chugger. Johnny Aux follows up recent appearances on Man Power’s Me Me Me, Party Central, and Multi Culti with his own take on the lead track. Churning over a bleepy and epically transcendental remix of the highest order, this is the stuff of sunrises and enlightening moments! The sprightly ‘Ghiaccio’ draws together a kaleidoscopic array of opulent synth melodies with an compelling rhythm, whilst ‘Italian Heat’ doffs its cap heartily to the Italo disco choons of yore that always strikes a potent chord to this day.

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A firm favourite here at Futureboogie HQ, Ponty Mython returns to the label after last years ‘Pink Tango’ EP. Always ticking our Balearic boxes, with past releases on Quintessentials, Fina Music and Better Listen, Ponty drops three paradise purlers on the ‘Speak For Yourself’ EP, coming at you with added extra Jonny Rock remix! Dubwize vibes are present on ‘Speak For Yourself’, as a roving bassline navigates its way around steady, marching drums and Arabic tones, initiating a most heady atmosphere. ‘Barocco’ is equally as dubbed out; a cinematic soundscape is set to a dusted breakbeat, nods to Lalo Schifrin are evident, as Pont carves out a blissful midnight drive soundtrack. A wigged out, tribal space dance awaits on ‘Jealous Lover’, whilst Jonny Rock (ESP Institute/The
Nothing Special) climbs on board with his Future is Now remix that’s suitably freaky in all the right places, as aircraft sounds pass over and tweaky acid bubbles over a chuggy groove.

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