File Under: Arcane Treasures / Subtle Body Dance
Release Date: February 19th, 2021
Digging deep through old and new, Basso captures arcane woodland fusion, serene electronic suites and wide eyed Balearic bliss on this first Growing Bin compilation.
This collection celebrates those precious records which land in your life on their own terms. Even the most advanced digger will admit that chance is the secret ingredient in any successful haul. Sure, it helps if you know where to look, but if you arrive a day early at that secluded second hand shop, or an hour late at the convention, you might miss out on a rare sight of sound. But there are still ways to skew the odds in your favour. Even in the most crowded urban environment, a solitary tree soon becomes a nest, and Basso's fostered an abundant garden in his Hamburg hometown. A decade on and the Growing Bin is a safe haven for those exquisite sounds crowded out of the mainstream, the rare birds with the most striking song.
'Coffee' comes right after cocoa in the bin's headquarter, though start your morning with One Tongue and be prepared for a different kind of day. A witch's brew spiced with a hint of Durian and the early bird, this 1990 composition could be the blueprint for the Teutonic trance dancers beloved by the Salon set. A more meditative magic flows through the A2, a smooth blend of fusion guitar, softly syncopated drums and counterpoint keys from one time art-rockers Inandout. This Growing Bin favourite from their '93-95' LP sounds right at home beside the majestic melodies and spheric bass of Matthias Raue's 'Brücke am schwarzen Fluss 2'. Taken from the soundtrack to a TV drama filmed in Mali, this digital homage to African rhythm shimmies in step with New Age dancers from Mkwaju Ensemble and Louis Crelier. The A-side ends with the unbridled optimism of Kosmische maverick Hardy Kukuk. The synthesist hit the studio with friends Karsten Raecke and Andreas Schneider in 86, coalescing crystalline electronics and gentle guitar into tender chord progressions suited for sun bathing beside the Sea of Tranquility.
The second side slinks into motion with the deep beauty and sincere spoken word of Frank Suchland's 'Schnee', a subtle body in a cocoon of reverb which takes Sade's 'I Never Thought I'd See The Day' to another level of placidness. Melancholic Germans Die Fische met in Cairo for the first time, and 'Conversation Of Everyday Lovers' could be the theme for that great city. Underpinned by primal percussion and a restrained groove, the track twists and turns between a trio of ineffable motifs, eternal combinations to the catacombs of Abusir. From there we go sublime, soaring skywards with a ten minute triumph from Hugh Mane. Balancing concentric sequences and space age synth riffs atop an irresistible breakbeat and bubbling bassline, the British producer finds a sensuous sweet-spot between fellow Growing Bin affiliates Krakatau and Singu.
Lucky are we who hear the Bin's sounds.
Patrick Ryder
A1 One Tongue - Coffee 5 :08
A2 I.A.O. - Helium IIIs 4 :28
A3 Matthias Raue - Brücke am schwarzen Fluss 2 2 :11
A4 Hardy Kukuk - Freundschaft 5 :18
B1 Frank Suchland - Schnee 4 :32
B2 Die Fische - Conversation Of Everyday Lovers 4 :06
B3 Hugh Mane - Out In The Ether 9 :59
Mastered and restored by Sergey Luginin @ Luginin Studio
More
Release Date: February 19th, 2021
Digging deep through old and new, Basso captures arcane woodland fusion, serene electronic suites and wide eyed Balearic bliss on this first Growing Bin compilation.
This collection celebrates those precious records which land in your life on their own terms. Even the most advanced digger will admit that chance is the secret ingredient in any successful haul. Sure, it helps if you know where to look, but if you arrive a day early at that secluded second hand shop, or an hour late at the convention, you might miss out on a rare sight of sound. But there are still ways to skew the odds in your favour. Even in the most crowded urban environment, a solitary tree soon becomes a nest, and Basso's fostered an abundant garden in his Hamburg hometown. A decade on and the Growing Bin is a safe haven for those exquisite sounds crowded out of the mainstream, the rare birds with the most striking song.
'Coffee' comes right after cocoa in the bin's headquarter, though start your morning with One Tongue and be prepared for a different kind of day. A witch's brew spiced with a hint of Durian and the early bird, this 1990 composition could be the blueprint for the Teutonic trance dancers beloved by the Salon set. A more meditative magic flows through the A2, a smooth blend of fusion guitar, softly syncopated drums and counterpoint keys from one time art-rockers Inandout. This Growing Bin favourite from their '93-95' LP sounds right at home beside the majestic melodies and spheric bass of Matthias Raue's 'Brücke am schwarzen Fluss 2'. Taken from the soundtrack to a TV drama filmed in Mali, this digital homage to African rhythm shimmies in step with New Age dancers from Mkwaju Ensemble and Louis Crelier. The A-side ends with the unbridled optimism of Kosmische maverick Hardy Kukuk. The synthesist hit the studio with friends Karsten Raecke and Andreas Schneider in 86, coalescing crystalline electronics and gentle guitar into tender chord progressions suited for sun bathing beside the Sea of Tranquility.
The second side slinks into motion with the deep beauty and sincere spoken word of Frank Suchland's 'Schnee', a subtle body in a cocoon of reverb which takes Sade's 'I Never Thought I'd See The Day' to another level of placidness. Melancholic Germans Die Fische met in Cairo for the first time, and 'Conversation Of Everyday Lovers' could be the theme for that great city. Underpinned by primal percussion and a restrained groove, the track twists and turns between a trio of ineffable motifs, eternal combinations to the catacombs of Abusir. From there we go sublime, soaring skywards with a ten minute triumph from Hugh Mane. Balancing concentric sequences and space age synth riffs atop an irresistible breakbeat and bubbling bassline, the British producer finds a sensuous sweet-spot between fellow Growing Bin affiliates Krakatau and Singu.
Lucky are we who hear the Bin's sounds.
Patrick Ryder
A1 One Tongue - Coffee 5 :08
A2 I.A.O. - Helium IIIs 4 :28
A3 Matthias Raue - Brücke am schwarzen Fluss 2 2 :11
A4 Hardy Kukuk - Freundschaft 5 :18
B1 Frank Suchland - Schnee 4 :32
B2 Die Fische - Conversation Of Everyday Lovers 4 :06
B3 Hugh Mane - Out In The Ether 9 :59
Mastered and restored by Sergey Luginin @ Luginin Studio
More
More records from Growing Bin Records
1
Gosha Martynov & Natasha Sinyakova - A1. Pozhaluysta
2
Gosha Martynov & Natasha Sinyakova - A2.Osvobodi Menia
3
Gosha Martynov & Natasha Sinyakova - A3.Ya Tebia Zhdala
4
Gosha Martynov & Natasha Sinyakova - A4.O Dereve
5
Gosha Martynov & Natasha Sinyakova - B1. Imena Rek
6
Gosha Martynov & Natasha Sinyakova - B2.Rany
7
Gosha Martynov & Natasha Sinyakova - B3.Smeshno
8
Gosha Martynov & Natasha Sinyakova - B4. Iskra
LP
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
More
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
More
1
The Person - A1. Magic $
2
The Person - A2. The Person
3
The Person - B1. Magic $ - Hysteric's Cheap Infinity Mix
4
The Person - B2. Go To Work
File Under: ITALOZ DISCO / Cosmic Boogie
The Person is back on the dancefloor and she brought the delicious Australian version of a good old Italian recipe - ITALOZ DISCO. Mouthwatering rhythms spiced with everyday hustle, cosmic boogie and the extra dose of synthesizer! Changing the Meatballs for Oddballs to worship the Magic $ properly. Sull' alto lato (aka on the B-Side) we're changing the Oddballs for the Mothballs as the one and only Hysteric warms up the magic ragout in his unique steam-powered kitchen. Now go to work!
You still need to be convinced? Take these great lines by Patrick:
"Magic $" beams into the discotheque direct from deep space; a shimmering body of squelching bass, nebulous pads and snapping percussion which hosts Minna's bewitching vocals. The arch delivery and vintage sequences flirt with kitsch, but that playful genius particular to The Person pushes this into wonderfully wonkier territories. Basslines climb, keys collapse and the whole thing chugs and bubbles through a flawless arrangement. We thought they didn't make them like this anymore, but we were wrong. Stepping in on remix duty, renowned (Moth)baller Hysteric turns out a treatment that's worth a million bucks, boosting the bottom end with an acidic sequence, supercharging the percussion and punching in some strange sampler fun to guarantee utter club chaos.
Every superhero needs a theme song, and "The Person" sees Minna step away from the dancefloor to deliver a synthetic ballad for lucid dreamers everywhere. Jamming on top of a malfunctioning Jomox, Minna channels chimes, piano and a gentle chug into the classiest chord progression this side of Mike Francis. Closing cut "Go To Work" gives us neon lights and nighthawks as The Person indulges in a little Antipodean electro, proving once and for all that Australians Do It Better.
A1 Magic $
A2 The Person
B1 Magic $ - Hysteric's Cheap Infinity Mix
B2 Go To Work
Music by The Person aka Minna Wight
More
The Person is back on the dancefloor and she brought the delicious Australian version of a good old Italian recipe - ITALOZ DISCO. Mouthwatering rhythms spiced with everyday hustle, cosmic boogie and the extra dose of synthesizer! Changing the Meatballs for Oddballs to worship the Magic $ properly. Sull' alto lato (aka on the B-Side) we're changing the Oddballs for the Mothballs as the one and only Hysteric warms up the magic ragout in his unique steam-powered kitchen. Now go to work!
You still need to be convinced? Take these great lines by Patrick:
"Magic $" beams into the discotheque direct from deep space; a shimmering body of squelching bass, nebulous pads and snapping percussion which hosts Minna's bewitching vocals. The arch delivery and vintage sequences flirt with kitsch, but that playful genius particular to The Person pushes this into wonderfully wonkier territories. Basslines climb, keys collapse and the whole thing chugs and bubbles through a flawless arrangement. We thought they didn't make them like this anymore, but we were wrong. Stepping in on remix duty, renowned (Moth)baller Hysteric turns out a treatment that's worth a million bucks, boosting the bottom end with an acidic sequence, supercharging the percussion and punching in some strange sampler fun to guarantee utter club chaos.
Every superhero needs a theme song, and "The Person" sees Minna step away from the dancefloor to deliver a synthetic ballad for lucid dreamers everywhere. Jamming on top of a malfunctioning Jomox, Minna channels chimes, piano and a gentle chug into the classiest chord progression this side of Mike Francis. Closing cut "Go To Work" gives us neon lights and nighthawks as The Person indulges in a little Antipodean electro, proving once and for all that Australians Do It Better.
A1 Magic $
A2 The Person
B1 Magic $ - Hysteric's Cheap Infinity Mix
B2 Go To Work
Music by The Person aka Minna Wight
More
LP- 2022 Repress Edition
Acid bass, slow funk and cosmic energy make for a mind expanding trip in the Liquid Canoe. Load up on edibles, make it a macro-dose and let the music lead the way. Whether you’re hard at work on a Hamburg allotment, basking in the heat of a Balinese beach or enjoying the cool waters of the Salish Sea, remember that the same sky stretches over all of us. And if you forget your finger for a minute and soak in the heavenly beauty instead, you might just catch the cosmic vibrations of Liquid Canoe, the latest members of the Growing Bin family. A loose ensemble, Liquid Canoe is the brainchild of Wolfgang Matthes, a lost Angelino who’s swapped the rush and push of a mega city for the space of the Pacific Northwest - and listening to this eight track offering, you’ll realise that space is the place. Armed with an array of vintage synths and programmed rhythms, Wolfgang sketched out a slew of inter dimensional transmissions, inspired by the commune electronics and space rock of 70s Germany and inhabited by the spirit of the boogie. Inviting friends to drop by and lend their own instrumental skill, Wolfgang quickly turned Liquid Canoe into a true collaboration. Finalised in a converted stable on Galiano Island, the LP is a perfect marriage of the electronic and organic, shimmering arps and spheric synth bass intertwined with American primitive guitar, nuanced hand percussion and glassy chimes. As this mind expanding collection stretches out towards infinity, you’ll hear Floyd-ian funk, cosmic dub, tangerine daydreams and micro-dosed ambience, all imbued with the memories of New York lofts, Bay Area warehouses, skyscraping pines or the world wide web of fungi. Liquid Canoe taking you on an oarsome trip.
More
Acid bass, slow funk and cosmic energy make for a mind expanding trip in the Liquid Canoe. Load up on edibles, make it a macro-dose and let the music lead the way. Whether you’re hard at work on a Hamburg allotment, basking in the heat of a Balinese beach or enjoying the cool waters of the Salish Sea, remember that the same sky stretches over all of us. And if you forget your finger for a minute and soak in the heavenly beauty instead, you might just catch the cosmic vibrations of Liquid Canoe, the latest members of the Growing Bin family. A loose ensemble, Liquid Canoe is the brainchild of Wolfgang Matthes, a lost Angelino who’s swapped the rush and push of a mega city for the space of the Pacific Northwest - and listening to this eight track offering, you’ll realise that space is the place. Armed with an array of vintage synths and programmed rhythms, Wolfgang sketched out a slew of inter dimensional transmissions, inspired by the commune electronics and space rock of 70s Germany and inhabited by the spirit of the boogie. Inviting friends to drop by and lend their own instrumental skill, Wolfgang quickly turned Liquid Canoe into a true collaboration. Finalised in a converted stable on Galiano Island, the LP is a perfect marriage of the electronic and organic, shimmering arps and spheric synth bass intertwined with American primitive guitar, nuanced hand percussion and glassy chimes. As this mind expanding collection stretches out towards infinity, you’ll hear Floyd-ian funk, cosmic dub, tangerine daydreams and micro-dosed ambience, all imbued with the memories of New York lofts, Bay Area warehouses, skyscraping pines or the world wide web of fungi. Liquid Canoe taking you on an oarsome trip.
More
1
Matthieu Beck - A1. Island
2
Matthieu Beck - A2.California
3
Matthieu Beck - A3. Rooftop Rome
4
Matthieu Beck - A4. Suede
5
Matthieu Beck - B1.Malika
6
Matthieu Beck - B2. Retour De Plage
7
Matthieu Beck - B3.Tokyo Montana
8
Matthieu Beck - B4. Dora
9
Matthieu Beck - B5. Piano Fin
LP
File Under: Tropical Dreams / Pop for the clouds
Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism.
Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down.
Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.
A1 Island
A2 California
A3 Rooftop Rome
A4 Suede
B1 Malika
B2 Retour De Plage
B3 Tokyo Montana
B4 Dora
B5 Piano Fin
Music by Matthieu Beck
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Sales notes by Patrick Ryder
More
File Under: Tropical Dreams / Pop for the clouds
Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism.
Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down.
Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.
A1 Island
A2 California
A3 Rooftop Rome
A4 Suede
B1 Malika
B2 Retour De Plage
B3 Tokyo Montana
B4 Dora
B5 Piano Fin
Music by Matthieu Beck
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Sales notes by Patrick Ryder
More
Label:Growing Bin Records
Cat-No:GBR042
Release-Date:17.06.2022
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:Growing Bin Records
Cat-No:GBR042
Release-Date:17.06.2022
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Nelson Brandt - A1. Passepartout
2
Nelson Brandt - A2. Knalleffekt
3
Nelson Brandt - A3. Schwimmen
4
Nelson Brandt - A4. Das Koksquartett
5
Nelson Brandt - A5. Assoziationsketten
6
Nelson Brandt - B1. Schweben
7
Nelson Brandt - B2. Appartement N°5
8
Nelson Brandt - B3. Goetterspeise
9
Nelson Brandt - B4. Digitale Liebe
10
Nelson Brandt - B5. Schadstoffe
11
Nelson Brandt - B6. Platte
LP
File Under: Emotional Boogie Intellectualism / Dilettante Dreams
Release Date: June 17, 2022
Nepumuk / Knowsum glides onto the Growing Bin under his given name, living his best life in this lush loungecore fantasy. Eyebrow raised and hips unlocked, Nelson strolls through affluent funk, sun-blushed boogie and slacker soul to deliver a playful pop masterpiece. A Revered MC and renowned beat maker, his syrup-smooth vocals are just the cocktail cherry on top.
A1 Passepartout
A2 Knalleffekt
A3 Schwimmen
A4 Das Koksquartett
A5 Assoziationsketten
B1 Schweben
B2 Appartement N°5
B3 Go?tterspeise
B4 Digitale Liebe
B5 Schadstoffe
B6 Platte
Music by Nelson Brandt aka Knowsum aka Nepumuk
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Cheers, [email protected]
More
File Under: Emotional Boogie Intellectualism / Dilettante Dreams
Release Date: June 17, 2022
Nepumuk / Knowsum glides onto the Growing Bin under his given name, living his best life in this lush loungecore fantasy. Eyebrow raised and hips unlocked, Nelson strolls through affluent funk, sun-blushed boogie and slacker soul to deliver a playful pop masterpiece. A Revered MC and renowned beat maker, his syrup-smooth vocals are just the cocktail cherry on top.
A1 Passepartout
A2 Knalleffekt
A3 Schwimmen
A4 Das Koksquartett
A5 Assoziationsketten
B1 Schweben
B2 Appartement N°5
B3 Go?tterspeise
B4 Digitale Liebe
B5 Schadstoffe
B6 Platte
Music by Nelson Brandt aka Knowsum aka Nepumuk
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Cheers, [email protected]
More
1
Andreas Kunzmann - A1. Coffein
2
Andreas Kunzmann - A2. Sputnik Rave
3
Andreas Kunzmann - A3. Sleeping Sunny Day
4
Andreas Kunzmann - A4. Stop & Go
5
Andreas Kunzmann - A5. Yellow
6
Andreas Kunzmann - B1. Seaside
7
Andreas Kunzmann - B2. Echolot
8
Andreas Kunzmann - B3. Long Way
9
Andreas Kunzmann - B4. Troubleshooting
10
Andreas Kunzmann - B5. Simple
LP
File Under: Dance & Chill
Release Date: Mai 27, 2022
Tribal electronics, dubby downbeat, sedated house and disoriented breaks coming from Molto Brutto's Andreas Kunzmann. Following on from his essential reissue of II aka Molto Brutto's feverish and freaky second LP, Basso fires up the Growing Bin lathe for a further foray into AK's eccentric catalogue. Recorded between 1998-2005 and unreleased until now, these genre-fluid tracks retain the unorthodox charm central to the Austrian's art. Sometimes dancing is just falling to music, and Andreas lives the life unbalanced.
A1 Coffein
A2 Sputnik Rave
A3 Sleeping Sunny Day
A4 Stop & Go
A5 Yellow
B1 Seaside
B2 Echolot
B3 Long Way
B4 Troubleshooting
B5 Simple
More
File Under: Dance & Chill
Release Date: Mai 27, 2022
Tribal electronics, dubby downbeat, sedated house and disoriented breaks coming from Molto Brutto's Andreas Kunzmann. Following on from his essential reissue of II aka Molto Brutto's feverish and freaky second LP, Basso fires up the Growing Bin lathe for a further foray into AK's eccentric catalogue. Recorded between 1998-2005 and unreleased until now, these genre-fluid tracks retain the unorthodox charm central to the Austrian's art. Sometimes dancing is just falling to music, and Andreas lives the life unbalanced.
A1 Coffein
A2 Sputnik Rave
A3 Sleeping Sunny Day
A4 Stop & Go
A5 Yellow
B1 Seaside
B2 Echolot
B3 Long Way
B4 Troubleshooting
B5 Simple
More
2LP - 2022 Repress Edition
Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of percussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Düsseldorf stands Wolf Müller, master of the tropical drums and seven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt,
Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demented Euro dance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these
two titans will make you swing your pants like a Crash Bandicoot victory dance…so stretch out
and step in to ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergarten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed
basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1.
Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of
freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece;
but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive
experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excellent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom,
the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for
mental health.
Tracklist:
A1 Der Mitte der World 11:57
A2 Lockerina 5:55
B1 Expedition 12:02
B2 Auflösung 5:55
C1 Welcome zum Paradies 10:56
C2 Kleiner Trommelbaum 1:15
C3 Traum 4 6:51
C4 Kurzgedichte 1:12
D1 Ahu 5:53
D2 Aus Versehen angetörnt 1:06
D3 Weltraumsandalen 6:33
D4 Ein Afrikadelle Danke 3:25 More
Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of percussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Düsseldorf stands Wolf Müller, master of the tropical drums and seven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt,
Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demented Euro dance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these
two titans will make you swing your pants like a Crash Bandicoot victory dance…so stretch out
and step in to ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergarten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed
basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1.
Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of
freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece;
but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive
experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excellent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom,
the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for
mental health.
Tracklist:
A1 Der Mitte der World 11:57
A2 Lockerina 5:55
B1 Expedition 12:02
B2 Auflösung 5:55
C1 Welcome zum Paradies 10:56
C2 Kleiner Trommelbaum 1:15
C3 Traum 4 6:51
C4 Kurzgedichte 1:12
D1 Ahu 5:53
D2 Aus Versehen angetörnt 1:06
D3 Weltraumsandalen 6:33
D4 Ein Afrikadelle Danke 3:25 More
1
Taro Nohara - A1. Space Debris
2
Taro Nohara - A2. Ill Eel
3
Taro Nohara - A3. Baker Baker Paradox (Acid Mix)
4
Taro Nohara - A4. Shikantaza
5
Taro Nohara - A5. We Call it Tekno!
6
Taro Nohara - B1. Celestial Harmonia
7
Taro Nohara - B2. Use Your Head
8
Taro Nohara - B3. Airplane Without People
9
Taro Nohara - B4. Music For Psychic Liberation
10
Taro Nohara - B5. Hyper Nu Age Tekno!
LP
File Under: Hyper Nu Age Tekno! / Contemporary Dance
Release Date: March 25, 2022
Equal parts Sheffield bleep, fractal IDM and interstellar ambience, Hyper Nu Age Tekno sees Taro Nohara (aka Yakenohara) plotting a star map on a faded rave flyer. Let the billionaires blast into orbit while you explore your inner space with Growing Bin.
From the LP's earliest moments, the whomping subs and crystalline chimes of "Space Debris", it's clear that we're a long way from Hamburg. Taro pilots this craft on a deep space exploration way beyond the run out groove, to a place where heartening chords herald a twin sunrise and any broadcasts are lost in translation. The polyrhythmic pulse of "Ill Ell" follows, its concentric chimes and rapid fire kicks summoning the teknoguild to a watery altar in the engineering department. Sticking with interstellar mysticism but taking a turn for the transcendent, "Baker Baker Paradox" spins Reich-ian repetition into a graphene gossamer embellished with chrome, crystal and shoegaze shimmer.
The B-side begins on the observation deck, bathing in the beauty of "Celestial Harmonia"'s sci-fi exotica, before the entheogenic "Use Your Head" prompts a delirious dash to the holodeck. Laying serene pads over a techy 4/4, Taro turns out the most danceable and dreamy track on the LP. As ambient chords ring out into the aether and rhythmic pulses shift out of phase, "Airplane Without People" is the loading screen for your virtual fantasy, soon rendered through the woody percussion and spheric bass of "Music For Psychic Liberation". Leave your body behind as you pick mushrooms in a CGI forest.
A1 Space Debris
A2 Ill Eel
A3 Baker Baker Paradox (Acid Mix)
A4 Shikantaza
A5 We Call it Tekno!
B1 Celestial Harmonia
B2 Use Your Head
B3 Airplane Without People
B4 Music For Psychic Liberation
B5 Hyper Nu Age Tekno!
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
More
File Under: Hyper Nu Age Tekno! / Contemporary Dance
Release Date: March 25, 2022
Equal parts Sheffield bleep, fractal IDM and interstellar ambience, Hyper Nu Age Tekno sees Taro Nohara (aka Yakenohara) plotting a star map on a faded rave flyer. Let the billionaires blast into orbit while you explore your inner space with Growing Bin.
From the LP's earliest moments, the whomping subs and crystalline chimes of "Space Debris", it's clear that we're a long way from Hamburg. Taro pilots this craft on a deep space exploration way beyond the run out groove, to a place where heartening chords herald a twin sunrise and any broadcasts are lost in translation. The polyrhythmic pulse of "Ill Ell" follows, its concentric chimes and rapid fire kicks summoning the teknoguild to a watery altar in the engineering department. Sticking with interstellar mysticism but taking a turn for the transcendent, "Baker Baker Paradox" spins Reich-ian repetition into a graphene gossamer embellished with chrome, crystal and shoegaze shimmer.
The B-side begins on the observation deck, bathing in the beauty of "Celestial Harmonia"'s sci-fi exotica, before the entheogenic "Use Your Head" prompts a delirious dash to the holodeck. Laying serene pads over a techy 4/4, Taro turns out the most danceable and dreamy track on the LP. As ambient chords ring out into the aether and rhythmic pulses shift out of phase, "Airplane Without People" is the loading screen for your virtual fantasy, soon rendered through the woody percussion and spheric bass of "Music For Psychic Liberation". Leave your body behind as you pick mushrooms in a CGI forest.
A1 Space Debris
A2 Ill Eel
A3 Baker Baker Paradox (Acid Mix)
A4 Shikantaza
A5 We Call it Tekno!
B1 Celestial Harmonia
B2 Use Your Head
B3 Airplane Without People
B4 Music For Psychic Liberation
B5 Hyper Nu Age Tekno!
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
More
1
Shelter - Variation Abyssale I
2
Shelter - Immersion
3
Shelter - La Vie à L'Ombre
4
Shelter - Plénitude Azotée
5
Shelter - Parade
6
Shelter - Interlude
7
Shelter - Variation Abyssale II
8
Shelter - Dans La Jungle De Varech
9
Shelter - Hors d'Haleine
10
Shelter - Fumeurs Noirs
11
Shelter - Synthi Outro
Release Date: June 25th 2018 - 2022 Repress Edition
Tracklist:
A1. Variation Abyssale (Part 1)
A2. Immersion
A3. La Vie à L‘Ombre
A4. Plénitude Azotée
A5. Parade
A6. Interlude
B1. Variation Abyssale (Part 2)
B2. Dans la Jungle de Varech
B3. Hors d_Haleine
B4. Fumeurs Noirs
B5. Synthi Outtro
Info:
Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes inthe tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from theshoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previousreleases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms orBalearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his analternate score to Jean Faurez’ 1960 documentary short.More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trillsechoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid.Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests.‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for thedancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwatervolcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glisteningsequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk seesout the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing thealbum opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle DeVarech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expandingour horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with thetidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel atthe soft focus splendour of ‘Synthii Outro’.This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge…(words by Patrick Ryder)
More
Tracklist:
A1. Variation Abyssale (Part 1)
A2. Immersion
A3. La Vie à L‘Ombre
A4. Plénitude Azotée
A5. Parade
A6. Interlude
B1. Variation Abyssale (Part 2)
B2. Dans la Jungle de Varech
B3. Hors d_Haleine
B4. Fumeurs Noirs
B5. Synthi Outtro
Info:
Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes inthe tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from theshoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previousreleases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms orBalearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his analternate score to Jean Faurez’ 1960 documentary short.More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trillsechoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid.Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests.‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for thedancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwatervolcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glisteningsequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk seesout the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing thealbum opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle DeVarech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expandingour horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with thetidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel atthe soft focus splendour of ‘Synthii Outro’.This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge…(words by Patrick Ryder)
More
LP, 2022 Repress Edition
File Under: Kosmik Improvosations
Tracklist:
A1. Aurora Gate 8:28
A2. Bop2B 3:06
A3. Nabegu 7:41
B1. Fazaria 6:45
B2. 882 6:59
B3. 44 9:15
Free your mind and float away, you’re now entering the mode of the Growing Bin. Hamburg’s centre for
audio enlightenment is back with another sublime sensory experience, this time from the land of the
rising sun.
Keen to get another stamp on his passport, Basso reached out to Japanese duo Singu, two open minded
cats who just love to jam. Marrying Kiyo’s free drumming with Keta Ra’s melodic mastery of keyboard
and guitar, the two-piece fuse free jazz, post-rock, kosmische and ambient into immersive and esoteric
improvisations. Free from any compositional concerns, the Hiroshima outfit trade in energy, emotion
and expression.
The frenetic percussion and ephemeral melodies of opener ‘Aurora Gate’ instantly transport you to the
breathless churn of a Tokyo crossroads, where thousands of people rush by but you stand still in the eye
of the storm. Though they may be explosive, the drums sit back in the mix, offering a soft intensity behind the shimmering wall of melody. A nimble and nuanced affair, ‘Bop’ brings rapid fire rhythm, slick
syncopation and hypnotic piano refrains. Cool bass rolls along like KDJ’s ‘Rectify’, as Singu update the
acid jazz template like Toshio Matsuura covering Carl Craig. Singu journey from far out to Furthur on Aside closer ‘Nagebu’, strapping in for psychedelic synth wig out which is heavy on the resonance and free
on the filter.
Blooming out of the darkness on the B1, Basso favourite ‘Fazaria’ soothes and moves you with its twinkling keys, nebulous wave forms and delicate guitar, leaving you wide eyed in wonder as the drum fills
burst like fireworks across a star-filled sky. ‘828’ sweeps into abstraction as Kiyo and Keta Ra combine
snapping glitches and aquatic electronics with fractal guitar tones and woozy bass, pushing through a
portal to see what’s beyond. An a-grade wall melter, this trip makes great use of tension as the crisp machine drums stand in sharp contrast to the whirring, blurring guitars. Finally ’44’ carries you home on
a downbeat drift, a flawless fusion of buzzing electronics, misty pads and relentless percussion played
with perfect poise.
Turn on, tune in and trip out, Singu bring you music from the moment that you’ll love for a lifetime. More
File Under: Kosmik Improvosations
Tracklist:
A1. Aurora Gate 8:28
A2. Bop2B 3:06
A3. Nabegu 7:41
B1. Fazaria 6:45
B2. 882 6:59
B3. 44 9:15
Free your mind and float away, you’re now entering the mode of the Growing Bin. Hamburg’s centre for
audio enlightenment is back with another sublime sensory experience, this time from the land of the
rising sun.
Keen to get another stamp on his passport, Basso reached out to Japanese duo Singu, two open minded
cats who just love to jam. Marrying Kiyo’s free drumming with Keta Ra’s melodic mastery of keyboard
and guitar, the two-piece fuse free jazz, post-rock, kosmische and ambient into immersive and esoteric
improvisations. Free from any compositional concerns, the Hiroshima outfit trade in energy, emotion
and expression.
The frenetic percussion and ephemeral melodies of opener ‘Aurora Gate’ instantly transport you to the
breathless churn of a Tokyo crossroads, where thousands of people rush by but you stand still in the eye
of the storm. Though they may be explosive, the drums sit back in the mix, offering a soft intensity behind the shimmering wall of melody. A nimble and nuanced affair, ‘Bop’ brings rapid fire rhythm, slick
syncopation and hypnotic piano refrains. Cool bass rolls along like KDJ’s ‘Rectify’, as Singu update the
acid jazz template like Toshio Matsuura covering Carl Craig. Singu journey from far out to Furthur on Aside closer ‘Nagebu’, strapping in for psychedelic synth wig out which is heavy on the resonance and free
on the filter.
Blooming out of the darkness on the B1, Basso favourite ‘Fazaria’ soothes and moves you with its twinkling keys, nebulous wave forms and delicate guitar, leaving you wide eyed in wonder as the drum fills
burst like fireworks across a star-filled sky. ‘828’ sweeps into abstraction as Kiyo and Keta Ra combine
snapping glitches and aquatic electronics with fractal guitar tones and woozy bass, pushing through a
portal to see what’s beyond. An a-grade wall melter, this trip makes great use of tension as the crisp machine drums stand in sharp contrast to the whirring, blurring guitars. Finally ’44’ carries you home on
a downbeat drift, a flawless fusion of buzzing electronics, misty pads and relentless percussion played
with perfect poise.
Turn on, tune in and trip out, Singu bring you music from the moment that you’ll love for a lifetime. More
1
Double Geography - A1 Flight 1
2
Double Geography - A2 Flight 7
3
Double Geography - B1 Flight 9
4
Double Geography - B2 Flight 17
File Under: Ambient Trip / Contemplative Synth
Tracklisting:
A1 Flight 1
A2 Flight 7
B1 Flight 9
B2 Flight 17
Release Info:
Let's face it, no one really knows where they're going, so the best we can do is enjoy the ride -
a sentiment captured perfectly by the high altitude ambient of 'Flights',
Double Geography's new release on the Growing Bin.
Embracing the unpredictable, Duncan Thornley married melodic fragments with semi-generative computer process and random filter interactions, an aleatory approach to music therapy during the existential funk of the first Lockdown. The unhurried melodies, weightless within plumes of reverb and delay, conjure the feeling of long distance air travel with All Nippon - that pensive delirium stimulated by varying air pressure, broken sleep and the most welcome pause in your everyday life. Remote snippets of news reports, street noise and conversation, plundered from cassette dictaphone and a Spanish language tape the artist found in the loft sit low in the mix, the barely audible sound of the pilot and passenger, extras in your everyday experience.
Contemplative and comforting, 'Flights' is a gentle reminder to be present, delivered with a rare beauty.
More
Tracklisting:
A1 Flight 1
A2 Flight 7
B1 Flight 9
B2 Flight 17
Release Info:
Let's face it, no one really knows where they're going, so the best we can do is enjoy the ride -
a sentiment captured perfectly by the high altitude ambient of 'Flights',
Double Geography's new release on the Growing Bin.
Embracing the unpredictable, Duncan Thornley married melodic fragments with semi-generative computer process and random filter interactions, an aleatory approach to music therapy during the existential funk of the first Lockdown. The unhurried melodies, weightless within plumes of reverb and delay, conjure the feeling of long distance air travel with All Nippon - that pensive delirium stimulated by varying air pressure, broken sleep and the most welcome pause in your everyday life. Remote snippets of news reports, street noise and conversation, plundered from cassette dictaphone and a Spanish language tape the artist found in the loft sit low in the mix, the barely audible sound of the pilot and passenger, extras in your everyday experience.
Contemplative and comforting, 'Flights' is a gentle reminder to be present, delivered with a rare beauty.
More
1
Santilli - A1. Coming and Going
2
Santilli - A2. Sails
3
Santilli - A3. Sea
4
Santilli - A4. Sparks
5
Santilli - A5. Cold Circle
6
Santilli - B1. Warm You Give
7
Santilli - B2. Shore
8
Santilli - B3. Valleys
9
Santilli - B4. Lapse
10
Santilli - B5. Falling
LP -File Under: Indian Summer Greats / Smoothest AOR
Release Date: October 10, 2021
Keeping his carbon footprint at a minimum, Santilli sails from Sydney to Hamburg via ten textured vignettes delicately drawn with guitar, bass and organic percussion. Relaxing, reflective and endlessly beautiful, 'Tidal' explores elemental inspiration through a humanistic gaze.
Whether you know Max Santilli through Ken Oath duo Angophora, previous releases 'Surface' and 'In Circles', or this is your first time making his acquaintance, you'll agree he's right at home on the Growing Bin. The multi-instrumentalist crafts exquisite acoustic music in tune with the finer moments of Windham Hill and ECM; a perfect fusion of talent, balance and the emotion shared by each release on the Hamburg label.
As befits its inspiration 'Tidal' is an organic affair, related through bright acoustic guitar, hazy chimes and hand played percussion. Where the Australian draws you in with hypnotic repetition, the subtlety, warmth and tonal variation serve as a welcome reminder we're living off grid. Though expert fretwork often takes centre stage, especially on the delicate B1 'Warm You Give', it's the blend of kalimba, woodblock, hand drums and shaker which truly transport the listener through open waters; a rhythmic breeze carrying us through the maritime drones and bowed squall. At times the salt air is spiced with cardamom and cloves ('Sea') or lemongrass and galangal ('Valleys'), as we skirt the Indian Ocean or the Java Sea. 'Lapse' provides subtle hints of fourth world jazz as mallets take the lead, leaving the guitar to provide its own shimmering texture.
Clear your mind, clear your schedule and make some time for 'Tidal', an opportunity to breathe in time with the planet.
A1 Coming and Going
A2 Sails
A3 Sea
A4 Sparks
A5 Cold Circle
B1 Warm You Give
B2 Shore
B3 Valleys
B4 Lapse
B5 Falling
More
Release Date: October 10, 2021
Keeping his carbon footprint at a minimum, Santilli sails from Sydney to Hamburg via ten textured vignettes delicately drawn with guitar, bass and organic percussion. Relaxing, reflective and endlessly beautiful, 'Tidal' explores elemental inspiration through a humanistic gaze.
Whether you know Max Santilli through Ken Oath duo Angophora, previous releases 'Surface' and 'In Circles', or this is your first time making his acquaintance, you'll agree he's right at home on the Growing Bin. The multi-instrumentalist crafts exquisite acoustic music in tune with the finer moments of Windham Hill and ECM; a perfect fusion of talent, balance and the emotion shared by each release on the Hamburg label.
As befits its inspiration 'Tidal' is an organic affair, related through bright acoustic guitar, hazy chimes and hand played percussion. Where the Australian draws you in with hypnotic repetition, the subtlety, warmth and tonal variation serve as a welcome reminder we're living off grid. Though expert fretwork often takes centre stage, especially on the delicate B1 'Warm You Give', it's the blend of kalimba, woodblock, hand drums and shaker which truly transport the listener through open waters; a rhythmic breeze carrying us through the maritime drones and bowed squall. At times the salt air is spiced with cardamom and cloves ('Sea') or lemongrass and galangal ('Valleys'), as we skirt the Indian Ocean or the Java Sea. 'Lapse' provides subtle hints of fourth world jazz as mallets take the lead, leaving the guitar to provide its own shimmering texture.
Clear your mind, clear your schedule and make some time for 'Tidal', an opportunity to breathe in time with the planet.
A1 Coming and Going
A2 Sails
A3 Sea
A4 Sparks
A5 Cold Circle
B1 Warm You Give
B2 Shore
B3 Valleys
B4 Lapse
B5 Falling
More
1
Guy Maxwell - A1. Watch Out Sally
2
Guy Maxwell - A2. You Never Sang This Song
3
Guy Maxwell - A3. Funny Weather
4
Guy Maxwell - B1. Beautiful Day
5
Guy Maxwell - B2. Summer Song
6
Guy Maxwell - B3. There is A Train Leaving
LP - File Under: Indian Summer Greats / Smoothest AOR
Release Date: September 24, 2021
Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell's 'Outside My Window'. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, 'Outside My Window' is ready to warm the hearts and cheer the ears of a whole new audience.
Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin' from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade. There he reconnected with school friend Serge Maillard, whose Santiago bandmates swung by to help bring Guy's arrangements to life. Joined by Jan Dix (Om Buschmann and Foodband) on percussion and Ruth Failure (later in Mag and the Suspects) on guitar, and the Santiago powerhouse of Tato Gómez, Sergio Castillo and Paco Saval, who also leant his deft touch behind the desk, Guy put together a nine track trip through groovy AOR, gentle jazz fusion, cosmic folk and yacht rock.
For this reissue, Guy's stripped back the tracklist, tossing aside a trio which didn't quite stand the test of time in favour of a concise six song LP which brings brilliance in every bar. 'Watch Out Sally' introduces the LP with playful keys and a Latin lilt, a sophisticated seventies pop song that's more Aja than A-Ha, sax and strings sending the whole track soaring as Guy muses on wanderlust in his honeyed tones. 'You Never Sang This Song' is undoubtedly a lost classic, embodying all the bittersweet beauty of yearning while riding a rollercoaster arrangement of folk-jazz fusion enhanced by Serge Maillard's quicksilver solo. 'Funny Weather' looks both ways as it closes out the A-side, marrying the smooth sounds of the 70s with the rain-soaked jangle of the decade to come. The B-side opens with the LPs second lost classic, the frankly sublime 'Beautiful Day'. Stripped back to acoustic guitar and subtle hand percussion, this jazzy ballad brings a tear to your ear before drawing your attention skywards with the acid folk energy of the chorus. There's mellow magic in the air on 'Summer Song', an optimistic ode to sunshine and romance lifted way beyond the AOR standard by a lyrical sax solo before Maxwell closes the set with the 7/4 escapism of 'There's A Train Leaving', a fond farewell which sees the ensemble say goodbye in perfect harmony.
A1 Watch Out Sally
A2 You Never Sang This Song
A3 Funny Weather
B1 Beautiful Day
B2 Summer Song
B3 There is A Train Leaving
More
Release Date: September 24, 2021
Basking in the golden glow of an Indian Summer, Basso brings us a much needed reissue of one of his most treasured musical discoveries, Guy Maxwell's 'Outside My Window'. A long time favourite in the Growing Bin, this mellow masterpiece originally crept out in 1980 with no backing from its label, the soon to burst Bubble. Now resequenced and redressed to the exacting standards of Mssr. Maxwell, 'Outside My Window' is ready to warm the hearts and cheer the ears of a whole new audience.
Born in Bordeaux under a wandering star, Guy spent the 70s on the road, freewheelin' from Paris to Rome, guitar in tow, before settling in Switzerland at the end of the decade. There he reconnected with school friend Serge Maillard, whose Santiago bandmates swung by to help bring Guy's arrangements to life. Joined by Jan Dix (Om Buschmann and Foodband) on percussion and Ruth Failure (later in Mag and the Suspects) on guitar, and the Santiago powerhouse of Tato Gómez, Sergio Castillo and Paco Saval, who also leant his deft touch behind the desk, Guy put together a nine track trip through groovy AOR, gentle jazz fusion, cosmic folk and yacht rock.
For this reissue, Guy's stripped back the tracklist, tossing aside a trio which didn't quite stand the test of time in favour of a concise six song LP which brings brilliance in every bar. 'Watch Out Sally' introduces the LP with playful keys and a Latin lilt, a sophisticated seventies pop song that's more Aja than A-Ha, sax and strings sending the whole track soaring as Guy muses on wanderlust in his honeyed tones. 'You Never Sang This Song' is undoubtedly a lost classic, embodying all the bittersweet beauty of yearning while riding a rollercoaster arrangement of folk-jazz fusion enhanced by Serge Maillard's quicksilver solo. 'Funny Weather' looks both ways as it closes out the A-side, marrying the smooth sounds of the 70s with the rain-soaked jangle of the decade to come. The B-side opens with the LPs second lost classic, the frankly sublime 'Beautiful Day'. Stripped back to acoustic guitar and subtle hand percussion, this jazzy ballad brings a tear to your ear before drawing your attention skywards with the acid folk energy of the chorus. There's mellow magic in the air on 'Summer Song', an optimistic ode to sunshine and romance lifted way beyond the AOR standard by a lyrical sax solo before Maxwell closes the set with the 7/4 escapism of 'There's A Train Leaving', a fond farewell which sees the ensemble say goodbye in perfect harmony.
A1 Watch Out Sally
A2 You Never Sang This Song
A3 Funny Weather
B1 Beautiful Day
B2 Summer Song
B3 There is A Train Leaving
More
1
Cass. - A1. Daydream, Daydream
2
Cass. - A2. Snow Stills
3
Cass. - A3. Dolley
4
Cass. - B1. Hey Sun
5
Cass. - B2. Waling
6
Cass. - B3. Female Energy
File Under: Ambient Music For A Young Girl (and YOU)
After a year of enforced isolation, we've all become experts at introspection. After all if the outlook is grim, why not look inwards instead? Just don't be surprised when all that naval gazing gives you a bellyache. Luckily, Cass. is back on the Growing Bin with the beguiling beauty of 'Ambient Music For A Young Girl', a soothing set which demands your full attention.
In the era of deserted dance floors, when the house and techno crowd export uninspired ambient to keep the streams flowing, Cass. offers an alternative approach to slow listening straight from the heart. Niklas came to Basso with a wealth of sensuous sounds to curate for a new LP, and these six expressionistic vignettes sit together like paintings at an exhibition. All born from the same brush but varied in tone, texture, mood and approach, they achieve an immersive effect without ever fading into the background. Sonic synonyms of Rothko, Turrell and Kapoor, each imbued with hidden depth, each utterly compelling, each conveying a profound calm.
Escape your ego with some foreground music.
A1 - Daydream, Daydream
A2 - Snow Stills
A3 - Dolley
B1 - Hey Sun
B2 - Waling
B3 - Female Energy
More
After a year of enforced isolation, we've all become experts at introspection. After all if the outlook is grim, why not look inwards instead? Just don't be surprised when all that naval gazing gives you a bellyache. Luckily, Cass. is back on the Growing Bin with the beguiling beauty of 'Ambient Music For A Young Girl', a soothing set which demands your full attention.
In the era of deserted dance floors, when the house and techno crowd export uninspired ambient to keep the streams flowing, Cass. offers an alternative approach to slow listening straight from the heart. Niklas came to Basso with a wealth of sensuous sounds to curate for a new LP, and these six expressionistic vignettes sit together like paintings at an exhibition. All born from the same brush but varied in tone, texture, mood and approach, they achieve an immersive effect without ever fading into the background. Sonic synonyms of Rothko, Turrell and Kapoor, each imbued with hidden depth, each utterly compelling, each conveying a profound calm.
Escape your ego with some foreground music.
A1 - Daydream, Daydream
A2 - Snow Stills
A3 - Dolley
B1 - Hey Sun
B2 - Waling
B3 - Female Energy
More
1
Sorcerer - A1. 2000 Studio
2
Sorcerer - A2. Disco Drums
3
Sorcerer - A3. Bahia Brothers
4
Sorcerer - A4. Spray Paint
5
Sorcerer - B1. Feel Free
6
Sorcerer - B2. Crunchy
7
Sorcerer - B3. First Wave
8
Sorcerer - B4. Escape Route
LP - File Under: West Coast Vibes / Dancing On Waves
Working his mellow magic on the Growing Bin, Sorcerer entertains your inner child with eight tracks of instrumental west coast pop suitable for dancing, dreaming and surfing a wave or two.
While Basso sat in a Teutonic treehouse, feeding his head with the sounds of the woodland, Dan Judd danced on the sands of San Francisco's Baker Beach. Stretching between them, like the world's longest tin can radio, was the Dream Chimney. This legendary forum, run by Ryan Bishop, better known as The Beat Broker, helped to launch a thousand labels, and the Growing Bin is one of them - all hail the Chim!
Here, Dan, naturally mystic in his Sorcerer guise, satisfies all our sensory needs with a Kinder Surprise of sweet melodies, coastal cool and playful rhythms inspired by his children's earliest responses to music. Following his feelings and avoiding overthinking, he creates open, enticing and accessible cuts; each living and breathing that mellow magic you only get on the West Coast.
'Kids World' kicks into gear with the spheric bass of '2000 Studio', a bouncy embodiment of that spacious San Francisco sound. There's a nod to nu disco but the dreamy dubiness takes the track much deeper, especially as those surf guitars start to detune in the summer heat. The breezy fretwork continues on 'Disco Drums', topping a wriggling groove tailor made for the terrace. Shades of rave refract through a healing crystal at the midpoint, encouraging al fresco dancing from sunrise to sunset. The A3 sees Sorcerer get into the groove of 'Bahia Brothers', rolling that rubberised B-line out of his own Paradise Garage before putting the top down for the carefree Balearic pop of 'Spray Paint.'
The B-side glides into being via the night dubbing grooves of 'Fire Feel', a reverb laden journey though glassy tones, off beat perx and gorgeous chord progressions. Next up, the new wave inspired 'Crunchy' translates Sheffield's daring synth pop into a wide eyed blast of psychedelic house, boosting our mana ahead of the loose limbed and light footed 'First Wave'. Ringing guitars reference Ghanaian highlife, shimmering in the heat haze as Dan funks up the drum kit ready for the broken beat and blissed out energy of sundowning set closer 'Escape Route'.
A1 - 2000 Studio
A2 - Disco Drums
A3 - Bahia Brothers
A4 - Spray Paint
B1 - Feel Free
B2 - Crunchy
B3 - First Wave
B4 - Escape Route
More
Working his mellow magic on the Growing Bin, Sorcerer entertains your inner child with eight tracks of instrumental west coast pop suitable for dancing, dreaming and surfing a wave or two.
While Basso sat in a Teutonic treehouse, feeding his head with the sounds of the woodland, Dan Judd danced on the sands of San Francisco's Baker Beach. Stretching between them, like the world's longest tin can radio, was the Dream Chimney. This legendary forum, run by Ryan Bishop, better known as The Beat Broker, helped to launch a thousand labels, and the Growing Bin is one of them - all hail the Chim!
Here, Dan, naturally mystic in his Sorcerer guise, satisfies all our sensory needs with a Kinder Surprise of sweet melodies, coastal cool and playful rhythms inspired by his children's earliest responses to music. Following his feelings and avoiding overthinking, he creates open, enticing and accessible cuts; each living and breathing that mellow magic you only get on the West Coast.
'Kids World' kicks into gear with the spheric bass of '2000 Studio', a bouncy embodiment of that spacious San Francisco sound. There's a nod to nu disco but the dreamy dubiness takes the track much deeper, especially as those surf guitars start to detune in the summer heat. The breezy fretwork continues on 'Disco Drums', topping a wriggling groove tailor made for the terrace. Shades of rave refract through a healing crystal at the midpoint, encouraging al fresco dancing from sunrise to sunset. The A3 sees Sorcerer get into the groove of 'Bahia Brothers', rolling that rubberised B-line out of his own Paradise Garage before putting the top down for the carefree Balearic pop of 'Spray Paint.'
The B-side glides into being via the night dubbing grooves of 'Fire Feel', a reverb laden journey though glassy tones, off beat perx and gorgeous chord progressions. Next up, the new wave inspired 'Crunchy' translates Sheffield's daring synth pop into a wide eyed blast of psychedelic house, boosting our mana ahead of the loose limbed and light footed 'First Wave'. Ringing guitars reference Ghanaian highlife, shimmering in the heat haze as Dan funks up the drum kit ready for the broken beat and blissed out energy of sundowning set closer 'Escape Route'.
A1 - 2000 Studio
A2 - Disco Drums
A3 - Bahia Brothers
A4 - Spray Paint
B1 - Feel Free
B2 - Crunchy
B3 - First Wave
B4 - Escape Route
More
LP - File Under: Synth Funk / Library Gems
Release Date: July 23rd, 2021
If Shelter swam through the serene side of the Library experience on GBR016, CV Vision blasts off in the opposite direction, riding an explosion of funk breaks and frazzled synths into the event horizon on his retro-futurist opus ‘Insolita’.
As contemporary life accelerates way past peak-weird, CV Vision leans into uncertainty and leaves Earth in the rear-view. Strung out on Simulacron-3, World On A Wire and Omaggio Ad Einstein, the Berlin-based musician imagines his own Brave New World, an alternate eXistenZ in a secret simulation.
Using the space age obsession of the Italian libraries as a launch pad, Dennis Schulze slathers a sonic storyboard with ferocious percussion, psychedelic fuzz and the pastoral electronics of Germany’s Kosmische movement. But this is less Can, more uncanny - and Schulze perfectly renders the cognitive estrangement of a simulated reality through his adventurous production. The monolithic live drums, recorded in a Neukölln garage on a battered Soviet kit are smeared with tape hiss, compressed to death and fired through LFOs, re-materialising on record in impossible scale. Time slips out of joint under the wow and flutter of the reel to reel, drum computers add digital interference to organic rhythms and the unfaltering slew of the 303 lends the hallucinatory thrill of the club sound system to an already psychedelic affair.
As Schulze’s imagination runs free, we’re taken through epic space battles and narrow escapes, moments of reflection and affection and a final resolution, all expressed through a dexterous control of movement and mood. For every explosion of break-fuelled adrenaline, there’s a cruise into cryo-chamber music and holodeck exotica. For each neck-snapping blast of acid funk, there’s a zero gravity lullaby waiting just around the corner.
So put isolation on ice and surrender to the strange, this is a trip you don’t want to end.
A1 – Insolita
A2 – Lift Off
A3 – War
A4 - Memories of Her
A5 – Goldene Ritter
A6 – Escape To Planet X
B1 – Synthetic Melancholia
B2 – Error IOOIIO
B3 – The Chase
B4 – Echoes
B5 – Cosmic Courier
B6 – Danw Of A New World
More
Release Date: July 23rd, 2021
If Shelter swam through the serene side of the Library experience on GBR016, CV Vision blasts off in the opposite direction, riding an explosion of funk breaks and frazzled synths into the event horizon on his retro-futurist opus ‘Insolita’.
As contemporary life accelerates way past peak-weird, CV Vision leans into uncertainty and leaves Earth in the rear-view. Strung out on Simulacron-3, World On A Wire and Omaggio Ad Einstein, the Berlin-based musician imagines his own Brave New World, an alternate eXistenZ in a secret simulation.
Using the space age obsession of the Italian libraries as a launch pad, Dennis Schulze slathers a sonic storyboard with ferocious percussion, psychedelic fuzz and the pastoral electronics of Germany’s Kosmische movement. But this is less Can, more uncanny - and Schulze perfectly renders the cognitive estrangement of a simulated reality through his adventurous production. The monolithic live drums, recorded in a Neukölln garage on a battered Soviet kit are smeared with tape hiss, compressed to death and fired through LFOs, re-materialising on record in impossible scale. Time slips out of joint under the wow and flutter of the reel to reel, drum computers add digital interference to organic rhythms and the unfaltering slew of the 303 lends the hallucinatory thrill of the club sound system to an already psychedelic affair.
As Schulze’s imagination runs free, we’re taken through epic space battles and narrow escapes, moments of reflection and affection and a final resolution, all expressed through a dexterous control of movement and mood. For every explosion of break-fuelled adrenaline, there’s a cruise into cryo-chamber music and holodeck exotica. For each neck-snapping blast of acid funk, there’s a zero gravity lullaby waiting just around the corner.
So put isolation on ice and surrender to the strange, this is a trip you don’t want to end.
A1 – Insolita
A2 – Lift Off
A3 – War
A4 - Memories of Her
A5 – Goldene Ritter
A6 – Escape To Planet X
B1 – Synthetic Melancholia
B2 – Error IOOIIO
B3 – The Chase
B4 – Echoes
B5 – Cosmic Courier
B6 – Danw Of A New World
More
File Under: Arcane Treasures / Subtle Body Dance
Release Date: April 23rd, 2021
Growing Bin switches back into reissue mode with an off-kilter obscurity from Austrian eccentrics Molto Brutto. Equal parts amateur funk, indie jangle, art rock and idiot pop, "2" is a real weird bastard with a whole lot of charm. As the Bin continues to grow in all directions, there's plenty of space for new sounds to take root. Alongside patches of Ambient, Balearic, Kosmische and Jazz, Hamburg's audio allotment now stretches to accommodate the strange waves of Molto Brutto.
Basso dug their first LP a decade back in Stuttgart's Second Hand Records, embracing their abrasive style of sandpaper sonics and experimental urges. Interest piqued, he made the journey through their DIY catalogue, capturing excellent collaborations under the Ganslinger alias before bumping into the second of their two LPs. Originally released on their Golfdish imprint in 1988, "2" walks into the pub with an air of accessibility, but quickly unravels into glorious chaos - pissing in the corner and passing out on the bar. Pop structures are suggested then subverted.
Pints of Paisley slosh out of a broken Glass, tape loops spool onto shabby Material, and indie janglers are just a couple of stamps short of a Postcard.
Turning you tipsy, this loveable rogue starts to tell you his life story, but you're going to have to fill in some blanks. They miss 'Blackie', but who is he - a dog? What happened on the 'Deadly Vacation'? Is that song really about a 'Goldfish', or did they find out the name of America's horse? Words repeat until they lose all meaning, awkward poetry masks a lost laureate and a drunken Wurlitzer sends the room into a spin.
The pubs are shut, so get happy drunk with Molto Brutto.
Patrick Ryder
A1 - Chant
A2 - Sadman
A3 - Blacky
A4 - Deadly Vacation
A5 - Smalltalk
B1 - Time
B2 - Secret Life
B3 - No Monkey No Work
B4 - Go Ahead Goldfish
B5 - Psychobilly
Mastered and restored by Sergey Luginin @ Luginin Studio
More
Release Date: April 23rd, 2021
Growing Bin switches back into reissue mode with an off-kilter obscurity from Austrian eccentrics Molto Brutto. Equal parts amateur funk, indie jangle, art rock and idiot pop, "2" is a real weird bastard with a whole lot of charm. As the Bin continues to grow in all directions, there's plenty of space for new sounds to take root. Alongside patches of Ambient, Balearic, Kosmische and Jazz, Hamburg's audio allotment now stretches to accommodate the strange waves of Molto Brutto.
Basso dug their first LP a decade back in Stuttgart's Second Hand Records, embracing their abrasive style of sandpaper sonics and experimental urges. Interest piqued, he made the journey through their DIY catalogue, capturing excellent collaborations under the Ganslinger alias before bumping into the second of their two LPs. Originally released on their Golfdish imprint in 1988, "2" walks into the pub with an air of accessibility, but quickly unravels into glorious chaos - pissing in the corner and passing out on the bar. Pop structures are suggested then subverted.
Pints of Paisley slosh out of a broken Glass, tape loops spool onto shabby Material, and indie janglers are just a couple of stamps short of a Postcard.
Turning you tipsy, this loveable rogue starts to tell you his life story, but you're going to have to fill in some blanks. They miss 'Blackie', but who is he - a dog? What happened on the 'Deadly Vacation'? Is that song really about a 'Goldfish', or did they find out the name of America's horse? Words repeat until they lose all meaning, awkward poetry masks a lost laureate and a drunken Wurlitzer sends the room into a spin.
The pubs are shut, so get happy drunk with Molto Brutto.
Patrick Ryder
A1 - Chant
A2 - Sadman
A3 - Blacky
A4 - Deadly Vacation
A5 - Smalltalk
B1 - Time
B2 - Secret Life
B3 - No Monkey No Work
B4 - Go Ahead Goldfish
B5 - Psychobilly
Mastered and restored by Sergey Luginin @ Luginin Studio
More
File Under: Sugary Synthwave / Bitmap Escapism
After the heaviest of years, it should be time to take a little weight off with the playful sounds of The Person. Mapping its own Bermuda Triangle between dub-pop, sugary synthwave and Balearic boogie, ‘Tide Life’ transports Compass Point to Soggy Bottom, providing maximum fun, sun and bitmap escapism.
The eagle-eared may recognise The Person from the aspirational Italo-rockers Steaming Jeans, whose chalet-ready romp on Bordello A Parigi scored a Winter Olympic gold back in early 2020. Now left to her own devices, Minna Wight swaps the slopes for a jet ski and takes a Wave Race from Summer Bay to Monkey Island across 11 cuts of vintage oddball pop.
Whether she’s borrowing Brenda’s Beach Balls for the dubby daydream of ‘Snail Cafe’ and ‘The Place’, serving lost library cues to SNES club scenes on ‘Barry R Reef’ and ‘Elastic Shoes’ or spinning high school slow jams into synth soul ballads like ‘Nice Feeling’, Minna disguises serious musicianship behind a naive aesthetic. Disarmed by charm, we’re powerless to resist her tidal pull.
Patrick Ryder
A1 Snail Cafe 2 :33
A2 The Place 4 :51
A3 Nice Feeling 2 :19
A4 Tide Life 4 :09
A5 Barry R Reef 2 :45
A6 Planet Beach 3 :39
B1 Elastic Shoes 3 :34
B2 Current Affair 5 :39
B3 Tigereye 4 :09
B4 Rock Concert 3 :11
B5 Moonee Puddles 1 :32
More
After the heaviest of years, it should be time to take a little weight off with the playful sounds of The Person. Mapping its own Bermuda Triangle between dub-pop, sugary synthwave and Balearic boogie, ‘Tide Life’ transports Compass Point to Soggy Bottom, providing maximum fun, sun and bitmap escapism.
The eagle-eared may recognise The Person from the aspirational Italo-rockers Steaming Jeans, whose chalet-ready romp on Bordello A Parigi scored a Winter Olympic gold back in early 2020. Now left to her own devices, Minna Wight swaps the slopes for a jet ski and takes a Wave Race from Summer Bay to Monkey Island across 11 cuts of vintage oddball pop.
Whether she’s borrowing Brenda’s Beach Balls for the dubby daydream of ‘Snail Cafe’ and ‘The Place’, serving lost library cues to SNES club scenes on ‘Barry R Reef’ and ‘Elastic Shoes’ or spinning high school slow jams into synth soul ballads like ‘Nice Feeling’, Minna disguises serious musicianship behind a naive aesthetic. Disarmed by charm, we’re powerless to resist her tidal pull.
Patrick Ryder
A1 Snail Cafe 2 :33
A2 The Place 4 :51
A3 Nice Feeling 2 :19
A4 Tide Life 4 :09
A5 Barry R Reef 2 :45
A6 Planet Beach 3 :39
B1 Elastic Shoes 3 :34
B2 Current Affair 5 :39
B3 Tigereye 4 :09
B4 Rock Concert 3 :11
B5 Moonee Puddles 1 :32
More
Customers who bought this also bought this
1
Matthieu Beck - A1. Island
2
Matthieu Beck - A2.California
3
Matthieu Beck - A3. Rooftop Rome
4
Matthieu Beck - A4. Suede
5
Matthieu Beck - B1.Malika
6
Matthieu Beck - B2. Retour De Plage
7
Matthieu Beck - B3.Tokyo Montana
8
Matthieu Beck - B4. Dora
9
Matthieu Beck - B5. Piano Fin
LP
File Under: Tropical Dreams / Pop for the clouds
Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism.
Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down.
Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.
A1 Island
A2 California
A3 Rooftop Rome
A4 Suede
B1 Malika
B2 Retour De Plage
B3 Tokyo Montana
B4 Dora
B5 Piano Fin
Music by Matthieu Beck
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Sales notes by Patrick Ryder
More
File Under: Tropical Dreams / Pop for the clouds
Fresh and zesty with subtle tropical flavours, this is a delightfully listenable debut from Matthieu Beck on Growing Bin. Inspired by the lilting rhythms, jazzy instrumentation and slow listening gems found on his Love In The Afternoon radio show, the Frenchman has crafted a gorgeous collection of laid back sophisti-pop, perfect for long summer days or seasonally affected escapism.
Any suggestion of sorrow in the album title is actually a mislead - this may be a solo LP, but Matthieu's surrounded himself with the musical friends he's made over the years, serving as composer and bandleader to a willing troop of collaborators. Longtime friend and former Metronomy bassist Gabriel Stebbing, Source Ensemble drummer Emmanuel Mario, and of course Laetitia Sadier herself, stepped in to lend their services and bring Matthieu's music to life, before Jérôme Caron (Blackjoy) expertly mixed it all down.
Though the tracklist may read like a travelogue, these nine tracks all began at home with Matthieu sat behind a Fender Rhodes with a drum machine by his side. Soon live bass, saxophone and flute strolled into his unhurried arrangements, retaining the simplicity of his demos while expanding the emotion. Weighty synth drones and bubbling bass balance the airy elements of tracks like "California" or the dream-pop romance of "Rooftop Rome", while the mellow "Malika" and joyful "Retour De Plage" showcase the Frenchman's relationship with jazz. Elsewhere there's hints of digi-dub ("Island" and "Suede"), coastal boogie ("Tokyo Montana"), stripped back city pop ("California") and downtown nostalgia ("Dora"), before Beck arrives at the poetic, progressive but peaceful finale "Piano Fin", which recalls Air at their prettiest, without stepping outside Matthieu's well defined sound.
A1 Island
A2 California
A3 Rooftop Rome
A4 Suede
B1 Malika
B2 Retour De Plage
B3 Tokyo Montana
B4 Dora
B5 Piano Fin
Music by Matthieu Beck
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Sales notes by Patrick Ryder
More
1
Donato Dozzy - messy kafka world 05:21
2
Donato Dozzy - synthi chase 05:15
3
Donato Dozzy - wooden dolls don’t cry 06:13
4
Donato Dozzy - cassiopea 36 06:30
2024 Repress
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
2LP - 2022 Repress Edition
Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of percussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Düsseldorf stands Wolf Müller, master of the tropical drums and seven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt,
Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demented Euro dance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these
two titans will make you swing your pants like a Crash Bandicoot victory dance…so stretch out
and step in to ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergarten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed
basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1.
Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of
freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece;
but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive
experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excellent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom,
the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for
mental health.
Tracklist:
A1 Der Mitte der World 11:57
A2 Lockerina 5:55
B1 Expedition 12:02
B2 Auflösung 5:55
C1 Welcome zum Paradies 10:56
C2 Kleiner Trommelbaum 1:15
C3 Traum 4 6:51
C4 Kurzgedichte 1:12
D1 Ahu 5:53
D2 Aus Versehen angetörnt 1:06
D3 Weltraumsandalen 6:33
D4 Ein Afrikadelle Danke 3:25 More
Growing Bin burst into 2018 with a bang, crash and symbol splash, uniting a premier pair of percussion obsessives for a supernatural mission into the heart of the rhythm.
Dressed in the pitch black of Düsseldorf stands Wolf Müller, master of the tropical drums and seven time Salon Des Amateur breakdance champion. Repping Cologne and Berlin is Niklas Wandt,
Germany’s funkiest drummer and a mixed musical artist as adept in experimental jazz as demented Euro dance. Standing toe to toe in a no holds barred, no drum unstruck groove contest, these
two titans will make you swing your pants like a Crash Bandicoot victory dance…so stretch out
and step in to ‚Instrumentalmusik von der Mitte der World‘.
Taking to their task with the joyful abandon of two big kids getting creative with the Kindergarten music tray, Müller & Wandt marry dripping electronics, Froesean pads and rubber-limbed
basslines with tribal polyrhythms, C2 claps and Indonesian shakers - and that‘s only on the A1.
Comprising of three trance-inducing epics, a handful of medium-sized movers and a couple of
freeform interludes, this dynamic double pack could almost pass as a lost Library masterpiece;
but our mind guides go Furthur, fusing esoteric funk and free-jazz freak-out a truly transportive
experience. Prepare to enter a world of techno totems and neon skulls, shades of Yello and excellent birds. Within these grooves lies a transdimensional pathway between the Temple of Doom,
the Twilight Zone and De Palma‘s Paradise, brought to life in a shamanic rite.
Forget the healing frequencies of Growing Bin‘s ambient outings, this time we‘re dancing for
mental health.
Tracklist:
A1 Der Mitte der World 11:57
A2 Lockerina 5:55
B1 Expedition 12:02
B2 Auflösung 5:55
C1 Welcome zum Paradies 10:56
C2 Kleiner Trommelbaum 1:15
C3 Traum 4 6:51
C4 Kurzgedichte 1:12
D1 Ahu 5:53
D2 Aus Versehen angetörnt 1:06
D3 Weltraumsandalen 6:33
D4 Ein Afrikadelle Danke 3:25 More