2LPm, 2x180g
An uncompromising return is coming and we, as a label, are extremely proud to host it on our frequencies: the internationally known Russian duo SCSI-9 is back with "Squares And Circles" an 8 track album enclosed in a double vinyl.

Tracklist
A1. No Rush
A2. You & Me
B1. Get Some Lfo
B2. Stairs & Stars
C1. Pha In The Hau
C2. Systematic
D1. 303 Views
D2. Onigiri


Shortinfo
An uncompromising return is coming and we, as a label, are extremely proud to host it on our frequencies: the internationally known Russian duo SCSI-9 is back with "Squares And Circles" an 8 track album enclosed in a double vinyl. The 8th record on our elecTronic catalogue is an abstract, geometric but above all analog journey through Anton & Maxim's souls; an identifying concrete work of research which displays the "two-dimensional & mathematical" approach of their connected minds. The whole LP is musically pervaded by all the sound investigations they made throughout the production period and tells us of all their inner perfectionism and willing to strive for a sense, a meaning to give to a solid composition such as this one. Coming to the raw music itself, they succeed in a complex process of making simple what's extremely heterogeneous, embodying the psychological theory of the thought against the speech: it's easier to talk than to think. Well, they talk perfectly through their music which is really difficult to separate into tracks, being such a climax of organic emotions, flowing from the opening "No Rush" with its tight rhythmics and spacey atmospheres to the more low-key and harmonious approach of "You & Me"; rolling on to the firmest and energetic constancy of side B starting with "Get Some Lfo" and slowing down again with the meekest, warm, far-out sensations of "Stairs and Stars": this track is one of SCSI-9's watermarks on the album and it's a drive through an ascendant field of harmonies, peaking at its zenith and oscillating back to a state of peace, letting the last beat taking over. Uncrating the 2nd vinyl we access to the substantial envelope of "Pha In The Hau" and "Systematic", a track that instantly takes us to an unknown region between the moon, Chicago and Ivory Coast, dancing along to some sort of Zaouli tribe percussions. D side brings the perspective to the edge of SCSI-9's universe giving us an even closer look to the landscape they've created with this treasure album. "303 Views" is the last wind storm on the Lake Michigan, touching all the musical influences that come from that specific area of planet Earth while the last blow "Onigiri" is a soft lysergic guided tour on their very own trigonometric asteroid, with no fear of falling off it. "Squares And Circles" is here and is a determined, hard-lined and intransigent statement of what Anton and Maxim want to communicate us with their vibrations, no matter if you don't get the whole point, just plunge into the these waters.



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LP, 180g Vinyl

Tracklist
A1. THE SOUND FEAT. BROWNSTUDY A2. LOST OCEANS A3. DEDICATED TO SCHEM FEAT. MR SCHEM A4. GALAXIES FEAT. DIVINE SPECIES B1. MOTHER FEAT. MAIA VON LEKOW & MISTA MONK B2. KELLIN IT FEAT. HAN LITZ & TRUJILLIO B3. SAVIOUR B4. THE SOUND (INSTRUMENTAL)

Shortinfo:
Big news on the Apparel Tronic side. We’re here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and we’re delighted to have on board with us: Julian Habib aka Inkswel, on this project with his alias “That Dude Inkswel”. The man himself created an 8 tracks LP which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. “The Sound” LP features dope collaborations such as the Detroit vocalist and multi-instrumentalist Brownstudy singing on the opening and title track, the amazing progressive artist Maia Von Lekow giving her voice for B1 track “Mother” alongside Mista Monk, the superb Han Litz’s flute and Trujillo on Kellin’ it & also Divine Species on “Galaxies” and Mr. Shem rapping on A3 track “Dedicated to Mr. Schem”. This work is a bold and captivating selection of different styles belonging to the same soul orchestrated by Inkswel and his musical mastermind, listening to “The Sound” is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. The ingredients for this amazing recipe are all coming from different parts of the planet, a place that Inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited Apparel Tronic to hang for a bit.
racks such as ‘Snooker Club’ and ‘Viejos’ delve into more caliginous, IDM territory. The result is a rich and varied collection that demonstrates Apparel Music’s unwavering ability to continue to keep listeners guessing.

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LP, 180g Vinyl , Limited

Track list:
A1 Here, Now A2 Black Lighter A3 Anarcoide A4 Snooker Club A5 Autofight
B1 Flesh Is Weak B2 Madting B3 Viejos B4 Clutch

Release Info:
Apparel Music return with the introduction of a brand new sub label - Apparel Tronic. The intention for this new division of sound is to shift focus towards UK-rooted Beats, Nu-Jazz, Downtempo and Jungle - a collection of styles the label like to
term ‘Bliss-Beat’. This treasured and futile basis of influence gives rise to Giuseppe D'Alessandro a.k.a KiSK and Ludovico Schilling SCHiLLiNG’s new project which they inaugurate with the ‘Hella’ LP from SCHiLLiNG himself: a collection UKindebted
dance tracks that meld influences from Jungle, Breaks and Hip Hop.
Originally born in Milan - Schilling relies on a process he likes to describe as ‘contamination’ of sound which entails the layering of field recordings and the sounds of his home environment with those of synths, real instruments and samples. This approach brands a clear stamp on his productions and enables him to create a truly singular strand of dance music and it’s this that glues together the 9 disparate tracks of Hella. Moving from the cascading breaks of the LP’s introduction
‘Anarcoide’ to the woozy and textural ‘Black Lighter’ - the album begins to build a spectral mood as it progresses. Tracks such as ‘Flesh Is Weak’ and ‘Madting’ draw influence from the golden-era of Bristol’s Trip-Hop while tracks such as ‘Snooker Club’ and ‘Viejos’ delve into more caliginous, IDM territory. The result is a rich and varied collection that demonstrates Apparel Music’s unwavering ability to continue to keep listeners guessing.

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Made in M is known for his smooth lofi beats. This new release picks up where his other releases have left off.
Cranking up the bpm a notch but keeping his signature organic grooves in his house debut LP.
FLUX is jazzy lofi house at its best for those lofi beat graduates that haven’t forgotten their roots.
Full LP dropping May 3rd on ear-sight and limited to 350 black vinyl.

1. River 5:58
2. Go Winter 4:31
3. Meeelt w/ Felipe Gordon 4:45
4. Turista Loco w/ digitalluc & xev 4:45
5. Take Six 5:25
6. Cacatuidae w/ DJ Krille 5:19
7. Cachalote 5:47
8. Yum Yum 4:25

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Format Notes:

Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl

Track List:

A1 And The Folklore Continues
A2 La Califas Perdido
A3 I Would Go With You
A4 No Time For Time
A5 Calling For Ya!
A6 Bloodinthemud
A7 Zapata's Boots
A8 Mosaic Man

B1 What Have I Been Doing Since I Was Gone?
B2 Paper Switchblade
B3 Never Forget To Remember
B4 Run With The Hunted
B5 New Terrain
B6 40 Summers
B7 The Simple Man

Release Notes:

Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vini Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.

Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.

The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.

The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".

The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Format Notes: Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue with original artwork, 140g vinyl

Track List:

A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30

B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner

Release Notes:

Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.

A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!

A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery


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Tracklist

A1. Nonneo
A2. Mystified Acid (2024 rework)
B1. Nonneo – Donato Dozzy remix
B2. Love and Sex Acid

Acid Test repress the very first Acid Test 12”, a now-renowned outing by Vienna’s Tin Man aka Johannes Auvinen. ACIDTEST01.1 the repress serves up the original “Nonneo” alongside a new 2024 rework of “Mystified Acid” on the A side, while the B-side sees the revered hypnotic “Nonneo” remix by Italian techno master Donato Dozzy, rounded off by long-time favourite “Love Sex Acid” from the Acid Acid album. It’s a sweetly balanced package of vintage Tin Man vibes, always searching for the heart in the machine.

Mastered and recut by Rashad.









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No sales to Japan!

LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk

Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance


Info

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.

Points of interests

- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.

- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.

- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)


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202r4 repress

Worldwide no exceptions

LP Format Notes:
Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes.

LP Track List:

A1 : Are These My Memories?
A2 : Walking Across The Field
A3 : Summer Stroll
A4 : It’s Raining Tomorrow
A5 : Dancing In July

B1 : Shadows Across The Path
B2 : Waiting By The Car
B3 : Kinda Knew Anna
B4 : Love That Bird
B5 : More Rain In The Woods

Release Notes:

Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.

Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.

Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.

Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.


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The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after follow up to SCENERY!
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is thrilled to present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream (1977) by Hokkaido pianist wunderkind Ryo Fukui, released in conjunction with the its legendary predecessor Scenery, sourced from the original masters and mastered at half speed.

Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop and cool jazz sounds with meticulous grace and absolute mastery. As its title suggests, Mellow Dream ventures into slightly mellower, more soulful, and sometimes more contemplative territories (the Bill Evans-reminiscent "Mellow Dream" and "My Foolish Heart") while still packing the commanding punch Fukui's work is loved for, as heard on the amazingly bombastic "Baron Potato Blues" or the gigantic McCoy Tyner/John Coltrane-influenced "Horizon" which sees each member of the trio (Satoshi Denpo is on bass and Yoshinori Fukui is on drums) demonstrating their virtuosity for 9 exhilarating minutes. With his sophomore album, Ryo Fukui swings from melancholy to vibrant joy with ease, reminding us that jazz is best served with a pinch of blues, and displays an immensely rare combination of pure talent, unique personal approach and focused discipline. The man undeniably deserves a spot in the pantheon of all-time great jazz pianists.

After releasing the outstanding Scenery and Mellow Dream back to back, Ryo Fukui worked on developing his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui), and even releasing 2 live albums. He sadly passed away in March 2016, leaving behind a legacy of works that all jazz lovers should explore.


Tracklisting Vinyl LP
A1 Mellow Dream
A2 My Foolish Heart
A3 Baron Potato Blues
B1 What's New
B2 Horizon
B3 My Funny Valentine



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2LP

Electronica-dub-techno-house

Special remarks: Printed Inner Sleeves

Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure

Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.

Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.


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Rødhåd presents: CRIMSON RUBEUS - the first ever compilation on WSNWG - BACK TO ZERO will be released on April 3rd
Under the leitmotif "WE SEE NEW WORLDS GROWING", the release marks a progression for the imprint to open up for solo releases from new artists and and long term collaboraters.
The compilation features 8 tracks handpicked by Rødhåd, each characterized by a vigorous commitment to the dancefloor while staying true to the label's signature - hard-to-resist sound with a pinch of mystery.
While every contribution has its distinct magnetic pull, marking the way to a nascent world, the crimson red thread running through this compilation is perpetuating, swirling techno with an acute fit for the dancefloor. As with previous releases Rødhåd crafted the artwork for the compilation, this time drenched in crimson hues echoing the energy of the music.

A1 Uväll - Acamar
A2 Arkan - Dissonance
B1 Inox Traxx - Decision
B2 Nastia Reigel - Limit Y
C1 SAMA - Do You Love Me?
C2 UFO95 - Refuge
D1 Ø [Phase] - Exiting The Delusion
D2 Kameliia - Above You And Me


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