T4T LUV NRG presents “Call Me G”, the new album by Brooklyn’s Russell E.L. Butler, their first full length LP since the release of 2018’s critically acclaimed “The Home I’d Build For Myself and All My Friends” on Left Hand Path. In the intervening years, Russell has experienced an accumulation of personal subjective experiences which are explored through captivating musical modalities and expressions on this sprawling, gorgeous, and deeply emotional album. Russell’s work on “Call Me G” can be described as a unique amalgam of early NY house music, dub techno and poetry. The album’s title track, as well as its instrumentals, are a kind of storytelling for histories that continue to exist without observation as well as for secrets and the power they hold in spite of their truth being obscured and sometimes lost. Storytellers like Russell have the ability to collapse the past and future into discrete experiences of non-linear time through the emotional landscape of music and voice. Each song contains a palatable loneliness and hurt to which many in this modern world can relate, but each track also suggests the possibility of genuine connection and the formation of the self through communing and reintegrating with the natural world. These parallel concepts are the subject of “Accumulation”, a writing by Russell which accompanies the release of the album. The emotions, conflicts and resolutions that accompany Russell’s storytelling are felt acutely on tracks such as “I’m Dancing No One Is Watching” and “Stare Into The Light Beam”, among others. On the title song, which closes the album, Russell sings “Can you call me? Will you call me? All that I want is for you to call me by my name...My name is G.” Context is part of interpretation and thus it is left to the listener to feel in the music and lyrics the concept that what may seem erased never truly dies, the traces still exist in the thing that takes its place. The T4T LUV NRG label is in part a continuing effort to facilitate the documentation of true stories that don’t get told—rather than representing a singular vibe or genre. Russell’s album is a stunning and profound entry in this evolving catalog of music and art. The beautiful cover of “Call Me G” is based on a hand drawn portrait of the artist by Diego Guzman.

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Russell E.L. Butler is a non-binary experimental artist and DJ based in Oakland, California. Originally from Bermuda, Russell has developed a process of improvisation that draws from a rich cultural history rooted in their island and the black, queer diaspora. Following releases on Left Hand Path, Jacktone Records, Black Opal, and CGI Records, Butler enters the Spectral Sound fold with Petty, a 4-track EP of pummeling machine techno. SPC-141, presented by its producer:

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CGI Records is extremely proud to be presenting the new EP from Oakland-via-Bermuda based artist Russell E.L. Butler. I'm Dropping Out Of Life are 4 cuts of essentialist dance music that can provide an ecstatic escape from the drudges of professional life for all who so rightly seek it. As Russell himself elaborates, "The title has been on my mind a lot, since I almost lost my life in the Ghost Ship fire and watched as many of my friends lost their's. I came up with the title several months ago, in fact 2 of the tracks were shopped in a producer's group that Johnny (Nackt) and Chelsea (Cherushii) were a part of, both of whom I lost in the fire. This release is about a commitment to life. The life that I refer to dropping out of, is a life where dreams are put on hold, where concessions are made in order to just survive. But that comes at a cost, one that is far too great for me to pay at this point. I wrote this poem, it'll come as an insert with the record.


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Throughout her much-lauded career as a DJ and producer, Ciel has worked hard to build community through events and DJ workshops in her home city of Toronto and on a larger scale with podcasts and projects meant to elevate women artists. The title of her latest EP, “All We Have Is Each Other,” reflects her history of mutual support, and in these times when so many of our connections seem broken by the pandemic, it offers a reminder that music still has the power to unite us.

Ciel has never been an artist who lets genres define or constrain her, so it seems only fitting that this release lands on Mister Saturday Night Records, a New York City label with a similar ethos. It’s in this refusal to restrict her sound to narrow definitions that something magical happens.

This 5-track EP spanning dance floor fillers and home listening pieces builds on a frame of tough footwork-paced kick drums, the skip and swing of 2-step garage, broken house, and slow, meditative beats. Woven throughout are hopeful melodies, dappled with sunlight tones and layered with organic percussion. The connective tissue is a deep feeling of joy and hopefulness in the power of music and collective humanity.

When the world goes up in flames, all we have is each other. Music connects us with like-minded communities that both shelter and empower us. With this emotive collection of diverse songs, Ciel reaches out a hand and invites us to be a part of something beautiful and authentic.

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2x12" orange vinyl edition of Tygapaw's landmark album 'Get Free'
Bold visceral techno that harnesses the energy of 90's Detroit.

During the pandemic shut down of 2020 we became absorbed and obsessed by one record in particular. That record, released digitally via Mexico City label N.A.A.F.I., was ‘Get Free’ by TYGAPAW, which features multidisciplinary artist Mandy Harris Williams. A complete body of work intersecting their musical and cultural roots, this is an 11-track collection of hard-hitting, cathartic energy, exploring black joy, the active dismantling of imagined limitations, and the eradication of self doubt using techno landscapes.

Upon learning that there was no plan to release the record on vinyl we started a conversation about making that happen on Mister Saturday Night Records.

Two years later and through numerous pressing delays we are honored to announce the belated release on two slabs of orange vinyl and updated artwork.

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Label head and Nowadays co-founder Eamon Harkin returns to Mister Saturday Night records for his third release on the label building on the mood of recent EPs for Fixed Rhythms and Coastal Haze. Four tunes bristling with emotion made during lock down that examine the many of truths in our existence, chief of which is the truth of our connectedness

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Nowadays family member Love Letters delivers the next record on Mister Saturday Night records. The Vermont native turned New Yorker delivers a beautiful 5 track release that meanders effortlessly from peak time banger to delicate experimental passages to off kilter poly rhythms. A thoroughly enjoyable listening experience from start to end and the sound of an artist finding their voice and perfecting their craft.

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New James Bangura!
Drum & Bass, US Techno and broken beat all get put through Bangura grinder for his debut 12" on Mister Saturday Night

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Esteban Adame cut his teeth DJing at the ditch parties and house parties of East LA in the 90s. He then moved to Detroit to apprentice with Mad Mike Banks, performing as part of Los Hermanos and Galaxy to Galaxy. More than twenty years on, he still lives and breathes music. This is his debut record for Mister Saturday Night Records, raw and joyful.

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A two-track heater from one half of the Mister Saturday Night duo.


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Shore is a vibraphonist and composer based in Brooklyn. Eamon Harkin and Justin Carter from Mister Saturday Night met him through NYC music institution, Nublu, where he worked with the legendary jazz maestro Butch Morris and Sex Mob and Tom Waits drummer Kenny Wollesen. At the very first Planetarium listening session, where Eamon and Justin blend records into live performances for people sprawled on the floor of a loft for six hours, one of Justin's friends leaned over to him and asked, "What is this record? It's amazing." It wasn't a record. It was Shore, playing A Hundred Times in the corner of the room.



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Alex Falk first showed up on our radar back in 2013 when his Terse EP dropped on Tennessee-based label Proper Trax. That record – specifically "PTR", which we pitched way down and turned way up – was a regular fixture on our platters, so we were stoked when the man in Knoxville got in touch with these groove-heavy, stripped-back floor fillers that now make up the Anjuna EP.

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General Ludd are back with Sunset Yellow, their third EP for us in as many years. This one picks up where "Are You Losing My Hearing?" left off with three more doses of heady drum breaks and spacey synth lines that have been psyching out our dance floor in New York for quite some time now with no negative side effects.

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Keita Sano is back in the house. This time our man in Japan comes through with two sample-heavy stompers, fully primed for peak-time at the disco. Pow! Pow!

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Jun Kamoda is a producer, DJ and MC from Tokyo. New to the label but a friend of the party, Jun came to Mister Sunday in NYC last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. When he returned to Japan, he got to working on the music we now present to you on The Clay EP. This is Jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. They've been chopping up our dance floors months; we're excited to hear them do the same to yours.

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Jun Kamoda is a producer, DJ and MC from Tokyo. New to the label but a friend of the party, Jun came to Mister Sunday in NYC last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. When he returned to Japan, he got to working on the music we now present to you on The Clay EP. This is Jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. They've been chopping up our dance floors months; we're excited to hear them do the same to yours.

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Nathan Melja is the same young Frenchman whose debut EP we released under the name Melja late last year. Since then, he moved to New York and worked at Mister HQ for a few months, manned the light booth at the Mister Saturday Night and Mister Sunday parties (DJs make the best light guys), and spent most of his time outside that making music. Leo Draws is the culmination of that music-making, two murky but beautiful tracks centered around vocal samples and one off-kilter number aimed at the dark corners of the dancefloor.

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Atlus is a young man with the world on his shoulders. He holds it from misty Glasgow, where he spends most of his time in the halls of Rubadub. In the three songs on this epic EP, he lifts up party-melting disco house, clanging ambience and bubbling techno – and not for a second does he hint at letting the ball drop. The first of many, many records from him, we hope. This kid's a titan.

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Archie Pelago is a trio from Brooklyn. Greg plays cello; Zack plays saxophone; and Dan plays trumpet and works the knobs. The Archie guys did one of the very first releases on Mister Saturday Night Records; and we're very happy to have them back – especially with such brilliant tunes. The A Side, Clammy Customer, takes dozens of twists and turns, weaving in vocals by the always excellent Gabriel Garzon-Montano; and the B Side, Madame Suede Nightshade, was apparently made with us in mind (check the initials). Both sides are tried and tested on our dancefloor and cut at 45rpm for maximum oomph.


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