Slimcard sleeve

* Sounds like a mix of Thom Yorke, Burial, Nils Frahm, all swirled together in a colorful yet creamy mix;

* A blend of Emikas neoclassical descending melodies, signature breathy, female vocals, icey pianos, heavy sub-bass vibrations and layered Hazy beats.

* Sat between her life in moving-boxes, wedged between them surrounding her upright piano in an unfurnished empty-sounding room in her in-laws house. Haze was made with voice-memo recordings of her piano and voice on her phone, edited and mixed on her laptop in headphones. Little loops in Ableton, lyrics, sadness and melodies, just like Emika’s real-life in boxes.

* Emika is set to launch a new event series, inspired by her memories of early Dubstep in the legendary Black Swan venue in Bristol (now closed) she saw her friend Mala play, with one table-lamp, it was all about this new sound, and meditating on the bass-weight. Something she plans to continue in her Haze Nights, where each guest will be gifted a little Haze Light with their ticket.

CD: 1. (star key), 2. Harmony, 3. Haze, 4. Skip, 5. Ache, 6. Writer, 7. Smoke, 8. Waltz, 9. 4/4, 10. Film, 11. Low End
12. Shards, 13. Rain, 14. Lull, 15. Haze (Piano), 16. Traum

https://soundcloud.com/emika_official/sets/haze/s-aji82GgtTkS?si=97ca6cdb613c4c7e90ac06551ac397a1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing More

Clear, blue marbled vinyl with screen printed reusable sleeve

* Sounds like a mix of Thom Yorke, Burial, Nils Frahm, all swirled together in a colorful yet creamy mix;

* A blend of Emikas neoclassical descending melodies, signature breathy, female vocals, icey pianos, heavy sub-bass vibrations and layered Hazy beats.

* Sat between her life in moving-boxes, wedged between them surrounding her upright piano in an unfurnished empty-sounding room in her in-laws house. Haze was made with voice-memo recordings of her piano and voice on her phone, edited and mixed on her laptop in headphones. Little loops in Ableton, lyrics, sadness and melodies, just like Emika’s real-life in boxes.

* Emika is set to launch a new event series, inspired by her memories of early Dubstep in the legendary Black Swan venue in Bristol (now closed) she saw her friend Mala play, with one table-lamp, it was all about this new sound, and meditating on the bass-weight. Something she plans to continue in her Haze Nights, where each guest will be gifted a little Haze Light with their ticket.

LP: A1. (star key), A2. Harmony, A3. Haze, A4. Skip, A5. Ache, A6. Writer, A7. Smoke, A8. Waltz
A1. 4/4, A2. Film, A3. Low End, A4. Shards, A5. Rain, A6. Lull, A7. Haze (Piano), A8. Traum

https://soundcloud.com/emika_official/sets/haze/s-aji82GgtTkS?si=97ca6cdb613c4c7e90ac06551ac397a1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing More

* Hypnotic and seductive, Emika crafts Earthy Melodic Techno track 'Breath Cuts' using her breathy vocals, kick and devilish sub bass.

* Pleasure and pain, the euphoria Emika knows how to create sonically in order for her to lose her mind through the music and escape reality, composed and produced during the darkest chapter in her life, she mixes in the inevitable pain of a once locked-down Berlin.

* Breath Cuts is a journey-style dance track, for song-lovers or DJs that like to tell stories on their dance-floors. Emika reveals a poem in the middle of the song, a dream about being free again; 'I like to look out the window.. I like to imagine the clouds..'

* Norman Nodge, Berghain resident by night and lawyer by day, pulls out and enhances the lush ethereal vocal elements, remixing them further into an angel-like chorus, one can imagine the dancefloor in Berghain - people rushing from the sound while spirits float above them looking down.

* The two producers decided to provide listeners and DJs with a functional kick-less mix for advanced mixing pleasure.
More

* 180grm White Vinyl

* Following on from the hugely popular ‘Klavirni’ (Emika’s first solo piano album in 2015) her second installment of piano solos are a magical cluster of melodies, dreamy effects, obscure production mistakes with tape echo’s and other old analog gear.

* The pieces were recorded during the time she was pregnant with her first child Silvy, to whom she has dedicated this record ‘To Silvy who heard it first from the inside’.

* The collection of ‘Dilo’s’ which means moment in Czech, were recorded ‘in a state of ultra hyped up creativity combined with a massive fear about losing my identity or creativity as an artist once I would become a mother’ - says Emika about the album process.

* A truly personal affair and in keeping with the original style of the first Klavirni, all the Dilo’s were recorded improvisations by the composer on her home piano, this time in Berlin.

* Dilo 7 from the first album has been streamed more than 15 million times on Spotify and there will also be a ‘Red Edition’ repress of the album on vinyl.

* This release marks the 5 year anniversary of Emika Records, celebrating 5 years of independence since her days with Ninja Tune.

* Dilo Variations EP (not released previously before on vinyl) will come with the anniversary releases on a cute little 10’’ with updated artwork.

* This is also the final release in her Emika Records catalog before starting a new venture in 2020 with more details to follow later in the year.

* ‘Klavirni Temna’ which means dark piano in Czech, explores the relationship between dark and light, good and evil, death and rebirth.

* ‘Music is a powerful and sometimes unexplainable force.’ - Emika

* Press / Promotion:
Promotion from Emika Records with PR partners Lucy Palmer (Trix PR) and Jon Bills (The Bills Agency).
Lucy is specializing in Electronic press and media with Jon Bills specialising in culture and style publications including UK broadsheets.
Track premiers, reviews and interviews sought with FACT, Pitchfork, RA, Dummy, Dazed, The Independent, The Guardian. All leading online electronic platforms, including those with print will be contacted about this release and offered it as news. Trix PR and Jon Bills mail outs to all contacts world wide, dedicated fan mail out to Emika Records mailing list. Targeted Facebook and Instagram ads to run during the promo period. Print Ad sought with The Wire magazine.

* Radio / Internet
Radio promo UK via Ray Verma. Nemone, and other UK BBC music shows targeted. Also Classic FM who support Emika and regional radio following on from Emika’s UK tour (Dec 2019).
Social media videos featuring the tracks will be posted by Emika Jan-Feb 2020.
Emika: FB: 46k+ / Spotify 75k+ monthly listeners / YouTube emikayoutubification: 13k+ subscribers / / Twitter 5.5k+ / Soundcloud 22k+ followers / IG 8k+ / Emika mailing list 13k+ subscribers


* Tracklisting:
1. Dilo 21 2. Dilo 22 3. Dilo 23 4. Dilo 24 5. Dilo 25 6. Dilo 26 7. Dilo 27 8. Dilo 28 9. Dilo 29 10. Dilo 30 11. Dilo 31 12. Dilo 32 13. Dilo 33 14. Dilo 34 More

LP: EMKLP001 - BC: 666017284712
- Vinyl 1 LP IIncludes a physical copy of the score. Shrinkwrapped and stickered
CD Tracklisting: (Vinyl is; A side: tracks 1-7, B Side: tracks 8 -13)
1) Dilo 4, 2) Dilo 5, 3) Dilo 6, 4) Dilo 7, 5) Dilo 8, 6) Dilo 9, 7) Dilo 10, 8) Dilo 11, 9) Dilo 12, 10) Dilo 13, 11) Dilo 14,
12) Dilo 15, 13) Dilo 16)
* Quotes:
"A very sweet release, I love the scores you get with the vinyl" - Wolfgang Zamastil (composer/cellist)
"Beautiful and Haunting" - Michael Hain (Hard Wax)
"I found the music mesmerizing, calming and beautiful. I could hear it as if you were talking to me" - Jiri Klobouk (writer/New York)
"A bold and brave release, this is amazing to dance to." - Kiani Del Valle (choreographer/director) Klavirni' is something that seeps gently into the soul without demanding unnecessary effort from the listener.
The album provides a personal, raw, unpolished and captivating glimpse into the pure essence of artistic endeavor.
Emika is offering an intimate look into the fundamental process that lies at the core of not just this latest body of work but of the artist as an individual. "I stayed a few weeks at my parents home in Milton Keynes in Dec13/Jan14.
My favorite piano is there from my childhood, the piano that I did all my grades on. That piano has been the most important instrument in my whole life." - Emika
A piano diary based on improvisation.
Emika Records continues on its self-chartered journey with a personal, warm, inviting and moving record from this ever creatively thriving and enduring talent.

More

* 180grm White Vinyl

* Following on from the hugely popular ‘Klavirni’ (Emika’s first solo piano album in 2015) her second installment of piano solos are a magical cluster of melodies, dreamy effects, obscure production mistakes with tape echo’s and other old analog gear.

* The pieces were recorded during the time she was pregnant with her first child Silvy, to whom she has dedicated this record ‘To Silvy who heard it first from the inside’.

* The collection of ‘Dilo’s’ which means moment in Czech, were recorded ‘in a state of ultra hyped up creativity combined with a massive fear about losing my identity or creativity as an artist once I would become a mother’ - says Emika about the album process.

* A truly personal affair and in keeping with the original style of the first Klavirni, all the Dilo’s were recorded improvisations by the composer on her home piano, this time in Berlin.

* Dilo 7 from the first album has been streamed more than 15 million times on Spotify and there will also be a ‘Red Edition’ repress of the album on vinyl.

* This release marks the 5 year anniversary of Emika Records, celebrating 5 years of independence since her days with Ninja Tune.

* Dilo Variations EP (not released previously before on vinyl) will come with the anniversary releases on a cute little 10’’ with updated artwork.

* This is also the final release in her Emika Records catalog before starting a new venture in 2020 with more details to follow later in the year.

* ‘Klavirni Temna’ which means dark piano in Czech, explores the relationship between dark and light, good and evil, death and rebirth.

* ‘Music is a powerful and sometimes unexplainable force.’ - Emika

* Press / Promotion:
Promotion from Emika Records with PR partners Lucy Palmer (Trix PR) and Jon Bills (The Bills Agency).
Lucy is specializing in Electronic press and media with Jon Bills specialising in culture and style publications including UK broadsheets.
Track premiers, reviews and interviews sought with FACT, Pitchfork, RA, Dummy, Dazed, The Independent, The Guardian. All leading online electronic platforms, including those with print will be contacted about this release and offered it as news. Trix PR and Jon Bills mail outs to all contacts world wide, dedicated fan mail out to Emika Records mailing list. Targeted Facebook and Instagram ads to run during the promo period. Print Ad sought with The Wire magazine.

* Radio / Internet
Radio promo UK via Ray Verma. Nemone, and other UK BBC music shows targeted. Also Classic FM who support Emika and regional radio following on from Emika’s UK tour (Dec 2019).
Social media videos featuring the tracks will be posted by Emika Jan-Feb 2020.
Emika: FB: 46k+ / Spotify 75k+ monthly listeners / YouTube emikayoutubification: 13k+ subscribers / / Twitter 5.5k+ / Soundcloud 22k+ followers / IG 8k+ / Emika mailing list 13k+ subscribers


* Tracklisting:
1. Dilo 21 2. Dilo 22 3. Dilo 23 4. Dilo 24 5. Dilo 25 6. Dilo 26 7. Dilo 27 8. Dilo 28 9. Dilo 29 10. Dilo 30 11. Dilo 31 12. Dilo 32 13. Dilo 33 14. Dilo 34 More

Emika releases a remix EP of her 6th studio album 'Falling In Love With Sadness', (Originally released on World Mental Health Day Oct 2018)
The remix EP explores 4 sound worlds in electronic music today. Experimental bass music, hypnotic & dark techno, and electro.
About the remixers:
Pinch, a pioneer of UK bass-driven music, is considered to be one of the most groundbreaking, explorative producers to emerge from the UK dubstep scene.
Rising techno star Julia Govor is an artist doing things differently, paving her own way with her own label, receiving recognition from the global dance music scene.
Rebekah needs no introduction, pioneering her own intense sound, now entering her 20th year in the business, she is a serious artist with some seriously heavy vibes.
Underground Berlin talent Headless Horseman, all though shrouded in mystery, is in high demand world-wide to perform his unique live sets at some of the biggest clubs and festivals.
Emika produced original album material with cult electro icon The Exaltics.
Solid remixes from solid underground artists.
About the remixes:
Pinch creates a seductive environment for a scene from which could have been from David Fincher's Fight Club, one which threatens to overload at any given time, but retains tension until the end.
Julia's mix transports us into the next part of our journey, beyond conflict and tension, she gives us the chance to breathe, open up, be free and to dance.
Rebekah's remix brings us hurtling back down to Earth at a tremendous pace, with crystal clear drums that wake up the soul and synths that energize the mind, this version is more than a dark techno track, it has the spirit of a self-confident grown woman running through it.
Headless Horseman brings Emika's original into a beautiful new song space, revoicing the harmony and finding completely fresh chords and backing.

The artwork hits the mark with a message important for Emika: Equality. With 3 female artists and 3 male artists all featured on the cover, this is a way in which Emika highlights her love for collaboration and sharing of the spot-light.
Green coloured vinyl (1st edition) 500 copies pressed..

''We are moving into a new century where collaboration is going to bring music forwards and exclusivity is going to become a thing of the past.'' - Emika
Tracklisting:
1.Eternity (Pinch Remix) 2.Run (Julia Govor Remix) 3.Falling In Love With Sadness (Rebekah Remix) 4.Wash It All Away (Headless Horseman Remix)
More

* Tracklist:
1. Wash It All Away, 2. Could This Be, 3. Run, 4. Close, 5. Promises, 6. Killers, 7. Falling (Reprise), 8. Falling In Love With Sadness, 9. Escape, 10. Eternity

To be released on World Mental Health Day, part of the album's proceeds will be donated to a UK-based mental health charity. "I often wonder how sadness moves through people," Emika says, "through time, through stories and history, and if it's something that becomes us rather than coming from us."
% of album sales will be donated to charity Help Musicians UK
emikarecords.com Invites fans to anonymously share their experiences of depression and create a waterfall of comments inspired by the song Wash It All Away
Studio video promoting the album via Soundcloud, Autumn
Live / DJ video, promoting the album with Beatport, Autumn
Live streaming of the album from Emika's studio via FB, Insta, YT, September.
Bookings by Christopher at Melt Bookings. Team chose to give fans time to listen to the album first, shows starting early 2019, special album show with live band and dome visuals planned in the Berlin Planetarium Feb 2019. A few promo shows summer / fall 2018.
Boiler Room live show as part of Open Dance Floor series tbc
* Given its years of manifestation behind the scenes of other projects, Falling In Love With Sadness reflects a renewed understanding of Emika's own genealogy, kindred lineage and its connection to modernity. Marking a drastic departure from the menacing, stripped-down qualities of albums past, Dva and Drei, Emika has surfaced with a new upwelling of sound gracing the bittersweet, melancholic and sanguine.

* With the interplay of myriad genres both rhythmically and melodically intertwining between spacey, dub tinged Promises, lush synth pop hooks on Escape and the title track's soulful electro, a full spectrum of musicology remains primary to the ever-evolving chroma of Emika's umbrous sound.

* Further characterised by the breathy sibilance and sultry tones of Emika's noirish, vocal aesthetic, the album navigates through the morose and trappings of misanthropy by illuminating a narrative of emotional resilience and recovery.

* Co-produced with Robert Witschakowski of The Exaltics, and continuing her collaboration with guitarist Chris Lockington (as heard on Drei and Dva), Falling In Love With Sadness provides a fifth solo album for Emika, but moreover, defines itself as an overture for her future works.
More

Resplendent in its simplicity, 'Forever' is the sound of Emika boiled down to her steely essence. Gated vocal snippets and haunting synth arpeggios give a nod to early-'90s proto-trance, the arps filtering in and out of focus in tense fashion before unfolding into a dreamy melodic progression 'Never' treads similar ground but takes a more direct approach, the tension building consistently in layers as more arpeggiated synths gently modulate in hypnotic fashion Shimmering, icy sounds create a haunting, slow-burning atmosphere before the rhythm switches up for the latter half of the track, layers of gated white noise further punctuating the groove. Emika deftly utilises each element for maximum effect, allowing each to breathe and shine by way of slick production and clever arrangeme
More

Following on from successfully funding her How To Make A Symphony Kickstarter project, Emika returns with a new four-track EP that sees her chart yet more new territory. Lead track Flashbacks is a typically haunting affair whose deeply personal lyrics are a heartening example of how art can turn feelings of trauma into something beautiful Her velvety voice belies the deep subject matter while the sounds gracefully tread the line between the brooding and the ethereal, with pulsing, filtered synth delays, low register piano bass octaves and a stuttering slo-mo beat produced with The Exaltics, building an engrossing atmosphere
More

Slimcard sleeve

* Sounds like a mix of Thom Yorke, Burial, Nils Frahm, all swirled together in a colorful yet creamy mix;

* A blend of Emikas neoclassical descending melodies, signature breathy, female vocals, icey pianos, heavy sub-bass vibrations and layered Hazy beats.

* Sat between her life in moving-boxes, wedged between them surrounding her upright piano in an unfurnished empty-sounding room in her in-laws house. Haze was made with voice-memo recordings of her piano and voice on her phone, edited and mixed on her laptop in headphones. Little loops in Ableton, lyrics, sadness and melodies, just like Emika’s real-life in boxes.

* Emika is set to launch a new event series, inspired by her memories of early Dubstep in the legendary Black Swan venue in Bristol (now closed) she saw her friend Mala play, with one table-lamp, it was all about this new sound, and meditating on the bass-weight. Something she plans to continue in her Haze Nights, where each guest will be gifted a little Haze Light with their ticket.

CD: 1. (star key), 2. Harmony, 3. Haze, 4. Skip, 5. Ache, 6. Writer, 7. Smoke, 8. Waltz, 9. 4/4, 10. Film, 11. Low End
12. Shards, 13. Rain, 14. Lull, 15. Haze (Piano), 16. Traum

https://soundcloud.com/emika_official/sets/haze/s-aji82GgtTkS?si=97ca6cdb613c4c7e90ac06551ac397a1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing More

Clear, blue marbled vinyl with screen printed reusable sleeve

* Sounds like a mix of Thom Yorke, Burial, Nils Frahm, all swirled together in a colorful yet creamy mix;

* A blend of Emikas neoclassical descending melodies, signature breathy, female vocals, icey pianos, heavy sub-bass vibrations and layered Hazy beats.

* Sat between her life in moving-boxes, wedged between them surrounding her upright piano in an unfurnished empty-sounding room in her in-laws house. Haze was made with voice-memo recordings of her piano and voice on her phone, edited and mixed on her laptop in headphones. Little loops in Ableton, lyrics, sadness and melodies, just like Emika’s real-life in boxes.

* Emika is set to launch a new event series, inspired by her memories of early Dubstep in the legendary Black Swan venue in Bristol (now closed) she saw her friend Mala play, with one table-lamp, it was all about this new sound, and meditating on the bass-weight. Something she plans to continue in her Haze Nights, where each guest will be gifted a little Haze Light with their ticket.

LP: A1. (star key), A2. Harmony, A3. Haze, A4. Skip, A5. Ache, A6. Writer, A7. Smoke, A8. Waltz
A1. 4/4, A2. Film, A3. Low End, A4. Shards, A5. Rain, A6. Lull, A7. Haze (Piano), A8. Traum

https://soundcloud.com/emika_official/sets/haze/s-aji82GgtTkS?si=97ca6cdb613c4c7e90ac06551ac397a1&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing More

* Hypnotic and seductive, Emika crafts Earthy Melodic Techno track 'Breath Cuts' using her breathy vocals, kick and devilish sub bass.

* Pleasure and pain, the euphoria Emika knows how to create sonically in order for her to lose her mind through the music and escape reality, composed and produced during the darkest chapter in her life, she mixes in the inevitable pain of a once locked-down Berlin.

* Breath Cuts is a journey-style dance track, for song-lovers or DJs that like to tell stories on their dance-floors. Emika reveals a poem in the middle of the song, a dream about being free again; 'I like to look out the window.. I like to imagine the clouds..'

* Norman Nodge, Berghain resident by night and lawyer by day, pulls out and enhances the lush ethereal vocal elements, remixing them further into an angel-like chorus, one can imagine the dancefloor in Berghain - people rushing from the sound while spirits float above them looking down.

* The two producers decided to provide listeners and DJs with a functional kick-less mix for advanced mixing pleasure.
More

Emika releases a remix EP of her 6th studio album 'Falling In Love With Sadness', (Originally released on World Mental Health Day Oct 2018)
The remix EP explores 4 sound worlds in electronic music today. Experimental bass music, hypnotic & dark techno, and electro.
About the remixers:
Pinch, a pioneer of UK bass-driven music, is considered to be one of the most groundbreaking, explorative producers to emerge from the UK dubstep scene.
Rising techno star Julia Govor is an artist doing things differently, paving her own way with her own label, receiving recognition from the global dance music scene.
Rebekah needs no introduction, pioneering her own intense sound, now entering her 20th year in the business, she is a serious artist with some seriously heavy vibes.
Underground Berlin talent Headless Horseman, all though shrouded in mystery, is in high demand world-wide to perform his unique live sets at some of the biggest clubs and festivals.
Emika produced original album material with cult electro icon The Exaltics.
Solid remixes from solid underground artists.
About the remixes:
Pinch creates a seductive environment for a scene from which could have been from David Fincher's Fight Club, one which threatens to overload at any given time, but retains tension until the end.
Julia's mix transports us into the next part of our journey, beyond conflict and tension, she gives us the chance to breathe, open up, be free and to dance.
Rebekah's remix brings us hurtling back down to Earth at a tremendous pace, with crystal clear drums that wake up the soul and synths that energize the mind, this version is more than a dark techno track, it has the spirit of a self-confident grown woman running through it.
Headless Horseman brings Emika's original into a beautiful new song space, revoicing the harmony and finding completely fresh chords and backing.

The artwork hits the mark with a message important for Emika: Equality. With 3 female artists and 3 male artists all featured on the cover, this is a way in which Emika highlights her love for collaboration and sharing of the spot-light.
Green coloured vinyl (1st edition) 500 copies pressed..

''We are moving into a new century where collaboration is going to bring music forwards and exclusivity is going to become a thing of the past.'' - Emika
Tracklisting:
1.Eternity (Pinch Remix) 2.Run (Julia Govor Remix) 3.Falling In Love With Sadness (Rebekah Remix) 4.Wash It All Away (Headless Horseman Remix)
More

Resplendent in its simplicity, 'Forever' is the sound of Emika boiled down to her steely essence. Gated vocal snippets and haunting synth arpeggios give a nod to early-'90s proto-trance, the arps filtering in and out of focus in tense fashion before unfolding into a dreamy melodic progression 'Never' treads similar ground but takes a more direct approach, the tension building consistently in layers as more arpeggiated synths gently modulate in hypnotic fashion Shimmering, icy sounds create a haunting, slow-burning atmosphere before the rhythm switches up for the latter half of the track, layers of gated white noise further punctuating the groove. Emika deftly utilises each element for maximum effect, allowing each to breathe and shine by way of slick production and clever arrangeme
More

Following on from successfully funding her How To Make A Symphony Kickstarter project, Emika returns with a new four-track EP that sees her chart yet more new territory. Lead track Flashbacks is a typically haunting affair whose deeply personal lyrics are a heartening example of how art can turn feelings of trauma into something beautiful Her velvety voice belies the deep subject matter while the sounds gracefully tread the line between the brooding and the ethereal, with pulsing, filtered synth delays, low register piano bass octaves and a stuttering slo-mo beat produced with The Exaltics, building an engrossing atmosphere
More