Back in 2018, previously unheard artist James Infiltrate impressed via a punchy EP of club-focused electro numbers. It later emerged that the mysterious producer was none other than Constant Sound founder Burnski. Here he dons the alias once more for a full-length excursion three years in the making. It's a fine album, too, with the long-serving producer delivering a winning combination of punchy, club-ready beats, sci-fi fired synth sounds, moody Michigan bass and the kind of authentically spacey atmosphere that has long been associated with the greatest electro records. There's also enough subtle variety in terms of tempo and style to guarantee that you'll not get bored of it any time soon. Highly impressive, but did we really expect anything less? More

Swedish producer Ola Obergman has been at the top of his game for over 20 years now, dropping superb electro on the finest labels. Last year he dropped a fantastic full-length album on Pariter, but now steps up to Infiltrate with a direct dance floor offering. 'Norma Cluster' pairs busy drums and bass with more atmospheric leads before 'Invariant Hyperbola' has a perfectly crisp boom-bap that is run through with synth sequences that get your head amongst the stars. 'Sterile Neutrino' is more raw and ragged with another irresistible rhythm and 'Dragonfly44' closes in a thoughtful fashion. More

You could say, ahem, that Infiltrate has infiltrated deep into our conscious with its fine run of releases as we are well and truly locked in to the output each and every time. As far as we can tell, both of these artists are new names who are making their first releases here - or they are at least appearing on Juno for the first time. But the music is so impressive we find it hard to believe this is their debut. Cyphon kicks off with the tight, twitchy electro workout that is 'Hegemony' which Gene Harvest mixes into something more full fat and celestial. Konertymi's 'Valtameri' is a rich, colourful world of freeform melodic arps and arching heavenly chords while Astraali Suunnittelu could be a Kraftwerk does modern electro tune. More

Keith Farrugia aka Sound Synthesis' home base of Malta may not be renowned as electro central, but the consistent stream of superlative releases he's made there under the name Sound Synthesis have certainly put him on the map. In keeping with the floor-aimed functional nature of his tracks, this eight cut selection is a double 12" rather than an album and indeed, wherever you dip into it you'll find iron-cast electro manoeuvres destined to keep feet moving. Check 'DNA Memory' for acid-inflected bounciness with swooping strings, 'Paradox' for Aphex-style moodiness, 'I Guess You Know' for stripped back 80s influences and 'Emotional Response' for wistful heartstring tugging. A valuable addition to any electro DJ's armoury, this set has the right tune for just about every moment you care to mention. More

The Maltese machine funk specialist himself Keith Farrugia is back once more with yet more of his impeccable electro business as Sound Synthesis. This time the prolific producer is shoring up on Burnski's Infiltrate label with four cool and deadly cuts which build on his previous drops for 20:20 Vision, Furthur Electronix, Orbital Mechanics and more besides. From the nervy sci-fi flex of 'Motor Space Maps' to the playful fun n' games of 'Back In Time', Farrugia knows exactly what he's doing within the electro blueprint, and his tracks are reliably punchy warm - a true master at work. More

Sturdy electro thumpery from Konery TMI, served up in five portions across what will surely prove a highly delectable EP for fans of the genre. Opening track 'Nauhuri' and 'Automaa' are both full of grace and gorgeous, effortless glide, while 'Lumivyory' alters the mood somewhat to get down and dirty with some thoroughly filthy acid squelch filth. 'Polaaritahti' takes its cue from the more minimal 80s sounds of Egyptian Lover or Hashim, before we draw to a close with the more serene and soothing 'Mustikka'. More

Back in 2018, previously unheard artist James Infiltrate impressed via a punchy EP of club-focused electro numbers. It later emerged that the mysterious producer was none other than Constant Sound founder Burnski. Here he dons the alias once more for a full-length excursion three years in the making. It's a fine album, too, with the long-serving producer delivering a winning combination of punchy, club-ready beats, sci-fi fired synth sounds, moody Michigan bass and the kind of authentically spacey atmosphere that has long been associated with the greatest electro records. There's also enough subtle variety in terms of tempo and style to guarantee that you'll not get bored of it any time soon. Highly impressive, but did we really expect anything less? More

Since launching in 2018, Constant Sound's electro-fired offshoot Inflitrate has put out some superb music from artists including such admired old hands as Borai, London Modular Alliance and Ste Roberts. On the label's first missive of 2021, it welcomes Relpek AKA Constant Sound regular Kepler (both aliases of Leeds-based Matthew Farrow). What we get is a series of well-made and well thought out electro numbers that combine punchy beats and fuzzy analogue basslines with a variety of spacey and ear-catching musical elements (lead lines, chords, riffs etc). Rumbling and far-sighted A-side cuts 'Nova' and 'Binary' are arguably the toughest and most club-ready, while 'Celestial' and 'Delay' are a little deeper and more melancholic in tone. Impressive stuff all told. More

Constant Sound's electro arm, Infiltrate, calls upon the considerable talents and technical heft of London Modular Alliance for a bruising EP of body-popping exploration strapped to a tough n' funky beatdown. "Crack Fox" is as nervy and nimble as the title might suggest, while "Regular Customer" takes things in a hyper-detailed direction compatible with the kind of advanced machine funk you expect from Silicon Scally. "Blinky" follows suit with another artfully woven web of twitchy synth hooks and deftly sequenced drums, and then "Other Worlds" switches things up with some seriously hefty bass pressure pivoting around a dubstep attitude towards space and moodiness. More