Straight outta Detroit comes Jared Wilson with a brand new album for Altered Sense. From A Different Time features 8 Acid/Breakbeat tracks of the highest quality, TIP!

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RAWAX proudly welcomes Jared Wilson to the family! We are happy to present you a great five tracker full of acid by the man from Detroit on the 18th RAWAX Motor City Edition!
Positivity is what we all need!

"Jared Wilson is of a new Detroit lilt. He has not been eclipsed by the gravitas that comes with the Motor City, instead he uses it as a bedrock from which to bring forth his own take on techno. Wilson, armed with his analogue arsenal, forces a new rawness; an unashamed baring of teeth to those who think that Detroit has had its day."

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New imprint Jason, Jared & Brians’ Records delivers its first offering with a release from Jared Wilson.

This record is dedicated to and influenced by Roland, Dinsync, Social Entropy Engine, and the Pacific Northwest. The three-tracks found on this EP are some of the first to come out of Jared’s new studio in Seattle. Refining and recommitting to a sound that reaches into the past and future with hints of acid, house, and techno while at the same time not being confined by any theme or style.


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Four fresh Jared Wilson tracks on his own label 7777 in collaboration with Glasgow's Dixon Avenue Basement Jams. 4 tracks influenced by acid, house, techno, Roland, Make Noise, Michigan and the Great Lakes.

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For the 11th release 7777 presents the Ghost Miners Remixes. For these remixes I offered each producer samples from different songs from the 2 Ghost Miners records. Instead of doing straight forward remixes of a single song, I put forth the proposal for each artist to make their own version of a Ghost Miners song from scratch or using any samples they feel like. Contributors include 3 of my favorite producers. 2 in demand artists; FIT Siegel and Andreas Gehm (RIP) and one new comer; Brian Thrash. Andreas Gehm's version is a standard acid Gehm gem. Calling in the chords from the originals mixed with standard Gehm acid brilliance. In FIT Siegel's version you'll find the perfect pure underground dance sound. Featuring Ray-7 on hand drums FIT constructs a remix that combines elements of classic Detroit and Chicago sound while keeping the attitude and acid aesthetic of the original material. On the B side Brian Thrash, controlling his analogue arsenal, takes you on an epic acid journey traversing through the underground and space. Thank you for your time. - Jared Wilson

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DABJ favourites Denis Sulta & CT Trax make a welcome return alongside mysterious new boy Fear-E! Denis Sulta lives in a Bedouin temple in a far off eastern land where he lounges in his imperial bed chamber surrounded by a bevy of beautiful women. These scantily-clad, exotic felines soothe his body and mind with an array of mystical massages as he lies on his luxurious ruby red, Egyptian cotton sheets. He only drinks the finest Buckfast wine and dines on delicious delicacies from far flung corners of the globe. So, thank the lord he was willing to give this up, jump down to the basement and lay down Time 4 Prayer, another fucked up dirty funk Sulta classic. Denis tags in Fear-E for his DABJ debut. Candi’s Quadra is a sexy wee off the shoulder number that’ll have you goggle eyed and panting for more. On the flip, CT Trax completes the mouth-watering line up to smash home two winners and lift the trophy for the All Stars.


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Ghostminers 2 is the follow up EP to Wilsons debut album, Ghostminers. It's an acid techno four-tracker which continues to dwell on "all those who have worked and lived underground."

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Killer debut album from Jared Wilson on his own label 7777. Wilson states the album draws inspiration from the literal underclass. "Ghost Miners is influenced and dedicated to all those who have worked and lived underground, from gold miners in South Africa, copper miners in the 1800s in northern Michigan, the mole people of NYC to orphans living under Bucharest." Raw acid and techno of the highest caliber as only Jared Wilson can do!

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double 12" of Jared Wilson style SKUDGE.... deep acid vibes. New school Detroit.... FRESH!

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New tracks from Detroit's acid wizard, the one and only Jared Wilson. As with his past releases, always in demand and always sell out!

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REPRESS! Jared Wilson is keeping the acid alive in Detroit. ''Ghettoblaster'' is Jared's second release on his label 7777. ''This Love,'' is a slower deep track with haunting 303 bassllines and a a voice chanting ''This Love.'' The title track, ''Ghettoblaster'' is an jacking stomper for the floor. ''Last Two,'' is a very nice Chicago influence acid beat track. Also included on this 12'' is ''Office Analog'', a previous release only available digitally before now.



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REPRESS! The inaugural release on 7777 instantly recalls the sound of the legendary Gherkin and Target imprints from Chicago. But rather than spawn direct imitation, a flare of Detroit is gently added to the equation. An expansive remix is added on the B-side by the acid powerhouse production duo TNT (Tadd Mullinix and Todd Osborn), whose releases on their eponymous imprint have been highly sought after. A brutal working of the A-sides “Drug Related Stories”, this epic has already been well received by the patrons of late night/early morning clubs in Detroit.

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In the dimly lit corners of a nondescript basement party, amidst the cacophony of laughter and clinking glasses, a pulsating beat cuts through the haze of alcohol-induced euphoria. It's a track that none have heard before, yet it feels instantly familiar, echoing the electrifying energy of Underworld's iconic 'Born Slippy'. The song, discovered by accident during a drunken deep-dive into the depths of an online music platform, becomes the unexpected anthem of the night. Titled "Macht over het Stuur", this track is an odyssey of sound, blending relentless techno rhythms with haunting, ethereal vocals that seem to drift in from another world. The opening notes are a siren call, drawing listeners into a whirlpool of synths and beats that mimic the heartbeat of the city at night. It's music that doesn't just want to be heard; it demands to be felt, pulsating through the veins and igniting a fire in the soul. As "Macht over het Stuur" unfolds, it weaves a narrative without words, telling tales of fleeting connections, electric glances, and the raw, unfiltered essence of human emotion. It captures the spirit of those who chase the dawn, those who find beauty in the blur of lights as they speed past on their way to nowhere. The track is a paradox, both a celebration of the present moment and a longing for something just out of reach, a sound that encapsulates the feeling of being utterly lost yet exactly where you're supposed to be. The discovery of "Macht over het Stuur" on that drunken night feels like unearthing a treasure, a secret shared among friends that would soon ripple out to captivate a wider audience. As word of the track spreads, it becomes more than just a song; it's a movement, a collective memory etched into the minds of those who experienced it firsthand. It stands as a testament to the power of music to unite, to transform an ordinary night into something magical, a reminder that sometimes, the most unforgettable moments are those we never see coming.

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Follow up of the Polysynthesis pt. 1.

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Mysterious Argentinian Deep Spectrum delivers an EP with synthpop and italo influenced music for the pool/porn movie set/dance floor/living room. Yes that's right, this is universal music, suitable for all kinds of situations. Forever Free could be an instrumental b-side of a Soft Cell or Vicious Pink record while Para?so Fiscal (fiscal paradise) holds the middle ground between an 80s soundtrack and an underground italo jam. Punch Line on the flip is a smooth dance track where this talented new artist takes it to an even more sensual level. Fans of sleazy electronic futurism and early Legowelt should not sleep on this release!

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030303 Records taught us a lot about the many faces of acid throughout the 18 years of its existence. The label has specialised in all substyles of the genre, whether that's tracks inspired by early 80s proto acid, Chicago house, braindance or the eerie melancholy of Polygon Window. Good thing is, they haven't stopped getting better at it. Most 030 releases are now out of print and severely sought after and, with so many instant classics featured on it, this fifth compilation will be no exception. Caramel Chameleon kicks off with an epic cut, one that will appeal to fans of Roy of the Ravers. Perseus Traxx, Raving Kid and RAG aka Steven Brunsmann follow suit with acid on a deeper tip, with the latter adding a heavenly soulful touch to it. And how great it is to see American producer Korr? return to the label with a wonderfully spaced out introspective cut. Also standing out is Endfest's heavy electro/acid take on one of the most obscure mysteries ever to come out of Detroit: Shari Vari. Dwaalgast and De Beer Uit Allekmaar aka Cosmic Force deliver the last track before the lights go on - the aptly named A Wave Goodbye has a distinctive, bouncy westcoast-sound-of-Holland feel to it. An excellent compilation and a huge tip!

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030303 co-founder Freek Fabricius made this record in honour of his friend Floris Bovee who passed away early in 2020. For the EP, Freek took some of Floris' musical ideas and reworked them - together with samples of Floris' voice - into four excellent mid-tempo tracks for the emotional dance floor. Expect dense and organic harmonies on this record, which really feels like a mini album and is among some of the most heartfelt and poetic electronic music we have come across as of late.

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A compilation of atmospheric live recordings on a double 12 inch pack. Twelve serene ambient and IDM tracks by German producer Rave Angst, who let his modular system and Roland TB-303 on the loose. The vibe is moody and production is crisp with lots going on to keep your brain busy. It really feels like we're entering Rave Angst's soul - he definitely did not hold back as this is deeply emotional and - let's face it - often apocalyptic sounding music. The unsettling melodies on the album are strangely held together by metallic sounding rhythms but only just... Rave Angst really challenges the listener on this album. It's all high quality stuff with 1994, Sunday Morning Self-Medication Acid and Paralyzed (Dub) being our personal favorites. Exist is a massive recommendation for anyone into mid 90s Aphex Twin and early Plastikman. Essential stuff.

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Bristol based producer Gilbert steps into the time machine with this wonderful EP that sonically and spiritually connects to the early works of Warp pioneers such as B12, LFO and Speedy J. First track Ylem starts with a strong kick but is nevertheless a subtle builder that directs you straight to deep space. Shift the Focus, the opener on the flip, may well be the EP's most suitable track for the (dreamy) dance floor - the cut's dense melodies and subtle 303 flavours work well with Gilbert's rhythm section and would slowly but surely draw you into a psychedelic swamp when played in a club. The tracks Lucid Dream and Are We Alone are even a bit more otherworldly and fitted for an armchair listen. A big tip for anyone into layered, mind bending UK techno!

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First one for 030303 by Daniel Pringle aka The Jaffa Kid. Over the course of six tracks, the Newcastle based producer smoothly blends Detroit and UK informed techno with breakbeat vibes. Highlights include Noon - a deep melancholic techno cut with a subtle optimistic melody line keeping it all together, Zap Ting II - a rich ambient take on deconstructed jungle and acid and Izire Baes, where fast paced breaks are oddly slowed down by deep sonic drones. It's definitely a journey into another world, this one and a big recommendation for anyone keen to escape reality.



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Tibor Kocsis doesn't take a minute to introduce himself on his first EP for 030303 records; he presents himself with a slap in your face from the very first second. Title track Delta Ophiuchi is heavy duty dancefloor material... reminiscing of the very best of K Alexi Shelby's early works, just a little more focused and to the point maybe - an instant rush and an instant classic! Second track Nekorb is a little sweeter and more for the after hours. The remaining 3 tracks keep that same flow; a wonderful blend of Chicago, psychedelic British acid house and electronic minimal wave.

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British producer Jonathan Hipgrave aka Jonny3snareS hits the right snare - as the Dutch say - with his brand new Parasol EP on Utrecht's 030303 Records. With plenty of off-tone melodies from another galaxy and hard hitting and impatient snare drum compositions, this is braindance at its very best. Upon reading track names like Custard Rollneck, Milk on Sofa and Pond Life, you expect to hear acid heavy, euphoric and sometimes slightly uneasy dancefloor nostalgia in the best Rephlex tradition and that is exactly what you get. Big tip for fans of Cornish acid!

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Dublin's Splitradix delivers an EP of intense and melancholic acid / braindance with plenty of "light in darkness" to quote Yellow Magic Orchestra. Opener Laplace Formal is a moody, hyper melodic piece for a dreamy dance floor. The oddly titled second track, The Dry Canal, is the centerpiece of the EP. Dry, deep and stomping acid taking you through a tunnel of sound - the two dark droney melody lines slowly but surely turn the piece into something truly epic and unforgettable... Opening the flipside, Empty Sea 1000 is a slow, lazy acid cut from another dimension, very nice! Lucan 303 Distribution Service is heavy on the kick. Basic at first, it later turns into a wonderfully melodic Rephlex-like cut. Last one, Laplace Formal (Navs' No Jacket Required Remix) is a laidback and more euphoric version of the EP's opening track.

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A unique release with four tracks, each by a different 030303 member from the first hour. B?hm kicks off with Tranquility, a moody and atmospheric acid electro track; hard hitting snares, 303 bubbles and and a dark cloud of gloomy drone. Freek Fabricius' track Druk op een Knop is part built up by samples taken from an obscure gaming device for small children. The result is a bizarre and spooky track, loosely held together by a messy Roland melody. Geel Acidvarken's excellent contribution is one to listen to again and again and reminds a little of Plastikman's Consumed project; lots of dreamy reverb effects on the warm bleeps with persistent snares and rattling rim shots added to the spaciness. Piepiep's System 100 is a brilliant funky beast, hectic and crystal clear at once with lots happening yet a dedicated focus on the floor. A very strong 12" and a big tip!

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What a wonderful outlier on Holland's 030303 label, this one! Lush breaks, with hints of UK hardcore and classic bleep house inhabit this wonderful EP. The EP kicks of with the track 'Animal Samba' is more housey with memories of 808 State, UR and Reese springing to mind. A2 is called 'Junglitter' and with a tempo so low, the track is perfect for slow raving; this is Goldie abusing the hand break...Breaks are at its heaviest on the first track of the flipside: 'Musiphon' keeps rolling on a brilliant formula of a dominant bass line rolling at mid tempo while an LFO-esque melodie fights for a second position. The last one 'Vedelius' -like the artist- a four/four track accompanied with breaks with the quirky melody in the bass and nightmarish screams taking over. This is possibly the track most suitable for the dance floor, not a cozy one though...These are the best hardcore breaks since, Zomby's "Where were you in '92", get them while they're shit hot!

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John Heckle's first one for 030303 starts off deliciously with "Translate" being a moody and melodic and bouncer that caters to a twisted dance floor. "Terix", the opener on the B-side is a beautiful reminder of Derrick May's Detroit, Rhythm is Rhythm's "Kao-Tic Harmony" in particular. The end of this record then, is like the end of most nights: with lots of melodies going on and a stomping rhythm "Hear Me" is by far the most mind bending track of this excellent 12".

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The 030303 crew come with a brand new various artist package in a beautifully designed sleeve to celebrate their 10th anniversary. While not all featured artist are new to 030303, the label mainly sticks to what it does best: digging up exciting new names from the raving underground. The smooth electronic tracks on the comp hold the middle ground between acid, IDM, braindance, early 1990s 808 State-esque UK acid house and Detroit techno. Among the highlights are Echo 106's eerie after hour acid jam 'Phosphor', 'Damp Patch' by Marco Bernardi which reminds us of classic Surgeon-style UK techno, Forma's 'Sailor" (reminiscent of Charanjit Singh's 'Ten Ragas to a Disco Beat'). Look no further if a versatile, subtle and beautiful acid compilation is what you're after.



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Good job 030303 got their hands on these six tracks by Rolando Simmons as they remind you of where acid got its name from: this is music to trip to. The 303 is abused to the fullest while Simmons adds snares and outlandish melodies to the acid bubbles and bleeps that are never far away. Opener Acid Marriage is a mid-tempo, melancholic soundtrack for ravers who can't be sure of anything except they've lost the plot on the dance floor. The more downbeat second track consists of washed out melodies and deformed vocals and is unlikely to bring you back on planet earth. As you expect from a song entitled 'Home Alone 4', this one's to come down on. Montignac continues on the same tip while adding some quirkiness to. Dim, then, is a true highlight; with its driving beat, crisp hi-hats and playful acid bubbles, the track goes well with the image of a dwarf bouncing around on a horse that's way to big for his own good. The EP's final is Garden Diodes, a forcef ul upbeat track that pulls you right back into that creepy trip.




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Never a dull moment with Ceephax! The Unstoppable Phax Machine is in many ways characteristic of the wonderful world of Andy Jenkinson (brother of Squarepusher). Ecstatic and moody at once, ‘South Bank’ is a piece of rough, bouncing electronic beauty that’ll make you feel like you’re a slave to the rhythm like in the old days, only better! Come down with ‘Testing Ground’ – a peaceful synth-jam ­– after which Jenkinson gets you in the piano-breakbeat mood with ‘Nigel Ringtone’; you’d be forgiven to think it’s a co-production with A Guy Called Gerald. ‘Refresher’ opens the flipside to remind us of Ceephax’s love for ghetto-bass. His version of the dirty genre is brought to life with melodies that seem to flow out of a local pub in Drexciya’s Bubble Metropolis. With the final track, Ceephax drops us back into the future with ‘Russia’ a Krafwerkian dancef loor killer. What a way to go… Drop everything else for one of the strongest Ceephax releases to date!



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