DJ Fett Burger & Cato Canari team up on this special collaboration release, in the vein of the true Balearic spirit. A release that will capture the sound, emotions and dreams of the beautiful sunsets at the magic beach, the place you love and the experience you want to last forever.

Para Siempre comes in two different versions to fully give you the experience of the lost dream of Ibiza:

- The “Italo Balearic” version for a vintage infused sentimental melodic experience, with the dreamy voice of Florencia. A tune that captures the true emotional spirit of the Balearic dream! Comes with a bonus instrumental.

- The second mix, “Elements of Trance”, captures the spirit in a more modern way, but still with the greatness of the sounds from the past. A classy trance infused version. Bit more energetic in style, but still with the melodic and a melancholic touch, in the most desirable way.


Track List:

A. Para Siempre (Italo Balearic Vocal Mix)
B1. Para Siempre (Elements of Trance)
B2. Para Siempre (Italo Balearic Instrumental Mix) More

Tracklist:
A1) Naini’s Call (06:56 min)
A2) Green Villa (04:29 min)
A3) Orchard (05:26 min)
B1) Do Deers Dream? (03:11 min)
B2) Akki Always (06:39 min)
B3) Hair Spiders (04:43 min)
B4) Shriekmoon (04:14 min)

Short info:
Public Possession welcoming „ddwy“ to the label, after a first appearance on this years Chill Pill
compilation with the balearic dance beauty „Orchard“ the duo now delivers their first Mini LP titled
„Sprig Songs“. ddwy that is DJs „Inner Totality“ and „Nangi“ introduce their special style of tripped out
dubby dance tunes, slow paced, dreamy & proggy all flavoured with Nangis chants. They are sure to
cast a spell on you!


More

Territory: WORLD

FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve

TRACKLIST

A. Maintain 04:56
B. The Golden Ratio (Version) 04:43

INFO

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".

By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.

Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.

Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.

Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.

Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst





More

LP

Tracklist

A1 Wurlitzer Jukebox
A2 Piano Movement With Percussion
A3 Song For The Meek
A4 I Hear A New World
A5 New Monotonic FM
A6 House Warming
A7 14th July
B1 Reprise
B2 Beloved Invader
B3 Interlude
B4 New Monotonic FM (Acoustic)
B5 LDR
B6 Send In The Clowns
B7 Completed Extract From The Previous 7"

Short info:

Hydroplane reinstate their formidable 1997 debut of sublime guitar atmospherics, fragile lyricism and droning incidentals with an overdue vinyl and digital reissue.

An offshoot of the now-féted The Cat’s Miaow, the trio formed after drummer Cameron Smith decamped to London, charting new territory with tape loops, manipulated samples and a borrowed Jupiter 4 in the wake of Endtroducing. Adopting a handle that Dean Wareham once considered calling Luna, Hydroplane intended to only ever release Excerpts From Forthcoming LP, a single-sided 7” sonic collage, before imploding in mystery. Their label however insisted they deliver their taunted album. From the comfort of a Brunswick flat, they continued to record soaring melodies and restrained song structures to 4-track, sculpting dramatic Radiophonic Workshop cues weighted in reverb and near-perfect dream pop lead by Kerrie Bolton’s empyrean vocals.

Bored of industry expectation and largely ignored by local audiences, the reluctant performers followed the way of The Cannanes and formed meaningful overseas alliances by mail and phone, securing releases on Michigan outpost Drive-In and Broadcast launching pad Wurlitzer Jukebox. Championed by John Peel with twenty spins on his converted Radio One slot and even polling in Festive Fifty of 1997, the humble three-piece still walked to their neighbourhood shops undetected.

Previously only available as a US-issued CD, this reminiscent late-night suite establishes Hydroplane as an everlasting ember in Australia’s beloved indie nexus.




More

Tracklist:
A1) Yo Quiero (04:40 min)
A2) Jackesito (05:08 min)
B1) El Baile Sensual (05:26 min)
B2) Vocalsita (05:27 min)
B3) Te Siento (06:12 min)

Short Text:
John Heaven of "Mainline Magic Orchestra" fame delivers Hot 48° degrees celsius, sweat dripping —>
s**, all in one minimal house record. Mover!

More

Tracklist:

A1) Free Your Mind 03:32 min
A2) Around n Around 05:08 min
B1) House Non Stop 06:21 min
B2) Multitool 06:53 min

Short info:
Big Beat 2023! How does it sound? Bigger & better then ever! The prophet Eden Burns does not stop to share his beats with all you out there. Help him spread the message, the dance floors of the world will thank you for it. Beat moves feet, feet do dance, dance is joy, joy is life!

More

Tracklist:

A1. feel the rain
A2. firefly
B1. sos
B2. rip


Release Info:
For our last record of 2023, Incienso is returning to the club just in time for peak time raving with “Lost and Happy”, a new EP from NYC based producer Ben Ritz.

In EPs for Sweat Equity and Fixed Rhythms, Ben honed in on a uniquely hyped and hypnotic take on techno. With his new EP for Incienso, he steps out into the light for a four track excursion into vibrant and ecstatic sounds - not without a healthy dose of tunneling and tripping tech too, of course.











More