1
Saele Valese - A1. In Your Rosary
2
Saele Valese - A2. In Your Rosary
3
Saele Valese - B1. You Cannot See Me From Where I Look At Myself 1
4
Saele Valese - B2. You Cannot See Me From Where I Look At Myself 2
5
Saele Valese - B3. You Cannot See Me From Where I Look At Myself 3
6
Saele Valese - B4. You Cannot See Me From Where I Look At Myself 4
7
Saele Valese - C1. Horse the color of rust 1
8
Saele Valese - C2. Horse the color of rust 2
9
Saele Valese - C3. Horse the color of rust 3
10
Saele Valese - D1. Horse the color of rust 4
11
Saele Valese - D2. Kept In The Night By The Light Of The Moon
Track list 2LP:
1 - A1 - In Your Rosary 1
2 - A2 - In Your Rosary 2
3 - B1 - You Cannot See Me From Where I Look At Myself 1
4 - B2 - You Cannot See Me From Where I Look At Myself 2
5 - B3 - You Cannot See Me From Where I Look At Myself 3
6 - B4 - You Cannot See Me From Where I Look At Myself 4
7 - C1 - Horse the color of Rust 1
8 - C2 - Horse the color of Rust 2
9 - C3 - Horse the color of Rust 3
10 - D1 - Horse the color of Rust 4
11 - D2 - Kept In The Night By The Light Of The Moon
Release Info:
NOTON signs Italian-born, Bern-based sound-artist and
producer Saele Valese.
In ‘IVIC’, his debut LP, Saele Valese, distills hauntological
noise, droning tonal experiments and minimalist rhythms
into a series of electro-acoustic-wave ventures written over
five years in Berlin, Saas-Fee and Thun.
Drawing influences from the psychoacoustic properties of
the live album format, IVIC’s 11 tracks were mixed and
recorded live on DAT cassettes and through DAW
experimentation, without the possibility to revise the final
recordings. Valese adopted this approach to conceptually
propose reconciliations between the irreversibility of the
past, and acceptance of its residuals in the present. The
track titles themselves follow this pathos, citing the works
of the American photographer Francesca Woodman and
the poet Sylvia Plath. The inclusion of passages
incorporating live sonics and throes of industrialismnso,ton.info
contributes to the images of gravity, intimacy and spatiality
that the music presented here invokes.
In keeping with this imagery, the music possesses a
dilated, shuffling rhythmic base, much like the firm
traversal of a tanker against a storm of jangling
components, and still moments of gloomy sonics
alternating with more ravenous upheavals of power
electronics.
If the track divisions do not pass by unheeded, they
are consistently assembled to sonically accompaign
the emotional charges and momentum of an
imaginary cinematic experience; the beats caves in
for instants of relief, only to recoil in a cognated
tempo but rearranged structurally. In another
gesture of cogitated stride, the portentous waves of
the record progressively rage into a turmoil in its
third quarter during 'Horse The Color Of Rust'. The
album reaches its closure fluctuating through
microtonal oscillations to slowly eclipse into silence.
´In Your Rosary ì and Yì ou Cannot See Me From
Where I Look At Myself ì were previously released
on vinyl via Saele Valese’s own imprint, JSMË.
The track ‘You Cannot See Me From Where I Look
At Myself’ 4 - is dedicated to the memory of Marco
Bacher.
Artwork designed by Carsten Nicolai. Mastering by
Matt Colton (Metropolis Studios, London).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1 - A1 - In Your Rosary 1
2 - A2 - In Your Rosary 2
3 - B1 - You Cannot See Me From Where I Look At Myself 1
4 - B2 - You Cannot See Me From Where I Look At Myself 2
5 - B3 - You Cannot See Me From Where I Look At Myself 3
6 - B4 - You Cannot See Me From Where I Look At Myself 4
7 - C1 - Horse the color of Rust 1
8 - C2 - Horse the color of Rust 2
9 - C3 - Horse the color of Rust 3
10 - D1 - Horse the color of Rust 4
11 - D2 - Kept In The Night By The Light Of The Moon
Release Info:
NOTON signs Italian-born, Bern-based sound-artist and
producer Saele Valese.
In ‘IVIC’, his debut LP, Saele Valese, distills hauntological
noise, droning tonal experiments and minimalist rhythms
into a series of electro-acoustic-wave ventures written over
five years in Berlin, Saas-Fee and Thun.
Drawing influences from the psychoacoustic properties of
the live album format, IVIC’s 11 tracks were mixed and
recorded live on DAT cassettes and through DAW
experimentation, without the possibility to revise the final
recordings. Valese adopted this approach to conceptually
propose reconciliations between the irreversibility of the
past, and acceptance of its residuals in the present. The
track titles themselves follow this pathos, citing the works
of the American photographer Francesca Woodman and
the poet Sylvia Plath. The inclusion of passages
incorporating live sonics and throes of industrialismnso,ton.info
contributes to the images of gravity, intimacy and spatiality
that the music presented here invokes.
In keeping with this imagery, the music possesses a
dilated, shuffling rhythmic base, much like the firm
traversal of a tanker against a storm of jangling
components, and still moments of gloomy sonics
alternating with more ravenous upheavals of power
electronics.
If the track divisions do not pass by unheeded, they
are consistently assembled to sonically accompaign
the emotional charges and momentum of an
imaginary cinematic experience; the beats caves in
for instants of relief, only to recoil in a cognated
tempo but rearranged structurally. In another
gesture of cogitated stride, the portentous waves of
the record progressively rage into a turmoil in its
third quarter during 'Horse The Color Of Rust'. The
album reaches its closure fluctuating through
microtonal oscillations to slowly eclipse into silence.
´In Your Rosary ì and Yì ou Cannot See Me From
Where I Look At Myself ì were previously released
on vinyl via Saele Valese’s own imprint, JSMË.
The track ‘You Cannot See Me From Where I Look
At Myself’ 4 - is dedicated to the memory of Marco
Bacher.
Artwork designed by Carsten Nicolai. Mastering by
Matt Colton (Metropolis Studios, London).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from NOTON
Label:NOTON
Cat-No:N-050-LPBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5LP Excl
Label:NOTON
Cat-No:N-050-LPBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5LP Excl
NOTON releases the Limited Edition LP Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S.
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. Vinyl Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for Vinyl)
N-051 . Vrioon (2 × Vinyl)
N-052 . Insen (2 × Vinyl)
N-053 . Revep (1 × Vinyl)
N-054 . Utp_ (2 × Vinyl)
N-055 . Summvs (2 × Vinyl)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. Vinyl Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for Vinyl)
N-051 . Vrioon (2 × Vinyl)
N-052 . Insen (2 × Vinyl)
N-053 . Revep (1 × Vinyl)
N-054 . Utp_ (2 × Vinyl)
N-055 . Summvs (2 × Vinyl)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:NOTON
Cat-No:N-050-CDBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5CD Excl
Label:NOTON
Cat-No:N-050-CDBOX
Release-Date:23.05.2025
Genre:Electronic, Electronica
Configuration:5CD Excl
NOTON releases the Limited Edition CD Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S.
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. CD Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for CD)
N-051 . Vrioon (1 × CD)
N-052 . Insen (1 × CD)
N-053 . Revep (1 × CD)
N-054 . Utp_ (1 × CD)
N-055 . Summvs (1 × CD)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, NOTON reissued all the five albums between May and November 2022.
With its impressionistic atmosphere, in this collaborative project two generations met and shared the idea of electronic music as an inspiration source for new musical structures. Over a series of five albums, Vrioon (2002), Insen (2005), Revep (2006), utp_ (2008), and summvs (2011), the duo have explored blending electronic and acoustic sounds into a meditative whole that is at once expressive, breathing and precision-engineered.
Remastered in collaboration with Calyx Mastering, the recordings of Vrioon, Insen, Revep, Utp_, and Summvs are made available on vinyl and CD under the title ‘reMASTER‘, accompanied by exclusive, unreleased compositions and housed in a beautifully designed sleeve with original cover art by Carsten Nicolai.
V.I.R.U.S. CD Box Set includes:
N-050 . V.I.R.U.S. (1 × Slipcase for CD)
N-051 . Vrioon (1 × CD)
N-052 . Insen (1 × CD)
N-053 . Revep (1 × CD)
N-054 . Utp_ (1 × CD)
N-055 . Summvs (1 × CD)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Infinity (Endless Loop Color Edition) (12*10" BOX) LTD Twelve 10" individually colored vinyl records
Label:NOTON
Cat-No:N-042
Release-Date:13.12.2024
Genre:Electronic, Electronica
Configuration:12x10" Excl
Label:NOTON
Cat-No:N-042
Release-Date:13.12.2024
Genre:Electronic, Electronica
Configuration:12x10" Excl
Limited Vinyl, Box Set with Twelve 10" individually coloured vinyl records
Each featuring 20 unique locked grooves by Carsten Nicolai
Sleeved in twelve custom made archive folders
Housed in a silk covered hand made box with debossed artwork
Including 16-page booklet with exclusive installation photography
Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory
- All Box sets are individual packed in a protective outer box -
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.
This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.
Product info
Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855
210 Tracks (00:01:55 each)
Total Length: 06:42:30
Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz
B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz
C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log
D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16
E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove
F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop
G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern
H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern
I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar
J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping
K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface
L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal
M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard
N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop
O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure
P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure
Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone
R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure
S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise
T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire
U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct
V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual
W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise
X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti
Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz
Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Each featuring 20 unique locked grooves by Carsten Nicolai
Sleeved in twelve custom made archive folders
Housed in a silk covered hand made box with debossed artwork
Including 16-page booklet with exclusive installation photography
Lacquers created by Lupo / Calyx Mastering
Limited edition of 1000 copies worldwide, in collaboration with The Vinyl Factory
- All Box sets are individual packed in a protective outer box -
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai's ? Infinity (Endless Loop Color Edition), under his alias noto.
This new limited edition box set celebrates Carsten Nicolai's beloved interactive installation, bausatz-noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai's artwork bausatz noto (1998) - an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 10 unique locked grooves on each side. As Nicolai explains, "the different colors indicate different sound material, from the very abstract to the graphic" that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10? colored vinyl records, each featuring 20 unique locked grooves (10 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a silk-covered handmade box with debossed artwork. Limited to 1000 copies worldwide, each box set is hand-signed and numbered by Carsten Nicolai himself. The bausatz noto box set will be released on 21 September, 2024 and available on the NOTON and The Vinyl Factory shops.
Product info
Vinyl, Box Set
Artist: Noto
Title: Infinity (Endless Loop Color Edition)
Cat.#: N-042
EAN: 5056163017855
210 Tracks (00:01:55 each)
Total Length: 06:42:30
Tracklist:
A1: Sinus Wave 35.555 Hz
A2: Sinus Wave 71.111 Hz
A3: Sinus Wave 142.222 Hz
A4: Sinus Wave 284.444 Hz
A5: Sinus Wave 568.888 Hz
A6: Sinus Wave 137.777 Hz
A7: Sinus Wave 275.555 Hz
A8: Sinus Wave 4551.111 Hz
A9: Sinus Wave 9102.222 Hz
B1: Sinus Wave 53.333 Hz
B2: Sinus Wave 106.666 Hz
B3: Sinus Wave 213.333 Hz
B4: Sinus Wave 426.666 Hz
B5: Sinus Wave 853.333 Hz
B6: Sinus Wave 1706.666 Hz
B7: Sinus Wave 3413.333 Hz
B8: Sinus Wave 6826.666 Hz
B9: Sinus Wave 13653.333 Hz
C1: Bass Sweep Sinus Wave 142.222 Hz - 17.777 Hz Log
C2: Bass Sweep Triangle Wave 142.222 Hz - 17.777 Hz Log
C3: Bass Sweep Saw Wave 142.222 Hz - 17.777 Hz Log
C4: Bass Sweep Square Wave 142.222 Hz - 17.777 Hz Log
C5: Bass Sweep Pulse 142.222 Hz - 17.777 Hz Log
C6: Bass Sweep Smooth Saw Wave 142.222 Hz - 17.777 Hz Log
C7: Bass Sweep Smooth Square Wave 142.222 Hz - 17.777 Hz Log
C8: Bass Sweep Smooth Pulse Wave 142.222 Hz - 17.777 Hz Log
D1: Sweep Grid 1/2
D2: Sweep Grid 1/3
D3: Sweep Grid 1/4
D4: Sweep Grid 1/5
D5: Sweep Grid 1/6
D6: Sweep Grid 1/7
D7: Sweep Grid 1/8
D8: Sweep Grid 1/16
E1: Eisler - Run in Groove
E2: Eisler - Run in Groove
E3: Eisler - Run in Groove
E4: Eisler - Run in Groove
E5: Eisler - Run in Groove
E6: Eisler - Run in Groove
E7: Eisler - Run in Groove
E8: Eisler - Run in Groove
F1: Eisler Tonal Loop
F2: Eisler Tonal Loop
F3: Eisler Tonal Loop
F4: Eisler Tonal Loop
F5: Eisler Tonal Loop
F6: Eisler Tonal Loop
F7: Eisler Tonal Loop
F8: Eisler Tonal Loop
G1: Drum Pattern
G2: Drum Pattern
G3: Drum Pattern
G4: Drum Pattern
G5: Drum Pattern
G6: Drum Pattern
G7: Drum Pattern
G8: Drum Pattern
H1: Drum Pattern
H2: Drum Pattern
H3: Drum Pattern
H4: Drum Pattern
H5: Drum Pattern
H6: Drum Pattern
H7: Drum Pattern
H8: Drum Pattern
I1: Sonar
I2: Sonar
I3: Sonar
I4: Sonar
I5: Sonar
I6: Sonar
I7: Sonar
I8: Sonar
J1: Ping
J2: Ping
J3: Ping
J4: Ping
J5: Ping
J6: Ping
J7: Ping
J8: Ping
K1: Hi Surface
K2: Hi Surface
K3: Hi Surface
K4: Hi Surface
K5: Hi Surface
K6: Hi Surface
K7: Hi Surface
K8: Hi Surface
L1: Surface Tonal
L2: Surface Tonal
L3: Surface Tonal
L4: Surface Tonal
L5: Surface Tonal
L6: Surface Tonal
L7: Surface Tonal
L8: Surface Tonal
M1: Shepard
M2: Shepard
M3: Shepard
M4: Shepard
M5: Shepard
M6: Shepard
M7: Shepard
M8: Shepard
N1: Artefact Loop
N2: Artefact Loop
N3: Artefact Loop
N4: Artefact Loop
N5: Artefact Loop
N6: Artefact Loop
N7: Artefact Loop
N8: Artefact Loop
O1: Hi Structure
O2: Hi Structure
O3: Hi Structure
O4: Hi Structure
O5: Hi Structure
O6: Hi Structure
O7: Hi Structure
O8: Hi Structure
P1: Structure
P2: Structure
P3: Structure
P4: Structure
P5: Structure
P6: Structure
P7: Structure
P8: Structure
Q1: Drone
Q2: Drone
Q3: Drone
Q4: Drone
Q5: Drone
Q6: Drone
Q7: Drone
Q8: Drone
R1: Drone Structure
R2: Drone Structure
R3: Drone Structure
R4: Drone Structure
R5: Drone Structure
R6: Drone Structure
R7: Drone Structure
R8: Drone Structure
S1: Diginoise
S2: Diginoise
S3: Diginoise
S4: Diginoise
S5: Diginoise
S6: Diginoise
S7: Diginoise
S8: Diginoise
T1: Solitaire
T2: Solitaire
T3: Solitaire
T4: Solitaire
T5: Solitaire
T6: Solitaire
T7: Solitaire
T8: Solitaire
U1: Brown Noise
U2: Gaussian Noise
U3: Pink Noise
U4: White Noise
U5: Band Noise 125 Hz 1/3 Oct
U6: Band Noise 400 Hz 1/3 Oct
U7: Band Noise 1600 Hz 1/3 Oct
U8: Band Noise 4000 Hz 1/3 Oct
V1: Noises Individual
V2: Noises Individual
V3: Noises Individual
V4: Noises Individual
V5: Noises Individual
V6: Noises Individual
V7: Noises Individual
V8: Noises Individual
W1: Dark Noise
W2: Dark Noise
W3: Dark Noise
W4: Dark Noise
W5: Dark Noise
W6: Dark Noise
W7: Dark Noise
W8: Dark Noise
X1: Digital Anti
X2: Digital Anti
X3: Digital Anti
X4: Digital Anti
X5: Digital Anti
X6: Digital Anti
X7: Digital Anti
X8: Digital Anti
Y1: Out of Phase - Sinus LFO 0.262152777 Hz
Y2: Out of Phase - Sinus LFO 0.52430555 Hz
Y3: Out of Phase - Sinus LFO 1.0486111 Hz
Y4: Out of Phase - Sinus LFO 2.097222 Hz
Y5: Out of Phase - Sinus LFO 4.19444 Hz
Y6: Out of Phase - Sinus LFO 8.3888 Hz
Y7: Out of Phase - Sinus LFO 16.777 Hz
Y8: Out of Phase - Sinus LFO 33.555 Hz
Z1: Constant Anti Phase DC- 12.5%
Z2: Constant Anti Phase DC- 25%
Z3: Constant Anti Phase DC- 50%
Z4: Constant Anti Phase DC- 100%
Z5: Constant Anti Phase DC+ 12.5%
Z6: Constant Anti Phase DC+ 25%
Z7: Constant Anti Phase DC+ 50%
Z8: Constant Anti Phase DC+ 100%
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Noh Talk
2
Alva Noto - HYbr:ID Sync Dark
3
Alva Noto - HYbr:ID Noh Human
4
Alva Noto - HYbr:ID Sync Inte
5
Alva Noto - HYbr:ID Collective Open
6
Alva Noto - HYbr:ID Obsessive Behaviour Day
7
Alva Noto - HYbr:ID Obsessive Behaviour Night
8
Alva Noto - HYbr:ID Para Contamination
9
Alva Noto - HYbr:ID Script Solitude
10
Alva Noto - HYbr:ID Script Sacre Drone
11
Alva Noto - HYbr:ID Script Broken Conversation
12
Alva Noto - HYbr:ID Rehuman
13
Alva Noto - HYbr:ID Épilogue
CD
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. HYbr:ID Noh Talk
2. HYbr:ID Sync Dark
3. HYbr:ID Noh Human
4. HYbr:ID Sync Inter
5. HYbr:ID Collective Open
6. HYbr:ID Obsessive Behaviour Day
7. HYbr:ID Obsessive Behaviour Night
8. HYbr:ID Para Contamination
9. HYbr:ID Script Solitude
10. HYbr:ID Script Sacre Drone
11. HYbr:ID Script Broken Conversation
12. HYbr:ID Rehuman
13. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
10", Double Sided Picture Disc, Gatefold, 8 Page Booklet
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Please mind that due to the nature of the recording no soundclips can be provided - also mind that any audible distortion on the vinyl record is intended/no product flaw and will not constitute a reason for return -
NOTON IS PLEASED TO RELEASE RAY COLLECTOR - A LIMITED EDITION VINYL FEATURING RECORDINGS SOURCED FROM TAPES PRODUCED BY CARSTEN NICOLAI' FOR HIS 2023 SOLO EXHIBITION STRAHLEN/RAGGI AT FONDAZIONE MODENA ARTI VISIVE.
IN FEBRUARY 2022, CARSTEN NICOLAI DISPATCHED TEN PARCELS FROM BERLIN TO VARIOUS DESTINATIONS. EACH PACKAGE CONTAINED A BLANK MAGNETIC TAPE CASSETTE, AN ILFORD DELTA 3200 ISO 1000 BLACK-AND-WHITE FILM, AND A KODAK ISO 800 COLOR NEGATIVE FILM. ALL PARCELS WERE ADDRESSED TO THE SAME RECIPIENT, MR. NEMO, THE UNFORGETTABLE CAPTAIN OF THE SUBMARINE NAUTILUS IN TWENTY THOUSAND LEAGUES UNDER THE SEA. THE IDEA WAS FOR THE RECIPIENTS TO RETURN THE PARCELS TO THE SENDER. EACH PACKAGE HELD MAGNETIC TAPES AND PHOTOSENSITIVE FILMS THAT WOULD BE EXPOSED TO ELECTROMAGNETIC WAVES AND RADIATION DURING THEIR JOURNEY. UPON THEIR RETURN TO THE SENDER, THE LATENT IMPRESSIONS WERE DEVELOPED, DIGITIZED, AND THUS MADE BOTH VISIBLE AND AUDIBLE.
TRACKLIST:
" A1. TAPE 01 - 01:25
" A2. TAPE 02 - 01:25
" A3. TAPE 03 - 01:25
" A4. TAPE 04 - 01:25
" A5. TAPE 05 - 01:25
" B1. TAPE 06 - 01:25
" B2. TAPE 07 - 01:25
" B3. TAPE 08 - 01:25
" B4. TAPE 09 - 01:25
" B5. TAPE 10 - 01:25
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
2LP, limited edition vinyl + booklet
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
CD:
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01. HYbr:ID Ectopia Environment
02. HYbr:ID Ectopia Elastic 1
03. HYbr:ID Ectopia Quarks Minus
04. HYbr:ID Ectopia Removing Infinities
05. HYbr:ID Ectopia Elastic 2
06. HYbr:ID Ectopia Interacting
07. HYbr:ID Ectopia Radiation Mechanics
08. HYbr:ID Ectopia Field 1
09. HYbr:ID Ectopia Singularity
10. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Ritual (04:39:00)
2
Alva Noto - Confrontation 1 (00:06:50)
3
Alva Noto - Village 1 (00:05:14)
4
Alva Noto - Confidential Information 1 (00:03:33)
5
Alva Noto - Confidential Information 2 (00:01:40)
6
Alva Noto - Confrontation 2 (00:05:01)
7
Alva Noto - Death Laguna (00:05:05)
8
Alva Noto - Information Policia (00:03:29)
9
Alva Noto - Sarayaku Hidding (00:07:52)
10
Alva Noto - Information (00:02:19)
11
Alva Noto - Demonstration (00:03:44)
12
Alva Noto - Info Resistance (00:02:55)
13
Alva Noto - Sicario (00:03:50)
14
Alva Noto - Village 2 (00:01:50)
15
Alva Noto - Storming Camp (00:03:10)
16
Alva Noto - Legal Process (00:02:10)
17
Alva Noto - Trail (00:03:55)
18
Alva Noto - Swat (00:01:40)
19
Alva Noto - Ritual Reprise (00:06:40)
2LP:
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)
B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)
C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)
D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Ritual (04:39:00)
A2. Confrontation 1 (00:06:50)
A3. Village 1 (00:05:14)
A4. Confidential Information 1 (00:03:33)
B1. Confidential Information 2 (00:01:40)
B2. Confrontation 2 (00:05:01)
B3. Death Laguna (00:05:05)
B4. Information Policia (00:03:29)
C1. Sarayaku Hidding (00:07:52)
C2. Information (00:02:19)
C3. Demonstration (00:03:44)
C4. Info Resistance (00:02:55)
C5. Sicario (00:03:50)
D1. Village 2 (00:01:50)
D2. Storming Camp (00:03:10)
D3. Legal Process (00:02:10)
D4. Trail (00:03:55)
D5. Swat (00:01:40)
D6. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Ritual
2
Alva Noto - Confrontation 1
3
Alva Noto - Village 1
4
Alva Noto - Confidential Information 1
5
Alva Noto - Confidential Information 2
6
Alva Noto - Confrontation 2
7
Alva Noto - Death Laguna
8
Alva Noto - Information Policia
9
Alva Noto - Sarayaku Hidding
10
Alva Noto - Information
11
Alva Noto - Demonstration
12
Alva Noto - Info Resistance
13
Alva Noto - Sicario
14
Alva Noto - Village 2
15
Alva Noto - Storming Camp
16
Alva Noto - Legal Process
17
Alva Noto - Trail
18
Alva Noto - Swat
19
Alva Noto - Ritual Reprise
CD:
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Ritual (04:39:00)
2. Confrontation 1 (00:06:50)
3. Village 1 (00:05:14)
4. Confidential Information 1 (00:03:33)
5. Confidential Information 2 (00:01:40)
6. Confrontation 2 (00:05:01)
7. Death Laguna (00:05:05)
8. Information Policia (00:03:29)
9. Sarayaku Hidding (00:07:52)
10. Information (00:02:19)
11. Demonstration (00:03:44)
12. Info Resistance (00:02:55)
13. Sicario (00:03:50)
14. Village 2 (00:01:50)
15. Storming Camp (00:03:10)
16. Legal Process (00:02:10)
17. Trail (00:03:55)
18. Swat (00:01:40)
19. Ritual Reprise (00:06:40)
Release Info:
Alva Noto’s award winning score for the 2022 German documentary film ‘This Stolen Country of Mine’ directed by German filmmaker Marc Wiese features nineteen compositions to be released on NOTON in April 2023.
The documentary film explores the question of a state's sovereignty in the face of foreign powers. The film portrays Ecuadorian resistance fighters and journalists who oppose the sell-off of an extensive part of the country's resources to Chinese investors.
Alva Noto's music subtly accompanies the struggle of a mountain village, immersing us into the film’s narrative and pathos. Across nineteen compositions, the music exposes and holds back when the images and statements of the protagonists speak for themselves, reflecting the dark shadows and the glares of hope of communal resistance.
The documentary was the recipient of the German Documentary Film Music Award 2022.
Focus track #19
'Ritual Reprise' is the closing composition of Alva Noto's award-winning score for the 2022 German documentary film 'This Stolen Country of Mine.' The piece merges minimal digital textures with emotional resonances, taking the listener to a sonic path filled with a serene tenor. The tone is set on the slow-burn haze of gloaming ambient-electronica scapes, compounding under a unified cinematic soundscape of warm digital ambiances and liquified electronics.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Kinder der Sonne - Intro (00:04:01)
2
Alva Noto - Verlauf (00:03:42)
3
Alva Noto - Die Untergründigen (00:08:17)
4
Alva Noto - Sehnsuchtsvoll (00:07:32)
5
Alva Noto - Ungewissheit im Sinus (00:06:10)
6
Alva Noto - Kinder der Sonne - Reprise (00:06:30)
7
Alva Noto - Unwohl (00:03:01)
8
Alva Noto - Sehnsuchtsvoll - Reverso (00:06:51)
9
Alva Noto - Ungewiss (00:06:40)
10
Alva Noto - Aufstand (00:05:25)
11
Alva Noto - Die Undergründigen - Redux (00:04:55)
12
Alva Noto - Virus (00:05:01)
13
Alva Noto - Son (00:01:09)
14
Alva Noto - Nie anhaltender Strom (00:05:52)
Tracklist:
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01. Kinder der Sonne - Intro (00:04:01)
02. Verlauf (00:03:42)
03. Die Untergründigen (00:08:17)
04. Sehnsuchtsvoll (00:07:32)
05. Ungewissheit im Sinus (00:06:10)
06. Kinder der Sonne - Reprise (00:06:30)
07. Unwohl (00:03:01)
08. Sehnsuchtsvoll - Reverso (00:06:51)
09. Ungewiss (00:06:40)
10. Aufstand (00:05:25)
11. Die Undergründigen - Redux (00:04:55)
12. Virus (00:05:01)
13. Son (00:01:09)
14. Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Kinder der Sonne - Intro (00:04:01)
2
Alva Noto - Verlauf (00:03:42)
3
Alva Noto - Die Untergründigen (00:08:17)
4
Alva Noto - Sehnsuchtsvoll (00:07:32)
5
Alva Noto - Ungewissheit im Sinus (00:06:10)
6
Alva Noto - Kinder der Sonne - Reprise (00:06:30)
7
Alva Noto - Unwohl (00:03:01)
8
Alva Noto - Sehnsuchtsvoll - Reverso (00:06:51)
9
Alva Noto - Ungewiss (00:06:40)
10
Alva Noto - Aufstand (00:05:25)
11
Alva Noto - Virus (00:05:01)
12
Alva Noto - Son (00:01:09)
13
Alva Noto - Nie anhaltender Strom (00:05:52)
Tracklist:
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)
B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)
C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)
D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: Kinder der Sonne - Intro (00:04:01)
A2: Verlauf (00:03:42)
A3: Die Untergründigen (00:08:17)
B1: Sehnsuchtsvoll (00:07:32)
B2: Ungewissheit im Sinus (00:06:10)
B3: Kinder der Sonne - Reprise (00:06:30)
C1: Unwohl (00:03:01)
C2: Sehnsuchtsvoll - Reverso (00:06:51)
C3: Ungewiss (00:06:40)
D1: Aufstand (00:05:25)
D2: Virus (00:05:01)
D3: Son (00:01:09)
D4: Nie anhaltender Strom (00:05:52)
Release Note:
NOTON is pleased to announce the release of Kinder der Sonne, the
new album by Alva Noto featuring music composed for the score of the
theater piece Komplizen by Simon Stone.
The title comes from Maxim Gorky's play Children of the Sun, written in
the context of the 1905 Russian Revolution. Simon Stone wrote the new
play for the Burgtheater ensemble based on this drama.
The single Die Untergründigen unveils a romantic space, charting a
sublime path with a new depth of harmonics and vibrant color. Piano
phrases, extant yet ghostly, intersect layers upon layers of confluent
warmth and cold digital sounds towering and mysterious despite their
wispy forms. Intricately arranged, these textures fill the space at any
time, fittingly evoking flux as if they were conceived and recorded on a
slow ride across the ocean.
Across fourteen compositions, Alva Noto's Kinder der Sonne takes the
listener into a sonic journey of emotional tension and release, revealing
a particular kind of sci-fi lust fused with a satisfying suite of modern,
minimalist, minimalist ambient classical
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited CD Slipcase for 5 CD´s .
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!
NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DOES NOT INCLUDE THE CD´s, CD´s need to be purchased separately!
NOTON - VIRUS 'reMASTER' CD Slipcase
Limited Edition CDs slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 CDs of Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Vinyl Slipcase for 5 LP/DOLP´s .
DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!
NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DOES NOT INCLUDE the Vinyl´s themselves that need to be purchased separately!
NOTON - VIRUS 'reMASTER' Vinyl Slipcase
Limited Edition Vinyl slipcase celebrating Alva Noto & Ryuichi Sakamoto's VIRUS series. The slipcase can accommodate the 5 LPs Vrioon, Insen, Revep, Utp_, and Summvs (reMASTER) LPs and comes in an eco-friendly, cream shaded Muken paper.
Design by Carsten Nicolai.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto feat. Martin L. Gore & Willian - Subterraneans
2
Alva Noto feat. Martin L. Gore & Willian - Subterraneans (Instrumental)
12"/EP - Limited
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryoji Ikeda - 00
2
Ryoji Ikeda - 01
3
Ryoji Ikeda - 02
4
Ryoji Ikeda - 03
5
Ryoji Ikeda - 04
6
Ryoji Ikeda - 05
7
Ryoji Ikeda - 06
8
Ryoji Ikeda - 07
9
Ryoji Ikeda - 08
10
Ryoji Ikeda - 09
11
Ryoji Ikeda - 10
12
Ryoji Ikeda - 11
13
Ryoji Ikeda - 12
14
Ryoji Ikeda - 13
15
Ryoji Ikeda - 14
16
Ryoji Ikeda - 15
17
Ryoji Ikeda - 16
CD , Territory: WW - Japan.
A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.
about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4
Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5
Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6
Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7
Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8
Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9
Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10
Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11
Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12
Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13
Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14
Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15
Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16
Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17
Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A decade aXer the release of ‘supercodex,’ NOTON is thrilled to welcome back
Japanese artist and composer Ryoji Ikeda with his latest long-player, ‘ultratronics,’
out on December 2nd, 2022.
Featuring audio material recorded between 1989 and 1999 and compositions
created between 2013 and 2022, ’ultratronics’ explores sound's arithmetical and
computational essence and renders them into the propulsive auditory experience
that constitutes Ikeda's sound signature.
Ryoji Ikeda has created numerous immersive works that dynamically combine
technology, light, and sound to electrify the audience’s senses. Since 2000 Ikeda
has pursued the theme of data, with a par^cular interest in the fields of genetics,
quantum physics, and astronomy, which he has incorporated into works that
present new ways of perceiving the world in numerical terms. To be experienced
visually and aurally, the album transports the listeners in a world composed of
large amounts of data that usually go unnoticed.
‘ultratronics’ will be available worldwide on CD and digitally. A Japanese edition of
the CD will be available on Ryoji Ikeda’s codex | edition. Pre-orders of both
editions will start on October 7th, 2022.
‘ultratronics [live set]’ will premiere at Tokyo’s WWW X in Shibuya on October 15,
and will be presented as part of MUTEK.JP 2022 at Line Cube Shibuya (????
?) on December 7th.Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto. While
rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and
installations employ elaborate orchestration of sounds, visuals, maler, physical
phenomena, and mathematical concepts. In 2022, Hirosaki Museum of
Contemporary Art presented his first major solo exhibition in Japan since 2009.
Ikeda has received the Prix Ars Electronica Collide at CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts, Media Arts Division in 2020.
about the artist:
Born in 1966 in Gifu, Ikeda currently lives and works in Paris and Kyoto.
While rooted in electronic music, the internationally active composer and artist also
produces art as experimentation. Ikeda’s immersive live performances and installations
employ an elaborate orchestration of sound, visuals, matter, physical phenomena, and
mathematical concepts. He established his online source as codex | edition. In 2022,
Hirosaki Museum of Contemporary Art presented his first major solo exhibition in Japan
since 2009.
Ikeda has received the Prix Ars Electronica Collide@CERN in 2014, and the 70th
Japanese Minister of Education Award for Fine Arts (Media Arts Division) in 2020.
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Ryoji Ikeda
Title: ultratronics 00
Playtime: 00:01:28
Explicit Lyrics: No
ISRC: JPZ922209606
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 2
Artist: Ryoji Ikeda
Title: ultratronics 01
Playtime: 00:05:17
Explicit Lyrics: No
ISRC: JPZ922209607
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 3
Artist: Ryoji Ikeda
Title: ultratronics 02
Playtime: 00:05:10
Explicit Lyrics: No
ISRC: JPZ922209608
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 4
Artist: Ryoji Ikeda
Title: ultratronics 03
Playtime: 00:01:50
Explicit Lyrics: No
ISRC: JPZ922209609
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 5
Artist: Ryoji Ikeda
Title: ultratronics 04
Playtime: 00:04:44
Explicit Lyrics: No
ISRC: JPZ922209610
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 6
Artist: Ryoji Ikeda
Title: ultratronics 05
Playtime: 00:05:18
Explicit Lyrics: No
ISRC: JPZ922209611
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 7
Artist: Ryoji Ikeda
Title: ultratronics 06
Playtime: 00:02:25
Explicit Lyrics: No
ISRC: JPZ922209612
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 8
Artist: Ryoji Ikeda
Title: ultratronics 07
Playtime: 00:04:42
Explicit Lyrics: No
ISRC: JPZ922209613
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 9
Artist: Ryoji Ikeda
Title: ultratronics 08
Playtime: 00:05:36
Explicit Lyrics: No
ISRC: JPZ922209614
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 10
Artist: Ryoji Ikeda
Title: ultratronics 09
Playtime: 00:04:13
Explicit Lyrics: No
ISRC: JPZ922209615
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 11
Artist: Ryoji Ikeda
Title: ultratronics 10
Playtime: 00:03:45
Explicit Lyrics: No
ISRC: JPZ922209616
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 12
Artist: Ryoji Ikeda
Title: ultratronics 11
Playtime: 00:05:30
Explicit Lyrics: No
ISRC: JPZ922209617
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 13
Artist: Ryoji Ikeda
Title: ultratronics 12
Playtime: 00:03:48
Explicit Lyrics: No
ISRC: JPZ922209618
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 14
Artist: Ryoji Ikeda
Title: ultratronics 13
Playtime: 00:03:10
Explicit Lyrics: No
ISRC: JPZ922209619
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 15
Artist: Ryoji Ikeda
Title: ultratronics 14
Playtime: 00:02:06
Explicit Lyrics: No
ISRC: JPZ922209620
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 16
Artist: Ryoji Ikeda
Title: ultratronics 15
Playtime: 00:04:24
Explicit Lyrics: No
ISRC: JPZ922209621
(P):
---------------------------------------------------------
Medium: 1 // Side: A // Track: 17
Artist: Ryoji Ikeda
Title: ultratronics 16
Playtime: 00:01:55
Explicit Lyrics: No
ISRC: JPZ922209622
(P):
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Ghia - Out Of Luck feat. Adriano Prestel
2
Ghia - Out Of Luck (Instrumental)
The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.
But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.
Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!
Side A
Out Of Luck feat. Adriano Prestel
Side B
Out Of Luck (Instrumental)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.
Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!
Side A
Out Of Luck feat. Adriano Prestel
Side B
Out Of Luck (Instrumental)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto feat. Martin L. Gore & Willian - Subterraneans
2
Alva Noto feat. Martin L. Gore & Willian - Subterraneans (Instrumental)
12"/EP - Limited
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient/ Electronic
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2
Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany
Composer: David Bowie
---------------------------------------
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
John Heaven - Yo Quiero (04:40 min)
2
John Heaven - Jackesito (05:08 min)
3
John Heaven - El Baile Sensual (05:26 min)
4
John Heaven - Vocalsita (05:27 min)
5
John Heaven - Te Siento (06:12 min)
Tracklist:
A1) Yo Quiero (04:40 min)
A2) Jackesito (05:08 min)
B1) El Baile Sensual (05:26 min)
B2) Vocalsita (05:27 min)
B3) Te Siento (06:12 min)
Short Text:
John Heaven of "Mainline Magic Orchestra" fame delivers Hot 48° degrees celsius, sweat dripping —>
s**, all in one minimal house record. Mover!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Yo Quiero (04:40 min)
A2) Jackesito (05:08 min)
B1) El Baile Sensual (05:26 min)
B2) Vocalsita (05:27 min)
B3) Te Siento (06:12 min)
Short Text:
John Heaven of "Mainline Magic Orchestra" fame delivers Hot 48° degrees celsius, sweat dripping —>
s**, all in one minimal house record. Mover!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ray Mang - Osea Island
2
Tigerbalm - Cosmic Union (feat Joy Tyson)
3
Ruf Dug - Vape Quarter Rhythm
4
Tuccillo - Siroco
20/20 Vision and Crazy P continue their long and fruitful relationship with a fourth volume of carefully curated and super-fresh new cuts as part of this fine ongoing series. Scandi-disco don Ray Man opens up with typically lush cosmic melodies and loose-limed nu-disco beats with more than a hint of funk. Tigerbalm then heads into a tropical oasis with 'Cosmic Union' (feat Joy Tyson) which has Afro rhythms and steamy vocals bringing the heat. Ruf Dug shows his multi-genre chops again with 'Vape Quarter Rhythm' which is part proto-house cut and part dreamy Italo bliss out with rave whistles and hands-in-the-air chords. Ibiza's Tuccillo closes out with one of his signature Balearic gems in 'Siroco', which is as breezy and carefree as cocktails by the sea at sundown.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Simone De Kunovich & Pascal Moscheni - Stone Island (Original Mix)
2
Simone De Kunovich - Lingua di Sole
3
Simone De Kunovich & Pascal Moscheni - Stone Island (Fantastic Man Remix)
12"
Tracklist:
A1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (ORIGINAL MIX)
A2 SIMONE DE KUNOVICH - LINGUA DI SOLE
B1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (FANTASTIC MAN REMIX)
Release Info:
#PF006 Late night visions of MTV in the late 90s are the main inspiration for the debut EP of
Polifonic’s mainstay Simone de Kunovich.
“Stone Island”, born from the collab with Pascal Moscheni, is the sun soaked musical manifesto
of the festival - energetic, uplifting, psychedelic.
On the flip side Australian veteran Fantastic Man is shaking things up with a modern Trance
interpretation of the original for guaranteed dance floor pleasure.
“Lingua di Sole” closes the EP on a mellow note, laidback yet acid tinged, closer to the
atmosphere’s of Simone’s precedent works on Mule Musiq.
Close your eyes and it feels like Puglia already.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (ORIGINAL MIX)
A2 SIMONE DE KUNOVICH - LINGUA DI SOLE
B1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (FANTASTIC MAN REMIX)
Release Info:
#PF006 Late night visions of MTV in the late 90s are the main inspiration for the debut EP of
Polifonic’s mainstay Simone de Kunovich.
“Stone Island”, born from the collab with Pascal Moscheni, is the sun soaked musical manifesto
of the festival - energetic, uplifting, psychedelic.
On the flip side Australian veteran Fantastic Man is shaking things up with a modern Trance
interpretation of the original for guaranteed dance floor pleasure.
“Lingua di Sole” closes the EP on a mellow note, laidback yet acid tinged, closer to the
atmosphere’s of Simone’s precedent works on Mule Musiq.
Close your eyes and it feels like Puglia already.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Simone De Kunovich - Flow My Tears
2
Simone De Kunovich - Super Mana Drain
3
Simone De Kunovich - Warp World
Tracklist:
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World
Short info:
Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World
Short info:
Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - HYbr:ID Ectopia Environment
2
Alva Noto - HYbr:ID Ectopia Elastic 1
3
Alva Noto - HYbr:ID Ectopia Quarks Minus
4
Alva Noto - HYbr:ID Ectopia Removing Infinities
5
Alva Noto - HYbr:ID Ectopia Elastic 2
6
Alva Noto - HYbr:ID Ectopia Interacting
7
Alva Noto - HYbr:ID Ectopia Radiation Mechanics
8
Alva Noto - HYbr:ID Ectopia Field 1
9
Alva Noto - HYbr:ID Ectopia Singularity
10
Alva Noto - HYbr:ID Ectopia Gravitation
2LP, limited edition vinyl + booklet
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1
B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2
C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics
D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation
Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.
Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Psssh Records
Cat-No:psssh003x
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12" Excl
Label:Psssh Records
Cat-No:psssh003x
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12" Excl
1
Dauwd - The Yuzer (DJ Plead Remix)
2
Dauwd - SpaceSamba (Electronic Live Mix)
3
Dauwd - The Yuzer (Deep Dub Mix)
4
Dauwd - SpaceSamba (Huerta Mix)
5
Dauwd - The Yuzer (Aubreys Solid Groove Mix)
GENRE/S: House / Techno
TRACKLISTS:
A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)
SHORT INFO:
PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)
SHORT INFO:
PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Fila Brazillia - Subtle Body
2
Fila Brazillia - Nightfall (Instrumental)
3
Fila Brazillia - The Light Of Jesus
4
Fila Brazillia - Room ’96 (Recorded live at Room Nightclub, Hull)
Tracklist
A1. Subtle Body
A2. Nightfall (Instrumental)
B1. The Light Of Jesus
B2. Room ’96 (Recorded live at Room Nightclub, Hull)
Release Info:
Hot on the heels of last year’s Mermaids reissue retrospective, Hull’s deep listening house forerunners return: this time revisiting a pair of originals as well as previously unreleased versions.
It’s testament to the depth of feeling that Steve Cobby and David McSherry can conjure, that these tracks sound as potent and impactful as they did when they first came out - and not just for the dance. Throughout their 30+ years, the Yorkshire duo have produced ten albums amid many more collaborations, and transformed the remix into an artform, putting their fingerprints on everyone from Busta Rhymes to The Orb to Radiohead.
This EP collection finds them at the full scope of their powers: from disembodied mood music, to tripped-out dubby beats and raw house sessions for the club. The title track Subtle Body sounds like it drifted in through the window in the middle of a snowy night. Its layered chimes, looped delay feedback and floaty chords (played on a Wurlitzer Electronic Piano that Steve bought from Bill Nelson), mark it out as an enduring piece of ambient music, and a favorite for film-makers, able to soundtrack both haunted memories and afterparty comedowns with finesse. It precedes an unreleased instrumental version of Nightfall from Fila Brazillia’s 2002 album Jump Leads (named Mixmag’s chill album of the year), and as an instrumental, the chunky electro bass and mix of ephemeral tones and bird-like chirrups are brought clearly into focus. The attention to detail is what makes Fila Brazillia’s sound palette so rich, and Nightfall a certified smokers’ anthem.
On the B side, the tempo and temperature rises, and we’re treated to The Light Of Jesus, a favorite from Fila Brazillia’s 1994 debut LP Old Codes: New Chaos. Atop a bumping house groove, the song weaves together smooth organ pads and electrified guitar licks with syrupy bass and gospel-tinged exaltations from Charles Bukowski. The EP rounds out with Room ‘96, a live house jam from Hull’s Room nightclub, and a veritable time capsule back to the halcyon ‘90s rave days, when the lights were still on, everyone was home, and anything seemed possible.
The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Subtle Body
A2. Nightfall (Instrumental)
B1. The Light Of Jesus
B2. Room ’96 (Recorded live at Room Nightclub, Hull)
Release Info:
Hot on the heels of last year’s Mermaids reissue retrospective, Hull’s deep listening house forerunners return: this time revisiting a pair of originals as well as previously unreleased versions.
It’s testament to the depth of feeling that Steve Cobby and David McSherry can conjure, that these tracks sound as potent and impactful as they did when they first came out - and not just for the dance. Throughout their 30+ years, the Yorkshire duo have produced ten albums amid many more collaborations, and transformed the remix into an artform, putting their fingerprints on everyone from Busta Rhymes to The Orb to Radiohead.
This EP collection finds them at the full scope of their powers: from disembodied mood music, to tripped-out dubby beats and raw house sessions for the club. The title track Subtle Body sounds like it drifted in through the window in the middle of a snowy night. Its layered chimes, looped delay feedback and floaty chords (played on a Wurlitzer Electronic Piano that Steve bought from Bill Nelson), mark it out as an enduring piece of ambient music, and a favorite for film-makers, able to soundtrack both haunted memories and afterparty comedowns with finesse. It precedes an unreleased instrumental version of Nightfall from Fila Brazillia’s 2002 album Jump Leads (named Mixmag’s chill album of the year), and as an instrumental, the chunky electro bass and mix of ephemeral tones and bird-like chirrups are brought clearly into focus. The attention to detail is what makes Fila Brazillia’s sound palette so rich, and Nightfall a certified smokers’ anthem.
On the B side, the tempo and temperature rises, and we’re treated to The Light Of Jesus, a favorite from Fila Brazillia’s 1994 debut LP Old Codes: New Chaos. Atop a bumping house groove, the song weaves together smooth organ pads and electrified guitar licks with syrupy bass and gospel-tinged exaltations from Charles Bukowski. The EP rounds out with Room ‘96, a live house jam from Hull’s Room nightclub, and a veritable time capsule back to the halcyon ‘90s rave days, when the lights were still on, everyone was home, and anything seemed possible.
The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
Tracklist:
A1 Capitolo 1 Consacrazione
A2 Cities
A3 Drum Talk
A4 Congiuzioni
B1 Capitolo 2 Coscienza
B2 Time Spirals
B3 Giallo assoluto
B4 Ritorno al domani
B5 Capitolo 3 Terra
Release Info:
Rome’s own disco wizard L.U.C.A. aka Francesco De Bellis is back for his second LP Terra, hot on the heels of his Venus 12” EP earlier this year. In this far-reaching album, the Edizioni Mondo founder explores the deteriorating relationship between Man and Nature, and the dire consequences. The album is split into two themes - part one is Consacrazione (Consecration) and side two is Coscienza (Conscience) - as L.U.C.A. charts a trip through mankind’s psychic universe, and imagines worlds beyond our physical dimension.
The opening composition Cities is an uptempo number that slowly comes into focus, as dreamy drum machines emerge from the urban bustle, before settling into a soulful groove as keyboard, upright bass and guitar figures dance across bright percussion. As it builds up a head of steam, the piece gives way to an ambient, tribal breakdown, which is also echoed in the following song, Drum Talk. This second tune sets up in a fourth world dreamscape of drums, synths, and abstracted echo effects, and is peppered with word fragments from the bush of ghosts. By the time we’ve reached the third track, Congiunzione sounds like travelling at singularity speed, beaming in from a future where human consciousness and gaia can finally dance on a cosmic plain.
Part two of Terra details how revelation of the spirit can guide the mind, as Time Spirals rises out of a drum motif with a nod to classic ragas, as a disembodied voice asks questions on the nature of corporeality. The sound design is just as front and centre as the sitar and fretless bass, and the song gives way to a richly-layered soup that sounds like the vast space between atoms. It’s this shift from composition to ambience that is the dynamic core of Terra, giving L.U.C.A. plenty of space to showcase his next-level audio and arranging skills. Midway through part two, Giallo Assoluto begins with reverb tails and choral voices before expanding in brightness and texture until the audio field is practically levitating your hi-fi speakers, vibrating them with drones, twinkling keys and shards of digital noise. The closing composition Ritorno al Domani is a perfect balance of optimism and mystery. Tension and release collapse in on themselves as waves of ambient pads crescendo and then break over stretched-out sonic turbulence, before reversed synths bring the listener to a closing door, and the end of the journey.
It’s a mind-expanding musical exploration of other worlds and parallel universes which are surely all around us, and in many ways serve to remind us of the marvel that is our own planet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Capitolo 1 Consacrazione
A2 Cities
A3 Drum Talk
A4 Congiuzioni
B1 Capitolo 2 Coscienza
B2 Time Spirals
B3 Giallo assoluto
B4 Ritorno al domani
B5 Capitolo 3 Terra
Release Info:
Rome’s own disco wizard L.U.C.A. aka Francesco De Bellis is back for his second LP Terra, hot on the heels of his Venus 12” EP earlier this year. In this far-reaching album, the Edizioni Mondo founder explores the deteriorating relationship between Man and Nature, and the dire consequences. The album is split into two themes - part one is Consacrazione (Consecration) and side two is Coscienza (Conscience) - as L.U.C.A. charts a trip through mankind’s psychic universe, and imagines worlds beyond our physical dimension.
The opening composition Cities is an uptempo number that slowly comes into focus, as dreamy drum machines emerge from the urban bustle, before settling into a soulful groove as keyboard, upright bass and guitar figures dance across bright percussion. As it builds up a head of steam, the piece gives way to an ambient, tribal breakdown, which is also echoed in the following song, Drum Talk. This second tune sets up in a fourth world dreamscape of drums, synths, and abstracted echo effects, and is peppered with word fragments from the bush of ghosts. By the time we’ve reached the third track, Congiunzione sounds like travelling at singularity speed, beaming in from a future where human consciousness and gaia can finally dance on a cosmic plain.
Part two of Terra details how revelation of the spirit can guide the mind, as Time Spirals rises out of a drum motif with a nod to classic ragas, as a disembodied voice asks questions on the nature of corporeality. The sound design is just as front and centre as the sitar and fretless bass, and the song gives way to a richly-layered soup that sounds like the vast space between atoms. It’s this shift from composition to ambience that is the dynamic core of Terra, giving L.U.C.A. plenty of space to showcase his next-level audio and arranging skills. Midway through part two, Giallo Assoluto begins with reverb tails and choral voices before expanding in brightness and texture until the audio field is practically levitating your hi-fi speakers, vibrating them with drones, twinkling keys and shards of digital noise. The closing composition Ritorno al Domani is a perfect balance of optimism and mystery. Tension and release collapse in on themselves as waves of ambient pads crescendo and then break over stretched-out sonic turbulence, before reversed synths bring the listener to a closing door, and the end of the journey.
It’s a mind-expanding musical exploration of other worlds and parallel universes which are surely all around us, and in many ways serve to remind us of the marvel that is our own planet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Johnny Lamas - Noches En Caracas
2
Johnny Lamas - Sahara
3
Johnny Lamas - Piña Colada
4
Johnny Lamas - Arpas Eternas
5
Johnny Lamas - Danza Cosmica
6
Johnny Lamas - Una Amiga En Nueva York
7
Johnny Lamas - No Me Olvides Niña Punk
To be far ahead of your time sometimes means that you have to wait a while for the right moment to be understood. The visionary approach of multi-instrumentalist Johnny Lamas led him to experiment with a world of hybrid jazz-funk, ambient and electronic sounds while keeping the rhythms of Venezuelan traditional music alive. From 1993 to today, small recognition has grown into true admiration for this so specific sound and his "Danza Cósmica" masterpiece. TrueClass Records are pleased to present as their second release a complete restoration of this gem, beautifully remastered and redesigned, making it available now for the first time in fine audio quality on vinyl and digital formats.
A1 Noches En Caracas
A2 Sahara
A3 Piña Colada
B1 Arpas Eternas
B2 Danza Cosmica
B3 Una Amiga En Nueva York
B4 No Me Olvides Niña Punk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Noches En Caracas
A2 Sahara
A3 Piña Colada
B1 Arpas Eternas
B2 Danza Cosmica
B3 Una Amiga En Nueva York
B4 No Me Olvides Niña Punk
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More