Sven Weisemann is set to release his ‘Bilateral Relations’ EP via Copenhagen’s Echocord this September, comprising four originals from the German producer. Sven Weisemann has been immersed in the underground House and Techno scene for quite some time now having started DJing in 1997 during the rise of the scene on his home turf of Berlin and going on to release material via the likes of Amsterdam’s Delsin, Mojuba, Telrae and liebe.detail amongst many more. Here though we see Sven joining the roster of Echocord, a perfect fit for his more dubbed out compositions with artists like Fluxion, Rod Modell and STL on the roster. ‘Lunation’ opens the release and sees Weisemann fuse emotive string melodies and cavernous vocal echoes with off- kilter rhythms and rounded sub hits before title-track ‘Bilateral Relations’ embraces a more direct four-four approach via sparse percussion and tumbling toms alongside choppy bass stabs and ever-unfolding, echoing dub chords. Opening the flip is ‘Monistic’, an airy ethereal number employing billowing pads, bright synth chimes and a dropped tempo dubbed out feel to create something truly stunning and thought provoking before the ‘Decimation (Valvle tR9 Mix) closes things on a darker tip with looming stab swells, heavily swung drums and sporadic growling bass drones.

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Sven Weisemann returns to Telrae after his very successful Elapse/ Light Sway with another stunning Performance, showing he is a master of creating interactions of sounds perfectly embedded in space and time. >Elusion< is like a sleeping day that awakes slowly, by the hour, in small steps it pulls itself up but then.. folds up as if there had never been the promise of a new day. >Freund Der Familie< are hailed in Berlin as one of the upcoming top talents and let us say this... they deserve the praise. Their remix is an overgrowing wave of sounds that incorporates nice distortion and grows on you till you cannot do without it. This is a perfect flip side to Sven Weisemanns original, playing the game in a different way.


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We think we do not have to introduce Sven Weisemann, but for all of you who are not familiar with his work... Sven has released on top labels such as Delsin, Smallfish, Echocord, Liebe Detail and maybe the label he is mostly associated with is Mojuba records, which is based in Berlin. His release for Telrae starts with Elapse a track so detached from everything and at the same time so earthly, it gains that mystic touch some trax radiate. It is again a timeless track on Telrae what we think is a quality we strive for. Light Sway seems harder at first but turns out to be more melodic and light than Elapse and so the title fits it just right!



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Tracklisting
A1 Dold - Loop 1
A2 Dold - Loop 2
B1 Dold - Loop 3
B2 Dold - Loop 4

Sales Note
Producer and live artist Dold jumps into KEY Vinyl with fibrillating, fully charged rollers. With a potently effective gear on both sides, the Swedish artist proposes a cluster of proper loopy peak time material.

Welcoming us into the Dold realm is Loop 1, serving some big room shunts and non-invasive waterfalls of bleeps. Shakers step in to round up the atmosphere and shortly after, hats come through guiding us on track with the rhythm. Loop 2 heads into orbit powered by a macabre atmosphere and heavy pendulous bassline- a KEY trademark.

And then comes the flip side... Oh the flip side... Here we are launched into a void of hypnotic repetition and mind-bending, deep brain stimulators. In the midst of plangent sonic devices, B1's groove appears more
reserved as quivering synth tones pirouette between labyrinthine, metallic whirrs. Yet, the undulating bass locks our
feet in a pacing, rhythmic spiral. With Loop 3 the mind is allowed to float into abstracted, mystical soundscapes as the body is coaxed into the rumbles of the low ends. B2 closes off the ride with a joyful, dubbed out Detroit funk. Panned arpeggios fill the room with positivity- it will be impossible not to smile.

With Kompass, Dold exposes a spectrum of different energies and sounds which ranks him as one of the most versatile, talented producers of this decade.

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Next batch coming in on the 14th of july.

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit.

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FullTime Production is honored to presents Kano “I’m Ready” featuring remixes by Mousse T. and FrescoEdits!

“I’m Ready” published in 1980 on FullTime Production, among the first success, also peaked at #21 on the R&B and hip hop songs in the United States and at 8# on the most popular songs being played in nightclubs across the United States.

Kano combining elements of 1970s disco, funk and R&B while extensively using synthesizers and percussive handclaps as well as raw-processed and vocoderized vocals inspired by United States and European disco, from Chic and Giorgio Moroder.

The great producer Mousse T. gave us his great musical experience, he wanted to make the song a real hit in the house music and disco music genres.The piano, the voice and harmony were transformed into something softer and less computerized and metallic.Mousse T. made us glimpse the immensity behind a remix and the most diverse musical facets that only an excellent producer can astound and leave the listener speechless. The musical break of the “extended club remix” at minute 03:24 makes us
raise our arms to the sky and clap our hands!

FrescoEdits introduced his more afro side to the remix by expertly marking the percussion and resulting in a funk and tribal remix. FrescoEdits is an artistic project that has based its success from the love and art of sampling big hits as well as a label and a community, is among the most highly regarded artists in the disco edits

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