A blazing sunset melting into the horizon, an ice-cold cocktail in hand, and the bittersweet feeling of a moment hanging in time. With Love On The Rocks, I Coccodrilli take us on an emotional journey that drifts between nostalgia and euphoria, lazy golden afternoons and bursts of unexpected joy. A '90s-inspired Italo House project produced by R. Arcella and E. Fierro for the catalog of Futuribile, an iconic record store based in Naples and a true hub for local and Italian music.

A1 Love On The Rocks (Vocal)
B1 Love On The Rocks (Paradise Mix)

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Pink colorations and disco pop confections abound on Eva Eva Eva’s self titled 1978 LP, which is the newest reissue on Futuribile in collaboration with Peer-Southern Productions.

The LP possess a stunning sense of eclecticism and depth, with dazzling displays of diva dynamism proceeding over a range of textures and moods…shimmering disco, rustic blues, cinematic exotica, ripping rock’n’roll, and candy dipped funk and soul, with touches of cosmic synth occasionally accenting the mix. And sitting deep on the B-side is a wonderful Italian language version of “Stayin’ Alive.”


A1 - Love Me Please Forever
A2 - Vedrai
A3 - Do
A4 - Argentina
A5 - Fifties Rock
B1 - Dicono Che
B2 - Invasione
B3 - Vivo Sarai (Stayin' Alive)
B4 - Magari
B5 - Tennis Club

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For their next release, Futuribile looks to the work of Salerno star Carlo Fontana, presenting a set of hard-to-find & unreleased treasures titled ‘La Musica Del Sud.’

Carefully remastered at the West Hill Studio, the collection of tracks — which features contributing arrangements from Tullio De Piscopo — forms a moody pop funk paradise, with jazz horns and soul brass layered together, and amorous vocals crooning, supported by lush harmonizations and greasy gliding bass. Disco beats and exotic drums dance, prismatic pads and soft synths seek the stars, piano and guitar sing a spaced out blues, and amidst the moving grooves and deep swinging jams, moments of beautiful balladry emerge to touch the spirit.

Carlo Fontana's work is further testimony to a courtly and sophisticated musical aesthetic in vogue in Naples (and surrounding areas) between the 70s and 80s which had as its main proponents and protagonists exceptional musicians such as Joe Amoruso, Tony Esposito, Pino Daniele, Elio D'Anna, Enzo Cervo and many others.

A1 - Malatia
A2 - Lasciati Andare
A3 - Bella Signora
A4 - Amica Luna
A5 - Tu Chi Sij
B1 - La Musica Del Sud
B2 - Amanti
B3 - E Voglie A Te
B4 - Angelina
B5 - Tu Vuo Bene A Me

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Naples 1982, the earthquake leaves rubble and dismay, unease and misery, smuggling and heroin.
The reconstruction is a shadow that will last more than a decade, it is a shady deal between bureaucrats and
criminals.
Naples is an open construction site and the redemption was long coming. There was the "music-music" of the
Neapolitan Power, which conquers the national limelight, and a dark and marginal enigma called
"VESUWAVE" (especially for those who have not experienced it), that remains so, even after many years.
Naples is not a country for young bands that are not familiar with tradition and "bel canto" while the record
industry inhabits a platonic and incorruptible world beyond the vault of heaven. At that time five Lucanians and
three Neapolitans founded Little Italy, probably a tribute to the homonymous district of New York and inspired
by Talking Heads, Contorsions, Polyrock, B-52's, Konk and Liquid Liquid. They have the freedom to
experiment and smash the stages of the Italian peninsula festivals more attentive to the new waves as well as
participate in some television broadcasts. They basically don’t unnoticed but in spite of the apprenticeship and
the kilometers covered in three years of activity (from 1983 to 1985) all they had the chance to record were a
couple of songs.
Fragments is a compilation made with archived materials that Futuribile Records releases on vinyl after
having discovered and restored old unreleased tapes from back in the day and made available by the band
members themselves. Seven tracks that highlight a collective in continuous transformation and outline
their drivers and abilities.
Little Italy have a horn section that gives them that chromatic vivacity, a typically mutant funk guitar groove,
two fatal and dazed female voices who speak many languages (English, French, Italian) reciting collages of
cryptic texts evoking modernity through no-sense and cultured quotations; a funk thrill in the basslines and
drums solutions that give a nod to the sly disco beat of a specific easy listening, elegant and refined Italo
sound. A super-sophisticated sound with the right dose of fusion, proper New Wave, which in the more New-
Yorker passages recalls the volcanic and sweaty sound of the contemporary and fellow citizens Bisca,
another out-of-the-box band member. The warm Mediterranean wind blowing on some tracks certifies their
origin and the exoticism leads Little Italy to drink from that oasis of escape.
After all, the escape from a world that does not contemplate banality is the synthesis of the 1980s thought.
(Words by Fabio Astore)

TRACKLIST:

A1. Nassau
A2. Bright Up
A3. Watch Your Step
A4. Fast Food
B1. Fragments
B2. Charlie Parker
B3. Mouse Trap Town

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Part 1 of 3 of the ‘A M.A.D 5 YEARS’ comp perfectly shows what label bosses Make A Dance are trying to achieve with their label. A broad selection of forward thinking cuts drawing inspiration from all corners of the electronic spectrum.

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Part 3 of 3 opens with an absolute weapon of a track from Medlar, ‘Hardly Workin’ is a peak time track of the highest order fusing straight up House with a UK baseline to rattle any system. Next up is Texan Father Sheed (full EP from him coming very soon) with a jack track to get the body moving.

Over on the B-side Kenny Blacksmith takes us in a deeper direction with ‘Church’ full of lush pads and warming baselines. To close out the record Dim City takes it up a notch with an end of the night rave anthem.

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In 2022, Daniele “Shield” Contrini of Rebirth Records proposed Paraíso to the great man himself, a compilation honouring Alfredo’s legacy. After Alfredo’s passing in December 2024, the project was final; with artists rallying to honour his vision and memory.

Before becoming a global clubbing hotspot, Ibiza embodied freedom—a place where sunrises blurred into sunsets and music became a way of life. In the 1950s and '60s, the island drew artists, hippies, and outsiders seeking escape and creative liberty.

In 1976, Alfredo Fiorito, fleeing political repression in Argentina, arrived in Ibiza and stayed. A former music journalist, he soon began DJing at Amnesia, a farmhouse-turned-club where time bent and boundaries dissolved. With eclectic, genre-defying sets, Alfredo blended reggae, flamenco, soul, rock, and early house, crafting a hypnotic energy that captivated a generation.

British DJs like Trevor Fung, Paul Oakenfold and Danny Rampling brought this “Balearic Beat” back home. But Balearic wasn’t a style it was a mindset. As DJ Leo Mas said, it was “a state of mind,” where rhythm, spirit, and psychedelia merged.

Other clubs like KU, Es Paradis, Pacha, and Lola’s amplified the movement. Visual artists such as Yves Uro gave it a striking identity, and DJs like César de Melero, DJ Pippi, and Jon Sa Trinxa carried the sound into a new era. José Padilla’s sunset sessions at Café del Mar birthed chill-out music as breath, not just beat.

But the 1990s brought change. Laws requiring roofs on clubs altered the open-air magic. Commercialisation followed; freedom became luxury, and many pioneers left.

Still, the Balearic spirit lives—raw and untamed. It pulses in hidden parties, intimate venues like Pikes and Hostal La Torre, and sacred places like Benirrás and Las Dalias.

Featuring 16 tracks of classic and true Balearic sound; alongside House & proto-House tracks that Mr Fiorito spun, the album also includes an unreleased Alfredo track and stands as a tribute to the man, the music, and the enduring spirit of true Ibiza.

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Let us introduce to you the third volume of the brand new series “OBSCURE TRACKS”, made of essential, stand-out and rare italo and electro tracks, remastered and repress on vinyl for the first time ever offering DJs the chance to get hold of suche as gems previously tucked away in the Mr. Disc Organization back to catalogue.

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Part 2 of 3 welcomes some new faces to the M.A.D fold, as well as collaboration track between label boss Josh Ludlow and D.A.S of Devon Analogue fame along side tracks from underground legend Lipelis, Italian stallion Issam Dahmani, Bristolian new comer Meggy Mac and whiz kid Bogdan Ra.

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A true Balearic / Cosmic classic LP - Columbian brothers Elkin & Nelson's 1974 debut double album 'Angeles Y Demonios' is the perfect blend of traditional latin music, psychedelia, fuzz, glam, ethnic rhythms, progressive rock leanings and everything else in-between! The album had been received quite well on it's release, enabling the brothers to move to Spain and explore their ideas and melodies full-time, but it wasn't until the late 1980's Balearic explosion that the brothers unique musical vision struck a chord with those outside of Spain whose interests were rooted in the more esoteric corners of the record shop racks. Possibly the most well-known track from this LP was 'Jibaro (Enrolle)' that featured on the closing side of the set. This track was picked up and subsequently covered by Paul Oakenfold and the burgeoning wave of UK DJ's who had become enamoured with the white isle and her many sounds, thus birthing the term 'Balearic Beat'. 'Jibaro (Enrolle)' is perhaps one of the benchmarks of that particular microcosmic scene and sound but that doesn't mean the rest of this amazing LP should be ignored. A truly wondrous trip through the rock underground, not traditional by any means, if you dig the Balearic sound, psych-rock, funk and all of it's orbiting planets then this will certainly flip all the right switches for you. A very original set. This classic has been legally reissued by Above Board distribution in conjunction with the legal rights holders - Sony Music Entertainment. This high quality 2 x LP repress features original 1974 gatefold sleeve and label artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.

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Phivo's music has been referred to as 'Other Worldly' and he has been referred to as the 'Prince Of Tech House'. Pure Science has been at the forefront of electronic music since 1990 and pushes a timeless sound which has stood the test of time.

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LTD BLUE VINYL EDITION

A match made in dancefloor heaven, as two worlds collide with LDN partystarters Make A Dance committing their official remix of indie rock four-piece, Django Django’s percussive bumper ‘Don't Touch That Dial’ to vinyl for a limited pressing, complete with vinyl only dub mix on the flip.

Already squarely aimed at the club, the Make A Dance duo take the original to stratospheric heights, flipping it into a body-popping, electro bomb which sits Japanese singer Yuuko’s vocals centre stage intertwined with glitching synth lines and acid armoury to turn this into a full frontal, downright infectious firecracker.

On the B, the vinyl only exclusive dub mix let’s those juiced up, electro grooves fly as deft hints of Yuuko’s vocals bounce around your brain.

Cop now or forever hold your peace.

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