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Label:Luaka Bop
Cat-No:LB0097LP180
Release-Date:19.02.2021
Genre:Nu Jazz
Configuration:LP
Barcode:680899189712
Promises is an extraordinary, collaborative album by the electronic giant Floating Points and saxophone titan Pharoah Sanders. The album features the London Symphony Orchestra and cover art by the acclaimed American artist, Julie Mehretu. Five years in the making, it will be released on Luaka Bop,
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More records from Floating Points, Pharoah Sanders & The London Symp
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Label:Luaka Bop
Cat-No:LB0097LP
Release-Date:19.02.2021
Genre:Nu Jazz
Configuration:LP
Barcode:680899009713
Promises is an extraordinary, collaborative album by the electronic giant Floating Points and saxophone titan Pharoah Sanders. The album features the London Symphony Orchestra and cover art by the acclaimed American artist, Julie Mehretu. Five years in the making, it will be released on Luaka Bop,
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Label:Luaka Bop
Cat-No:LB0097CD
Release-Date:19.02.2021
Genre:Nu Jazz
Configuration:CD
Barcode:
Promises is an extraordinary, collaborative album by the electronic giant Floating Points and saxophone titan Pharoah Sanders. The album features the London Symphony Orchestra and cover art by the acclaimed American artist, Julie Mehretu. Five years in the making, it will be released on Luaka Bop,
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Label:Luaka Bop
Cat-No:LP-LBOP-0101
Release-Date:06.09.2024
Genre:Jazz
Configuration:LP
Barcode:680899010115
Kosmos is the third full-length record for Luaka Bop from the uncategorizable Danish band of Jonathan Bremer (on acoustic bass) and Morten McCoy (on keys and tape delay).
Tracklist
1.1Higher Road
1.2Dream
1.3Mere Liv
1.4Hvor du er
1.5Alting loser sig
1.6Bon
1.7Blomsten du sar
1.8Regnen falder snart
1.9Vuggevise
1.10Universal Love More
Tracklist
1.1Higher Road
1.2Dream
1.3Mere Liv
1.4Hvor du er
1.5Alting loser sig
1.6Bon
1.7Blomsten du sar
1.8Regnen falder snart
1.9Vuggevise
1.10Universal Love More
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Label:Luaka Bop
Cat-No:CD-LBOP-0101
Release-Date:06.09.2024
Genre:Jazz
Configuration:CD
Barcode:680899010122
Kosmos is the third full-length record for Luaka Bop from the uncategorizable Danish band of Jonathan Bremer (on acoustic bass) and Morten McCoy (on keys and tape delay).
Tracklist
1.1Higher Road
1.2Dream
1.3Mere Liv
1.4Hvor du er
1.5Alting loser sig
1.6Bon
1.7Blomsten du sar
1.8Regnen falder snart
1.9Vuggevise
1.10Universal Love More
Tracklist
1.1Higher Road
1.2Dream
1.3Mere Liv
1.4Hvor du er
1.5Alting loser sig
1.6Bon
1.7Blomsten du sar
1.8Regnen falder snart
1.9Vuggevise
1.10Universal Love More
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Last in:31.05.2024
Label:Luaka Bop
Cat-No:LP-LBOP-0102
Release-Date:14.06.2024
Genre:Nu Jazz
Configuration:LP
Barcode:680899010214
You likely know the Staples Jr. Singers, the family band from Aberdeen, Mississippi, from their first and only record, 1975"s "When Do We Get Paid". They made that record themselves when they were only teenagers. Finally, in a moment they"ve been waiting for most of their lives, the family is back with their sophomore album, "Searching". Recorded in 2023 in West Point, Mississippi, and Nashville, Tennessee, and produced by Ahmed Gallab, aka Sinkane, the first pressing comes with a booklet of photos by Adam Wissing and notes by Anton Spice.
Trackliste
1.1Living In This World Alone (feat. Annie Brown Caldwell)
1.2Lost In A World Of Sin
1.3You Got To Believe
1.4Walk Around Heaven
1.5I've Got A Feeling
1.6Don't Need No Doctor
1.7I Don't Need Nobody But You
1.8Get On Board
Listen: https://listen.k7.com/014abf94-19b9-46fa-b214-2527f4260814 / More
Trackliste
1.1Living In This World Alone (feat. Annie Brown Caldwell)
1.2Lost In A World Of Sin
1.3You Got To Believe
1.4Walk Around Heaven
1.5I've Got A Feeling
1.6Don't Need No Doctor
1.7I Don't Need Nobody But You
1.8Get On Board
Listen: https://listen.k7.com/014abf94-19b9-46fa-b214-2527f4260814 / More
7"
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Last in:01.03.2024
Label:Luaka Bop
Cat-No:SI-LBOP-4536
Release-Date:20.04.2024
Genre:Jazz
Configuration:7"
Barcode:680899453615
Finally we are more than happy to announce this Pharoah Sanders 7" for this year's RecordStoreDay release!
This limited-edition Japanese radio edit single of gHarvest Time / Love Will Find a
Wayh is a complement to Pharoah Sandersf seminal album from 1977 Pharoah,
which was recently re-released for the first time since its original pressing, in a
deluxe 2 LP box set (Luaka Bop, Fall 2023).
At times ambient and serene, at others funky and modal, Pharoah has long been
a holy grail for collectors, seen as one of the artistfs most beloved records and
one of the great works of the 20th century. Released after forty-five years with
Pharoahfs blessing, MOJO (ššššš) called it gan ethereal masterpiece,h Pitchfork
(8.9) deemed it gunearthly magic,h and The New York Times (Critics Pick) said that
Pharoah gbeckoned the Gods on the intimate Pharoah.h
Included here are two unreleased radio edits of gHarvest Timeh and gLove Will
Find a Wayh.packaged in a limited, eye-catching Japanese sleeve exclusively for
Record Store Day, pressed on Black Power Black vinyl.
ƒgƒ‰ƒbƒNƒŠƒXƒg
A. Harvest Time (ŽûŠnŽžŠú . Radio Edit)
B. Love Will Find a Way (ƒ‰ƒ”EƒEƒBƒ‹Eƒtƒ@ƒCƒ“ƒhEƒAE
ƒEƒFƒC. Radio Edit) More
This limited-edition Japanese radio edit single of gHarvest Time / Love Will Find a
Wayh is a complement to Pharoah Sandersf seminal album from 1977 Pharoah,
which was recently re-released for the first time since its original pressing, in a
deluxe 2 LP box set (Luaka Bop, Fall 2023).
At times ambient and serene, at others funky and modal, Pharoah has long been
a holy grail for collectors, seen as one of the artistfs most beloved records and
one of the great works of the 20th century. Released after forty-five years with
Pharoahfs blessing, MOJO (ššššš) called it gan ethereal masterpiece,h Pitchfork
(8.9) deemed it gunearthly magic,h and The New York Times (Critics Pick) said that
Pharoah gbeckoned the Gods on the intimate Pharoah.h
Included here are two unreleased radio edits of gHarvest Timeh and gLove Will
Find a Wayh.packaged in a limited, eye-catching Japanese sleeve exclusively for
Record Store Day, pressed on Black Power Black vinyl.
ƒgƒ‰ƒbƒNƒŠƒXƒg
A. Harvest Time (ŽûŠnŽžŠú . Radio Edit)
B. Love Will Find a Way (ƒ‰ƒ”EƒEƒBƒ‹Eƒtƒ@ƒCƒ“ƒhEƒAE
ƒEƒFƒC. Radio Edit) More
Label:Luaka Bop
Cat-No:LB-LBOP-0048
Release-Date:10.11.2023
Genre:World Music
Configuration:LP
Barcode:680899004817
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Label:Luaka Bop
Cat-No:LB-LBOP-0048
Release-Date:10.11.2023
Genre:World Music
Configuration:LP
Barcode:680899004817
The tracks on this album may arouse a number of emotions; they were not sung
purely for the pleasure of making music, but to convey, with drama and joy, that
life is stronger than ever and continues with a live Spirit…
Recorded in New York after 9/11 in front of a small audience, Espíritu Vivo
marries Susana Baca’s wonderful vocals and Peruvian backing band with the
downtown sounds of John Medeski and guitarist Marc Ribot—for a recording
that transcends time and place, with Baca giving every iota of herself to the
music. This is the 20th anniversary edition, on vinyl for the very first time.
https://on.soundcloud.com/SAVut
side a
1. La Noche y El Día
2. Si me Quitaran…
3. Caracunde
4. El Fusil del Poeta
5. Se me Van los Pies
side b
1. 13 de Mayo
2. Toro Mata
3. Afro-blue/Zum Zum
4. The Anchor Song
More
purely for the pleasure of making music, but to convey, with drama and joy, that
life is stronger than ever and continues with a live Spirit…
Recorded in New York after 9/11 in front of a small audience, Espíritu Vivo
marries Susana Baca’s wonderful vocals and Peruvian backing band with the
downtown sounds of John Medeski and guitarist Marc Ribot—for a recording
that transcends time and place, with Baca giving every iota of herself to the
music. This is the 20th anniversary edition, on vinyl for the very first time.
https://on.soundcloud.com/SAVut
side a
1. La Noche y El Día
2. Si me Quitaran…
3. Caracunde
4. El Fusil del Poeta
5. Se me Van los Pies
side b
1. 13 de Mayo
2. Toro Mata
3. Afro-blue/Zum Zum
4. The Anchor Song
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Label:Luaka Bop
Cat-No:LB-LBOP-0029
Release-Date:10.11.2023
Genre:World Music
Configuration:LP
Barcode:680899002912
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Label:Luaka Bop
Cat-No:LB-LBOP-0029
Release-Date:10.11.2023
Genre:World Music
Configuration:LP
Barcode:680899002912
hailed as “one of the great, overlooked records of 1998,” by
the new york times, this worldwide debut of the angolan artist
waldemar bastos was recorded and produced by arto lindsay
and david byrne in new york. Its title, which means “blacklight”
in portuguese, is a hint to the powerful sorrow the music
holds: pretaluz is an elegiac response to the angolan civil
war, drawing on influences near and far like the fado, semba,
zouk, and morna, to create indelible songs. “with his dramatic
pauses and dynamic vibrato rising above subtle rhythms
picked out on nylon-string guitars, everything mr. bastos sings
emerges as a lament of enormous sadness,” wrote the times.
now on vinyl for the very first time, this limited 25th anniversary
edition of pretaluz is a contender for the best-sounding
record on luaka bop.
https://on.soundcloud.com/Qgm7X
side a
1. sofrimento
2. rainha ginga
3. muxima
4. kuribôta
side b
1. morro do kussava
2. minha família
3. menina
4. querida angola
5. kanguru
More
the new york times, this worldwide debut of the angolan artist
waldemar bastos was recorded and produced by arto lindsay
and david byrne in new york. Its title, which means “blacklight”
in portuguese, is a hint to the powerful sorrow the music
holds: pretaluz is an elegiac response to the angolan civil
war, drawing on influences near and far like the fado, semba,
zouk, and morna, to create indelible songs. “with his dramatic
pauses and dynamic vibrato rising above subtle rhythms
picked out on nylon-string guitars, everything mr. bastos sings
emerges as a lament of enormous sadness,” wrote the times.
now on vinyl for the very first time, this limited 25th anniversary
edition of pretaluz is a contender for the best-sounding
record on luaka bop.
https://on.soundcloud.com/Qgm7X
side a
1. sofrimento
2. rainha ginga
3. muxima
4. kuribôta
side b
1. morro do kussava
2. minha família
3. menina
4. querida angola
5. kanguru
More
2LP
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Last in:17.06.2024
Label:Luaka Bop
Cat-No:LPLBOP8008
Release-Date:15.09.2023
Genre:Jazz
Configuration:2LP
Barcode:0680899800815
With Pharoah Sanders’ blessing, we present the definitive, remastered version of PHAROAH, his seminal record from 1977, in an embossed 2 LP box set. Alongside the original record, we’re including two previously unreleased live performances of his masterpiece, “Harvest Time," and a 24-page booklet with rarely seen photographs and ephemera, which tell the story of this album and this moment in Pharoah’s life in a way that has never been done before—including through interviews with many of the participants and a conversation with Pharoah himself.
For those of you who already know this record, then you know that its origin story is as elusive as Pharoah was about everything Pharoah. It was born out of a misunderstanding between him and the India Navigation producer Bob Cummins, and was recorded when he was at a crossroads in his career with an unlikely crew. Among them was a guitarist who was also a spiritual guru, an organist who would go on to co-write and produce “The Message,” and a classically trained pianist—his wife at the time, Bedria Sanders—who played the harmonium despite never having seen one. At times ambient and serene, at others funky and modal, PHAROAH radically departed from his earlier work. And it became beloved.
Tracklist:
Pharoah
A1. Harvest Time
B1. Love Will Find a Way
B2. Memories of Edith Johnson
Harvest Time Live 1977
C1. Harvest Time Live – Version 1
D1. Harvest Time Live – Version 2 More
For those of you who already know this record, then you know that its origin story is as elusive as Pharoah was about everything Pharoah. It was born out of a misunderstanding between him and the India Navigation producer Bob Cummins, and was recorded when he was at a crossroads in his career with an unlikely crew. Among them was a guitarist who was also a spiritual guru, an organist who would go on to co-write and produce “The Message,” and a classically trained pianist—his wife at the time, Bedria Sanders—who played the harmonium despite never having seen one. At times ambient and serene, at others funky and modal, PHAROAH radically departed from his earlier work. And it became beloved.
Tracklist:
Pharoah
A1. Harvest Time
B1. Love Will Find a Way
B2. Memories of Edith Johnson
Harvest Time Live 1977
C1. Harvest Time Live – Version 1
D1. Harvest Time Live – Version 2 More
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Last in:20.09.2023
Label:Luaka Bop
Cat-No:CDLBOP8008
Release-Date:15.09.2023
Genre:Jazz
Configuration:2CD
Barcode:0680899800822
Alongside a remastered version of PHAROAH, his seminal record from 1977, this 2 CD box set includes two previously unreleased live performances of his masterpiece, “Harvest Time." Includes a 70-page booklet with rarely seen photographs and interviews with many of the participants, as well as a conversation with Pharoah himself.
Tracklist:
Pharoah
1. Harvest Time
2. Love Will Find a Way
3. Memories of Edith Johnson
Harvest Time Live 1977
1. Harvest Time Live – Version 1
2. Harvest Time Live – Version 2 More
Tracklist:
Pharoah
1. Harvest Time
2. Love Will Find a Way
3. Memories of Edith Johnson
Harvest Time Live 1977
1. Harvest Time Live – Version 1
2. Harvest Time Live – Version 2 More
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Last in:26.10.2023
Label:Luaka Bop
Cat-No:LB0099LP
Release-Date:06.05.2022
Genre:Nu Jazz
Configuration:LP
Barcode:680899009911
The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.
01 / A1. Get On Board
02 / A2. I Know You're Going To Miss Me
03 / A3. I'm Looking For A Man
04 / A4. I'm Going To A City
05 / A5. Somebody Save Me
06 / A6. Trouble Of The World
07 / A7. Waiting For The Trumpet To Sound
08 / B1. I Feel Good
09 / B2. When Do We Get Paid
10 / B3. On My Journey Home
11 / B4. Too Close
12 / B5. Send It On Down
13 / B6. I Got A New Home
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01 / A1. Get On Board
02 / A2. I Know You're Going To Miss Me
03 / A3. I'm Looking For A Man
04 / A4. I'm Going To A City
05 / A5. Somebody Save Me
06 / A6. Trouble Of The World
07 / A7. Waiting For The Trumpet To Sound
08 / B1. I Feel Good
09 / B2. When Do We Get Paid
10 / B3. On My Journey Home
11 / B4. Too Close
12 / B5. Send It On Down
13 / B6. I Got A New Home
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Label:Luaka Bop
Cat-No:LB0099CD
Release-Date:06.05.2022
Genre:Nu Jazz
Configuration:CD
Barcode:680899009928
The Staples Jr. Singers were part of a vanguard of soul gospel artists in the 1970s that broke from tradition to testify with the groove. They found their inspiration in the secular music they heard on the radio, and wrote songs that were nothing but stone cold soul.
01 / A1. Get On Board
02 / A2. I Know You're Going To Miss Me
03 / A3. I'm Looking For A Man
04 / A4. I'm Going To A City
05 / A5. Somebody Save Me
06 / A6. Trouble Of The World
07 / A7. Waiting For The Trumpet To Sound
08 / B1. I Feel Good
09 / B2. When Do We Get Paid
10 / B3. On My Journey Home
11 / B4. Too Close
12 / B5. Send It On Down
13 / B6. I Got A New Home
More
01 / A1. Get On Board
02 / A2. I Know You're Going To Miss Me
03 / A3. I'm Looking For A Man
04 / A4. I'm Going To A City
05 / A5. Somebody Save Me
06 / A6. Trouble Of The World
07 / A7. Waiting For The Trumpet To Sound
08 / B1. I Feel Good
09 / B2. When Do We Get Paid
10 / B3. On My Journey Home
11 / B4. Too Close
12 / B5. Send It On Down
13 / B6. I Got A New Home
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LP
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Last in:03.05.2024
Label:Luaka Bop
Cat-No:LB0097LP
Release-Date:19.02.2021
Genre:Nu Jazz
Configuration:LP
Barcode:680899009713
Promises is an extraordinary, collaborative album by the electronic giant Floating Points and saxophone titan Pharoah Sanders. The album features the London Symphony Orchestra and cover art by the acclaimed American artist, Julie Mehretu. Five years in the making, it will be released on Luaka Bop,
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CD
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Label:Luaka Bop
Cat-No:LB0097CD
Release-Date:19.02.2021
Genre:Nu Jazz
Configuration:CD
Barcode:
Promises is an extraordinary, collaborative album by the electronic giant Floating Points and saxophone titan Pharoah Sanders. The album features the London Symphony Orchestra and cover art by the acclaimed American artist, Julie Mehretu. Five years in the making, it will be released on Luaka Bop,
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Label:Luaka Bop
Cat-No:LB0094LP
Release-Date:13.09.2019
Configuration:2LP
Barcode:680899009416
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Label:Luaka Bop
Cat-No:LB0094LP
Release-Date:13.09.2019
Configuration:2LP
Barcode:680899009416
he Time For Peace Is Now compiles fourteen songs that, while recorded over four decades ago, speak now more than ever. The tracks are a subset of 1970s-era gospel, not directly talking about Jesus or God, but instead tackling how we live with ourselves and each other. These are undeniably soulful, passionate, and urgent songs from obscure 45s, dug up from a long dormancy in attics, sheds and rated across the American south. Compiled by Gospel guru Greg Belson
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Label:Luaka bop
Cat-No:lbop0093lp
Release-Date:12.10.2018
Configuration:LP Excl
Barcode:680899009317
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Label:Luaka bop
Cat-No:lbop0093lp
Release-Date:12.10.2018
Configuration:LP Excl
Barcode:680899009317
Tim Jones, also known as Preacherman and recorded under Midi Man, Ironing Board Band and T.J. Hustler. He made one very rare lp, and two even rarer CD's. These tracks are from the CD's. He was a salesman for IBM in Las Vegas, where he sold Selectric Typewriters and then word processors during the day and at night he would perform in the Las Vegas lounges. He was somewhat of an engineer and adapted a Hammond B3 organ to play a moog synth with some of the organ keys, (some still played the organ), and he adapted the organ's foot controlled bass levers to play two Moog synth bass pedals (a failed item Moog made for a few years.) Thinking he wasn't much of a live performer he had a wooden puppet made that he named T.J Hustler, and together with the puppet, he would engage in long philosophical soliloquies, (some of which are featured on this album). If you meet Tim, he is not someone who stops talking. In fact he even created a little book called Universal Philosophy. He has a lot to say about everything. Currently he lives with his 103 year old mother in Oakland. There he infrequently plays shows on his Casio where he fashions himself a live Karaoke performer, who comes complete with 5 wireless mics and P.A. and a list of about a 100 songs he can play. His invented organ contraption and puppet are in storage in Las Vegas, and he seems intensely uninterested in getting them out, as "The kids these days want to hear the sounds the Casio makes."
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Label:Luaka bop
Cat-No:lbop0093cd
Release-Date:12.10.2018
Configuration:CD Excl
Barcode:680899009324
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Label:Luaka bop
Cat-No:lbop0093cd
Release-Date:12.10.2018
Configuration:CD Excl
Barcode:680899009324
Tim Jones, also known as Preacherman and recorded under Midi Man, Ironing Board Band and T.J. Hustler. He made one very rare lp, and two even rarer CD's. These tracks are from the CD's. He was a salesman for IBM in Las Vegas, where he sold Selectric Typewriters and then word processors during the day and at night he would perform in the Las Vegas lounges. He was somewhat of an engineer and adapted a Hammond B3 organ to play a moog synth with some of the organ keys, (some still played the organ), and he adapted the organ's foot controlled bass levers to play two Moog synth bass pedals (a failed item Moog made for a few years.) Thinking he wasn't much of a live performer he had a wooden puppet made that he named T.J Hustler, and together with the puppet, he would engage in long philosophical soliloquies, (some of which are featured on this album). If you meet Tim, he is not someone who stops talking. In fact he even created a little book called Universal Philosophy. He has a lot to say about everything. Currently he lives with his 103 year old mother in Oakland. There he infrequently plays shows on his Casio where he fashions himself a live Karaoke performer, who comes complete with 5 wireless mics and P.A. and a list of about a 100 songs he can play. His invented organ contraption and puppet are in storage in Las Vegas, and he seems intensely uninterested in getting them out, as "The kids these days want to hear the sounds the Casio makes."
More
Label:Luaka bop
Cat-No:lb0087lp
Release-Date:17.03.2017
Configuration:2LP
Barcode:
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Label:Luaka bop
Cat-No:lb0087lp
Release-Date:17.03.2017
Configuration:2LP
Barcode:
Luaka Bop present the stunning collection of Alice Coltrane's private press ashram recordings , World Spirituality Classics 1:The Ecstatic Music of Alice Coltrane Turiyasangitananda.This powerful, largely unheard body of work finds Alice singing for the first time in her recorded catalog, which dates back to 1963 and includes appearances on six John Coltrane albums, alongside Charlie Haden and McCoy Tyner, and 14 albums as bandleader starting with her Impulse! debut in 1967 with ‘A Monastic Trio.’ The songs featured on the Luaka Bop release have been culled from the four cassettes that Alice recorded and released between 1982 and 1995: ‘Turiya Sings,’ ‘Divine Songs,’ ‘Infinite Chants,’ and ‘Glorious Chants.’ The digital, cassette and CD release will feature eight songs. The double-vinyl edition features two additional songs, “Krishna Japaye” from 1990’s ‘Infinite Chants, and the previously unreleased “Rama Katha” from a separate ‘Turiya Sings’ recording session. Luaka Bop teamed with Alice’s children to find the original master tapes in the Coltrane archive. The recordings were prepared for re-mastering by the legendary engineer Baker Bigsby (Ornette Coleman, Sun Ra, John Coltrane), who had overseen the original sessions in the 80s and 90s. The compilation showcases a diverse array of recordings in addition to Alice’s first vocal work: solo performances on her harp, small ensembles, and a 24-piece vocal choir
http://www.npr.org/2017/04/27/525541596/first-listen-the-ecstatic-music-of-alice-coltrane-turiyasangitananda More
http://www.npr.org/2017/04/27/525541596/first-listen-the-ecstatic-music-of-alice-coltrane-turiyasangitananda More
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Cat-No:8089900791
Release-Date:16.12.2013
Configuration:3LP
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Label:NG Records
Cat-No:NG05LP
Release-Date:08.07.2022
Configuration:LP
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Release-Date:08.07.2022
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1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
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Nu Genea - Straniero
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Nu Genea - Vesuvio
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Nu Genea - Rire
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Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More
LP
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Label:Strut Records
Cat-No:STRUT299LP
Release-Date:05.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:4062548079975
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Label:Strut Records
Cat-No:STRUT299LP
Release-Date:05.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:4062548079975
Strut proudly presents the first official remastered reissue of Lafayette Afro Rock Band's elusive funk/Afro original album, 'Malik,' originally released in 1974.
Tracklist
1.1Djungi
1.2Raff
1.3Conga
1.4Avi-Vo
1.5Malik
1.6Darkest Light
1.7Baba Hya More
Tracklist
1.1Djungi
1.2Raff
1.3Conga
1.4Avi-Vo
1.5Malik
1.6Darkest Light
1.7Baba Hya More
3LP
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Label:Soundway Records
Cat-No:SNDWLP148
Release-Date:10.05.2024
Genre:World Music
Configuration:3LP
Barcode:5060571362445
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Label:Soundway Records
Cat-No:SNDWLP148
Release-Date:10.05.2024
Genre:World Music
Configuration:3LP
Barcode:5060571362445
1
The Godfathers - Ebe Ye Yie Ni
2
Pat Thomas - Gye Wani
3
Pepper, Onion, Ginger & Salt - M.C. Mambo
4
Andy Vans - Adjoa Amisa
5
George Darko - Kaakyire Nua
6
Rex Gyamfi - Obiara Bewu
7
Starlite - Anoma Koro
8
Abdul Raheem - Alaiye
9
Jon K - Asafo
10
Kwasi Afari Minta - Barima Nsu
11
Marijata (feat. Ata Kak) - Otanhunu
12
Gyedu Blay Ambolley - Apple
13
Dadadi - Jigi Jigi
14
Charles Amoah - Fre Me (Call Me)
15
Ernest Honny - New Dance
16
Bessa Simons - Sii Nana
17
Nan Mayen - Mumude
18
Nana Budjei - Asobrachie
In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music.
This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology.
More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009’s Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981, Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the ‘80s on new compilation Ghana Special - Volume 2, a collection of 18 burger highlife, electronic afrobeat, and reggae tracks.
Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country’s musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves.
Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene.
Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from “Bürger”, the German for “citizen”. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists.
Tracks such as Ernest Honny’s experimental cut “New Dance” are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi’s band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou’s top studios. Similarly, Nan Mayen’s “Mumude” is a slick, 80’s pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track “Asobrachie” is “influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music”; on “Jigi Jigi”, the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences.
Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. Ghana Special - Volume 2 stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era. More
This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology.
More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009’s Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981, Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the ‘80s on new compilation Ghana Special - Volume 2, a collection of 18 burger highlife, electronic afrobeat, and reggae tracks.
Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country’s musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves.
Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene.
Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from “Bürger”, the German for “citizen”. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists.
Tracks such as Ernest Honny’s experimental cut “New Dance” are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi’s band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou’s top studios. Similarly, Nan Mayen’s “Mumude” is a slick, 80’s pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track “Asobrachie” is “influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music”; on “Jigi Jigi”, the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences.
Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. Ghana Special - Volume 2 stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era. More
Label:Text Records
Cat-No:TEXT055
Release-Date:05.05.2023
Genre:Electronic
Configuration:LP
Barcode:5051142011589
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Label:Text Records
Cat-No:TEXT055
Release-Date:05.05.2023
Genre:Electronic
Configuration:LP
Barcode:5051142011589
Side 1
01 I Saw You 02 Secret 03 Radio 04 Follow 05 Enough 06 Pause
Side 2
01 Safety 02 Cmon 03 Trying 04 Chest 05 Come On Home
Produced by Brian Eno and Fred Gibson
4th April 2020 - 23rd December 2022
Mastered by Kieran Hebden
Lacquer cut by Bernie Grundman
Artwork by loose
Gatefold photograph by Brian Eno
More
01 I Saw You 02 Secret 03 Radio 04 Follow 05 Enough 06 Pause
Side 2
01 Safety 02 Cmon 03 Trying 04 Chest 05 Come On Home
Produced by Brian Eno and Fred Gibson
4th April 2020 - 23rd December 2022
Mastered by Kieran Hebden
Lacquer cut by Bernie Grundman
Artwork by loose
Gatefold photograph by Brian Eno
More
LP
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Label:Strut Records
Cat-No:STRUT300LP
Release-Date:05.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:4062548080162
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Label:Strut Records
Cat-No:STRUT300LP
Release-Date:05.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:4062548080162
Strut proudly presents the first official remastered reissue of the funk/Afro classic, Lafayette Afro Rock Band's 'Soul Makossa' from 1973.
Tracklist
1.1Soul Makossa
1.2Azeta
1.3Oglenon
1.4Voodounon
1.5Hihache
1.6Nicky More
Tracklist
1.1Soul Makossa
1.2Azeta
1.3Oglenon
1.4Voodounon
1.5Hihache
1.6Nicky More
Label:NG Records
Cat-No:NG05CD
Release-Date:01.07.2022
Configuration:CD
Barcode:
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Label:NG Records
Cat-No:NG05CD
Release-Date:01.07.2022
Configuration:CD
Barcode:
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
1. Bar Mediterraneo
2. Tienaté
3. Gelbi (with Marzouk Mejri)
4. Marechià (with Célia Kameni)
5. Straniero
6. Praja Magia
7. Vesuvio
8. Rire
9. La Crisi More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
1. Bar Mediterraneo
2. Tienaté
3. Gelbi (with Marzouk Mejri)
4. Marechià (with Célia Kameni)
5. Straniero
6. Praja Magia
7. Vesuvio
8. Rire
9. La Crisi More
Label:Trad Vibe
Cat-No:TVLP09PT
Release-Date:16.03.2018
Configuration:LP
Barcode:
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Label:Trad Vibe
Cat-No:TVLP09PT
Release-Date:16.03.2018
Configuration:LP
Barcode:
1
Cortex - La Rue
2
Cortex - Automne (Colchiques)
3
Cortex - L'Enfant Samba
4
Cortex - Troupeau Bleu
5
Cortex - Prelude A "Go Round"
6
Cortex - Go Round
7
Cortex - Chanson D'Un Jour D'Hiver
8
Cortex - Mary Et Jeff
9
Cortex - Huit Octobre 1971
10
Cortex - Sabbat (1ère Partie)
11
Cortex - Sabbat (2ème Partie)
12
Cortex - Sabbat (3ème Partie)
13
Cortex - Madbass
Very first version of the first single by Cortex, reissued as 7inch for the 1st time. “I remember that I and Alain Gandolfi wanted to put ‘Mary & Jeff’ on the A side, but the producer decided to set ‘L’Enfant Samba’ instead because he thought that the voice of Mireille would be more selling than my piano… 6 months after, at the beginning of 1976, ‘Mary & Jeff’ was a hit in a lot of Disco clubs and radios!” (Alain Mion).
Limited to 500 copies.
La Rue 4:23
Automne (Colchiques) 2:35
L'Enfant Samba 3:00
Troupeau Bleu 5:00
Prelude A "Go Round" 3:52
Go Round 1:20
Chanson D'Un Jour D'Hiver 5:20
Mary Et Jeff 2:40
Huit Octobre 1971 4:22
Sabbat (1ère Partie) 1:00
Sabbat (2ème Partie) 3:15
Sabbat (3ème Partie) 0:26
Madbass 2:50 More
Limited to 500 copies.
La Rue 4:23
Automne (Colchiques) 2:35
L'Enfant Samba 3:00
Troupeau Bleu 5:00
Prelude A "Go Round" 3:52
Go Round 1:20
Chanson D'Un Jour D'Hiver 5:20
Mary Et Jeff 2:40
Huit Octobre 1971 4:22
Sabbat (1ère Partie) 1:00
Sabbat (2ème Partie) 3:15
Sabbat (3ème Partie) 0:26
Madbass 2:50 More
Label:Soundway Records
Cat-No:SNDWLP146
Release-Date:11.11.2022
Genre:World Music
Configuration:LP
Barcode:5060571361462
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Label:Soundway Records
Cat-No:SNDWLP146
Release-Date:11.11.2022
Genre:World Music
Configuration:LP
Barcode:5060571361462
1
Steve Monite - Only You
2
Steve Monite - I Had A Dream
3
Steve Monite - Things Fall Apart (Disco Jam)
4
Steve Monite - Welcome My Love
5
Steve Monite - Only You (Disco Jam)
6
Steve Monite - Things Fall Apart (Vocal)
Following on from 2016’s Doing It In Lagos: Boogie, Pop & Disco in 1980s Nigeria, Soundway Records return to that blistering set for the first and only officially licensed re-issue of the highly coveted debut album from Steve Monite, featuring the single ‘Only You’ that recently seeped its way into popular culture. Lovingly restored and remastered on 180g vinyl with liner notes.
Shooting, space-synth sounds ripple and vibrate, incessant grooves keep the tracks in motion and Nkono Teles production, a producer often overlooked for his hand in the Nigerian boogie sound, sets the LP into orbit. An album that was largely overlooked on release in 1984, the track list includes the latter day hit ‘Only You’ and ‘Things Fall Apart’, the melody of which was lifted for Young Franco’s 2020 single ‘Fallin’ Apart’. More
Shooting, space-synth sounds ripple and vibrate, incessant grooves keep the tracks in motion and Nkono Teles production, a producer often overlooked for his hand in the Nigerian boogie sound, sets the LP into orbit. An album that was largely overlooked on release in 1984, the track list includes the latter day hit ‘Only You’ and ‘Things Fall Apart’, the melody of which was lifted for Young Franco’s 2020 single ‘Fallin’ Apart’. More
Label:Research Record
Cat-No:RREP07
Release-Date:26.01.2024
Genre:Jazz
Configuration:12"
Barcode:5050580758063
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Label:Research Record
Cat-No:RREP07
Release-Date:26.01.2024
Genre:Jazz
Configuration:12"
Barcode:5050580758063
1
Glass Beams - Mirage
2
Glass Beams - Taurus
3
Glass Beams - Kong
4
Glass Beams - Rattlesnake
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences. The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
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Label:Not On Label
Cat-No:FELASOULCOLOR
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP
Barcode:
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Last in:11.06.2024
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Last in:11.06.2024
Label:Not On Label
Cat-No:FELASOULCOLOR
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP
Barcode:
A modern day mashup classic from AMERIGO GAZAWAY that takes the Afrobeat rhythms and music of FELA KUTI and mixes it with the rap stylings of DE LA SOUL. Awesome.
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Label:Gondwana Records
Cat-No:GONDLP066TCL
Release-Date:06.10.2023
Genre:Eclectic
Configuration:2LP
Barcode:4062548065114
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Last in:16.10.2023
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Last in:16.10.2023
Label:Gondwana Records
Cat-No:GONDLP066TCL
Release-Date:06.10.2023
Genre:Eclectic
Configuration:2LP
Barcode:4062548065114
Hania Rani announces her new album, Ghosts, bringing her songwriting and beautiful vocals to the fore and featuring special guests Patrick Watson, Ólafur Arnalds and Duncan Bellamy (Portico Quartet). Ghosts will be released on October 6th via Gondwana Records, followed by Hania’s most monumental tour to date, with shows in the EU, US and Canada.
Tracklisting
A1. Oltre Terra
A2. Hello
A3. Don’t Break My Heart feat. Duncan Bellamy
A4. 24.03
B1. Dancing with Ghosts feat. Patrick Watson
B2. A Day in Never
B3. Whispering House feat. Olafur Arnalds
C1. The Boat
C2. Moans
C3. Thin Line feat. Duncan Bellamy
D1. Komeda
D2. Utrata
D3. Nostalgia More
Tracklisting
A1. Oltre Terra
A2. Hello
A3. Don’t Break My Heart feat. Duncan Bellamy
A4. 24.03
B1. Dancing with Ghosts feat. Patrick Watson
B2. A Day in Never
B3. Whispering House feat. Olafur Arnalds
C1. The Boat
C2. Moans
C3. Thin Line feat. Duncan Bellamy
D1. Komeda
D2. Utrata
D3. Nostalgia More
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Last in:30.05.2024
Label:NovaMute
Cat-No:NOMU22VLP
Release-Date:01.03.2024
Genre:Techno
Configuration:2LP Excl
Barcode:5400863148959
1
Plastikman - A1 Drp
2
Plastikman - A2 Plasticity
3
Plastikman - A3 Gak
4
Plastikman - B1 Okx
5
Plastikman - B2 Helikopter
6
Plastikman - B3 Glob
7
Plastikman - C1 Plasticine
8
Plastikman - C2 Koma
9
Plastikman - D1 Vokx
10
Plastikman - D2 Smak
11
Plastikman - D3 Ovokx
Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More