At the helm for our sixth Gottwax release, is edit maestro, Jonny Rock. Jonny Rock delivers two eclectic, dance floor driven gems which will no doubt firmly secure themselves in many a DJ’s record bag. Already in the hands of some prestigious selectors, this limited press white label is not one to be slept on for the true collector. Illusively named A1, the first track on the EP showcases Jonnys canny sampling ability. Playing with familiar sounds to create a unique and elating edit, Jonny shows us why he’s one of the best around. B1 is a sordid late night roller, primed and ready to shake up the underground dance floors. DJs will wanna keep this one on the back burner. We’re excited to put this out, and honoured to have Jonny Rock on the release.

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Dispute Records is more than glad to welcome the fantastic Jonny Rock for the first release.

Three weird and wonderful jams for obscure dancefloors... and beyond.


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Jonny Rock is somewhat of a sorcerer, an omnipresent eye that gathers secret ingredients from far and wide—old school House oddities, hypnotic melodies of the Orient, the furthest reaches of Disco, the easy pace of Turkish psychedelic funk—fusing it all into his own shrouded code, a string of immaterial messages, both subliminal and lucid, that highlight his eccentric sense of storytelling and nuance. He imbues a sense of familiarity in his music, implying history that might not be studied but still feels learned, a quality inherent to productions born from a vast catalog of influence (and the inseparable sample material). Jonny conjures euphoric acid flashbacks, herds of crowds through Istanbul alleys, the misty morning residue from raves of yore, orchestral winds blown across the Aegean riviera, and he manages to concentrate their essence into singular details such as a snare drum. Both sides of his eternally-awaited ESP debut lean toward his dark arts—'Tye Die Techno' drives a relentless hard-edged drum kit that could throw an otherwise self-respecting Goth into a heated breakdance battle, while the title track and theme, 'Ode To A Happening On Earth,' plays with the imagery of ritual, fantasy and role-playing—but throughout this malevolent stew, there is a sustained hint of the artist’s playful nature. No matter how murky the trip becomes, Jonny is always there, a light at the end of the tunnel, with a big hug to reassure that everyone will be OK. He is one clever bastard—if you know, you know.

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OYE Edits is back with the 2nd release: this time with Jonny Rock, a close friend, who is also responsible for the amazing Disco Hamam & Hamam House releases. Here we have four different styles on one record. From Disco to proto House to Funk to Balearic...




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The third in the series of the exotic, wannabe erotic, and intermittent black label series from a certain East London label & promotions team sees the elusive man of the moment Jonny Rock step up to the plate with a knockout curveball of a slam dunk house trio. Dark, brooding, yet straight up party music.

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A1 - Bay Leaf
A2 – Rounders
B1 - Night Train
B2 - Fever Dream

Orange Tree bossman Jimmy Rouge gets his shears out for another round of evergreen edits from deep in the depths. Soundsystem crunchin new wave and synth pop sounds, sit side by side with mind expanding downtempo melters for this all hitters, no critters four tracker.

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Pond Life co-captain, Marma Boog reaches for the sixth gear on OTE010 laying down three no nonsense, mind melters. Taking first prize for best song title, Marma Boog hits with an Italo mix of ‘Hypnotizing a Kookaburra’ to kicks things off. Proper hyperspace pumper business, synth hypnotism with that cosmic kookaburra in tow.

On the flip a dark percussive, tribal-tinged chugger in the form of the Mood Mix with a familiar vocal that sits all to sweetly in the midst of the psychedelic stomping.

Keeping it on a similar tip and rounding off the EP in style, ‘East of Canada’ powers on through - a downtempo, piano poised, acid-laden trip to expand your mind.

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Orange Tree Edits build on their rock solid catalogue with this stellar Vinyl EP debut from Ukranian DJ Yucca Mü.

Richly textured A-side ‘Bluebird’ samples a Soviet era Sci-Fi film to assemble a delightfully weird and wonderful, at once ethereal, refreshing and playful dancefloor heater. Church bells, choral hymns and villainous voiceovers layered on top of a rolling, chuggy low-end propel this tune into peak time territory. A tender church choir acapella outro is a joyous highlight - think festival closing time.

The flip side cut ‘Femme Symbole’ offers up organ stabs alongside swirling grand piano and a sensuous vocal to produce a belter of an edit built for the dark and steamy dance zone.

With support from Hunee, Jonny Rock, Lauren Hansom, Bell Towers, Nicola Cruz & Paula Tape you know you need a copy!

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Orange Tree Edits enlist the expertise of four deep digger extraordinaires for an excursion into the edit undergrowth. Stomping their own path through the jungle from full frontal Italo to a tribal chugfest, closing out with a slice of sultry French synth pop, Melbourne’s Hysteric, London duo Good Block and Parisian favourite Maybe Tonight take you on an island tour of the good times.

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Up next on Jimmy Rouge’s Orange Tree imprint is Moving Still aka Jamal Sul.
Following his Dar Disku release, supported by Hunee and Palms Trax, Jamal steps up with an eclectic four track EP full of Arabic influenced chuggers, a style quickly becoming synonymous with the young Dublin based producer.

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