1
Jake Muir - Tonic
2
Jake Muir - Forest Of Whispers w/ Caveman Lsd
3
Jake Muir - Twilight Transmissions
4
Jake Muir - Siren's Call
5
Jake Muir - Spectre's Bonfire
6
Jake Muir - Cauldron
7
Jake Muir - Gleam
8
Jake Muir - Smoke And Mirrors
9
Jake Muir - Dancing Vapours
10
Jake Muir - Grotto
Repress!
Since he started producing music, Berlin-based American sound artist Jake Muir has been obsessed with sampling. His 2018 album "Lady's Mantle" was based on manipulated chunks of vintage Californian surf rock, and its follow-up, 2020's midnight symphony "The Hum Of Your Veiled Voice" was sourced from a wide variety of old records, and inspired by the work of experimental turntablists like Marina Rosenfeld, Janek Schaefer and Philip Jeck.
On "Mana", Muir looks back to a misunderstood musical movement. Around 1995, a group of New York producers and DJs - including DJ Olive, DJ Spooky and Spectre - pioneered a genre-dissolving sound by unifying hip-hop techniques with ideas pulled from dub, jungle, ambient music and industrial noise. Badged "illbient", it was a short-lived genre that felt like a high-minded psychedelic cousin of the UK's trip-hop.
Muir uses illbient as the springboard for "Mana", utilizing a selection of samples to inform his frothy drones and foreboding atmospheres. He ushers the material into 2021 by diverting it through his own contemporary worldview, attempting to recreate the hyperreal fantasy histories of Japanese RPGs (think "Dark Souls" and "Final Fantasy") and nod to sensual, tactile soundscapes of European industrial labels Staalplaat and Soleilmoon. The result is a magickal, sensory journey that's as physical as it is representational.
If the illbient producers were encouraging a burgeoning experimental music landscape to emphasize the tactile feeling of turntablism and sample manipulation, Muir is doing the same with "Mana". Each track heaves and breathes not just with his cultural reference points, but with layered, complicated emotions. We can hear joy, sadness, desire and anguish, obscured by disintegrating noise, hallucinogenic harmonies and sub-aquatic bass. It's electronic music that's rooted not in technology, but in touch.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Since he started producing music, Berlin-based American sound artist Jake Muir has been obsessed with sampling. His 2018 album "Lady's Mantle" was based on manipulated chunks of vintage Californian surf rock, and its follow-up, 2020's midnight symphony "The Hum Of Your Veiled Voice" was sourced from a wide variety of old records, and inspired by the work of experimental turntablists like Marina Rosenfeld, Janek Schaefer and Philip Jeck.
On "Mana", Muir looks back to a misunderstood musical movement. Around 1995, a group of New York producers and DJs - including DJ Olive, DJ Spooky and Spectre - pioneered a genre-dissolving sound by unifying hip-hop techniques with ideas pulled from dub, jungle, ambient music and industrial noise. Badged "illbient", it was a short-lived genre that felt like a high-minded psychedelic cousin of the UK's trip-hop.
Muir uses illbient as the springboard for "Mana", utilizing a selection of samples to inform his frothy drones and foreboding atmospheres. He ushers the material into 2021 by diverting it through his own contemporary worldview, attempting to recreate the hyperreal fantasy histories of Japanese RPGs (think "Dark Souls" and "Final Fantasy") and nod to sensual, tactile soundscapes of European industrial labels Staalplaat and Soleilmoon. The result is a magickal, sensory journey that's as physical as it is representational.
If the illbient producers were encouraging a burgeoning experimental music landscape to emphasize the tactile feeling of turntablism and sample manipulation, Muir is doing the same with "Mana". Each track heaves and breathes not just with his cultural reference points, but with layered, complicated emotions. We can hear joy, sadness, desire and anguish, obscured by disintegrating noise, hallucinogenic harmonies and sub-aquatic bass. It's electronic music that's rooted not in technology, but in touch.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Jake Muir
1
Jake Muir - Beithir
2
Jake Muir - Necrotic Mist
3
Jake Muir - Unholy Apparitions
4
Jake Muir - Oblivion
5
Jake Muir - Each Uisge
6
Jake Muir - Celestial Visions
7
Jake Muir - Anima
8
Jake Muir - Cathedral Of Decay
Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evaporates into iridescent vapor. If there's any trace of the original sources left, Muir makes sure that residue is subtly bewildering, like clouds in the sky that form imposing, larger than life images, or trampled bracken that falls into the shape of “trve kvlt” insignia.
The idea for the album materialized when Muir was working on 2022's Talisman, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.
Muir fixates on this semi-permeable membrane on Pareidolia, infusing his pitch-skewed weightless drones with gravel and aerating his archive of rasping samples with a sense of euphoria that might seem contradictory at first. Evocative creaks and rainfall sounds create layers of noise around a staccato pluck on Oblivion and Muir's theme begins to crystallize. The inherent rhythm forms a slow, ritualistic thump and the additional sounds - celestial wails and goosebump-inducing harmonic rattles - form an imposing, painterly backdrop. On Each Uisge meanwhile, the high pitched guitar sounds cascade over gorgeous choral pads, while dissociated vocal pops and cracks vanish into the darkness.
Pareidolia is an album that plays like an optical illusion: Unholy Apparitions transforms bone-rattling foley sounds and unnerving groans into woozy, psychedelic textures and Anima steams doomy riffs and haunted clanks until they float like the erotic soundscapes that curled through Muir's breakout Bathhouse Blues. It's an act of sonic sleight of hand that feels fittingly disorienting. Heavy doesn't need to be deafening.
LP:
Recycled vinyl (random color mix)
Recycled textured paper jackets offset printed full CMYK
Recycled paper obi strip
Recycled textured paper insert printed full CMYK
Edition of 300
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The idea for the album materialized when Muir was working on 2022's Talisman, his collaborative album with multi-instrumentalist Evan Caminiti. Processing guitar for the first time, Muir began to unpack his long relationship with rock music and its Escher-like maze of sub-genres, from the tech metal he obsessed over as a teenager to Loop and Main's drone-y, textured variants. Scraping the internet for unconventional contemporary metal albums, he stumbled across music that seemed to hover between different realms, merging its frenetic, noisy sections with psychedelic interludes that harmonize with classic industrial and avant-garde music, material like :zoviet*france:, Nocturnal Emissions and Z'EV.
Muir fixates on this semi-permeable membrane on Pareidolia, infusing his pitch-skewed weightless drones with gravel and aerating his archive of rasping samples with a sense of euphoria that might seem contradictory at first. Evocative creaks and rainfall sounds create layers of noise around a staccato pluck on Oblivion and Muir's theme begins to crystallize. The inherent rhythm forms a slow, ritualistic thump and the additional sounds - celestial wails and goosebump-inducing harmonic rattles - form an imposing, painterly backdrop. On Each Uisge meanwhile, the high pitched guitar sounds cascade over gorgeous choral pads, while dissociated vocal pops and cracks vanish into the darkness.
Pareidolia is an album that plays like an optical illusion: Unholy Apparitions transforms bone-rattling foley sounds and unnerving groans into woozy, psychedelic textures and Anima steams doomy riffs and haunted clanks until they float like the erotic soundscapes that curled through Muir's breakout Bathhouse Blues. It's an act of sonic sleight of hand that feels fittingly disorienting. Heavy doesn't need to be deafening.
LP:
Recycled vinyl (random color mix)
Recycled textured paper jackets offset printed full CMYK
Recycled paper obi strip
Recycled textured paper insert printed full CMYK
Edition of 300
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jake Muir - Erzklang
2
Jake Muir - Changes
LP:
Recycled vinyl (random color mix)
Recycled textured paper jackets offset printed full CMYK
Recycled paper obi strip
Recycled felt paper insert printed full CMYK
Edition of 300
“A synapse-popping electro-acoustic soundwalk around Western Europe's cathedrals, chapels and churches, Campana Sonans skews recognizable sacred soundscapes, proposing a contemporary mythology that muddles the past, present and future. Following on from his critically-acclaimed Bathhouse Blues full-length, American sound artist Jake Muir familiarizes himself with German and British sonic architecture by studying some of the medieval shadows that still hang over Europe's streets, even as they continue to evolve. Manipulating environmental recordings captured in Germany and England, Muir presents an impressionistic juxtaposition of parallel cultures: the UK's distinctive "change ringing" technique, where a team of bell-ringers play long varied sequences on a set of tuned bells; and Germany's more sober style, with monotonous peals that add rhythm to daily life.
When Muir moved from Los Angeles to Berlin back in 2019, it wasn't just the German capital's damp weather and long, dark winters that came as a surprise. He was immediately struck by the city's anomalous acoustics, and one particular element stood out: the resonant church bells that echo around Berlin throughout the day to mark time, and for 10 minutes on Sundays as a call for mass. Gathering his field recording equipment, Muir acquainted himself with his new home by following the sonorous clangs, wandering from kiez to kiez to capture each church's distinct auditory flavor. And the more material he collected, the more engrossed he became in the history of bell ringing, prompting a deep dive that would shuttle him across Germany and into Italy, Belgium and the UK.
On Campana Sonans, Muir trains his focus on Berlin, where his journey began, and on England, where he encountered the most elaborate bell ringing practice. Erzklang is a hypnotic lattice of sounds recorded all over the German capital: at Parochialkirche, a reformed church in Mitte; at evangelical church St. Matthäus, at Sophienkirche, another Mitte landmark; and at St. Mathias, a Roman Catholic church just in front of the Potsdam Gate. By fusing the liturgical chimes with snippets of local ambiance - traffic, chattering tourists and birdsong, for example - Muir takes a blurry snapshot of the city, queering its idiosyncratic color spectrum with his various digital processes. Using reverb to replicate the acoustic properties of both the streets and the church interiors, he subtly disturbs the timeline, stretching out brief peals into long, mesmerizing drones and turning garbled voices into ghostly babble.
The environment alters considerably on Changes; Muir uses the same technique and applies it to recordings made at the 1000-year-old St. Oswald church in Oswestry, St. Bartholomew's, Edgbaston and Holy Trinity in Stratford-Upon-Avon, home to Shakespeare’s final resting place. Here, Muir methodically untangles the change-ringing process, linking back to Erzklang with a single bell tone before moving inside the church itself and documenting the ringers' shouted instructions, blending the calls with the bells' mathematical cyclic patterns. Muir memorializes what in 2025 is a dying art-form - a community skill that's disappearing worryingly quickly as young Brits lose interest in the church and its rituals. Unsettling distortions bite into the undulating sequences and underneath the noise, Muir highlights the music's latent euphoria, drawing out its most celestial tonalities.
File under: devotional music.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recycled vinyl (random color mix)
Recycled textured paper jackets offset printed full CMYK
Recycled paper obi strip
Recycled felt paper insert printed full CMYK
Edition of 300
“A synapse-popping electro-acoustic soundwalk around Western Europe's cathedrals, chapels and churches, Campana Sonans skews recognizable sacred soundscapes, proposing a contemporary mythology that muddles the past, present and future. Following on from his critically-acclaimed Bathhouse Blues full-length, American sound artist Jake Muir familiarizes himself with German and British sonic architecture by studying some of the medieval shadows that still hang over Europe's streets, even as they continue to evolve. Manipulating environmental recordings captured in Germany and England, Muir presents an impressionistic juxtaposition of parallel cultures: the UK's distinctive "change ringing" technique, where a team of bell-ringers play long varied sequences on a set of tuned bells; and Germany's more sober style, with monotonous peals that add rhythm to daily life.
When Muir moved from Los Angeles to Berlin back in 2019, it wasn't just the German capital's damp weather and long, dark winters that came as a surprise. He was immediately struck by the city's anomalous acoustics, and one particular element stood out: the resonant church bells that echo around Berlin throughout the day to mark time, and for 10 minutes on Sundays as a call for mass. Gathering his field recording equipment, Muir acquainted himself with his new home by following the sonorous clangs, wandering from kiez to kiez to capture each church's distinct auditory flavor. And the more material he collected, the more engrossed he became in the history of bell ringing, prompting a deep dive that would shuttle him across Germany and into Italy, Belgium and the UK.
On Campana Sonans, Muir trains his focus on Berlin, where his journey began, and on England, where he encountered the most elaborate bell ringing practice. Erzklang is a hypnotic lattice of sounds recorded all over the German capital: at Parochialkirche, a reformed church in Mitte; at evangelical church St. Matthäus, at Sophienkirche, another Mitte landmark; and at St. Mathias, a Roman Catholic church just in front of the Potsdam Gate. By fusing the liturgical chimes with snippets of local ambiance - traffic, chattering tourists and birdsong, for example - Muir takes a blurry snapshot of the city, queering its idiosyncratic color spectrum with his various digital processes. Using reverb to replicate the acoustic properties of both the streets and the church interiors, he subtly disturbs the timeline, stretching out brief peals into long, mesmerizing drones and turning garbled voices into ghostly babble.
The environment alters considerably on Changes; Muir uses the same technique and applies it to recordings made at the 1000-year-old St. Oswald church in Oswestry, St. Bartholomew's, Edgbaston and Holy Trinity in Stratford-Upon-Avon, home to Shakespeare’s final resting place. Here, Muir methodically untangles the change-ringing process, linking back to Erzklang with a single bell tone before moving inside the church itself and documenting the ringers' shouted instructions, blending the calls with the bells' mathematical cyclic patterns. Muir memorializes what in 2025 is a dying art-form - a community skill that's disappearing worryingly quickly as young Brits lose interest in the church and its rituals. Unsettling distortions bite into the undulating sequences and underneath the noise, Muir highlights the music's latent euphoria, drawing out its most celestial tonalities.
File under: devotional music.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Ilian Tape
1
Gast - Voitys Dream
2
Gast - Bird Knock
3
Gast - All Data
4
Gast - Sams Update
5
Gast - Optifyer
6
Gast - Deroystr
7
Gast - Boards Of Yamaha
8
Gast - SubSub
9
Gast - Clean Revolution
In assembling this material, GAST dedicates these tracks to the room in which they were recorded.
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1
Skee Mask - Junt
2
Skee Mask - Hover
3
Skee Mask - Larus Canus
4
Skee Mask - Start Up Trak (Edit)
Repress!
Dreamy Far Out Soul Shakers
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Dreamy Far Out Soul Shakers
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1
Skee Mask - Cylo
2
Skee Mask - Torpor 12 (Session)
3
Skee Mask - Reduct Live
4
Skee Mask - Serum (Session 1)
5
Skee Mask - Serum (Revive)
Repress!
Offroad Swingin Herbal Jams
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Offroad Swingin Herbal Jams
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1
Djrum - Untitled 9
2
Struction - Don't Blame
3
Struction - Strukture
Repress!
Crunchy Mental Flowing Flavours
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Crunchy Mental Flowing Flavours
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1
Deetron Presents Soulmate - Winter
2
Deetron Presents Soulmate - Sequence
3
Deetron Presents Soulmate - Madness
4
Deetron Presents Soulmate - Nitrobeats
Winter Defeating Nitro Madness
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1
Shed - EFX
2
Shed - Ball
3
Shed - Worn
4
Shed - Cross
more copies coming beginning of April.
Cross Ball EFX Pounders
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Cross Ball EFX Pounders
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1
re:ni & BiggaBush - Bass Is The Space
2
re:ni & BiggaBush - Mae Uprising
3
re:ni & BiggaBush - Death By Dubplate (Ft. Farda P)
4
re:ni & BiggaBush - BigLozTek
Uprising Space Bass Dubplate
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1
1morning - I Know What You Do When You're Alone
2
1morning - I've Said It Before And I'll Say It Again
3
1morning - Quarter Inch
4
1morning - Are We There Yet?
Quarter Inch Homage Slingers
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1
Pessimist - E-Style
2
Pessimist - The Crawlers Type 2
3
Pessimist - DVLA
4
Pessimist - That Sound
Downtown E-Style Sound Crawlers
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DE - 22113 Hamburg
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1
Zenker Brothers - Headliner
2
Zenker Brothers - Studmission
3
Zenker Brothers - Unite And Conquer
4
Zenker Brothers - Lion's Mane
United Lions Conquer Studmission
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1
Stenny - A New Geometry
2
Stenny - Bodies And Species
3
Stenny - Transference
4
Stenny - Byproduct
5
Stenny - Sharp Fragments
6
Stenny - Fiamma Perpetua
7
Stenny - Landscape Shift
8
Stenny - In Jericho
9
Stenny - Future Spells
10
Stenny - Psychogeography
11
Stenny - Leagrave
12
Stenny - No Discipline
harp Fragments marks Stenny’s second full-length release on Ilian Tape, a tense exploration of spatial and material disruption. Each track functions as a fractured, self-contained unit, yet together they form a wider language where interference becomes structure. Across twelve pieces, the record shifts through evolving states, tracing a path defined by transition rather than destination.
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1
Operator - Dhampir
2
Operator - The Dress She Wore
3
Operator - Vector Spirit
4
Operator - Winding And Remote
Effective Well Dressed Dhampires
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1
Dario Zenker - Timeline 402
2
Dario Zenker - The Walkman
3
Dario Zenker - BMW SP30
4
Dario Zenker - Gateway To Heaven
Modified Highspeed BMW Configurations
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1
ROLROLROL - A1. Paper Plane
2
ROLROLROL - A2. Pie
3
ROLROLROL - A3. Sliders
4
ROLROLROL - A4. Popcorn
5
ROLROLROL - A5. Reuben
6
ROLROLROL - A6. Clams
7
ROLROLROL - B1. Potatoes
8
ROLROLROL - B2. Sundae
9
ROLROLROL - B3. Bubble Gum
10
ROLROLROL - B4. Vampiro
11
ROLROLROL - B5. The Bill
Dinner?
Sometimes a well-planned elaborate feast.
Sometimes hastily put together eaten straight from the pot.
Both vastly different, yet both part of an ever-repeating ritual-
reliant on each other to create something meaningful.
These experiences, this ritual, best symbolize what it felt like to create this album.
Please allow us to serve our latest menu, a selection of sweet, tangy club music.
We hope you enjoy
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DE - 22113 Hamburg
Germany
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Sometimes a well-planned elaborate feast.
Sometimes hastily put together eaten straight from the pot.
Both vastly different, yet both part of an ever-repeating ritual-
reliant on each other to create something meaningful.
These experiences, this ritual, best symbolize what it felt like to create this album.
Please allow us to serve our latest menu, a selection of sweet, tangy club music.
We hope you enjoy
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deetron Presents Soulmate - Code
2
Deetron Presents Soulmate - The Visitor
3
Deetron Presents Soulmate - Cloud Woman
4
Deetron Presents Soulmate - Worlds Combine
Original Dat Funk Spears
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1
Fireground - Marea
2
Fireground - Harbour Walk
3
Fireground - Gateway
4
Fireground - Smile As One
Joyful Intimate Harbour Gateway
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1
Deetron Presents Soulmate - Filter (Body Mix)
2
Deetron Presents Soulmate - Filter (Broken Mix)
3
Deetron Presents Soulmate - Drone
4
Deetron Presents Soulmate - Bourg
Repress!
Drone Destructing Body Slams
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Drone Destructing Body Slams
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1
Mantra - Locked In, Locked On
2
Mantra - Levitation Dub
3
Mantra - Ruffhouse
4
Mantra - Big Munch
Levitating Locked In Roots
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More