2024 Re Release

Genre: Deep House, Minimal, Ambient

Tracklist 2x12“ Vinyl & Digital:

A1 Desires
A2 Interborough
A3 Apparent Calm Palms
B1 Quiet Decay
B2 Chimera
C1 Behind Their House
C2 Transfiguration
C3 Slalom
D1 Unfold
D2 Conclusions

Info:

Stólar label boss Philipp Priebe delivers his new album ‘Apparent Calm Palms’ this October, joining the roster of Mainz/Hamburg, Germany’s Feuilleton.
Berlin-based artist Philipp Priebe has been steadily making his mark on the contemporary deep hazy house and leftfield electronica scene over the past few years with a series of releases on his own Stólar imprint. Here though we see him deliver his second album following his debut LP ‘The Being Of The Beautiful’ released on Japan’s IL Y A Records back in 2014. Feuilleton is the brainchild of Chris Gruber (Fossar) and Tim Eder and since 2018 has unveiled material from the duo themselves, RR (René Raabe), Snad, Gari Romalis, Melina, Jakob Seidensticker and more.
Throughout the ‘Apparent Calm Palms’ LP Priebe delivers a concoction of styles and sounds cohesi-vely fused together to form the bigger concept which is he tells us is ‘’an album about small towns and villages and the needs and desires that brings one night out in clubs. The transport/travel, the preparty, all the things that you had to do, when you are not directly living in the big party places, but still want to have a decent night out, away from your usual suspects.’’.
Throughout the ten-track LP Philipp delivers ethereal deep house with opening track ‘Desires’, the succeeding ‘Interborough’ and ‘Chimera’, murky dub house leaning cuts like ‘Quiet Decay’, ‘Slalom’, ‘Unfold’ and ‘Conclusions’ while ‘Transfiguration’ showcases a more classic Chicago House influence. Title-track ‘Apparent Calm Palms’ and the interlude ‘Behind Their House’ then see Priebe offer a foray into textural ambient sounds, once again showcasing his unique ability to craft raw, understated and emotion fuelled material across a variety of genres.
Mastering by Sven Weisemann and Lacquer Cut by Stefan Betke




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Genre: Deep House, Detroit, House, Electro, Breaks

Tracklist 12“:

A1 Slow Motion
A2 In The Meantime
B1 My Joy
B2 Fringe Food
B3 Unity Drums


Short Info:

The 2nd solo EP by Bielefeld’s finest RR on Feuilleton is bringing jazzy & classic house music feels toge-ther with a fresh & futuristic twist on 5 cuts - dedicated to the fine stereo systems & sophisticated dancefloors on the planet. Written & produced by René Raabe, mixdown by Tim Eder, mastering by Sven Weisemann, lacquer cut by Stefan Betke at Scape Mastering and photography by Paula Theiss.



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Genre: Deep House, Detroit House, House


Tracklist 12“ (Vinyl only):

A1 The Test
A2 Simple & Effective
B1 Walk (Glide On By Mix)
B2 Walk (ZKY’s Walk Into The Sunshine Remix)


Short Info:

Next Feuilleton is delivered by Detroit original Gari Romalis. Under his moniker „Detroit Soul Factory“ he presents three tracks of pure motor city deepness for your body, mind and soul. Additional remix work on B2 by ZKY (1/2 of Cab Drivers).



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Genre: Deep House, Minimal House

Tracklist 12“ (Vinyl only):
A1 Sleazy
A2 Dregz
B1 Mood Out
B2 Nandri

Short Info:
Snad delivers a package of four classy, minimalistic house groovers with considerably jazz approach for
his debut on Feuilleton Music. Bringing the friendly flowing rollers on the A-Side, it's getting a bit more
twisted on the flip... Mastering & lacquer cut by Stefan Betke at Scape Mastering. Artwork by Madlen
Strebel.


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Special remarks: Limited 12" Edition, from wich some will include (randomly) a screen print inside from our artwork by Madlen Strebel.

Genre: House, Deep House, Jazzy House, Tech-House

Tracklist 12":
A1 Tilman & Will Buck - Once Upon A Time (06:09min)
A2 Fossar & Tim Eder vs Brothers' Vibe - Flow (07:15min)
A3 RR - Jazztasty 21st (04:34min)
B1 Melina & Jakob Seidensticker - You Know What (07:30min)
B2 Thomas Stieler - Room 388 (Sunrise Altholz Version) (07:28min)

Short Info:
House music connecting people! Feuilleton is back with a 5-tracker of short stories by the imprint‘s usual
suspects and a bunch of new but well known artists from New York, Newark, Munich, Hamburg and Mainz.
Tilman & Will Buck deliver a smooth opener with discoish moments on A1, followed by a classical, dubby house
roller by the label heads Fossar and Tim Eder, spiced up with some vocals by US house veteran Tony Rodriguez
aka Brothers’ Vibe. Feuilleton’s regular RR presents a cinematic mélange of breaky jazz vibes with a maximum
organic sound impression. The B-Side is clearly dedicated to the dancefloor. Melina & Jakob Seidensticker
created an uplifting floor filler with outstanding vocal action. The twisted shuffle will lift the crowd to the next
level! Thomas Stieler is rounding up the compilation with an energetic morning jam, shifting back from the
extrovert peak time moment to a deeper, more intimate feel. One for the sunrise, that’s for sure.

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Tracklist

A1. Reality
A2. Fantasy
B1. Puzzle
B2. Halle Weissensee

Halle Weissensee (or Weißensee if you wish) starts where Sascha Funke’s last Ep for Running Back stopped. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind.
The Halle was a former engine plant in Berlin that got converted into a rave areal for the now legendary Mayday raves and one of the birthplaces and leading spots of the nineties. Coincidentally and unknowingly, 1993’s winter edition was attended by Funke and Gerd Janson and a conversation about it spawned this record. Don’t be mislead: this is not a retro rave fest, but an ode to the esprit of the times, the possibilities if an envisioned future and maybe most of all an afterglow. While Reality (sounding like a Relief record if the label would have been a topic at Bauhaus university) and the warped bleepiness of Halle Weissensee itself come closest to the actual sound aesthetic of that very night, Fantasy invokes the language of contemplative deep house from vintage New York, while Puzzle evokes a notion of what the same thing could be with the prefix progressive instead. Reality often falls short behind fantasy, but once in a while both complement each other very well.


Short: Halle Weissensee is Sascha Funke’s second Ep for Running Back. Named after the legendary rave warehouse, its four tracks far from being a retro rave. Mesmerizing house and techno music that interweaves classic forms with modern means and looks through the lenses of nostalgia with an open mind. An ode to the jackin’ Relief sound meets bleep tracks, contemplative deep house and progressive hypnotism.







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12"
GENRE/S:
House, Deep Techno

First ever production Fred P and Cassy have done together on Cassy's label Kwench Records remixed by Steve Rachmad who turned in two masterfully remixed tracks that present Steve's very deep and soulful side as a producer.

3. TRACKLISTS:
A1. Chateau Dance
A2. Chateau Dance (Steve Rachmad Remix1)
B. Chateau Dance (Steve Rachmad Remix2)



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2023 repress

Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck

DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.

Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.

The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.



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2x 12” vinyl with full cover print

TRACKLIST:

A1. Sexuality (My Reality) (Hardspace Mix)
A2. Shri Yantra (Luke Slater Deep Heet Remix))

B1. Make Me Scream (Amotik Remix)
B2. Raum 422 (Ploy Remix)

C1. Hymn (ANNA Remix)
C2. Astra (Len Faki Beat Room Mix)

D1. Don't Be Stupid Day (Modeselektor Remix)
D2. Waver (Beste Hira Remix)

INFO:

Len Faki assembles second star-studded Fusion Remixes instalment

The Berliner recruits his favourite producers for the second edition of ‘Fusion’ reworks


Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out 19th April on his label imprint Figure.

Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.

Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high octane screamer.

On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old school feel.

Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.

Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s take on ‘Waver’

Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…





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Genre: Deep House

Track list:
A1 Heel Goed
A2 Lift Adrift
B1 Fine Rise
B2 Asanti
B3 Expanding Signal

Release Info:
Our 20th celebration year continues with a very special comeback! It’s exactly ten years now since the last Ben La Desh release on our label, his sublime “Stellar Talk EP” hit big waves and together with the “Midnight Rendez-Vous EP” from 2012 he cemented himself in the lo-fi deep space house scene as an artist to look out for, no one produced deep house like he did back then. After a longer break from releasing music he is back and we think stronger as ever, with analogue gear and well curated sampling and live field recording we present you his “Fine Rise EP”.

The opener “Heel Goed” is an amazing track with that distinctive 909 beat and DX bass driven “La Desh” flavour and a truly wonderful vocal sample from a 90s TV commercial, hilariously funny and brilliant at the same time! We can’t wait to see the faces of people, especially on the Dutch dancefloors, when they try to figure out and discover what the ladies are talking about! Second A side track is the super funky “Lift Adrift” that flanges itself to outer space, etherical with chopped break beats and various percussive and rhythmic Pearl Syncussion layers running through effect pedals, Lift Adrift!

On the other side we start out with the deep title track “Fine Rise”. Here Ben treats us again to his trademark spaced out effects driven sound and on top a killer bass line and synth lead melody, reminiscent of the golden age of (good) trance music. Followed by the break beat gem that is “Asanti”, cautiously cut up breaks and layered machine drums with bubbly Syncussion sounds, rain drops falling down on different surfaces recorded in a garden in the French Drôme and processed African Kalimba. Did we already say Etherical? It is!
Closing out this great new record is the ambient piece “Expanding Signal”, an analogue tune that consists of field recordings and deep dubby chords, a building Juno pulse, swooshes and again a profound DX bassline, think of “Sun Electric” or “The Orb”.

Enjoy this one and play it loud on the dance floors or silently in your bedroom, it works everywhere as far as we are concerned!

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.



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First vinyl reissue with extended inserts, 500 copies
Truly unique Australian 80s dub/post-punk EP

GENRE/S: Dub, Post-Punk, New Wave, Pop

TRACKLIST:

A1. Glad To Be Australian
A2. Ship And Boats
B1. Night Flight Over Palestine
B2. Death By Numbers

SHORT INFO:

Super-rare, highly sought-after EP from 1983 Adelaide, Australia - a raw blend of post-punk and new-wave under a heavy blanket of dub and afro-pop experimentation from Toyland





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UPC: 827170138728 Release date : March 24th 2014
Tracklist: A. Amygdala (Roman Flügel remix) B. Nices Wölkchen (Robag´s Bronky Frumu Rehand)
Despite all the collaborations on last year's Amygdala by Pampa cult leader DJ Koze, there was still one recurring comment from the public: The album still had DJ Koze's trademark stamp all over it. That is why have been taking the proper steps to rectify this problem, offering a remix series, to further disassociate DJ Koze from this otherwise respectable assortment of songs. Here is the second installment. First up is Roman Flügel, co-founder of the legendary label powerhouse Ongaku/Klang/Playhouse, not to mention his more recent releases on Clone and Live At Robert Johnson. We have no idea what kind of app he used, but somehow he transformed the title track "Amygdala" from a laid-back, wind-chiming electro-pop number into a clock-working tech-house fairy tale. Roman wisely and tastefully retains the original guest spot from Milosh (of the duo Rhye), offering a grittier backdrop for his lulling vocal delivery. Next comes Robag Whrume, who is no stranger to any Pampa fan, having released an album and a mix CD with us, aside from his countless other works. Here he has taken the pleasant puffiness of DJ Koze's "Nices Wölkchen" and incubated it in a deep house cocoon. The witch-shifted voice of guest singer Apparat is given a new life, hovering amidst a mesmerizing mechanical groove. As always, there's nothing formulaic about Robag's formula as he serves up little moments of magic.



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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.





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