This blissful example of Lover’s Rock from 1985 showcases the very specific sonic template of a portion of Reggae music that was coming from the United Kingdom during the period - steeped in a soulful, Pop sensibility. We are also treated to a version by Lindel Lewis aka The Gentle Giant of Reggae music under the guise of One Man Band that submerges the original into a rich, sun-kissed honey, securing it firmly into the territory of Balearica. Whilst not achieving commercial success at the time, You, Me & He has grown to become a much coveted artefact and we are pleased to have lovingly reissued this gem for your listening pleasure.

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By the time this iconic album came out in 1981, Susana would have already lost her passport and her right to vote in Spain as punishment for her sexually scandalous activities, from cutting edge theater performances in full nudity to her allegedly "immoral" sexology advice column on Play Lady Magazine, goes without saying -- she wasn't very popular with even the post-Franco Spanish government. This album is but one of the various facets of this sexual trouble maker's portfolio, an A class studio production backed by top shelf instrumentalists and recording engineers, everything seems perfectly fine until Susana's shamelessly unfiltered erotic lyrics come in with her powerful voice, unapologetically shocking for the time. A manifesto in sexual liberation much needed for Spain's zeitgeist. All killer no filler, borrowing from artists like Nile Rodgers and Bernard Edwards on tracks like "Mi Chico Favorito" and "Un Sitio Bajo El Sol", dabbling in Reggae with "Arena Y Mar" and huge disco digger tracks like "Gozame Ya" and "Voy Desnuda" absolutely essential record for any seasoned record collection.

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A classic downtempo disco track amongst diggers world wide. "Stardance" is a dreamy cosmic delicacy to the ear, originally produced in '78-'79 by Alan Hawkshaw, it features a library style jingle melody one might imagine hearing at the end of a B-movie star trek knockoff series, but the simplicity of the arrangement is beautiful and effortless, clearly the work of someone highly trained and experienced in music theory, Alan Hawkshaw's work has transposed to numerous sample based projects from Sugarhill Gang to Wiz Khalifa, a maestro by all means, whose work will be immortalized in appreciation for as long as humans can hear. This debut EP from the MISSYOU sub-label comes with “Stardance” and “Do You Hear Me” along with an respectfully extended edit of “Stardance” by Castro. Remastered and now on 12” format at 45rpm.

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A mysterious release, not only for its unique expressive style but also because it isn't even known when it was initially recorded let alone its release date. According to non profit Studio Piccolo owner Vincent Bruley, it could have been recorded during the 70s and eventually released in the early 90s, sometime throughout Nilton Castro's time in Paris making music for contemporary dance classes (often led by his wife). This album was originally intended for accompanying dancers in classes with an emphasis on rhythm and coordination. Given Nilton's background and expertise in percussion, the focal point of this album is to present an array of Afro Brasilian rhythms performed by himself with additional moments of choir, flute and keys/metallophone. Effortless due to Nilton's prowess and unburdened by typical financial pressures (often behind the release of a record), the result feels like charmingly unadulterated and pure expression throughout the entire album. But what really takes the listener to places of unheard-of bliss is “Ondes (Les Vagues)” a track that has plagued the curiosity of diggers and collectors for a while now. With its harmony crescendos elegantly coming and going as per the title, overlayed on Nilton's subtle percussive patterns, an aural landscape of illusory beauty - listening is believing. Remastered and officially re-issued with its original artwork.

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Originally released on one of Bruton's extensive library albums but later used as the theme song to a UK drama series dealing with the intrigues of a family motor business and the world of rally driving from the 80s, "The Winning Streak" is another production by the now late library music maestro Alan Hawkshaw. A downtempo track with remarkably trippy use of percussion elements via electronics and drum machines with entertaining accents and "exotic" vocals. Another wonderful example of library music tickling the fancy of diggers and collectors with a dancefloor inclinations thanks to its highly distinct sound -- everybody loves a winner. 1 to 1 official re-issue, remastered.

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Beautifully produced German Disco release with an environmental edge. Originally released in 1979 on a Contemporary Christian Music Label called Lord, this rarity is remastered and brought back to life with a respectful extended, previously unreleased, edit.

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Absolute collectors item, the culmination of wildly unexpected trajectories in music, originally released in 1980, this is Japan meets Jamaica at its finnest. Pecker (aka Hashida Masahito) takes the Japanese "Otaku" consumer behavioural phenomenon and directs it towards deep world percussion knowledge, teaming up with legendary Minako Yoshida for vocals and lyrics, Sly & Robbie and Vitamin Dread (aka Aki Ikuta) with other heavyweight names sprinkled on top like Augustus Pablo and Carly Barrett...and this is the result: three tracks of pioneering "Japanaican" sound. A truly international effort, recording and mixing between Jamaica's Studio One and Tuff Gong studios, and, Japanese Columbia and Sony studios. B2 features a beautifuly dreamy rendition of Ryuichi Sakamoto's "Kylyn", remastered and re-released in original 10" format.

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Highly wanted amongst collectors for its unique sound, this Italian psychedelic percussion heavy disco single was originally only released on 7" format sometime in the late 70s on the Idea label. Quite experimental for its time, it stands out not only for the reckless use of percussion but also the use of early synthesiser sounds in very rhythmic conscientious manners, some moments almost sounding as if a pioneering example of Acid House years before its time. While it seems like all possible percussion instrument sounds are chaotically employed into the drum salad that unfolds, the clavinet and vibraphone offer a contrasting dreamy nuance via a simple and slowly moving melody. Besides the original “Parte 02a” version this release comes with a new remix “Drum Implosion (Parte 10a)” further propelling the chaos commenced in the original release with the aid of flangers and delays, already striking the fancy of DJs like Marcell Dettmann. Severely remastered at Manmade mastering, now featured in 12” format with full cover artwork.

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Two gypsies with pedigree backgrounds in Flamenco got together with a drum machine in a studio during the early 80's and the result was Chipen, a somewhat poppy chart oriented project featuring Peret Reyes the grandson of legendary Catalan Gitano musician Peret (aka "El Rey de la Rumba") and Johnny Tarradellas. "Volao" is a mid tempo effort to bridge Pop and Rumba, mixing catchy funk guitar riffs with elements of Flamenco in unprecedented ways. "Chiribiri" sounds like it could be the theme song to a Catalan morning show or even a Japanese 80's Toyota Camry ad, reeks of stereotype and cliche, except that Chipen is the real deal, as real as the darkness of the hair dye on the cover photo. Extended version of Volao on the B side. Remastered at Manmade Mastering in Berlin.

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With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - EOE”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.

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Arguably under-celebrated lovers rock gem from 1989. Copies of the original 12? have been changing hands for rather a lot online of late, hence this new edition. The original version which opens the EP is everything you’d want from a lovers rock cut: warm, dreamy, soulful and synth-heavy with plenty of bass, nice horns and a superbly emotional lead vocal from the obscure Louisa Miller. The “Dance Mix” is effectively a dub, with Miller’s sweet vocal rising above a stripped-back, toughened-up drum track with plenty of delays and trippy synthesizer motifs, while the “Sax Version” is a saxophone-sporting, mostly instrumental that veers a little closer to “Pages From Ceefax” territory (kids: ask your parents). In summary: superb!

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An Italian disco classic produced by one of Italy's top disco pop entrepreneurs – Constantino Paolini – featuring the voice of Vesuvian actress and TV personality Patrizia Pellegrino. “Musica Spaziale” is a fast paced synthy disco number adorned with signorina Pellegrino's silky smooth vocals, featuring lusty cosmic nuanced lyrics that arguably invite the listener to some form of astral bliss in the company of the blond starlet. A classic amongst collectors and specialists of the genre, made available to your record collections once again without having to sell any of your kidneys. In addition, also an extended edit, that patiently slows down the tempo but also extends this cosmic climax on the dancefloor in a manner respectful to the original masterpiece, allowing the dancers to savor every moment of this celestial voyage without all the rush of the 7" version . Flip it and things get propelled in direction to some other acidic orbits with DJ Asshole's tripped out downtempo 8' intervention. Restored, remastered and featuring original “coloring book” style artwork from its original release date.

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2024 Repress.

Originally released in 1979, strangely only in Portugal, yet produced by a French duo, Anselmi/Silvestre. “Music Love Song” is a 7 minute long European disco excursion with an unmistakably unique aesthetic, confidently breaking every rule in favour of a sound unheard of at the time. Employing unorthodox studio techniques that would have been unacceptable for most major labels this single only made it on a relatively small sublabel in Portugal for some mysterious reason. The result is a deeply cosmic/melancholic escapade with dreamy androgynous vocals and raging guitars at 130+ BPM - hard to forget. Officially re-issued, remastered and released with original artwork that is no less bold than the music.

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Two Spanish slow disco tracks from 1977, originally released in 7" format, brought back in 12" format with an additional extended edit, very respectful to the original. "Zorongo" is a re-interpretation of a Andalucian popular folk song with Arabic influence, a gypsy love song from ancient times which was collected and presented by Spanish poet and playwright Federico Garcia Lorca before his death/disappearing during the Spanish Civil War. Jobam's new arrangement gives it a heavy downtempo disco facelift, taking the original gypsy warrior intensities of dealing with love and contrasting them with a beautiful orchestral string driven addition to the theme. Heavy Balearic, emotionally loaded gypsy business, something one could very easily imagine hearing at a 10 hour Harvey set in Pikes, Ibiza.

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Referred to as "one of Reggae's quietest superstars" Jackie Mitto aka "The Keyboard King" had a remarkable path in Reggae music, a protege of Sly Stone, he started his career as part of Studio One's in house recording band and later went on to work with artists such as Bob Marley, UB40, Barry White, Peter Tosh and Oscar Peterson. This album was the result of a rare occasion of being on tour in Africa and establishing musical connections with musicians from Ghana, recorded in Accra and mixed in London. Predominantly instrumental, this album is essential to any dub conscientious record collection, as it culminates the career of a Reggae legend whilst under new influences in West Africa resulting in an unmistakably characteristic modern dub sound. Re-issued on vinyl with remixes previously only availably on CD format.


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Two singles originally released on 7" by Risco Connection's Otis Gayle brought back to record collections in remastered 12" format. On the A side, Dr. Hook's worldwide charting "Sexy Eyes" kindly recreated in Reggae cover version. On the B-side Domenic Troiano's "We All Need Love" in a disco/reggae beat featuring an additional new extended edit, respectfully. Essential dacefloor oriented Reggae with new full cover artwork.


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Lovers Rock at its finest with a beautiful cover version of Merlyn Brooks' "You'll Never Need Somebody". Originally released in 1981 this release is the work of Reggae heavyweight Geoffrey Chung (who also worked on Dhaima with Phillip Michael Thomas, previously released on MISSYOU). This release features the original 7" version along with a small collection of other new mixes. On the A side, the Dub Organiser skillfully extends the original 3 minute track into a 7 and a half minute long trip along with a new "Dub" version, respectfully re-mixed from the original multitracks 40 years later. On the B-side, the mixing console is handed over to a dedicated student of Dub, the Swiss Androo who's clearly no stranger to studio work when it comes to dubby landscapes. Elegantly walking the tightrope between traditional approaches and raw experimentation with 3 new mixes, each with very unique feelings.


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Much coveted in certain collector circles, this release offers 4 tracks originally recorded in 1985 by, at the time, high school starlet Paola Belloni. All tracks are sung in Italian and consistently easy to appreciate but "Vattene" and "Un Uomo Semplice" steal the show with remarkable downtempo smoothness gliding in the lower BPM ranges. Although many studios at the time would have already standardized more synthetic sounds brought by widespread access to electronics in the mid 80's, these recordings offer a more organic and warm sounding instrumentation - one solid round aural aperitivos. Officially re-issued with original artwork and re-mastered at Manmade mastering in Berlin.


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Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers then and now with this 12” release of their vital tracks revisited by leading selectors of today. The label, born in 1988 by Frank and Karen Mendez as an outlet for the experimental works of the Burrell Brothers, quickly became a home for up-and-coming genre pioneers. In this fashion, ‘Nu Groove Edits, Vol. 4’ opens with ‘Tonight’s The Night’ by NYC favourites How & Little, AKA The Sound Vandals, re-edited by Italian duo NiCe7. More monikers of Rheji Burrell appear in the collection too, with N.Y. House’n Authority’s seminal classic ‘APT. 2A’ reworked by UK deep tech aficionado Hugo Massien, and The Utopia Project’s ‘File #3’ remixed by Leeds underground duo Mak & Pasteman. Closing out this collection of future classics, GRAMMY award winning production duo Honey Dijon & Luke Solomon return to edit ‘Luv 2 Luv U’ by A.B.T.

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Placid aka Paul Wise is the chief in command at ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988. On a mission to share and release new music via his We’re Going Deep imprint: you’ll find only the best in Acid, Electro, IDM, Techno and Deep House for the dance floor, front room or even just your headphones.

Bringing the sounds of a true pioneer of Electro and Techno fusion to the next WGD solo series edition, Carl Finlow is renown for seamlessly blending the rhythmic intricacies of Electro with the hypnotic allure of Techno: creating a unique sonic identity that resonates deep down to this day.
As a founding member of the iconic 20/20 Vision label, there is no doubting his pivotal role or pedigree in shaping the sounds of the Electronic music landscape, having released timeless music that has transcended genres over the past decades.

A master of the sonic journey that blends futuristic textures with a timeless essence, he sets out his stall with the creeping drawl of ‘Equi’ on A1, leading with heavyweight bass that’s set to cycle as metronomic snares pop to sci-fi synthesis that can’t help but make your body twitch. It is however the lush shimmer of ‘Aether’ A2 that really captures the heart and soul. A tour de force in emotive Electronics that arise from the depths of Atlantis to sweep you into a whole other moment of existential bliss. A superlatively crafted composition fuelled by the power of the DX-100, awash with melancolic strings and whispy melodies that are combined to perfection – ANTHEM alert!

Over on the reverse, the menacing rumble of ‘Affinity’ takes hold on B1 as Finlow exercises a certain prowess balancing airy textures with the visceral, creeping to the finish line with nothing but gold on his mind. Lastly, the 80s spectrum tinged tones of ‘Septagon’ B2 lead us on to another level as you’re lured in by downright gnarly bottom end, as glassy arps and atmospheric touches complete his vision.

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Reissue of the classic.

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Official re-release of Larry Heards ground breaking, genre defining release from 1986. Digitally remastered full versions on his own Alleviated records. Includes the timeless Can You Feel It, Wishing Machine and Beyond The Clouds. Your chance to show some love to Larry Heard and to own a piece of the foundation of House music. After so many years these tracks still have that magic!

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After Space Dimension Controller the Clone Royal Oak series is coming with another young talent. This time its Swedish Genius Of Time, known for their debut release on Aniara records. Three takes on classic house music done by young producers in their unique almost serene style that reveal their nordic roots. Genius Of Time shows that house music can still sound fresh.

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Produced by George Nowak, a German musician who ended up in the Cayman Island in 1971, aka the Barefoot man. “What a heat” is a dreamy slow paced disco cruise (with obvious reggae influences) highly suggestive of the beautiful nuances that might be part of West Caribbean island life. With the opportunity of more playtime allowed on the 12” format, an attempt at further prolonging this dreamy feeling is made with an extended edit. On the B-side, a Calypso bonus beats style edit by Castro takes a few bars of the original B-side “Phyllip's Calypso” and turns it into a tripped out dubby dacefloor DJ tool. Original artwork with commercial advertisements on the backside. Faithfully restored and remastered for your listening pleasure.

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Official remastered re-issue of Jorge Ben's masterpiece from 1981 - Absolute Brasilian classic!


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Brand new version on white vinyl ! No CD available this time ! Italia Synthetica 1981-1985 represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping Europe and the white cliffs of Albion. This scene flourished in Italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the US). Robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor. Featuring four previously unreleased tracks by Der Blaue Reiter, along with tracks by Modo, Actor's Studio, and La Maison, as well as the still fresh sounding contributions by true pioneers of the genre Neon and Naif Orchestra. Also features Ein-st-ein, Scortilla, Eurotunes, Oh Oh Art, and 2+2=5 featuring Paolo Mauri.

Tracklist:

Neon - Lobotomy
Der Blaue Reiter - Lights Off
Ein-st-ein - Varsavia
Modo - Niagara Falls
Actor's Studio - Dancing Alone
La Maison - Bells In The Night
Scortilla - YHW
Eurotunes - Swimming Pool Motion
Oh Oh Art - It’s Just A Movie Soundtrack
Naif Orchestra - Check-Out Five
2+2=5 Featuring Paolo Mauri -Haiku

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This was the sole release of ghostly electro wizards Zed, released in1983 by the mysterious couple of J.K. Eller and J.P. Enten. Universal love meets artificial intelligence in this feverish number.

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Medical Records presents the 4th pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track "Probl?mes d'amour", published first by the Italian label Materiali Sonori and then by Sire-Wea. "Probl?mes d'amour" went on to become a "cult track" of the disco scene. It became quite an import hit in America's underground club scene, and sparked the mini-LP "Ce N'est Qu'un D?but" that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit "Probl?mes d'amour" as well as the track "Dance boy dance" which has appeared on other cult disco compilations. "Ce N'est Qu'un D?but" will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality black vinyl. Minor upgrades to the artwork also present. Limited Edition.

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