A: Digital Dust
B1: Family Biz
B2: ATH
Yep people, you’ve got us right. While many of us are still looking for traces of lizard people wandering over a flat earth, your favourite producer’s favourite producer has already boarded his space vehicle in the direction of moon, closely observing our mediocre attempts to enrich our earthly existence.
Magician Jichael Mackson opens his bag, presenting the signature sound he’s so famous and respected for. Deep and bass driven grooves, perfectly layered on top of each other like damask steel. In order to enjoy this masterpiece, we recommend to snort a big line of that “Digital Dust”.
“Family Biz” is taking a more laidback and broken beat direction. Dense percussions, intricate harmonies and a lot of soul and jazz vibes are hidden in this gem. Best to be discovered with your friends and loved ones on a sunny day beneath a shady tree, enjoying a couple of glasses while waiting for the sunset. Geez, this is so damn gorgeous.
“ATH” ends this formidable EP. Again, no club inspired vibes (cos clubs are closed anyway, right?) pulsating out Mackson’s snyths, instead a more abstract broken beat crawling into our ears. Eerie sound modulations and creepy acid - lovers of DJ Krush’s older works might fall in love with this.
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A1: Dj Schwa, Name Does Not Matter – Ape King (ISRC: DEGR72012195)
A2: Dj Schwa, Name Does Not Matter – Ape King (Posthuman Freak Your Body Rmx) (ISRC: DEGR72012196)
B1: Dj Schwa, Name Does Not Matter – Obsolete (Jerome Hill Rmx) (ISRC: DEGR72012197)
B2: Dj Schwa, Name Does Not Matter – Obsolete (ISRC: DEGR72012198)
english:
A few months ago, Dj Schwa & Name Does Not Matter rumbled through the timbers with their latest EP on RFR Records. For all of
you, who like to get physical, we are now offering two Tracks of the digital EP including two brand-new Remixes on Vinyl.
Follow the “Ape King” and jump into the frying acid pan! Straight forward stomping on the beat section, pretty classic when it comes to
the bassline. And whilst the 303 is continuously marching towards our cortex, shit kicks in with a nonchalant melody part. Wait, are the
old Djax Up days back?
London’s Posthuman is delivering the perfect Remix for “Ape King” qua musical self-definition. His analogue machine park powers the
Original with an even deeper drilling bass line, reduces the melody to its essence and nonchalantly sets the groove between classic
Chicago and UK Hardcore influences.
“Obsolete” is a true feast for lovers of classic Electro. And despite of the title, all its ingredients are perfectly well balanced. Sounds like
Aril Brikha, Nitzer Ebb and Clarence G. (RIP) joined forces in the studio and filtered the essence of one of our favorite genres.
We stay in London. Jerome Hill lays hands on “Obsolete” and proves from the very first second that there is absolutely no space for
compromise. This is all about straight Techno and the feeling of being exposed to a stroboscope in a dark basement while the first rays
of sunlight are already penetrating through the crack of the door.

Deutsch:
Vor ein paar Monaten polterten Dj Schwa & Name Does Not Matter mit ihrer letzten EP auf RFR Records durchs Gebälk. Allerdings
nur in digitaler Form. Für alle, die gerne etwas in der Hand haben, gibt es nun zwei Tracks der digitalen EP und zwei brandneue Remixe
für die Vinylliebhaber.
Dem „Ape King“ hinterher und ab in die brutzelnde Acid Pfanne - schnurstracks geradeaus in der Beat Sektion und ziemlich klassisch
an der Bassline. Und während die 303 ununterbrochen Richtung unseres Cortex‘ marschiert, ballert das Teil mit dem Einsetzen des
Melodieparts. Moment, sind die alten Djax Up Tage etwa zurück?!
Die Londoner Posthuman liefern qua musikalischer Selbstdefinition den perfekten Remix zu „Ape King“. Ihr analoger Maschinenpark
versorgt das Original mit einer noch tiefer bohrenden Acid Bass Line, reduziert die Melodie auf deren Essenz und schwingt im Beat
locker zwischen klassischem Chicago und UK Hardcore Einflüssen.
„Obsolete“ ist ein wahres Festessen für Electro-Liebhaber. Und im Gegensatz zum Titel sind die Zutaten perfekt bemessen. Klingt, als
wären Aril Brikha, Nitzer Ebb und Clarence G. (RIP) zusammen im Studio verschwunden und hätten die Essenz eines unseres liebsten
Genres herausdestilliert.
Wir bleiben in London. Jerome Hill hat sich „Obsolete“ nochmals vorgenommen und zeigt von der ersten Sekunde an, dass hier
wenig Raum für Kompromisse bleibt. Straighter Techno und das Gefühl, wenn das Strobo im Keller noch blitzt, aber die ersten
Sonnenstrahlen bereits durch den Türspalt drängen.
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