OGE013 by Niko Maxen, vinyl only.

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WAS - Word and Sound Medien GmbH
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We are extremely happy to welcome Asad Rizvi aka Silverlining on the label. Asad is responsible for some of the genre defining tunes in the 90s and his recent productions are as impactfull as ever as proven by this new track «6am Cab to Leyton». To back it up we asked two of the most sought after producers to remix it. Both Sweely and Enzo Siragusa deliver a stunning take of the main track.

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It's still hard to keep up with all of Burnski's many different labels, but we're not complaining. This one, Constant Black, mixes up things with a tech and minimal twist and next to do so is Daniel Akbar. 'What' soon wins you over with its kinetic and infectious drum programming and smart samples - a phased vocal and a twisted synth lead. 'Retreat' gets more physical - the drums bang with an old-school flavour and hint of tribalism. 'Listen' is a big fat tech roller with low slung bass and 'This One' rounds out with some brilliant drum, hits and brain-frying bass sounds. Pow pow, what a record.

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No-one never quite knows which side of the deep / minimal house divide the latest on Constant Black is going to fall. The one thing you can be sure of, however, is that both sets of fans will find plenty to love in this sweaty, trippy, stealthy cauldron of house beats. We're offered four slices of the Sota sound, and they're quite the quality set, the wonderful 'Lafayette' bringing the jacking glory days of Ferox to mind, while 'At Least 10 Words' has a tactile feel to it that puts it up there with the raw tech of Transmat or other early Detroit. Simply reeks of quality.

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Ever-prolific Swedish minimal producer Per Hammar returns to Burnski's Constant stable with a surefooted EP showing off some of his freshest dancefloor approaches. 'Wrapper' keeps the groove dense and simmering, peppered with bleeps and dubby impulses, while 'Collapse' takes a more floaty direction with playful melodic flourishes darting around the pervading deepness of the rhythm section. 'TV 1000' locks into the tightest of funks, firing off a wandering bassline to get bodies wriggling with delight.

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These three offerings from Michael James might fit into the minimal/tech bracket comfortably but there's a free flowing, shuffling sense of funkiness that undeniably runs through them all that defies all the usual 'shoulder twitch' stereotypes about the genre. 'Signal Issues' employs a panther-like bass hovering under the radar, with the briefest of breakbeat snippets adding the growing syncopation. 'Still Waiting' continues the technofunk mission, a sea of underplayed bleepery augmenting the groove, while 'Rush Hour' has a breezier and more open vibe and perhaps a more classic techno feel, proper graceful like.

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Roy Davis Jr. was part of Phuture and then moved on to New York to record for Strictly Rhythm and DJ Duke's Power Music label. He was one of the main players in the 1990s House Music biz and is still very active until today.

Power Music issued his first long player „The Secret Mission“ and a number of Maxis. Some of his classics got reissued in 1996, sometimes remixed, re-edited and/or a bit faster than the original versions.

This remastered edition contains four of his biggest jams, carefully remastered by Thomas P. Heckmann (TPH). „2B Or Not 2B“ and „Heart Attack“ exist in two different versions, all included as a „digital only“ bonus.

Expect the best Chicago House, „Wild Pitch“ and the New York House sound can offer: Rolling drums, heavy snares, wild filter sweeps and slammin' vocals!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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