Huerta inaugurates his new R&R imprint with TV Slang LP. Existing in a world away from the club, Huerta picks up where his debut album Junipero left off. Intended primarily as an immersive home-listening experience, TV Slang explores rhythmic moods and ambient soundscapes: combining traces of deep house, downtempo, and a suggestion of breakbeat flavors. Partially recorded back in 2019 and subsequently completed in 2022, TV Slang is the first release on R&R, a sub-label of Leizure focused on exploring more nuanced and eclectic sounds outside the rigid framework of dance music.

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Our second offering for 2017 is by another longtime friend whom we now can also call a part of the humble LPH Records team, Huerta, né Steve Huerta. Four brisk, boisterous house cuts here, all built around buttery bass lines and cocooned in warm, airy, groovy synth melodies. Perfect for early morning serenades, foggy backrooms, basements with red lights. Music that keeps your feet firmly planted while sending your head into the heavens.

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180g Vinyl! Vital Sales Points: - - Huerta’s fourth record for Amadeus - Collab record with UK born Youandewan
- EP ahead of Youandewan’s debut album on K7

Tracklist
A1. Huerta - Mandala , A2. Huerta - Eistee
B1. Huerta - Apache Line (with Youandewan) , B2. Youandewan - Yo Endlos
Shortinfo:
! Amadeus sees itself yet again graced by the California-gone-Berlin coastal confidant, Stephen Huerta. Preparing his fourth record for the imprint, Huerta sets a mood of what is to be his best record to date. Bringing along fellow expatriate and Berlin-based producer Youandewan (of Secret Sundaze and Aus Music fame) along with him. Aside and forefront club-track, “Mandala,” carries itself through chugging shakers and pad-work, held tightly in place by the squelchy, off-kilter lead. The tune never quite sits still, bubbling about by each percolating percussive layer. Backed by what was jokingly coined the “California Garage Track,” “Eistee” is at best the chiller-fitting you would want. Jacking percussion and complimenting drum
programming give this track It’s toughness. The Bside houses the first collaboration from the two. With the intro’s minimally-structured progression, “Apache Line,” only reaches its incline after the minute mark. Spring delayed and filtered heavily, the track’s wonky lead bleeds through as if to enrapture you in its thermal clutch. Wrapping up the record we’ve asking Youandewan to add the floor-readied “Yo Endlos.” The track is definitively what you would want as a closer; simplicity in its step but tightness throughout its progression.

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Rings Around Saturn’s debut for Voyage delivers four spacious impressions of classy techno & IDM. From the swirling melodies of “Circling Architecture” to the introspective atmospheres in “Decompression” and “The Edgelands”, RAS taps into the obscure-ozone of the outer limits.

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Andy Hart launches a new series for Voyage with two dubbed out club tools. 'Neutron Capture' is a chuggy acid number with crisp drum programming, glitched out synths and a weighty 303 line. On the flip 'LFTR' offers up a hypnotic roller complete with reverberating stabs, crunchy hits and expansive textures.
If this is a sign of things to come for Hart's new outlet expect a string of club ready, dancefloor orientated cuts from Australia's golden boy.

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Perth native turned Melbourne local Roza Terenzi is one of Australia's exciting new electronic artists. Her debut for Voyage delivers a three-piece suite of experimental, rhythmic workouts; forward thinking with a heavy lean on early rave nostalgia.
The EP is rounded off with a fast-paced remix of the title track from Vancouver's D. Tiffany.

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Urulu returns from his travels to Namek with this warm and colourful sound-set for Voyage

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Over the past three years Melbourne's Albrecht La'Brooy have patiently cultivated their own space within Australia's prolific electronic music scene. Deeply rooted in techno's ambient influences, the duo improvise their compositions with an overarching approach that breaks away from techno's conventional presentation. Recorded in one take from beginning to end, Escape Velocity sees Albrecht La'Brooy take on the Voyage aesthetic and principles to create a twenty five minute odyssey spanning four passages, to be played continuously across the 12 Inch medium. Utilising both sparse, drifting ambient palettes and driving, machine-led rhythms, Escape Velocity is a pensively uplifting account of future travels through space and the ninth installment to the Voyage catalogue.



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Flori's Life Signs marks the eighth release for Voyage and the UK artist's debut for the label. An ode to the unexplored landscapes of Mars, Flori uses a refined aesthetic, not dissimilar to the original star gazers of Detroit, to imagine and encapsulate the reality of being alone on Point Lake. Two driving explorations, accompanied by a pensive ambient excursion, Life Signs takes Flori and Voyage into the areocentric orbit of our closest terrestrial neighbour.


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Andy Hart returns after an almost two-year hiatus from the studio to release his first EP on the Voyage imprint. Following on from Urulu's Greetings From Namek, Mistress In Your Mind is the sixth release and adds to a growing collection that already includes releases from Harvey Sutherland, M5K and CTEPEO '57. Mistress in your Mind loosely stems from the intertwining influences of a love-induced delusion broken down over four tracks. Hart draws sentiment from several aspects of his record collection, giving subtle nods to break beat, soul, acid and space-laden house.


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Voyage returns with the discovery of an until now unknown artist. Unearthed from the hull of an abandoned discovery probe, the origins of Ausländer are undisclosed and unlikely to be uncovered. The three artefacts revolve around what is only understood as Ausländer's Theme, which is twice reinterpreted on the flip. No doubt made with machines, this wondrous exploration of thought, rhythm and undiscovered worlds is a welcomed addition to the Voyage catalogue.

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VYG03 introduces a new member to the Voyage fold In Melbourne's analogue beat-maker M5K. Five tracks spanning beats, boogie, house and funk, the EP is a great snap shot of who M5K is as an artist. The flip features a heavy remix from Germany's IMYRMIND and his MPC. Voyage returns with a six track EP from Melbourne's M5K. featuring a lush, swung-out remix by Box Aus Holz' IMYRMIND on the flip. An exploration into analogue boogie, Marcy Ave shows M5K's versatility with five tracks paying homage to his hip-hop, boogie and house roots.

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Dark Entries returns to the steam room with Coatshek’s Sound Bath. For their SoundBaths series, now-defunct poppers brand Double Scorpio commissioned artists to make mixes for an imaginary queer bathhouse. When asked to contribute, San Francisco-based artist Coatshek aka Sheki Cicelsky took the opportunity to create original compositions. The resulting album, Sound Bath, serves as a masterclass in slow and sultry ambient techno. Taking inspiration from Pink Floyd, Manuel Göttsching’s E2-E4, and his friend’s DJ mixes (particularly Nick Moss and Matthew Paul’s for “Por Detroit”), Coatshek landed on 107 bpm as the optimal speed for sauna sex. With just a few synths, his Telecaster, and “lots of delays, reverb, and weed,” he sculpted stunning cuts like the effortlessly grooving “Softest” and the psych-laced “Triple Virgo.” The cover for Sound Bath was designed by Coatshek’s fiancé Nate Sprecher, and features photographs by Luke Kraman taken at The Ever Afters campout. The album also includes an insert featuring the Double Scorpio SoundBaths series artwork by Blake Wright. Equally hypnogogic and sexually supercharged, Sound Bath situates the bathhouse as a liminal dreamspace of unbounded erotic potentiality.

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Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!

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Brand new vinyl from The East Coast Affair. Produced by Stephen Fleg aka DJ Fleg. Featuring an all-star lineup of musicians, these are certified instant classics!

https://www.youtube.com/playlist?list=PL-k1xs8Vf7PyaB0AwwSxxeuuqYV0BKKLC

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We always knew we would return to this project because Brutalism remains a profound part of our lives, something we cherish deeply. Inspired by the photographs we have been capturing for a new book, the music emerged effortlessly. Documenting these buildings feels instinctive; this is where we belong.

Our unwavering fixation on symmetry, synchronisation, and repetition endures, but this time we believe the music reveals a more emotional depth. That is the direction we have been moving towards. Some things simply take time, yet this album seemed to take shape of its own accord.

Join us as we walk through these modern day cathedrals, monuments to the people.

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From the introspective "Mojo uno", Gelbard's solo piece on Moog, to the wild "Alevacolariea", featuring the prolific Uruguayan Rubén Rada, Gelbard's solo album offers no chance to remain indifferent. Fernando Gelbard occupies a singular place in Argentine jazz history, remembered for his bold embrace of new sounds and his refusal to let boundaries define him. A pianist, flautist, and producer, he was among the first in Argentina to explore the possibilities of electronic instruments in jazz, creating a body of work that feels both rooted in tradition and ahead of its time. Didi, recorded in 1974, epitomises this vision. Entirely performed on electronic keyboards such as the Moog synthesizer and Fender Rhodes, it fused bebop harmonies with bossa nova -Gelbard has a deep love for Brazilian music-, Latin grooves, and Afro-American rhythmic textures. The result was a kaleidoscopic soundscape that challenged conventions and opened doors for new directions in South American jazz. Tracks like "Alevacolariea", featuring the Uruguayan Rubén Rada, with its rich percussion and chanting, reveal his interest in rhythm as a unifying force, while pieces such as "Chau, Ambrosio" show his skill at blending layered studio experimentation with a straight-ahead jazz sensibility.

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2024 repress with original artwork.

The original version of this gorgeous schlager techno track, released in august 2001 on Kompakt's Total 3, would put a smile on a lot of people's faces. Apart from the reworked original version, you'll get two sensational remixes: The one from Frankfurt's high-aesthete, super hipster, club- and label-owner with a three-letter name: Ata. Since the very beginning, his Playhouse label has always been a guarantee for finest German House music. It's his first (!) remix ever and his first studio work since the legendary first Playhouse release 'Holy Garage' in 1993. The 'Playhouse Mix' turns the original version into a mega-hip, late-night monster and reminds a bit of the great Larry Levan and Metro Area's congenious adaption of early-80s disco music. The 'Robert Johnson' club is going down on its knees. Wonderful. The other remix comes from one of Kompakt's in-house pioneers of pop ambient: it's Olaf Dettinger. Who didn't want to miss this chance and has interrupted his creative pause only for doing this wonderful 'Moonlight Mix'. Dettinger's cosy hi-tech sounds and Sonja Luebke's seraphic voice, both singing a duet to the moon. Very, very beautiful, indeed.

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Repress

Tracklisting
A1 Amotik feat. Tina Ramamurthy - Chauhattar
B1 Amotik feat. Tina Ramamurthy - Pachattar
B2 Amotik feat. Tina Ramamurthy - Chihattar

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EALZ! Records & brand new label A.D.S team up to pay tribute to the mysterious bluesman and producer : Cleo Page.

Born in Louisiana, this L.A.-based musician worked with the great Johnny Otis, hang out on Central Avenue’s clubs and possibly jammed with top West Coast bluesmen like Jessie Allen, Pete “guitar” Lewis, Jimmy Nolen, Lafayette Thomas.

Curley Page for some, Sly Williams for others, difficult to follow his career and in definitive, little is known about him despite his “big deal” recently approved by blues specialists : Cleo Page IS the man who wrote and recorded the original Boot Hill, a blues classic covered many times up until now.

Cleo Page who lived in California since 14 years-old has been crossing Blues, Rhythm & Blues and proto-Rock'n'Roll in a personal way. He will run his own labels in the heart of Watts just after the 1965 riots. Those tragic events deeply influenced his laid-back groovy sounds, powerful guitar playing, organ-driven garage Blues with strong political and social messages. Somewhere between the first electric recordings of Howlin' Wolf and… Black Diamond Heavies!

You're about to discover 12 rare tracks probably recorded between late ‘60s and early ‘70s. This brand new release includes the ultra-rare track "Black Man part. 1 & 2".
Material reissued here for the first time in an arty/artisanal trifold Vinyl LP and a bonus Vinyl 7inch

TRACKLIST LP

A1. Googie Train
A2. Leaving Mississipi
A3. Red Nigger
A4. I Got A Girl
A5. Wine
B1. California Style
B2. Roll Your Belly Slow
B3. Boot Hill
B4. Guitar Lullabye
B5. California Prison Farm

TRACKLIST 7"

A. Black Man (Too Tough To Die) Part. 1
B. Black Man (Too Tough To Die) Part. 2

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The Populists—the alias of Yan Wagner—are about to unleash their latest assault on the dancefloor with the hotly anticipated EP, Extrême Intensité. This drops on Deadbeat Records in July and comes equipped with a dark, dusty, electro-infused remix from Mr. Ho.

When these demos landed in our inbox, we instantly knew that we needed to release it. This couldn’t be more Deadbeat if it tried; ravey, playful, banging. Expect this to be on heavy rotation throughout summer.

Produced in the vibrant heart of Marseilles, France, Extrême Intensité is a raw, unapologetic salute to UK rave, early dubstep, electro, and acid - the sounds that make your head spin and your jaw shake. Yan describes the project as “probably the most heavy and ‘brainless’ (in the best way) bunch of tracks I’ve ever created; the most UK sounding too.”

This new EP was produced in Yan’s home studio in Marseilles in March 2025, amidst a fierce USBJ digging craze and emerged as a most welcome breath of fresh air as he was immersed in the production process of another, more sombre, project. It’s packing hallmark breakbeats, gritty samples, and vintage Roland synths, all wrapped up in a playful, confident package designed to obliterate the dancefloor.

And to cap things off, Mr Ho, one of the current scene’s biggest producers and close friend of the label, has delivered a dark and warehousey remix that’s guaranteed to keep dance floors ablaze. As a big fan of his, we’re buzzing to finally land him on Deadbeat.

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Following the completion of the Pulse EP series, Peverelist invites four producers to present their own refreshing takes on choice cuts from his most recent phase of club exploration.

Fadi Mohem channels the bright angles of 'Pulse IX' into a buoyant, sleek run of uptempo dub techno with an unmistakable Berlin focus. Huey Mnemonic takes the crafty, curious swerve of 'Pulse XX' and sets it to a 4/4 rush of exuberant, steady-climbing techno informed by his Detroit surroundings. Munich-based artist Polygonia's snaking electronica response to 'Pulse VII' capitalises on the swooning melody of the original's second half and matches it with vibrant sound design. Rounding off an especially invigorating round of remixes, the stark jack of 'Pulse V' becomes a twinkling, dreamy Motor City reverie in the hands of the legendary Optic Nerve, aka Keith Tucker.

The end result is a collection of remixes bursting with the same vibrant, uplifting energy that courses throughout the Pulse series.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.


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