It´s certainly one of these rare moments, when you stumble over a record which really stands out ; a record which creates one of those moments that makes your day. A record that slowly makes your foot tap, and makes you drop out of the monotony of our everyday life. Suddenly echoes of yet undiscovered sounds turn the beat from a localized impact into an environment with you inside. Refractions bounce back from any surface. No other artist manages it to make electronic music sound so organic, opening up rooms with a phenomenal spatial architecture. With his unique technique to arrange frequencies in space, Boris Steffen, better known as Jichael Mackson once more delivers an outstanding series of tracks with his first EP on his very own imprint Teledub.
The “Foxy Lady” contains three tracks each with the unique dramaturgy Jichael Mackson is well known for, while adding a new almost sexy/funky freshness to his signature sound. Apart from sounding beautiful and being undeniably serious bombs for any dancefloor, these tracks are simply different. The Foxy Lady EP builds a bridge to Jichael Macksons early releases and one thing is for sure, this is a record that will stay in our bags for a long time.
Jichael Mackson’s Foxy Lady EP on Teledub. Grab your copy…
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Jichael Mackson is back and presents 3 masterpieces on Stock5. Nobody knows like him to flow between Dub, Techno and Electronica and all this in just one track. Well, here are three of them. Pure Live Sessions, music created right in the moment, surely with little chips n cracks but thats what makes this music charming, so less digital and previsible.
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A1: Dj Schwa, Name Does Not Matter – Ape King (ISRC: DEGR72012195)
A2: Dj Schwa, Name Does Not Matter – Ape King (Posthuman Freak Your Body Rmx) (ISRC: DEGR72012196)
B1: Dj Schwa, Name Does Not Matter – Obsolete (Jerome Hill Rmx) (ISRC: DEGR72012197)
B2: Dj Schwa, Name Does Not Matter – Obsolete (ISRC: DEGR72012198)
english:
A few months ago, Dj Schwa & Name Does Not Matter rumbled through the timbers with their latest EP on RFR Records. For all of
you, who like to get physical, we are now offering two Tracks of the digital EP including two brand-new Remixes on Vinyl.
Follow the “Ape King” and jump into the frying acid pan! Straight forward stomping on the beat section, pretty classic when it comes to
the bassline. And whilst the 303 is continuously marching towards our cortex, shit kicks in with a nonchalant melody part. Wait, are the
old Djax Up days back?
London’s Posthuman is delivering the perfect Remix for “Ape King” qua musical self-definition. His analogue machine park powers the
Original with an even deeper drilling bass line, reduces the melody to its essence and nonchalantly sets the groove between classic
Chicago and UK Hardcore influences.
“Obsolete” is a true feast for lovers of classic Electro. And despite of the title, all its ingredients are perfectly well balanced. Sounds like
Aril Brikha, Nitzer Ebb and Clarence G. (RIP) joined forces in the studio and filtered the essence of one of our favorite genres.
We stay in London. Jerome Hill lays hands on “Obsolete” and proves from the very first second that there is absolutely no space for
compromise. This is all about straight Techno and the feeling of being exposed to a stroboscope in a dark basement while the first rays
of sunlight are already penetrating through the crack of the door.

Deutsch:
Vor ein paar Monaten polterten Dj Schwa & Name Does Not Matter mit ihrer letzten EP auf RFR Records durchs Gebälk. Allerdings
nur in digitaler Form. Für alle, die gerne etwas in der Hand haben, gibt es nun zwei Tracks der digitalen EP und zwei brandneue Remixe
für die Vinylliebhaber.
Dem „Ape King“ hinterher und ab in die brutzelnde Acid Pfanne - schnurstracks geradeaus in der Beat Sektion und ziemlich klassisch
an der Bassline. Und während die 303 ununterbrochen Richtung unseres Cortex‘ marschiert, ballert das Teil mit dem Einsetzen des
Melodieparts. Moment, sind die alten Djax Up Tage etwa zurück?!
Die Londoner Posthuman liefern qua musikalischer Selbstdefinition den perfekten Remix zu „Ape King“. Ihr analoger Maschinenpark
versorgt das Original mit einer noch tiefer bohrenden Acid Bass Line, reduziert die Melodie auf deren Essenz und schwingt im Beat
locker zwischen klassischem Chicago und UK Hardcore Einflüssen.
„Obsolete“ ist ein wahres Festessen für Electro-Liebhaber. Und im Gegensatz zum Titel sind die Zutaten perfekt bemessen. Klingt, als
wären Aril Brikha, Nitzer Ebb und Clarence G. (RIP) zusammen im Studio verschwunden und hätten die Essenz eines unseres liebsten
Genres herausdestilliert.
Wir bleiben in London. Jerome Hill hat sich „Obsolete“ nochmals vorgenommen und zeigt von der ersten Sekunde an, dass hier
wenig Raum für Kompromisse bleibt. Straighter Techno und das Gefühl, wenn das Strobo im Keller noch blitzt, aber die ersten
Sonnenstrahlen bereits durch den Türspalt drängen.
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Shed Remix – This one is made for cardiovascular shit. Best used in dark basements, group gatherings, fire-dances (think Rothschild Surrealist shindigs), but can do wonders for your lower back and thighs, if surrounded with thugs and nasty guys.??Reformed Society Remix – This goes down the threaded path of classic Motor-city tech. That famed conveyer belt gave us the best combination of man and machine. And here it works quite well, might we add. Cruise-control on. More