GENRE/S: House / Techno, Trip-Hop/Headz

TRACKLISTS:

A1: Aftersun
B1: Glow Routine
B2: Sun Collector

SHORT INFO:

Manuel Tur returns to his own Spaced Repetitions imprint for a late summer three-tracker. DJ support from Mano Le Tough, Horse Meat Disco, Âme, Dave DK, Lars Behrenroth, Hans Nieswandt, DJ Harri & more.




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GENRE/S: House / Techno, Trip-Hop/Headz

TRACKLISTS:
A1: Omina (DJ Counselling Remix)
A2: Flakon (All Is Well Remix)
B1: Slow White (Yuu Udagawa Remix)
B2: Shadowgraph (Yuu Udagawa Remix)

SHORT INFO:

Following the recent vinyl reissue of Manuel Tur's cinematic downtempo album "Intertextural", originally self-released during the Covid 19 pandemic, comes this package of fresh remixes featuring interpretations of four standout tracks from the record by DJ Counselling, All Is Well and Yuu Udagawa.

London-based DJ Counselling opens the EP with his energetic version of "Omina", raising tempo and hands with an expertly executed arrangement, while the newly added filtered synth chords echo some of Tur's best-known releases of the late noughties. Next up is Montreal's Frédéric Blais aka All Is Well, who after his recent LP success on Drumpoet and another brand-new album under his main moniker Fred Everything just released, turns "Flakon" into a head-nodding groove masterpiece that recalls the subtle 90s trip-hop flavor of the original version. On the B-side, Tokyo native Yuu Udagawa, who has collaborated with Tur on several occasions, unleashes two beautiful and ethereal remixes of "Slow White" and "Shadowgraph" that let us float through her signature sparkling sound.





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GENRE/S: Ambient, Dope Beat, Trip-Hop/Headz

TRACKLISTS:

A1: In My Study
A2: Shadowgraph
A3: Flakon
A4: Slow White
A5: Crop Rotation
A6: Tents
B1: Muesli Creator
B2: Andando
B3: Intertextural
B4: Fender Reveal
B5: Omina
B6: Rite Of Passage

SHORT INFO:

On "Intertextural", Manuel Tur delves into more cinematic ambient and trip-hop realms, reminiscent of short interludes from 1990s classic electronica albums. 12 tracks of shifting beat structures, meandering loops and interlocking dubs, oscillating between sample-based and digital textures, form an atmospherically dense tapestry already familiar from Tur's productions for the dance floor.
Originally recorded in the midst of the Covid 19 pandemic and self-released as a digital-only album, "Intertextural" is now available for the first time in a physical format, specially remastered and cut to 180g vinyl.

VITAL SALES POINTS:

- 180g vinyl pressing
- former digital-only album now available for the first time in physical format




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GENRE/S: House, House / Techno

TRACKLISTS:
A: Soft Clip
B1: Hip Control
B2: Suave Gear Changer

SHORT INFO:
Clipping me softly! Manuel Tur returns to his own new label Spaced Repetitions with a second round of atmospherically
dense DJ tools. Three different cuts for any time of night or day - did someone say Swiss Army Knife?
Content Summary: Suspenseful title track "Soft Clip" takes us on a dark and dreamy boat ride through the midnight
jungle, before the energetic "Hip Control" with its distant sounds of a nearby ritual inevitably makes our bodies shake as
we approach the riverbank. Finally back on solid ground, the heavy groove of "Suave Gear Changer" points the way
inland. But will thes beguiling scent and hypnotic sounds of the surroundings ever let us arrive? Find out in the next
instalment of Spaced Repetitions.

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First release on the new label by Manuel Tur.

TRACKLISTS:

A: Alphalpha
B1: La Terre
B2: Immune Response

SHORT INFO:

Spaced Repetitions is the brand-new label by veteran producer Manuel Tur. Following his most recent releases on Running Back and Lossless, the German digs deeper on the “Alphalpha EP”, fusing hints of sampled house grooves and bleepy techno synth work. With the lead track reminiscent of classic Parisian dark chemistry à la Motorbass, things get more driving on the B-side: the percussive “La Terre” leads us to the magnetic acid groove of “Immune Response”, rounding off this hypnotic three-track EP.


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Tracklist:
1. Digital Fabric 01
2. Digital Fabric 02
3. Digital Fabric 03

Release Info:
Warm welcome to Manuel Tur, who debuts on Lossless with his captivating Digital Fabrics EP. Expect
three stripped back, warm and analogue sounding techno-ish cuts unmistakably referring to Detroit in a
reminiscent yet forward thinking way.
Lossless bossmen Mathias Schober and Thomas Herb are big fans - and supporters - of Manuel Tur’s
music. Naturally the excitement level was high when the guys received the Digital Fabrics demos from
Manuel and even went up to ecstatic while listening to the three tunes.
Masterfully stripped back productions, made with attention to all the details and a perfect interplay of
rhythm and sound. These tracks just triggering all the right spots!
Fast forward this EP is now on Lossless and we couldn’t be happier that Manuel agreed on releasing it
with us right away.
We also had a chat with Manuel about the creative process behind Digital Fabrics in which he revealed
that at the time the EP came to life he had just added a new toy at his Islenyo Studios in Essen. Namely
a Korg SQ-1 sequencer which was triggering some of his analogue synths. Over the course of a week
or so those jams culminated in building the backbone of the Digital Fabric EP. By further adding some
euphonic digital pads, Manuel set an antipode that’s blending and supplementing perfectly.
Yours sincerely,
LOSSLESS

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Tracklist

A1. Deetron - Acid Choir
A2. Steve Bug & Stefan Braatz - Simplicity
B1. Todd Osborn - Rain
B2. Mathew Jonson & The Mole - Acid Swing

Info:
The saga of squelch continues. After the first round proved that the acid line might be the most durable cliché in dance music (and still the best one), part two turns the resonance knob a little further.
Steve Bug & Stefan Braatz, Deetron, Todd Osborn, and Mathew Jonson with The Mole join forces for another ode to the silver box - less museum piece, more perpetual motion machine. Proof that you can't retire a sound that never had a desk job.
Once again, Gasius supplies the visual psychedelia, while the tracks handle the auditory side of the trip.
Dial 303, accept the charges, and remember: the only thing more reliable than acid is its ability to surprise you.













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Repress


Format: 3LP

Tracklist

A1. Identified Patient – The Female Medical College Of Pennsylvania (Marcel Dettmann Pitched High Version)
A2. Tocotronic – Bis uns das Licht vertreibt (Marcel Dettman Version 2 Remix)
A3. Cristian Vogel – Untitled (Marcel Dettmann Cut)
B1. John Bender – Victims Of Victimless Crimes (Marcel Dettmann Cut)
B2. Clark – Dirty Pixie (Marcel Dettmann Edit)
B3. Junior Boys – Work (Marcel Dettmann Remix)
C1. Mutant Beat Dance - The Human Factor ft. Naughty Wood (Marcel Dettmann Edit)
C2. Experimental Products – Who Is Kip Jones (Marcel Dettmann Cut)
C3. Marcel Dettmann – Water feat. Ryan Elliott (My Own Shadow Remix)
D1. Severed Heads – We Come To Bless The House (Marcel Dettmann Edit)
D2. Albert Kuningas - Astraaliprojektio (Marcel Dettmann Edit)
D3. K.Alexi Shelby – Season Of The Real (Marcel Dettmann Edit)
E1. Ian North – Sex Lust You (Marcel Dettmann Edit)
E2. Ford Proco – Expansión Naranja (feat. COIL) (Marcel Dettmann Edit)
E3. Nitzer Ebb – Shame (Marcel Dettmann Edit)
F1. Frank Duval – Ogon (Marcel Dettmann Edit)
F2. Yello – Limbo (Marcel Dettman Version 2 Remix)
F3. Conrad Schnitzler – Das Tier (Marcel Dettmann Edit)

Info:

A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back’s ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann’s curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. Alongside a continuous mix, this release arrives as a 3LP gatefold, and as a limited edition cassette.

Closely associated with Berlin’s techno landscape, Dettmann was born and raised in the former GDR, then later immersed in the bleary-eyed counter cultural landscape of post-unification Berlin. Initially oriented by post-punk, industrial and new-wave music, Dettmann has been DJing since 1993, always expanding and perfecting his repertoire. He later began working behind the counter at the city’s tastemaking rave boutique Hard Wax, and a decade after he first dropped a needle, became (and remains) resident at notable local nightspot Berghain/Panorama Bar, where his instincts have helped sculpt the signature sound of both main dancefloors.

Of course, you’re probably not asking, “Who is Marcel Dettmann?” More importantly, you might want to know; just what treats has he gifted us here? The trip begins with a simple pitch-shift skywards, transforming Identified Patient’s creeping ‘The Female Medical College of Pennsylvania’ into a peak-time freakout, before an alternate take on Toctronic’s ‘Bis uns das Licht vertreibt’ emerges from the vaults for the first time. Dating from 1995, and one of Dettmann’s all-time favourites, Cristian Vogel’s ‘Untitled’ clambers back into the box with respectable cuts, while John Bender’s ‘Victims of A Victimless Crime’ kicks off the flip sporting a new arrangement, transporting us back to the foundations of a confident, stripped-back sound.

A few subtle edits to Clark’s perilously funky ‘Dirty Pixie’ takes us to Dettmann’s remix of Junior Boys. Produced in 2010, it transposes the Canadian duo’s sophisticated pop with our curator in his minimal prime, and has since become an irresistible prize for high-minded diggers. The same can be said for Experimental Products’ explosive proto-electro anthem ‘Who Is Kip Jones?’, empowered from pricey Discogs purgatory with just the slightest of tweaks. It’s deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance’s raw ‘The Human Factor’ and a shimmering new version of previous solo production ‘Water’, featuring close friend and Ostgut Ton ally, Ryan Elliot.

The second half of the Mastermix seamlessly connects the mechanical past and digital present of EBM and industrial in the dance, with Dettmann’s instincts as a guiding hand. Severed Heads’ iconic ‘We Have Come To Bless This House’ emerges with mere nips and tucks, while Nitzer Ebb’s ‘Shame’ is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of ‘Limbo’ from Swiss synth heroes, Yello.

Core musical memories are shaken and stirred with a context-shifting take on Frank Duval’s emotional classic ‘Ogon’, while Ian North’s ‘Sex Lust You’ and Ford Proco’s notable Coil collaboration ‘Expansion Naranja’ effectively throb with only minor adjustments, respectfully imagined as “shadow versions”. Meanwhile, a simple breakbeat lifts Albert Kuningas’s ‘Astraalprojektio’ in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby’s ‘Season of The Real’ inexplicably emerges somehow even funkier than before.

The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann, but only as he puts it, “in conversation with the original.” Concluding three discs and thirty years of commitment to the dancefloor, this Mastermix not only offers us the opportunity to eavesdrop on this endless exchange, but to gain some sought-after material for our own record collections.





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Format: Cassette

Tracklist
1 Offshore
2 Worlds apart
3 Dee4 (Beats)
4 Solution
5 Broadway 727
6 Range
7 Roboco
8 Guide
9 Guide (Dub)
10 Double
11 Fuselage
12 Choirs
13 Rotate
14 S8
15 Ignition
16 Dee4
17 Robotland
18 Question & Answer
19 Waves
20 Kilometer One
21 Earth Station
22 Flywheel
23 Meta4
24 Outdistance

Info:
What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.


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Tracklist
A1. City Heat - G’s Underground Dub
B1. Serendipity
B2. Work

Info:
The special one! Mr. G’s productions are distinctive, deep, driving and, above all, a listen to behold. Like the man–machine interface between hypno house and roots techno, he manages to unite dance floors either through his High Mass–like live sets full of swing, grit and soul, or simply through other DJs playing his records.
Blessing Running Back for the second time, Mr. G’s Reconnection EP is the result of a serious dive into his vaults.
City Heat (G’s Underground Dub) is a picture-perfect example of his skill to groove without a doubt: raw, funky and fabulous. Serendipity and Work on the flip side complete this picture. Decades of record buying, music making and a love supreme for this culture rolled into one. Made yesterday, released today, and it will still sound great tomorrow. A personal gift from Mr. G’s archive to Running Back.










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Format: 2LP

Tracklist
A1. Offshore
A2. Solution
A3. Dee4 (Beats)
B1. Broadway 727
B2. Roboco
B3. Guide
C1. Double
C2. Choirs
C3. Ignition
D1. Robotland
D2. Kilometer One

Info:
What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.
Here the vinyl edition features a curated selection of 11 tracks from the mix.



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Tracklist

A1. Glory Night
A2. Glory Night Tool
B1. Just Chill
B2. Just Fly

Info:

Butch’s unmistakable music has always worn the influence of disco proudly on its sleeve. Both his mega-hit No Worries and his first contribution to the Running Back catalogue, Desire, are essentially modern-day disco records. The same goes for his return to the label with Glory Night—perhaps even more so, thanks to its vintage engineering and authentic aural treatment. Equipped with the genre’s signature sounds and arranged like a lost disco edit from the late ’70s, Butch applies the lotions and potions that today’s dancers demand, creating one of those peak-time sensations that make him unique—complete with confetti, a firecracker breakdown on top, and an extra rhythm section bonus tool included. Just Chill and Just Fly continue that narrative. While the first appeals to fans of R&B or funk samples (though no recordings were harmed in the process), it is catchy as hell and creates an inescapable maelstrom. The second, meanwhile, draws on the principles of deep house and exercises itself in contemplation. Be that as it may, here are a couple of tracks that work on almost any floor and at any time. Or, to quote Giorgio Moroder: “Disco is music for dancing, and people will always want to dance.”





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2025 repress incl new sleeve


Touched by the hand of Todd...Drumroll, please…New 12-Inch with original productions since…Ragysh, Bonysh and Snooze 4 Love...Trans dance from the Norwegian Chief inspector that is Todd Terje…Greatysh hypnotism, properysh beats and a lovelysh Terjerine dream to round it all off…Vinyl contains some hidden tracks and extra elements… Cannot stop listening to it… …Touched by the hand of Todd…

Tracklisting:
A: Ragysh
B1: Snooze 4 Love
B2: Bonysh


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Format: Cassette

Tracklist

1. Identified Patient – The Female Medical College Of Pennsylvania (Marcel Dettmann Pitched High Version)
2. Tocotronic – Bis uns das Licht vertreibt (Marcel Dettman Version 2 Remix)
3. Cristian Vogel – Untitled (Marcel Dettmann Cut)
4. John Bender – Victims Of Victimless Crimes (Marcel Dettmann Cut)
5. Clark – Dirty Pixie (Marcel Dettmann Edit)
6. Junior Boys – Work (Marcel Dettmann Remix)
7. Mutant Beat Dance - The Human Factor ft. Naughty Wood (Marcel Dettmann Edit)
8. Experimental Products – Who Is Kip Jones (Marcel Dettmann Cut)
9. Marcel Dettmann – Water feat. Ryan Elliott (My Own Shadow Remix)
10. Severed Heads – We Come To Bless The House (Marcel Dettmann Edit)
11. Albert Kuningas - Astraaliprojektio (Marcel Dettmann Edit)
12. K.Alexi Shelby – Season Of The Real (Marcel Dettmann Edit)
13. Ian North – Sex Lust You (Marcel Dettmann Edit)
14. Ford Proco – Expansión Naranja (feat. COIL) (Marcel Dettmann Edit)
15. Nitzer Ebb – Shame (Marcel Dettmann Edit)
16. Frank Duval – Ogon (Marcel Dettmann Edit)
17. Yello – Limbo (Marcel Dettman Version 2 Remix)
18. Conrad Schnitzler – Das Tier (Marcel Dettmann Edit)

Info:

A DJ, producer and significant figure in contemporary electronic music, Marcel Dettmann steps forward to contribute to Running Back’s ongoing Mastermix series. Whereas previous editions of Mastermix have taken an ear to the sound of lapsed, legendary clubs such as Wild Pitch and Front, Dettmann’s curation deftly captures the man himself in ongoing perpetual motion, raiding the vault for his own precision-tooled edits, long-employed on dancefloors to devastating effect. Alongside a continuous mix, this release arrives as a 3LP gatefold, and as a limited edition cassette.

Closely associated with Berlin’s techno landscape, Dettmann was born and raised in the former GDR, then later immersed in the bleary-eyed counter cultural landscape of post-unification Berlin. Initially oriented by post-punk, industrial and new-wave music, Dettmann has been DJing since 1993, always expanding and perfecting his repertoire. He later began working behind the counter at the city’s tastemaking rave boutique Hard Wax, and a decade after he first dropped a needle, became (and remains) resident at notable local nightspot Berghain/Panorama Bar, where his instincts have helped sculpt the signature sound of both main dancefloors.

Of course, you’re probably not asking, “Who is Marcel Dettmann?” More importantly, you might want to know; just what treats has he gifted us here? The trip begins with a simple pitch-shift skywards, transforming Identified Patient’s creeping ‘The Female Medical College of Pennsylvania’ into a peak-time freakout, before an alternate take on Toctronic’s ‘Bis uns das Licht vertreibt’ emerges from the vaults for the first time. Dating from 1995, and one of Dettmann’s all-time favourites, Cristian Vogel’s ‘Untitled’ clambers back into the box with respectable cuts, while John Bender’s ‘Victims of A Victimless Crime’ kicks off the flip sporting a new arrangement, transporting us back to the foundations of a confident, stripped-back sound.

A few subtle edits to Clark’s perilously funky ‘Dirty Pixie’ takes us to Dettmann’s remix of Junior Boys. Produced in 2010, it transposes the Canadian duo’s sophisticated pop with our curator in his minimal prime, and has since become an irresistible prize for high-minded diggers. The same can be said for Experimental Products’ explosive proto-electro anthem ‘Who Is Kip Jones?’, empowered from pricey Discogs purgatory with just the slightest of tweaks. It’s deservedly sandwiched between the guiding influences of Chicago and Detroit in the form of Mutant Beat Dance’s raw ‘The Human Factor’ and a shimmering new version of previous solo production ‘Water’, featuring close friend and Ostgut Ton ally, Ryan Elliot.

The second half of the Mastermix seamlessly connects the mechanical past and digital present of EBM and industrial in the dance, with Dettmann’s instincts as a guiding hand. Severed Heads’ iconic ‘We Have Come To Bless This House’ emerges with mere nips and tucks, while Nitzer Ebb’s ‘Shame’ is significantly reimagined as a highwire act of rhythm and tension, setting up a sensual second take on a 2017 remix of ‘Limbo’ from Swiss synth heroes, Yello.

Core musical memories are shaken and stirred with a context-shifting take on Frank Duval’s emotional classic ‘Ogon’, while Ian North’s ‘Sex Lust You’ and Ford Proco’s notable Coil collaboration ‘Expansion Naranja’ effectively throb with only minor adjustments, respectfully imagined as “shadow versions”. Meanwhile, a simple breakbeat lifts Albert Kuningas’s ‘Astraalprojektio’ in the direction of wide-eyed dancefloors, while a fresh take on K-Alexi Shelby’s ‘Season of The Real’ inexplicably emerges somehow even funkier than before.

The conclusion of the compilation leads back to Das Tier from the prolific experimentalist Conrad Schnitzler, whose swirling synths and hypnotic vocals are duly tightened by Dettmann, but only as he puts it, “in conversation with the original.” Concluding three discs and thirty years of commitment to the dancefloor, this Mastermix not only offers us the opportunity to eavesdrop on this endless exchange, but to gain some sought-after material for our own record collections.




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Tracklist

A1. Pancake 06:05
A2. Hammaroid 05:49
A3. Detol Samba 04:59

B1. Offenbach 06:04
B2. Deathlagg 05:35
B3. Celtic Samba 05:31


Info:
Krystal Klear returns to Running Back with another batch of purpose-built dance floor tracks. The name? Personal. It means something, but that bit stays off the press sheet.
Written during a particularly charged stretch of inspiration, these tracks aim to soundtrack every hour of the night: from the hopeful haze of doors open to the bitter-sweet buzz of lights on.
Crafted as quiet tributes to nights out and DJ booths in Germany, Scotland, and London, places where sweat meets sub, and the USB never quite ejects.
The formula? Unchanged and undefeated: heavy drums, melodic inflections, more ARPs than strictly necessary, and something emo stirred in for good measure. Dance music for dancers. Or at least for the idea of them.





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Tracklist:
A1. Closed Circuit 05:48
A2. Closed Circuit - Roman Flügel Remix 06:04
B1. Time 06:31
B2. Love/Hate 06:20

Once upon a car park.
In the mid-90s, DJ Steve and Luca Lozano bonded over Mobb Deep, Droors, and the finer points of frontside flips. Soundtracked by skate videos and boombox freestyles, those formative years were more about asphalt than machines.
Time moved on. Steve found his way to stages from Sheffield to Sonar as half of an electro duo; Luca chased underground frequencies from London to Berlin. Life zigzagged. Contact faded.
Fast forward a couple of decades and a random reconnection just before lockdown sparked version 2.0 of their friendship—and a new chapter of collaboration. What started as nostalgia turned into studio marathons and shared sonic visions. The result: Closed Circuit.
This is the sound of two old friends channeling 20-year loops—where electro meets B-boy attitude, house nods to early Warp, and vocoders clash with vintage drum machines. Think sun-bleached jeans, fuzzed-out tape hiss, and that pre-internet rush of discovery.
To top it off, Running Back’s own Roman Flügel contributes a sharp remix flip, and the sleeve features archival photos taken by Lozano during his early London days (2002–2005)—moments frozen in grain and sweat from some of the city’s first DIY parties.
Friendship. Frequencies. Full circle.
Closed Circuit.





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Tracklist:
A1. Skatman - What I Am Feelin’ 06:16
A2. Baron Von Trax - If I Only Knew 06:01
AA1. Janis Zielinski x Sowhy3 - In Your Eyes 04:30
AA2. Morphena - Venus Underworld 05:40
AA3. Zoé Zoe - Palikau Dzemperi 05:03

Hits! Hits! Hits! Number 8 in the value-for-money series on Running Back is here, serving up a dessert spoon for almost every taste. Skatman discovers his inner crooner and shares his feelings with the world—electronic disco poetry of the highest order.
Australia’s high-velocity aristocrat, Baron von Trax, delivers a mirror ball tearjerker of the finest kind: If I Only Knew strikes the golden balance between tried-and-tested Italo tropes, classic disco elements, and their razor-sharp transformation into a zenith of happiness.
In Your Eyes by Janis Zielinski & Sowhy3 continues the journey of heartfelt thingsto-think-about with a pop dance hit from a parallel universe. To round it all off, recurring Running Back artist Morphena delivers a new wavey masterpiece, while Zoé Zoé offers an ode to tangerine-like Berlin School music— complete with a dance beat underneath.
Fancy!



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Format: 12”

Tracklist:
A1. JE 125BPM 03:13
A2. FT 130BPM 03:46
A3. BA 130BPM 03:14
A4. DA 121BPM 03:36
B1. MO 118BPM 03:34
B2. CF 122BPM 05:36
B3. SU 105BPM 04:36

All aboard! Ketiov’s Rhythm Trainx Vol. 4 pulls into the station, delivering another batch of rhythmic delights to keep DJs and dancers on track. This isn’t just a drum tool EP; it’s a rhythmic Swiss Army knife designed to
break the monotony, shake the staleness disease, and maybe even help you discover that long-lost dance move from 2003.
True to form, Ketiov goes above and beyond the call of percussion. These tracks aren’t your average drum loops—they’re living, breathing organisms. With real drum sounds recorded live and sprinkled with a touch of
his own playing, the result is an earthy, organic feel that’ll make any drum machine feel like it has some catching up to do.
Spanning tempos and moods, Rhythm Trainx Vol. 4 offers something for every moment, from warm-up whispers to mid-set movers and late-night wigglers. It’s the ultimate utility belt for DJs who like to mix it up and keep their
crowd guessing. Bonus points: these tracks have been rail-tested harder than a new set of railway-wheels, ensuring maximum reliability when it counts.
Whether you’re layering textures or cruising through extended sets, Ketiov’s latest will keep any train rolling. Dance floors beware—this one’s got serious rhythm!









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2025 repress

Tracklist

A1. Kosmische Conga
A2. Echopet
B1. Minehead
B2. Carinacid

Re-Dial 303.

The follow-up to the first Acid Sampler is now in the hands of a single artist. Space Dimension Controller does Running Back the honor to leave his fingerprints on the (usually) silver box - and it’s a match made in heaven. The Irish man’s music is mostly a nod to the subtle and more delicate ramifications of electronic music. His Acid Sampler is no exception. Most of the EP presents itself as an ode to the brain dance vibe of acid house rooted music. While leaving out the harder and faster styles of the genre, SDC manages to pour his heart and soul as a producer into these four charming tracks.

Kosmische Conga works as the leader of the pack and pirouettes with memorable hooks, synthesizer swells and descant acid lines. Echopet introverts the whole concept, while Minehead peaks with it. Named after the seaside town that harbored the Bloc Weekend festival, its a warp-free romantic reflex of the brain dance vibe – or a heartfelt love song for circuits. Carinacid completes the quartet with a chugging and hugging mid tempo beat that could have gone on forever. Acid test passed! Artwork by Gasius.













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Tracklist:
A1. Im Weltraum – Original
A2. Im Weltraum – Marabou Dub
A3. Im Weltram – I-F Remix
B1. Im Weltraum – Gerd Janson Remix
B2. Im Weltraum – Gerd Janson Instrumental

Info:
Some records come from the head, others from the heart. Weltraum EP by Cara Carpaccio is a bit of both—an interstellar blend of cosmic vibes, disco roots, and a touch of robot melancholy. Born out of a time when the world felt both distant and strange, the EP channels those moments of isolation, longing, and unexpected creativity into something playful and deeply human. What started as an open-ended studio session turned into a journey guided by synthesizers we could only dream of owning, Marvin the robot’s dry wit from The Restaurant at the End of the Universe, and Cara’s love for cosmic sounds and disco grooves. The tracks came together in single evenings, capturing emotions as they unfolded.
Cara brought her energy, composing, performing, and singing her way into the stars, with Luis (aka Planet Zwo) riffing on guitar to ground it all. Marabou (Fabian) tied it together, wiring up gear, recording, and even finding a remix idea in the middle of mixing.
The result? A collection of tracks that balances nostalgia and futurism, melancholy and euphoria. Adding even more fuel to the ship are remixes from the likes of Intergalactic FM’s I-F + Gerd Janson, and Dan Tyler of the Idjut Boys.





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Tracklist:

A1. Lightweave
A2. Cubistic Pathway
B1. Fragments Of Moments
B2. Sense of Wonder
B3. Emotional Message

The second outing of Johannes Volk for Running Back picks up, where Extra Dimensions left us: traditional techno components, an inclination for melodies, 80s electro(nic) pop and aesthesia for ecstasy. Something for everyone’s taste and nothing tacky.
Lightweave is like the conversation that Giorgio Moroder and Wolfgang Voigt never had („I Feel Sägezahn“). With a power plant of a bass line that’s pretty much all you need.
The direct connection to the EPs artwork is Cubistic Pathway. Painted with acryl on canvas as a birthday present, it’s like the title tracks little and playful brother and a homage to 16bit platform games like Turrican or Contra.
Fragments of Moments is the sort of piano-not-piano-house stomper that classic techno DJs love, while Sense of Wonder is one of those songs without vocals that appeals to 80(8)s-kids and their offspring.
Last but not least, Emotional Message and its hypodermic breakbeat dates back to 2011, wears the heart on the sleeve, and screams tearjerker, bear hug or elevation. If you can’t get enough of that, there are three digital bonus tracks, that mix, re-mix and fixate the topics you just read about. Volk’s populi!





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Tracklist:

A1. Inbetween 6:55
A2. Speak To Me 5:47
A3. No More 4:29

B1. Heartbeat 6:22
B2. Crisis 5:32
B3. Clusters 5:24

If Katsuhiro Otomo’s Akira were a utopia instead of its opposite, this EP could be a possible sound track. Using the ingredients of classic house as a platform (pianos anyone?), Nick Nikolov‘s imagination as a producer for his new new NKLV project is far too vivid to stay on the beaten track.

The sound design and nerdy attention of IDM and ambient (Clusters) connects with the brazen boogie approach of the French touch, micro-sampling manifestos have to stand up to the weirder moments of signature sounds like Basement Jaxx or KiNK‘s musical side (Heartbeat). Not too far off from his peer‘s early approach, the Bulgarian‘s take is emotionally charged, play- and powerful.

For instance, Speak to Me and No More hit their respective topical nails on the head and the EPs title track Inbetween is sultry serotonin soul. If you are looking for plain and pure euphoria in between all the hardships, happiness is just around the bend.






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Tracklist:
A1. Per Aspera Ad Astra
A2. Paradise
A3. Mi Amor
B1. Fleeing Into You
B2. Per Aspera Ad Astra (The Club Mix For Gerd But Not By Gerd)
B3. Cocoon Cracking

If you prefer things sweet and concise, here is all you need to know about Morphena and Narciss and their Lingua Erotica release on Running Back: a project of passion made while living across the globe thousands of miles apart from each other while falling in love, sensuality, tenderness, longing, authenticity.
Making waves on the festival and club circuit and meticulous productions like Forbidden Fruit or the Immer Remix for Running Back, Narciss found the perfect partnership with Morphena and their multitalented artistry between DJing, music making and vocal work.
Informed and inspired by a mutual enthusiasm for Italo blueprints, new romantic mannerisms, synth pop poetry and an uncanny knack for subtle and yearning dance floor euphoria (see Paradise and the club version of Per Aspera Ad Astra for further proof). it works like a mix tape or love letter to the listener or any of their adored ones. While the obvious club cuts Mi Amor and Fleeing Into You are sandwiched between the ambience of Per Aspera Ad Astra and Cocoon Cracking, one cannot help to be mesmerized by the coherence and monolithic magnetism of Lingua Erotica.
Captivating, catchy and confident. Here’s to many more.






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Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).

Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

Tracklist:

A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions

B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V



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Tracklist

A1-FEZ
A2-QAM
B1-TSC
B2-SEZ

Release Info:
In the constant state of flux that house and techno are in since their inception, Berlin’s Sascha Funke is at once a fixture and an emblem of the city’s transformations. Probably best-known for his work on BPitch, Kompakt or the evergreen MZ, Funke’s EP for Running Back is an amalgamation of sounds, influences and atmospheres. Subdued rave euphoria, robotic disco-influenced techno-pop and hints of Berlin’s long gone „Dubmission“ party ethics get re-arranged, extracted and reconfigured with „German engineering“ values.
Take the ritual QAM for instance. Using a sample and the legendary morse melody of the weather forecast at the end of each „Tagesschau“ and putting it in a completely different context, is a prime example of a free-form approach to making music and making nostalgia future-proof.
That also holds true for the rest of the EP. While titles like FEZ (Freizeit- und Erholungszentrum) or SEZ (Sport- und Erholungszentrum) refer to lost places in East Berlin, the tracks are anything but. Yearning, precisely programmed and full of joie de vivre at the same time, they all lock into and complement each other. So much, that you will find a new favorite with every listen.







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Territories: Worldwide no restrictions

Format Notes: 2023 reissue, 140g vinyl

Track List:

A1. Manhattan Skyline 4:27
A2. Mysteries Of The World 5:27
A3. Tell Me Why 3:57
A4. Metamorphosis 5:16
--
B1. Fortune Teller 6:08
B2. Old San Juan 4:27
B3. Thank You Miss Scott 4:14
B4. In The Shadow 3:37

Release Notes:

Mysteries Of The World is the stunning final studio album from legendary Philly supergroup MFSB. Expertly co-written and produced with the mighty Dexter Wansel, it features the untouchable, sparkling masterpiece "Mysteries Of The World". The whole album is truly exquisite; a stylish, classy collection of pure Philly soul and orchestral jazz-funk.

MFSB, an acronym for Mother, Father, Sister, Brother, was formed by producers Gamble & Huff of Philadelphia International Records. The band's roots can be traced back to the house band at the legendary Sigma Sound Studios, where they played on numerous hit records by artists like The O'Jays, Harold Melvin & The Blue Notes and The Stylistics. Mysteries Of The World comprises slick jazz-funk grooves, mostly penned by Wansel, who produced a fair chunk of the album in a similar style to his space-funk records. MFSB's smooth sound is retained but it receives a fresh, elegant and jazzy upgrade. While this album is as mellow as the rest of the latter-period MFSB recordings, it never forgets the group's soul music underpinnings.

Swaggering, well-timed horn blasts, sweeping strings and a percolating, hard thumping slap-bassline combine to devastating effect on amazing opener "Manhattan Skyline". It's a sexy mid-tempo instrumental which sets us up nicely for what follows. Essays could be written analysing the perfection of title track. Arguably the finest jazz-funk instrumental ever made, it's absolutely magnificent. Featuring musicianship of the highest calibre, the band play with their trademark tight discipline, cooking up a syncopating rhythm with an array of exploratory keyboard riffs wrapped around a punchy bassline sent from heaven. It sounds like house music, it's that ahead of its time. The string intro is sumptuous, hypnotic and divine and that's all before the beat hits. The track fuses classical, jazz and funk into a musical journey that you never want to end. Absolutely flawless, it's a dramatic disco dancefloor killer.

Says Dexter Wansel himself: "You know, of all the songs I wrote/produced/arranged for MFSB, this is for me the most different. I think it's an experiment in rhythmic, soft sonic synth and live string and harp combinations. I composed it in an effort to blend a funky groove, along with synthesis, and orchestral sounds. There are 3 synthesizers: Oberheim 4 voice, Polymoog, and of course Arp 2600v. And, as I remember, I recorded the track with the rhythm section, string, harp and flute players first. Then I added synthesis."

The profound elegance remains in abundance on the slinky, harp-laced "Tell Me Why"; Carla Benson's beautiful voice truly shines on this sophisticated cut. The side closes out in dramatic style with the string-drenched "Metamorphosis". It's a staccato, Blaxploitation groove workout featuring wah-wah guitar, creeping basslines, rich horn solos and soulful vocals drifting in and out of the mix. The bouncy, irrepressible "Fortune Teller" opens the B side in the bass-heavy orchestral funk style before the beautiful "Old San Juan" glides in, a Balearic-adjacent track with intricate arrangements, building its mellow soul groove around an atypical flamenco guitar hook. Melancholy, guitar-led instrumental "Thank You Miss Scott" is a real highlight, with gorgeous flute, string and percussive elements whilst closer "In the Shadow" works an otherworldly synth line into its bossa nova groove.

An essential record for fans of Philly soul and groovy jazz-funk, Mysteries Of The World was mastered for vinyl by Simon Francis and cut by Cicely Ralston for Alchemy at AIR Studios. The stunning artwork, the work of renowned illustrator Robert Giusti, was restored at Be With HQ to round out this beautiful reissue.




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Format: Vinyl 2LP (Limited Full Cover)

Track list :

A1 The entrance
A2 Not so different (ft. LYMA)
A3 City of all
A4 Sonder
B1 Gonna getya
B2 Orbit
B3 Looking up (ft. Allysha Joy)
C1 Feel the same
C2 Roselane (ft. Fouk)
C3 Returning
D1 Humming harmonies (ft. LYMA)
D2 Bent with funk
D3 Encounters

Release Info:
Makèz have come a long way since they first sneaked into Amsterdam’s studio 80 at the age of 17 to hand over their demos to Dam Swindle. Those demos led to their debut EP ‘Different planets’ on Heist in 2019 which gained major support from artists like Seth Troxler and Chez Damier. Quickly after, they signed two records on New York based label Let’s Play House. Fast forward two years, and here we are: the release of their debut album “City of all”.

"City of all” shows an admirable level of sophistication and matureness and effortlessly bridges genres across its 13 tracks. You can feel the amount of thought that has been put into this record, with songs happily blending into each other as Makèz submerge themselves in their concept of accidental encounters, inclusiveness and what it means to live in a city like Amsterdam.

On “City of all”, Makèz bring together all the musical influences they’ve picked up in their life as music fans, clubbers and art students. The jazz-funk of opening track “The entrance” feels breezy, casual almost, like the freeform rhythms that are played in a jazz club during soundcheck. That energy also oozes from “Not so different”, which features the smooth vocals of LYMA. There’s a hint of the house-meets-R’n B vibe that made Anderson .Paak the star that he is now. The song is brilliantly funky and shows the songwriting and arrangement talent of Makèz, who cleverly use pop & soul cues to create one of the album’s highlights.

What follows is 4 cuts ranging from the syncopated Balearic funk of “Orbit”, the strings of album title track “City of all”, the organ-led jam “Gonna getya" and the downbeat “Sonder”. Allysha Joy -best known for performing in Melbourne Hip Hop collective 30/70 - is featured on the deep and jazzy cut “Looking up”. If Makèz and Allysha are all looking up, it’s clear they’re seeing the same thing. These kindred spirits perfectly complement each other on this track, where the deep bass, warm harmonies and jazzy percussion prove to be a perfect foundation for Allysha’s rhymes.

Is it an album all about jazz and soulful tracks to listen to at home? Far from that. There’s a nice bit of dance floor-oriented tracks, where the distorted filter funk of “Roselane” featuring Fouk proves to be a highlight along with what is arguably the heaviest cut of the album: “Bent with funk”.

In an EP context, these house tracks would surely do their work, but they really come to life in this album format. No compromise has been made to storytelling and the house tracks all play their part while still standing their ground as powerful club tracks. It’s the expert production and smart arrangement that gives this album its casually funky feel. On “City of all”, Makèz showcase their remarkable talent for writing an album that goes to so many different places, but most of all, just really feels like home.

Enjoy the music,
Maarten & Lars


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Tracklist

A1. Lucky Charm - Main Mix
A2. Lucky Charm - Dub Mix
A3. Lucky Charm - Perc Mix
B1. Luv Armour
B2. Whatever This Is
B3. Film 4

Magically delicious: Lucky Charm completes Roman Flügel's personal -feel-good-tetralogy on Running Back. Joining Garden Party, D.I.S.C.O. and Mega for a quadrophony of fun, it is piano house at the core of the matter. Of course, Roman Flügel wouldn't be himself, if he would work carelessly. Imagine it prepared through the disciplines of molecular gastronomy. In a dystopian world on the edge of information overkill, this is exactly what one needs to relish temporary relaxation and the joys of life again. Simply put: arps, bass lines, tribal drums, brief melodies and pizzicato illuminate the topic from different sides and in different versions.

Its correspondent Luv Armour is a piece of jewelry that's doing the splits: house, new wave, synth pop and some melancholy for the finishing touches.

If you are looking for less action Whatever That Is offers you a slow dance. Looking for unheard and unconscionable connections, it twists and turns between Can-like sequences, what Underground Resistance dubbed Afrogermanic and some unexpected tunnel, before it ends where it started out

Finally, Film 4 is the final dish of this lush meal. Referring to the other Film tracks on the Mega 12" and created during the hard and dark times of closed amusement party parks, it is full of yearning. Music for your inner cinema.




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Tracklist
A1. Yellow Theme (Song)
A2. In Love
A3. Together We Will Be Fine
A4. Rain On Me
B1. Free
B2. Don’t Stop
B3. Time To Go
B4. NT4 outro

Shortinfo:

Let’s go out! A suggestion that might sound like an absurdity in current times, but feels like the true promise of Bella Boo’s debut EP on Running Back. The Studio Barnhus affiliate refines and elevates her bright, genial and dissenting take on deep house into something greater than its parts.
What was supposed to be an album with features and collaborations was turned into an introspective solo-practice by Covid-19 and subsequently into this rich 8-track-EP. A writer’s block and the pitfalls of the aforementioned deep house genre were overcome with the help of Axel Boman’s knowledge of football philosophy and a 140bpm tempo advice. So, everything fell in its right place.
„Let’s Go Out“ is like the gateway into a wonderful coherent musical universe and an entertaining listening experience. Imaginative and sparkling, tender-hearted as well as bouncing when it needs to be. Bella’s EP is as much of a tribute to the UK scene that inspired her over the years as it’s entirely her own and distinctive thing. Like a perfect mixtape, it ebbs and flows, and once you reached its finish, it makes you want to start again – or to go out.


Short version: Bella Boo’s bright and genial debut EP on Running Back. Eight tender-hearted, imaginative and bouncing tracks that are as much of a tribute to the UK Scene that inspired her over the years, as they are the gateway into a wonderful coherent musical universe that is Bella’s own entirely.


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Tracklist
A1. KiNK - Machine Funk
A2. Session Victim & Iron Curtis - Abalone (Gerd Janson Edit)
B1. Genius of Time - Network Labyrinth
B2. Katerina - Sincerely, G
B3. Robert Dietz - Isn’t It Nice
C1. Roman Flügel - Feel The Heat (String Mix)
C2. Dinky - This Ain’t No
C3. Bella Boo - L.A. Magic
D1. Tiger & Woods - Lonely Toad
D2. Todd Osborn - Friendly


Shortinfo:
When Bandcamp announced that they will be holding a special fundraiser on June 19th „that is specifically focused on racial justice, equality, and that they will donate their „share of revenues that day to the NAACP Legal Defence Fund“, we thought to put out a special sampler that contributes to that cause. All profits of the sales of „Music for the NAACP“ will go exactly there. Due to the lack of time, it might seemed knocked together, but old and new friends, from near and far alike did their best, to set it up. So, special thanks to everyone involved: especially to Lopazz at Mixmastering, Heidelberg, Rand Muzik Leipzig and the SST cutting house in Frankfurt, who did their part to also make this available on a 2x12“ compilation (same destination for its profits). Thank you for listening, helping and donating.

Sincerely,

Gerd Janson



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Bursting into the summer with a vibrant and dynamic debut album, Energy Exchange Ensemble (EX Ensemble), assume their position as innovators of contemporary organically engineered dance music inspired by collaboration and that "special sauce" born from improvised jam-style musicianship. Long-time collaborators and pioneers of Melbourne's indefinable underground sound through collectives like 30/70 and Zeitgeist Freedom Energy Exchange, Lewis Moody and Ziggy Zeitgeist, reunite on their latest project, EX Ensemble. Energy Exchange Records Vol 1. pays homage to the transcultural projects curated by iconic label, ECM, capturing the impassioned spirit of spontaneity.

- First project of Energy Exchange Ensemble, Energy Exchange Records in-house band
- Extensive Global Promo by Gilles Peterson, Tom Ravenscroft, Zakia (NTS), Gilles Secretsundaze


Tracklist:

1. Lime Green Skies ft. Oscar Jerome
2. Art Make Luv / Brighter Star ft. Allysha Joy
3. On My Toes ft. CC Dance Orchestra
4. Obana ft. Eric Owusu (Zeitgeist 808 RMX)
5. East Moon
6. Smiling Down on Me ft. Allysha Joy & Cody Currie



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Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1. I need to know
A2. Do you think about me
A3. Freddie’s groove
B1. Phantom feat. The Potash Twins
B2. Endless life
B3. When we last met

Release Info:
Crackazat & Heist present: “Senses”. A stunning mini album that sees the artist deliver a heartwarming perspective on contemporary electronic
music
On “Senses”, we see the pure talent of Crackazat come to life like never before. We’ve all danced to “Alfa” or his most recent hit on Heist “Demucha” and
have heard his venture into the more poppy side of things with his 2022 album ‘Evergreen’ on Freerange. “Senses” however, is on another level. Crackazat
takes you on a sonic journey exploring his musical personality with live keys, vocals, bass and production all coming from his studio in Uppsala, Sweden. The
jazzy horns that are featured throughout are recorded by Adeev and Ezra Potash, better known as the Potash twins. The duo took a sidestep from their
recordings with John Legend, Robert Glasper and even Diplo to dive into this project with Crackazat and help him deliver arguably his best work to date.
The 6-track album starts off with the low-slung groove of ‘I need to know’. The whole atmosphere is warm, dreamy and seems to be written to lift your spirits,
no matter where you are in life. Plucked strings, arpeggios and long horn notes give this song its energy, which is subtly supported by lo-fi drums and sparse
bass licks.
“Do you think about me”, keeps the energy tight with a lovely drum groove and a sparse bass section. From the first note of the track, you get the feeling like
the energy could change any moment. Halfway through this is exactly what happens, when uplifting keys and a buzzing lead take control of the track. The
string arrangement is subtle enough to never overshadow the other instrumentation, but simply adds a beautiful layer to a track that’s already filled with
emotion. It’s all smiles when the energy of this track is set loose!
If “Do you think about me” is Crackazat in pop mode, “Freddie’s Groove” is Crackazat in full-on jazz mode. The nod to Freddie Hubbard is clear, and
Crackazat cleverly takes ideas from both the jazz legend and his legendary French sampler, Pepe Bradock for this track. The horns are deep and moody, the
groove is jazz-house at its best and Crackazat’s soft vocals have the perfect amount of fragility to fit the groove. The changeover into a stabby synth section
halfway through the track is a subtle reminder from the skilled producer that – even with all these musical elements – he can direct you to the front of the
dancefloor with the twist of a note.
“Phantom” sees Crackazat move into a shuffling Latin-dance vibe. Here, the song reaches its full potential through the horn section, so it’s only fitting that this
is the feature track for the Potash Twins. The Latin rhythms are lush, the key progression is on point and the energy on this track just keeps on going with
layers and layers of horns, powerful vocal chops, and subtle but effective percussion changeovers.
“Endless life” is a track that feels like it’s building up momentum with every repetition. Whether it’s the broken beat groove, the offbeat keys or the sparse
horn hits, chord hits or leads, there’s a certain energy in this track that takes a hold of you and simply doesn’t let go.
The outro “When we last met” is built around vibey drunk keys and a downtempo hip-hop groove. There’s a hint of old school D’angelo in this track and you
can clearly hear the artist feels at ease with the path he’s taking the listener on. It’s a perfect ending to a record that showcases the beautiful world that
Crackazat has crafted through his compositions and one thing is for sure: This is an album we will all keep coming back to for a long time to come.
Yours Sincerely,
Maarten & Lars

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