Format: 2LP


Genre: Techno, Electronics

Tracklist 2LP:

A1 Redundance 1 (6:06)
A2 Redundance 3 (6:19)
A3 Redundance (Version) (4:15)
B1 Redundance 5 (7:02)
B2 Redundance 6 (4:32)
B3 Scuba Lounge (10:28)
C1 Spoiled (9:47)
C2 Spoil (7:56)
D1 Decay Chart (7:15)
D2 Explore (5:47)
D3 Exposed (4:24)

Short Info:

Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.



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Format: CD

Genre: Techno, Electronics

Tracklist CD:

1 Redundance 1 (6:06)
2 Redundance 3 (6:19)
3 Redundance (Version) (4:15)
4 Redundance 5 (7:02)
5 Redundance 6 (4:32)
6 Scuba Lounge (10:28)
7 Spoiled (9:47)
8 Spoil (7:56)
9 Decay Chart (7:15)
10 Explore (5:47)
11 Exposed (4:24)

Short Info:

Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.


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- First Album of Legendary project Porter Ricks
- Original Release on Basic Channel


Genre: Electronica, Dub-Techno

Tracklist CD:
1. Port Gentil - (12:26)
2. Nautical Dub - (05:49)
3.. Biokinetics 1 - (05:20)
4. Biokinetics 2 - (08:30)
5. Port Of Call - (09:12)
6.. Port Of Nuba - (08:05)
7.. Nautical Nuba - (08:56)
8. Nautical Zone - (12:06)

Info:
Techno isn't a genre that has birthed many consistent albums, and the dub techno subgenre even less so, but one indisputable classic is Porter Ricks' debut 'Biokinetics'. Originally issued on the legendary Basic Channel sub-label Chain Reaction in 1996 following a trio of 12"s, 'Biokinetics' was the first of the label's album releases, and still stands as its crowning achievement. Porter Ricks are Thomas Köner and Andy Mellwig, and between them they re-framed the techno sound, imbuing the spacious ambience pioneered by label bosses Mark Ernestus and Moritz Von Oswald with a frosty, isolated experimental bent, and combining it with the sort of haunted minimalism of early Plastikman.
What separated 'Biokinetics' from other albums at the time was its unwavering narrative - the exact sound has been interpreted countless times since, but the immersive qualities of this singular record have rarely been touched. Maybe it is down to the silvery underwater concept that ties each track together - the bubbling pads, sub-aquatic basses and muffled kick drums. But as with any great album, it's hard to exactly put your finger on what makes it a classic. Simply put 'Biokinetics' is one of the most important records in the genre and one of techno's finest albums. It has been re-released ten years ago by Type Records, and now Mille Plateaux is celebrating Porter Ricks' and Biokinetics' 25th anniversary with this edition.



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FIRST FULL-LENGTH IN SEVENTEEN YEARS FROM CHAIN REACTION /FORCE INC. LEGENDS.

TRACKLIST (respective for CD): A. Anguilla Electrica B1. Shoal Beat B2. Prismatic Error C. Scuba Rondo D1. Port Of Tangency D2. Sandy Ground

Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique.

Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the 'soundmarks' of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration.

For proof of Porter Ricks' enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of PR's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique 'aquatic' techniques to be applied to a variety of different musical contexts.

Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them.

This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.



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FIRST FULL-LENGTH IN SEVENTEEN YEARS FROM CHAIN REACTION /FORCE INC. LEGENDS.

TRACKLIST (respective for CD): A. Anguilla Electrica B1. Shoal Beat B2. Prismatic Error C. Scuba Rondo D1. Port Of Tangency D2. Sandy Ground

Ever since their initial singles were released in the mid-1990s and became international calling cards for the Chain Reaction label, the Porter Ricks duo of Thomas Köner and Andy Mellwig have represented that crucible point in which techno music leaked into new social environments and became the background music for cutting-edge cultural critique.

Their submerged "scuba" sound, presented in dark tone colors and reverberating to infinity, is now instantly identifiable as one of the 'soundmarks' of Berlin club culture. Just as importantly, it is still a palpable aftershock of a pre-millenial genre explosion that saw deep dub, shimmering post-rock, abstract hip-hop and art-damaged noise all drinking from the same well of inspiration.

For proof of Porter Ricks' enduring legacy, look no further than the fact that "dub techno" is now a stylistic movement that has expanded far beyond the confines of Berlin and the Basic Channel / Chain Reaction label alliance (where Mellwig's mastering skills also played a starring role). Lurid traces of PR's aesthetic can now be found in the work of producers like Andy Stott and Miles Whittaker, showing the potential for the duo's unique 'aquatic' techniques to be applied to a variety of different musical contexts.

Their new LP on Tresor, Anguilla Electrica, may be their first full-length release in seventeen full years, but it radiates with confidence and with a clarity and intensity rarely seen in a world so oversaturated with communications noise. It's made clear at once that it's a continuation of a sonic ideal rather than a tribute to what has already been achieved: the duo is not idly sitting back while their newer acolytes do their talking for them.

This new LP is well worth the wait and is a life-affirming one in an uncertain and perilous time, drowning out daily anxieties like a rush of incoming surf - yet it is far more invigorating than relaxing. True to the Porter Ricks tradition, it will be just as exciting hearing this music as it will be to experience what new cultural mutations it leaves in its wake.



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Following a seventeen year hiatus since the release of Symbiotics on Mille Plateaux in 1999, Porter Ricks returns with a new EP on Tresor with plans for another release this coming year. The duo comprises of sound artist Thomas Köner and music producer Andy Mellwig.

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LP

Genre: Techno, Electronica

Tracklist:

A1. nix
A2.
A3.
A4.
A5.nikakatiting
A6.
A7. ha ho na letho
A8.
A9. impumpununu
A10.

B1. ihe efu
B2. naneke o B3.
B4.
B5.
B6. kpha n a vi
B7.
B8.
B9.
B10. la sh

Short Info:

"Vanatühi" by Kiwanoid is a technopagan concept album. Track titles refer to the word "nothing" in various languages.
The sonic landscape is crafted using deprecated tools: a first-generation 4-bit laptop, the DOS operating system, and a tracker program. Inspired by glitch aesthetics, the sound palette includes clicks, error noises, and low-bitrate techno sounds. Initially, the structures of the pieces may appear complex and chaotic. This electronic thicket might seem abstract, cold, and inaccessible, yet upon closer examination, it reveals a plethora of diverse species, coming across as somewhat nostalgic and warm, evoking surreal associations. From beneath towering sequoias peek pixelated ferns, LED eyes are blinking from below the undergrowth, and against the backdrop of a crackling campfire and cave paintings, a lively stomping of microchips unfolds.
Sudden contrasts, sharp cutting edges, a tachycardic bass drum engine, and irregular polyrhythms make themselves physically felt. Elsewhere, haunting lo-fi textures, hidden ambient drones, mysterious hums, and obscurely garbled samples offer introspective breathers. The dynamic range of the music is favourably extensive, and the raw imperfections of the sound are unmasked by reverb effects or other generic tools. Interwoven throughout are outsider rhythm loops, which could find a home at an alien rave party or a hobgoblin honky-tonk. Various human voice samples build a bridge to the listener, allowing them to embody a cyborg-like experience.

While each twist and turn remains unpredictable, these diverse approaches align in complementary patterns and stochastic regularities, making the whole surprisingly coherent, despite its chaos. The album doesn't bore the audience with intentionally irritating compositions or pseudocomplexity - it demands attention, but doesn't try to outrun its listeners.





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CD

Genre: Ambient Electronics

Tracklist CD:

01 This Time For Sure (2:53)
02 I_m Trying To Be More Positive (1:41)
03 Even I Can See This Now (3:00)
04 Of Course You Know It All (2:01)
05 A Day With Focus (3:15)
06 When You Actually Want To Wake Up (4:16)
07 Drier Days Ahead (2:30)
08 Almost Through (2:30)
09 What Kind of Area (2:06)
10 Right Next To Myself (4:06)
11 Shared Disorientation (7:20)
12 Less Yakkin More Stackin (2:30)


Short Info:

"Positive*" by Neuro... No Neuro is based upon thin slices of memory, and the disintegration of their existence. The day-to-day, with its 'ups and downs', all while operating/existing above and to the right of the body. When the day ends, and the separated is reunited; how does one collect what is no longer there?

Separating consciousness from the corporeal.

Memory and thought are being swept out to sea in granules that are imperceptible to those around you. Short term is riddled with inconsistencies.

Say "so long" to the granules.


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Genre: Experimental
Short Info:
During the 22nd of February 2022, two years after the beginning of the COVID-19 pandemic,
we took audio snippets from our everyday lives documenting our homes and surrounding
urban environments, our intellectual interests and our musical tastes. We also gathered
pictures with our phones. Some of the audio sources were processed, some were not. Here
you get slices of our lives from two different cities, New York and Berlin – a glimpse of the
fragmentation of our times through a broken sonic diary entry

Tracklist:

1/1 : Slices of Life Runtime: 60.00 min

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Cassette, Genre: Electronics, Experimental, Ambient

Genre: Avantgarde Electronics
Short Info:

Dirty Electronics (John Richards) and Oliver Torr met in a bar in Prague. One thing led to
another. After collaborating at Prague Quadrennial to create a sound-installation in a
repurposed ice-hockey arena, gigs followed. They vowed to make an album together, which
finally happened in the geographical space between Prague, London, Brno and Athens. The
album brings together disparate spaces and connected artists as a distorted memory trace.
Improvised group scenarios and abrupt electronic episodes are placed side-by-side in a
brutal marriag.

Tracklist:
1.itsnotasaxcmon_!
2.notim321
3.WeedAptSuite
4.4yorgos
5.risemedi
6.goodnitebirds
7.piu_hiway_bday
8.flash_death

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Format: Book (64p) with integrated USB-Stick containing videos of audiovisual works
Catalogue No.: MP70 EAN: 9783948478193 Release Date: Oct-25th 2023

Genre: fictional history of the electric guitar

Short Info:

This publication combines an artfully designed book (design: Martin Stiehl) and a USB-Stick with high-quality audiovisual recordings of the three parts of the project. The book offers an introduction to the project as a whole but also expands it with articles from the past and the future (co written by Marko Ciciliani and Nicolas Trépanier), as well as a link to online content. Published by MILLE PLATEAUX (MP70) and Galerie der Abseitigen Künste, 2023

"In 1833, Sieglinde Stern, a professional weaver and amateur engineer, invented the first
electromagnetic pickup and thus the first electrically amplified stringed instrument. One hundred years later, in 1933, her invention enabled the production of the first electric guitar, which became one of the most popular and widely played instruments in the history of Western music. Yet today, another 150 years later, no one plays this instrument anymore! What led to the rise and fall of the electric guitar? What is it about this instrument that had its suppressed origins in the craft of weaving and that in its final evolution mutated back into a loom? And who was its inventor Sieglinde Stern, erased from history and only resurrected as David Bowie's Ziggy Stardust?" Why Frets? consists of three works - an audiovisual performance, a mixed-media installation and a performance-lecture - that illuminate different aspects of this fictional history of the electric guitar from various angles. The story is based on speculative fabulation - a deliberate reinvention of the past. Rather than pursuing the idea of creating novelties as an envisaging of the future, speculative fabulation and the rewriting of history proceed from an examination of the conditions under which society and culture arrived at their present state. In this way, the three individual works Why Frets? - Downtown 1983, Why Frets? - Tombstone and Why Frets? - Requiem for the Electric Guitar complement each other in the sense of transmedia storytelling: Each is a self-contained entity, but taken as a whole, the three works shed different lights on the electric guitar, focusing on aspects such as technocultural developments, inscriptions of gender, and social values. ISBN: 978-3-948478-19-3



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Genre: Techno, Electronica, Latin Futurism


Tracklist 2LP:

A1 Fase Montuno 6:22
A2 Temples in the Sky 5:04
B1 Labyrinth and Warrior 5:30
B2 Two Wheels of Fortune 4:35
B3 Ají 5:46
C1 Monkey Puzzle Rainbow 10:19
D1 Tangential Tango 9:58


Short Info:

Cristian Vogel, the esteemed electronic music producer and composer, is set to release his 27th album, 'Fase Montuno'. This highly personal release is a visionary take on the futuristic potential of Latin American electronica.

Set to be released on Achim Szepanski's legendary Mille Plateaux label, 'Fase Montuno' is poised to make a significant impact on the electronic music scene in 2023. The label's commitment to innovative and genre-defying music is a perfect match for Vogel's boundary-pushing creativity, and promises to deliver an unforgettable listening experience for fans old and new.

Don't miss out on this latest release from one of electronic music's most talented and visionary artists. 'Fase Montuno' is an essential addition to any music lover's collection, and a testament to Vogel's continuing relevance and creativity in the electronic music world.

Full international promotion by MODERN MATTERS Berlin


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2LP First Ever Vinyl + 1 Bonus Track

Genre: Electronics, Drone, Dark Ambient

Tracklist 2LP:

A. DAIKAN A (19:54)
B. DAIKAN B (20:03)
C. DAIKAN C (14:10)
D. BANLIEUE DU VIDE (12:03)

Short Info:

The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In DAIKAN (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a sonic drama offers the slowness thanks to which the skin of perceptions can reconstitute themselves; icequakes awaken listeners to the frozen life without scaring them. 2) Banlieue du Vide, considered by many to be Thomas Köner's most iconic audiovisual work and best kept secret, has not been released previously. It is in the collection of a couple of art museums, e.g. the Centre Pompidou in Paris, and has been awarded the Golden Nica at Prix Ars Electronica in 2004, in the category Digital Musics. Banlieue du Vide is the result of months of time-lapse observations of empty streets in the Finnish Arctic Circle, shown in glacially slow slow-motion. Phase cancellation, on which all noise cancelling technology is based, here affects the perception of time, the sense of the flow of time extinguishing itself. At this stage the void is not yet empty, traces of past noise fill the listeners mind with their haunting presence. A remastered stereo version of the soundtrack is released as a special premiere as Bonus Track of the DAIKAN album. Listening to this album, an excess of heat turns into an empowering coldness-like the transient feeling of our terrestrial embodiment in the midst of entropy.

Fréderic Neyrat in October 2022


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CD Incl. 1 bonus track

Genre: Electronics, Drone, Dark Ambient

Tracklist CD:

1. DAIKAN A (19:54)
2. DAIKAN B (20:03)
3. DAIKAN C (14:10)
4. BANLIEUE DU VIDE (12:03)

Short Info:

The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In DAIKAN (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a sonic drama offers the slowness thanks to which the skin of perceptions can reconstitute themselves; icequakes awaken listeners to the frozen life without scaring them. 2) Banlieue du Vide, considered by many to be Thomas Köner's most iconic audiovisual work and best kept secret, has not been released previously. It is in the collection of a couple of art museums, e.g. the Centre Pompidou in Paris, and has been awarded the Golden Nica at Prix Ars Electronica in 2004, in the category Digital Musics. Banlieue du Vide is the result of months of time-lapse observations of empty streets in the Finnish Arctic Circle, shown in glacially slow slow-motion. Phase cancellation, on which all noise cancelling technology is based, here affects the perception of time, the sense of the flow of time extinguishing itself. At this stage the void is not yet empty, traces of past noise fill the listeners mind with their haunting presence. A remastered stereo version of the soundtrack is released as a special premiere as Bonus Track of the DAIKAN album. Listening to this album, an excess of heat turns into an empowering coldness-like the transient feeling of our terrestrial embodiment in the midst of entropy.

Fréderic Neyrat in October 2022



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Genre: Electronics, Experimental, Drum'n' Bass, Electro

Tracklist 2LP:

A1 TQSM 6:13
A2 VEUM 5:53
B1 NPNX 3:13
B2 MGUN 6:40
C1 ZWNE 3:20
C2 ZQQN 3:10
C3 YKTS 2:02
D1 LSYY 4:02
D2 DSXN 5:27
D3 YIOX 3:43

Short Info:

Ibrahim Alfa Jnr released techno music since the age of 17. He started to play piano when was six years old and has a master degree in sonic arts. As a Live Act and DJ he is world wide known.

His first album on Mille Plateaux is a fine example of Hypercussion, which implies a new rhythmic A-logic when beats split or shoot each other off, or when they overlap and mutate into high-pitched hums and rattlesnake breaks; accelerating, before music again blurs into the grains of noise or calm science fiction landscapes and at the same time builds gigantic sound walls. And such music, as far as its conceptualization is concerned, does not have to submit itself to technology at all, but must understand itself as a form that can be recombined with technology.


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LP

Genre: Techno, Electronics, Drone, Dark Ambient

Tracklist LP:

A1 Distal 4:26
A2 Kite Beach 4:08
A3 Constant Waves 4:10
A4 Various Futures 4:16
B1 Paper Area 4:39
B2 Artefact 3:41
B3 Boundary 4:24
B4 Vertical Margins 5:21

Short Info:

Melody Tomb is the first album in a new collaboration between Tokyo artist Teruyuki Kurihara and London drone pop band The Leaf Library. The nine tracks here have in common a metallic hum and a minimal, austere kind of beauty that recalls Teru's work on his 2020 Frozen Dust album (Mille Plateaux). Machine tones mix with static, noise and warm drones, whilst in other places the lineage of classic mangled Warp hardware is visible. In March 2020 The Leaf Library sent their friend Teru a batch of synth drones to play with in the hope a new collaboration would be born. "From the first time we heard Teru's music we knew we wanted to make something with him," say the band. "It has been such a pleasure seeing him take our minimal synth parts and turn them into something really strange and beautiful." The track Kite Beach was the first to arrive, featuring on The Leaf Library-curated Object Ten compilation on Objects Forever in 2021, with the rest of the album slowly appearing over the last year. The artists hope to continue the collaboration with another album in the near future.

For fans of: Autechre, Biosphere, Ben Frost



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Cassette, Genre: Techno, Electronics, Experimental, Clicks & Cuts, Glitch, Ambient

Tracklist CAS

A1 Ultra-Rate 3 [7;38]
A2 Ultra-Scape 4 [4;26]
A3 Ultra-Rate 5 [9:36]
A4 Ultra-Scape 1 [4:46]
B1 Ultra-Scape 2 [4;27]
B2 Ultra-Rate 7 [7:13]
B3 Ultra-Scape 3 [12:22]

Short Info:

Statique is the fifth full length album on Mille Plateaux and Force Inc. labels by Automatisme (the Canadian musician and conceptual artist William Jourdain active since 2011). Jourdain met the label owner Achim Szepanski in 2019 and did an album in solo (Alter-, Mille Plateaux, 2020) plus four others in collaborations (with iadema, Beyond Humans, Stefan Paulus and Viatorism in duo with Pheek). Automatisme now returns as a solo act on that label. The results are, on one side, an expanded vision of fast rhythmic clicks and cuts, like we heard on his Alter-Rate tracks and that are entitled Ultra-Rate on the Statique album. On the other side, it is the multiple Ultra-Scape tracks that are an augmented version of the granulized ambient dub techno he developed since the beginning of the Viatorism moniker. Jourdain adds elements of chaos and perturbation into algorithmic electronic music like static electricity is the presence of a disturbing body in a circuit.


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Cassette, Genre: Electronics, Experimental, Ambient

Tracklist Cassette:

A1 Final Breath 3:25
A2 Fathersong (First Transfiguration) 5:25
A3 Now Suspended 4:27
A4 Second Transfiguration 4:11
A5 The Calling 3:28
A6 Mystery Not Yet Become 5:10
B1 Third Transfiguration 5:25
B2 Nightfallen 4:34
B3 Abrupt Forgetting 2;46
B4 Fourth Transfiguration 6:08
B5 Final Flickers 4:46


Short Info:

Fathersong is Rick Bull's eighth album release under his Deepchild moniker, arriving 10 years after the former Berliner's Neukölln Burning album (Thoughtless Music). Exploring a shimmering post-dub vista, rich in granular textures, Fathersong draws influence and inspiration from contemporaries like Fennesz, Tim Hecker, Burial and Vladislav Delay. Unshackled from the percussive undertow of previous albums, the album's palette nonetheless displays the familiar, sensual pulse of Bull's musical aesthetic.


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Genre: Techno, Electronics

Tracklist 2LP:

A1 Memorista (Intro) 0:51
A2 Hyphaedelity 3:27
A3 Astro Cumbia 6:43
A4 Emanations 3:32
B1 S18 4:35
B2 1Zhuayo Express 8:11
C1 Calavera 4:09
C2 Dronning 2:51
C3 Transferenz (Strom Stadt Mix) 5:32
D1 Cables 4:06
D2 Serpent Acid 4:49


Short Info:

The new Cristian Vogel album "1Zhuayo" sounds as if non-musicology & ultra-blackness is not an end or a destination to be arrived at, but as if it is the point of departure, much like tomorrow relates to the day after tomorrow. As if we have left the space of certainties and are moving instead into one of manifold possibilities. They are anticipated in the micro-structures of sound, which is the process of playing with and against the software. Beyond genre delimitation and fragmentation, it is non-music in the post, without itself immediately becoming a cliché, like deconstructed club music or hyperpop. Without being superficially conceptual, the musical material alone succeeds in creating a different, coherent, sonically possible world.



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Special Remarks: First ever vinyl release. Incl. 2 bonus tracks.

Genre: Electronics, Drone, Dark Ambient

Tracklist 2LP:

A1 NUUK 8:46, A2 AUBRITE 9:32, B1 GROHUK (day) 11:34, B2 TAKLA-MAKAN 7:06,
C1 GROHUK (night) 13:21, D1 NUUK (version) 3:39, D2 GROHUK 10:36

Short Info:

Thomas Köner is one of the most influential modernist minimal composers. His music is often defined as dark ambient or drone, because of the use of low frequencies, material from gongs,shadowy resonances and boreal ambience, but at the same time its sound with constant fluctuation and vulnerability of sonic events, what makes it organic, human and almost comforting.

Köners soundscapes are no longer simply dark, the question now is that of a profound blackness. Such is the generic darkness of the abyss, the void and vacuum, the darkness of more than silence, of catastrophe and cataclysm, but also the soundscapes have utopian moments. It is a cosmological blackness, the black of nonbeing.

The more subtractive, the blacker the sound synthesis, Köner writes. Such blackness is non-music. Music will never be music until it ceases to represent and begins to sound like non-music or monochrome.

"Whoever hears the distortion of all sounds, will soon become Ultrablack. Whoever listens to this world, but has no affection for any of its sites, even to the place of Black Noise, may soon reach Ultrablack. Whoever understands the spirit of impartiality through ten thousand million partial tones, hears Ultrablack and can no longer be measured. No measures, no enclosures, no properties are the sign of ultrablack scores." Thomas Köner

Aubrite was first released 1995 on the label Barooni. Roland Speckle helped with production of the album. Aubrite is the name of a group of meteorites named for Aubres, a small achondrite meteorite that fell near Nyons in 1836.


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Format: 2LP


Genre: Techno, Electronics

Tracklist 2LP:

A1 Redundance 1 (6:06)
A2 Redundance 3 (6:19)
A3 Redundance (Version) (4:15)
B1 Redundance 5 (7:02)
B2 Redundance 6 (4:32)
B3 Scuba Lounge (10:28)
C1 Spoiled (9:47)
C2 Spoil (7:56)
D1 Decay Chart (7:15)
D2 Explore (5:47)
D3 Exposed (4:24)

Short Info:

Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.



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2LP
Genre: Electronics, Ambient, Glitch

Tracklist :

Coin Trap
Down
Blurry Wind
Foggy
Glide
D-W
Krgecr-A09
Frozen Dust
Lost
1krgec-A34+gt


Short Info:


"Frozen Dust" is an album unified by the theme of "destruction" and "creation". Inspired by the power of nature; we've expressed how we humans overcome the magnificent phenomena and impacts nature has on us - while it brings us joy, it can sometimes take away our lives and pleasures, We've incorporated this rather difficult theme by telling stories of fictional characters in the album; an adventurer in the Arctic region who confronts the threat of nature and survives between life and death, or a widow who never eases the pain of losing her sailor husband by a great storm in the Age of Discovery.
"Frozen Dust" is our manifestation of destruction and creation and each sound brings you the essence of it.


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Genre: Electronics,, Glitch


Tracklist:
Alter-Rate 8
Alter-Rate 3
Alter-Scape 6
Alter-Rate 2
Alter-Rate7
Alter-Scape3
Alter-Rate 6
Alter-Rate 9
Alter-Scape4
Alter-Rate 1
Alter-Scape 6
Alter-Scape7


Short Info:

ALTER- : A REACTION TO THE ALTERMODERNISM IN SOUND ART
For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be more radical in art by traveling in the physical and digital world, by cutting the frontiers and by creating other time lines. I apply the "alter" subject to time and to landscape and those, to the rhythmic and the ambient glitch music



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Genre: Electronica, Ambient

Tracklist DLP:
A1: EXTENSION (Attack) - 3:17
A2: COGITATION (Decay) - 6:27
B1: POTENTIAL (Sustain) - 4:32
B2: EXPRESSION (Release) - 6:11
C1: SUBSTRATE (Binaural) - 7:02
C2: OSCILLATOR (Luminous) - 3:28
D1: SUBSTANCE (Suicide) - 4:29
D2: SYNTHESIS (Carnal) - 4:41

Info:
Motus is more (to me) than just music made with analogue synthesizers, it is about attitude, a way of relating to sound and the affects.
A lifestyle, where movement, being moved and moving become one. My practice is vibrational, about the skin, touch and surfaces and the gaseous medium in between.
I dream of a dance floor where Motus would be enjoyed. What kind of world, or rather, what kind of society would allow that? And when? Is this futuristic? A situation-to-come, where the understanding of music expands greatly, when blissful moments are independent of simple melodies, where harmony appears beyond I-V-vi-IV chord progressions, when the techniques of social alienation, which determine the use of all the drugs that accompany recreational music, are reversed into creative tools of exploration. 'Motus' is part of this exploration: to find dance, free of clock, and groove, free of rhythm. There is pulsation, and the downbeat connects to the downward beings as in stones and minerals, the upbeat connects to the upward beings as in grasses, flowers, trees and stars. Binding both together, connecting sky and earth, is the dancer. The moves / the movement is pure. It is the kiss of spirit and matter.(Thomas Köner)



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- 3x12“ gatefold vinyl – with turquoise foil embossing

Tracklisting:

LP
1. (A1) Sven Väth – Silvi‘s Dream (Damiano Von Erckert Remix)
2. (A2) Sven Väth – What I Used To Play (Roman Flügel Remix)
3. (B1) Sven Väth – The Worm (Robag Wruhme Remix)
4. (B2) Sven Väth – We Are (Jonathan Kaspar Remix)
5. (C1) Sven Väth – Feiern (Krystal Klear Remix)
6. (C2) Sven Väth – Mystic Voices (Benjamin Damage Remix)
7. (D1) Sven Väth – Nyx (PAS Deep Heet Remix)
8. (D2) Sven Väth – Butoh (Robert Hood Remix)
9. (E1) Sven Väth – Nyx (Planetary Assault Systems Remix)
10. (E2) Sven Väth – Being In Love (Harald Björk Remix)
11. (F1) Sven Väth – Catharsis (Mano Le Tough Remix)
12. (F2) Sven Väth – Silvi‘s Dream (Florian Hollerith Remix)

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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Territories: WORLD EXCL UK,US,CA,BENELUX, NZ,AU

LP / **LTD 'BOONE'S EYE' EDITION COLOURED VINYL

Tracklist: 1. Plan Ahead 2. Song 2B 3. White 4. Everything In Its Sweet Time 5. Now 6. Boone 7. Temple Of Doom 8. Heed The Dark Lord 9. Safe House 10 We War

If *Goodbye, Asshole* was the wild night—tequila-sharp riffs, sticky floors, and last-call chaos howled into the void of a disappearing city—then *Boone* is the merciless morning after. The sun cracks the blinds. The brain throbs. Every bad decision gleams in the hard light, raw and undeniable.

Fuckwolf’s second album pares their scuzz-wave blitz down to exposed nerves: Eric Park’s basslines stalk like a hangover pulse, Simon Phillips’ drums land like a palm slapping the alarm into silence, and Tomo Yasuda’s guitar wirings spit like diner coffee left to burn on the hotplate. The fog has lifted; the damage is inventoried. These ten tracks are crime scene Polaroids, tales of longing and woe, fresh mystery bruises and eulogies.

There’s no wallowing here, just the tight, terrible beauty of a band that’s stared down the void and come back swinging.

The party’s dead. Long live the reckoning.

Fuckwolf have been around the SF scene for a while, and it took Ethan Miller (Silver Current / Comets On Fire / etc) ages to get them to record the debut album, they then toured Japan and released a limited split mini with Green Milk From The Planet Orange. They reconvened late 2024 and recorded Boone..

This new album "Boone", polishes and extrapolates the fizzing psychedelia of their first album, and turns Fuckwolf into the heirs to the crown of mass-consumptive Sike-rock. This album is in the same vein as Mercury Rev's "Yerself Is Steam", Butthole Surfers' "Rembrandt Pussyhorse" and Flaming Lips "Telepathic Surgery", there's sheer pop in amongst the mind's eye rattling dollops of psychedelic wallop... the Koolaid was drunk and the songs were made.. plug it in, turn on...drop out.

Master by the one and only Mikey Young!!

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Rights: World excluding FR & UK

Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.

COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice

VINYL EDITION

Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct

Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine


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Liebigstrasse 2-20
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