Finale Sessions is excited about this release from Knoxville, Tennessee artist Alex Falk. He has been on our radar for some time now so we are pleased to share this with you! The A1 track "An Ever" is one of our favorite tracks on the EP, with dreamy pads and monstrous stabs making for a fantastic floor-stomper. Rounding out the A side is "Rrecs", a deep Techno cut with clattering chords and moving drums and claps. B1 track "What Is Free" is another solid peak time killer with thick stabs and cut-up vocals making for a perfect Finale Sessions release. Finally, "BR56" brings up the tempo while chilling out the vibe with dubbed-out chords, nasty filter work and a sound floating somewhere between Techno and House.

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Tennessee Techno: Alex Falk brings the sound in purified form. His approach has already piqued the interest of many influential DJs and producers, and the track "PTR" from his debut EP on Proper Trax is among the selections included on Hessle Audio co-founder Pangaea's Fabriclive 73 mix. Falk's previous releases have focused on punishing, pulsing, synthetic techno. For his CGI EP, we are treated to another side of Falk's sound as he allows a bit more 'house' into the mix. The release kicks off with "GF", a relentless assault consisting of little more than a repurposed vocal from a young pop star, distorted drums, and ceaseless energy. This beating gives way to the caress of "Foam Party", in which bubbling synth chords carry us to a place far away from the mindless EDM-raves from which the name was derived. Flip it over and the energy ramps back up with "BF", another strong track built around a pop-vocal edit. Liquid synth chords stab and mutate with the driving rhythm underneath, creating a truly brilliant dance track that's sure to fill any floor. The energy once again is calmed as we fall into “Miley's Plateau", a shuffled, dubby synth track coming across like a housed up Vladislav Delay, rounding out a truly diverse EP which, true to CGI's mission, finds cohesion in the contrast.


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After sweating out the winter heatwave generated by Chris Mitchell and Grey People with Proper Trax 4, Alex Falk distills a purified form of techno from the often unnecessary complexities of the style. Terse—the fifth limited twelve from Proper Trax--further solidifies the label's unflinching commitment to the rough 'n' tough sounds of the southern US underground. Don't sleep, as this one is aimed to take its place in the record bags of the globe's in-the-know heads. Measure one's approach for a drastic result.

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Throughout her much-lauded career as a DJ and producer, Ciel has worked hard to build community through events and DJ workshops in her home city of Toronto and on a larger scale with podcasts and projects meant to elevate women artists. The title of her latest EP, “All We Have Is Each Other,” reflects her history of mutual support, and in these times when so many of our connections seem broken by the pandemic, it offers a reminder that music still has the power to unite us.

Ciel has never been an artist who lets genres define or constrain her, so it seems only fitting that this release lands on Mister Saturday Night Records, a New York City label with a similar ethos. It’s in this refusal to restrict her sound to narrow definitions that something magical happens.

This 5-track EP spanning dance floor fillers and home listening pieces builds on a frame of tough footwork-paced kick drums, the skip and swing of 2-step garage, broken house, and slow, meditative beats. Woven throughout are hopeful melodies, dappled with sunlight tones and layered with organic percussion. The connective tissue is a deep feeling of joy and hopefulness in the power of music and collective humanity.

When the world goes up in flames, all we have is each other. Music connects us with like-minded communities that both shelter and empower us. With this emotive collection of diverse songs, Ciel reaches out a hand and invites us to be a part of something beautiful and authentic.

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2x12" orange vinyl edition of Tygapaw's landmark album 'Get Free'
Bold visceral techno that harnesses the energy of 90's Detroit.

During the pandemic shut down of 2020 we became absorbed and obsessed by one record in particular. That record, released digitally via Mexico City label N.A.A.F.I., was ‘Get Free’ by TYGAPAW, which features multidisciplinary artist Mandy Harris Williams. A complete body of work intersecting their musical and cultural roots, this is an 11-track collection of hard-hitting, cathartic energy, exploring black joy, the active dismantling of imagined limitations, and the eradication of self doubt using techno landscapes.

Upon learning that there was no plan to release the record on vinyl we started a conversation about making that happen on Mister Saturday Night Records.

Two years later and through numerous pressing delays we are honored to announce the belated release on two slabs of orange vinyl and updated artwork.

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Label head and Nowadays co-founder Eamon Harkin returns to Mister Saturday Night records for his third release on the label building on the mood of recent EPs for Fixed Rhythms and Coastal Haze. Four tunes bristling with emotion made during lock down that examine the many of truths in our existence, chief of which is the truth of our connectedness

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Nowadays family member Love Letters delivers the next record on Mister Saturday Night records. The Vermont native turned New Yorker delivers a beautiful 5 track release that meanders effortlessly from peak time banger to delicate experimental passages to off kilter poly rhythms. A thoroughly enjoyable listening experience from start to end and the sound of an artist finding their voice and perfecting their craft.

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New James Bangura!
Drum & Bass, US Techno and broken beat all get put through Bangura grinder for his debut 12" on Mister Saturday Night

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We’re putting out the first Mister Saturday Night Records release in a long while. It’s by Russell E.L. Butler, and it’s called “Blah Blah”. The record comes out on Friday, September 4, and it contains three tracks made in Prague at the Synthesizer Library and one track made in Russell’s pre-New York home in Oakland.

On the EP’s release date Sept 4th, which is Bandcamp Day, all of the Mister Saturday Night Records share of Bandcamp proceeds from the release will go to Princess Janae Place, an organization that provides referrals to housing for chronically homeless LGBTQ adults in the New York Tri-state area, with direct emphasis on Trans/GNC people of color.

The vinyl release, designed by Boot Boyz Biz, includes a poster featuring these words from Russell:

What are my dreams when they are spoken into real space? Are they statements centering my desires? Are they indictments to hold myself accountable to my vision of life?

My consciousness is meandering and at times I celebrate this drone of words. Stripped of meaning, to reveal what’s beneath. Not an answer, but further questions. The purpose of the mantra is to quiet the conscious mind until the spirit takes over.

Place is important. It grounds the abstract in our humanity. These things came from somewhere. Many places. To culminate into one. Connecting them all. And creating something entirely new. Not an answer, but more questions.
credits

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Esteban Adame cut his teeth DJing at the ditch parties and house parties of East LA in the 90s. He then moved to Detroit to apprentice with Mad Mike Banks, performing as part of Los Hermanos and Galaxy to Galaxy. More than twenty years on, he still lives and breathes music. This is his debut record for Mister Saturday Night Records, raw and joyful.

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A two-track heater from one half of the Mister Saturday Night duo.


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Shore is a vibraphonist and composer based in Brooklyn. Eamon Harkin and Justin Carter from Mister Saturday Night met him through NYC music institution, Nublu, where he worked with the legendary jazz maestro Butch Morris and Sex Mob and Tom Waits drummer Kenny Wollesen. At the very first Planetarium listening session, where Eamon and Justin blend records into live performances for people sprawled on the floor of a loft for six hours, one of Justin's friends leaned over to him and asked, "What is this record? It's amazing." It wasn't a record. It was Shore, playing A Hundred Times in the corner of the room.



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General Ludd are back with Sunset Yellow, their third EP for us in as many years. This one picks up where "Are You Losing My Hearing?" left off with three more doses of heady drum breaks and spacey synth lines that have been psyching out our dance floor in New York for quite some time now with no negative side effects.

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Keita Sano is back in the house. This time our man in Japan comes through with two sample-heavy stompers, fully primed for peak-time at the disco. Pow! Pow!

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Jun Kamoda is a producer, DJ and MC from Tokyo. New to the label but a friend of the party, Jun came to Mister Sunday in NYC last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. When he returned to Japan, he got to working on the music we now present to you on The Clay EP. This is Jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. They've been chopping up our dance floors months; we're excited to hear them do the same to yours.

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Jun Kamoda is a producer, DJ and MC from Tokyo. New to the label but a friend of the party, Jun came to Mister Sunday in NYC last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. When he returned to Japan, he got to working on the music we now present to you on The Clay EP. This is Jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. They've been chopping up our dance floors months; we're excited to hear them do the same to yours.

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Nathan Melja is the same young Frenchman whose debut EP we released under the name Melja late last year. Since then, he moved to New York and worked at Mister HQ for a few months, manned the light booth at the Mister Saturday Night and Mister Sunday parties (DJs make the best light guys), and spent most of his time outside that making music. Leo Draws is the culmination of that music-making, two murky but beautiful tracks centered around vocal samples and one off-kilter number aimed at the dark corners of the dancefloor.

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Atlus is a young man with the world on his shoulders. He holds it from misty Glasgow, where he spends most of his time in the halls of Rubadub. In the three songs on this epic EP, he lifts up party-melting disco house, clanging ambience and bubbling techno – and not for a second does he hint at letting the ball drop. The first of many, many records from him, we hope. This kid's a titan.

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Archie Pelago is a trio from Brooklyn. Greg plays cello; Zack plays saxophone; and Dan plays trumpet and works the knobs. The Archie guys did one of the very first releases on Mister Saturday Night Records; and we're very happy to have them back – especially with such brilliant tunes. The A Side, Clammy Customer, takes dozens of twists and turns, weaving in vocals by the always excellent Gabriel Garzon-Montano; and the B Side, Madame Suede Nightshade, was apparently made with us in mind (check the initials). Both sides are tried and tested on our dancefloor and cut at 45rpm for maximum oomph.


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