2023 repress

Tracklist
A Cola Beach
B Dolphin Splash Keyboards

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Following his debut full length in 2016, Youandewan returns in 2017 with four pacey club tracks on his own label, The Brane.

Tracklist
A1 Fantasy Fear
A2 Happiness Machine
B1 Fast Blackening Sky
B2 Normal Eyes



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UPC: 827170 503267 Release : 03.06.2013
Tracklist EP: A1. What’s The Deal? A2. Just Words B1. You Don’t B2. You Tired
After almost a years hiatus, Simple Records make a return with their first EP of 2013 from Leeds starlet Youandewan. Ewan Smith has been making a name for himself with his deep, dozy and ever so slightly melancholy take on house. He's already slated remixes for Maya Jane Coles, Midland, Dusky & the elusive Gerry Read as well as original EPs for Hype, and Secretsundaze and now makes his Simple debut with a four-track EP titled - 'What's The Deal?'. The EP highlights Ewan's attention to detail whether that be with the pitch-shifted vocal samples coupled with shuffling melodic flourishes in 'What's The Deal' or whether it's a more patient groovier number like 'Just Words' which adopts the less is more approach, focusing on a classy bassline, a few drawn out synth chords and sweet vocal snippets. 'You Don't Know' combines Ewan's trademark vocal snippets once again but this time with Mike Huckaby esque synth licks, this is probably the deepest jam on the ep and Ewan's not afraid to take a nod to those from the D(etroit). 'You Tired' rounds off the EP, and illustrates Ewan's deft touch by combining a heavy, groovy bassline and lush, subtle piano flourishes. Youandewan is only getting going and this EP perfectly showcases his sound. With gigs this summer at Hideout, Unknown and Echo festivals, Trouble Vision as well as several appearances at our very own Aus Music and Simple Records parties, we think 2013 is going to be a fine year for Ewan.

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Territory: WW

Track list:
A1. Will Saul & Fink - Slo-Mo Life
A2. Will Saul & Fink - Slo-Mo Life (Sideshow Remix)

B1. Will Saul & James Alexander Bright - Blue
B2. Will Saul & James Alexander Bright - Blue (James Alexander Bright Remix)

Aus Music founder Will Saul collaborates with Fink and James Alexander Bright on the final EP in the AUS200.

After music from the likes of Quantic, Dam Swindle, K-Lone and Cinithe, Will Saul brings celebrations around his label's 200th release to a close with one track alongside long-time friend Fink and one with James Alexander Bright, an artist he discovered and signed to !K7 during a 10-year stint A&Ring with the label.

Saul's music has provided the backbone of the label since day one. His club-ready EPs and more immersive, expansive albums have helped to define its melodically rich fusion of bass and house. Just as importantly, his A&R has helped it evolve over the last two decades so it remains as relevant as ever with the current generation while providing a platform for contemporary talents to shine.

First up here he links up with his old friend, singer, songwriter, guitarist and producer Fink who, as Sideshow, was behind the first-ever release on Aus back in 2006. Since then, he and Saul have continued a fruitful working relationship which now bears juicy musical fruit once more. Their 'Slo-mo Life' is six sublime minutes of deep, dubbed-out downtempo. It's powered by a prowling bassline with tender melodies and introspective chords next to subtle vocal loops that cannot fail to bliss you out. Fink then offers up a remix as Sideshow that rides on airy jungle breaks while evocative synths are smeared in painterly fashion before decaying in endless reverb to an angelic ambient sound.

British multi-hyphenate James Alexander Bright has built up a colourful body of albums and EPs that soundtrack everything from hazy daydreams to lazy afternoons in the park via dance floor trips. The singer has worked with, among others, Groove Armada’s Tom Findlay and Girls Of The Internet and always brings a lovably lo-fi and intoxicating sensibility.

'Blue' is a raw, live sound with crashing hits and broken kick patterns. Bright's nagging vocal speaks of emotional pain while shimmering chords bring the heat. Bright's remix reworks the track into a widescreen hazy breakbeat soul track that gives his vocals extra room to make their mark while the exquisite live drums from Joris Feiertag keep you moving.

Will Saul, Fink & James Alexander Bright's 'Paradise Ave EP' arrives digitally and on 12” the 7th May




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Coloured vinyl


Tracklist:
Side A
1. Rave Baby
Side B
1. I Warned You Baby
2. What's Poppin'


Cinthie steps up to Aus Music's 200 series with Rave Baby EP.
The popular underground mainstay offers three effective and emotive house weapons Cinthie has been at the heart of the European underground for many years. The Berlin-based artist heads up her cultured 803 Crystal Grooves label and the well-respected Elevate.Berlin recordstore. She has a vast vinyl collection and a deep understanding of house that makes her a favourite all around the world. She has long been a key part of the Aus family and has recently branched out into playing live, all while continuing to serve up timeless sounds that range from rave-ready to deep and driving.
This EP is the third in a run of four releases from different artists to mark the 200th outing of Will
Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's
brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.

Cinthie pushes herself into a more ravey fast-paced direction with her lead single 'Rave Baby'. The well swung kicks are full of warmth as a nimble bassline phrase gets hands in the air and crisp percussion cuts up the beats. It's peak-time fun that completely takes off with the raved-up piano stabs and a steamy female vocal. 'I Warned You Baby' sinks into a deeper groove that harks back to 90s New Jersey with diffuse chords, Nu Groove style vocals and punchy drum programming full of good vibes. Closer 'What's Poppin'' is passionate house music with depth and drive. Raw percussion, turbo-charged retro stabs and another standout bassline make it a high-class weapon.



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Track list:
A1. The Last Time
A2. Come Back
B1. The Last Time (K-LONE 2-Step Mix)
B2. Come Back (Chloe´ Robinson & DJ ADHD Remix)

Dutch duo Dam Swindle appear on Aus Music's 200 series and two new house originals come with remixes from K-Lone and Chloe Robinson & DJ ADHD
Dam Swindle have been helping to define the underground house sound for a decade, not least with their Heist label. The pair deal in timeless, fad-free sounds that are rich with dance floor dynamics and hint at a love of everything from disco to tech and plenty in between. They are notorious crate diggers who have played the world's most cultured clubs, their recent track Allright (Just A Tribute) on Phonica’s 20 year celebration has received widespread love by DJ’s this summer on the festival circuit and now they offer up two more of their studio gems for their 3rd full release on Aus.
This EP is the second in a series of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass- driven post-dubstep fusions.
This EP kicks off with 'The Last Time', a blissed-out deep house sound with impassioned vocal cries tugging at the heartstrings. Mellifluous synth daubs percolate through the mix to a captivating, feel- good effect. Next is 'Come Back,' an infectious house bubbler with gloopy synths and something of a garage shuffle in the kicks. It's fresh and packed with neon colour that brims with soul.
New school house and garage tastemaker and core Aus Music family member K-LONE steps up with a remix hot on the heels of his two-part EP series on the label. His version of 'The Last Time' is typically deft as soft focus chords swirl around prickly garage house beats. The distant vocal, the cavernous bass and the wistful feel all make it another classic.
Last but not least, Chloe´ Robinson & DJ ADHD are frequent collaborators on labels like Fabric Originals as well as Chloe´’s Pretty Weird imprint where they serve up potent, bass-heavy sounds. Their version of 'Come Back' is expertly stripped back. It teases and pleases with a blend of filthy low- end oscillations, slinky drums and tooting chord hooks that are effortlessly fun and effective.


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Track list:
A1. Tropics

B1. Born Again ft. Laura Roy
B2. Japanese Knives


Highlight:

This EP kicks off a run of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.

Opener 'Tropics' is a fully live disco workout created by some of New York's best session musicians. The perfect celebratory single kicks off the 200 series with irresistible bounce and funky basslines. Dancing keys overflow with feel-good vibes while the chords have subtle hints of a Marshall Jefferson classic. The stirring 'Born Again' is a lush and sweeping groove packed with exuberant live musicianship, distant cosmic arps and splashing cymbals. Soaring up top are the beautifully pained and emotive vocals of Laura Roy, a Grammy-nominated talent who blends 70's folk and 90's r&b into her own style. After the instrumental version comes closer 'Japanese Knives' with its paddy kick drums and organic hits, tumbling fills and heart-warming chord work. It's a classy house vibe for cosy and loved-up 'floors.


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Track list:
A1. Jet Free
A2. Cryfaze
A3. Tiraquon's Final Quest
B1. 1 4 U
B2. Acid Funk Sequel (Vinyl Exclusive)
B3. Beyond2

Highlight:
Space Dimension Controller returns to Aus Music with six tracks of superb cosmic adventure

EP arrives digitally or as a six-track 12" including exclusive vinyl-only cut 'Acid Funk Sequel' on July 26th
Space Dimension Controller is an intergalactic musical explorer. His sci-fi sounds paint technicolour pictures
in widescreen. Whether crafting definitive albums like Love Beyond The Intersect on R&S, club-ready EPs
for Aus and Running Back or dropping collections of unreleased tracks on his own Tiraquon Recordings, his
work sounds futuristic yet nostalgic for the past. It is fueled by funk and crafted on synths, hardware, tape
machines and various other imperfect tools that lend it a loveable character.

His Final Quest EP is a "French-inspired" release, which is an influence that predates the Space Dimension
Controller alias and goes back to Hamill's teenage years. It is also the last EP from his current studio before
it is dismantled and moved to Amsterdam sometime this summer.

From start to finish, this new EP showcases Hamill's ability to craft emotionally evocative melodies and
genuinely absorbing soundtracks. Opener 'Jet Free' is awash with filtered synths that are sugary sweet and
underpinned by funky guitar riffs and laissez-faire grooves. The wonderful 'Cryfaze' has rueful pads spiralling
around sleek drums that bounce along next to supple neon arps, while 'Tiraquon's Final Quest' is a bubbling
and elastic rhythm run through with soft acid squelches and pixelated pads full of cosmic charm. '1 4 U' rides
on heavier drums but is no less joyous thanks to the crystalline melodies and dreamy vocals that swell the
heart. Vinyl exclusive 'Acid Funk Sequel' is another playful moon safari with buoyant bass patterns and
snappy drum funk under ever-evolving melodic refrains and 'Beyond2' closes down with forlorn, introspective
melodies that ripple over heavy-hearted chords.


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Track list:
A1. Yeah Yeah Yeah Yeah
A2. Elastick
B1. Shook
B2. Brake Root


Highlight:
Wisdom Teeth co-founder K-Lone is dropping two EPs on Aus Music: the first instalment nods to UKG and house flavours, landing mid-May, while the second offers a deeper, broken techno vibe, arriving in late June. Opener 'Yeah Yeah Yeah Yeah' is a deep and bubbly cut with dubbed-out rhythms and a one-vocal refrain that's looped, panned about the mix and doused in reverb to serve as a trippy hook. Further stabs, deft synth details, whirring pads and neon colours all add detail to this warm, dynamic sound. The fantastic 'Elastick' is a tight and kinetic minimal kicker with gorgeously smeared pads. Fresh sound designs bring it to life next to lush background chords that layer in plenty of signature K-Lone colour.
'Shook' is a dubby and bouncy rhythm with rubbery bass and glitchy hits that hook you into a world of gloopy pads and heady cosmic ambience. Last of all, 'Brake Root' keeps the good vibes coming, this time with a tumbling broken beat that makes you shake your body loose amidst balmy pads and beautiful melodic curlicues that ooze late-night soul.
UK trailblazer K-Lone heads up the label Wisdom Teeth with fellow producer Facta and has released everything from club-primed garage to innovative home listening records. Whether cooking up kinetic beats and bouncy bass or soundtracking a lazy summer's afternoon with synthesised bird calls and lush marimbas, the London-bred artist is a proven studio wizard. Critical acclaim has come for both his ‘Swells’ and ‘Cape Cira’ albums, and now his ‘Catching Wild’ EPs for Aus Music offer yet another portal into the colourful world of his idiosyncratic, signature sound.









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Track list:
A1. Give It Up
A2. Wait 4 U
B1. What I Want
B2. Own Way


Highlight:
Wisdom Teeth co-founder K-Lone is dropping two EPs on Aus Music: the first instalment nods to UKG and house flavours, landing mid-May, while the second offers a deeper, broken techno vibe, arriving in late June. 'Give It Up' opens Part 1 with a bubbly rhythm and bassline that percolates through the woody, organic percussion. Lush pads and neon lines swirl skyward to silky and seductive effect as various other samples and daubs of colour bring the groove to life. The heady 'Wait 4 U' is a textbook K-Lone house cut with low swinging bass, sultry sax stabs and molten R&B samples that get the juices going next to warm, diffused synth lines.

On the flip, 'What I Want' ups the pace but keeps it deep and smooth with rubbery kicks and gooey bass overlaid with soft-edged chord stabs that will pump the floor. Lastly, 'Own Way' closes down with a tumbling bassline that takes you deeper as muted vocal sounds and glowing chords hook you into an infectious groove suited to the most intimate dancefloors.

UK trailblazer K-Lone heads up the label Wisdom Teeth with fellow producer Facta and has released everything from club-primed garage to innovative home listening records. Whether cooking up kinetic beats and bouncy bass or soundtracking a lazy summer's afternoon with synthesised bird calls and lush marimbas, the London-bred artist is a proven studio wizard. Critical acclaim has come for both his ‘Swells’ and ‘Cape Cira’ albums, and now his ‘Catching Wild’ EPs for Aus Music offer yet another portal into the colourful world of his idiosyncratic, signature sound.








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TRACKLISTS:
A1 - Deep In Your Love
A2 - Into You
B1 - Milkshake


SHORT INFO:
Amy Dabbs and Athlete Whippet deliver a perfectly crafted journey through house music with 'Into You' on Aus Music.
The duo's different yet wholly complementary musical backgrounds - Amy Dabbs bringing her extensive experience as a DJ & electronic music producer, and Athlete Whippet with his background as an instrumentalist & live band musician - have created a winning combination on Into You EP. The product of which is an intricately composed, highly musical suite of tracks produced to perfection for the dancefloor.
Having met for the first time at Cinthie's Elevate store in early 2021 for her DJ Kicks launch party, the compilation featuring one of Dabbs' earlier tracks, Amy Dabbs & Athlete Whippet stayed in touch, which culminated in the decision to start working together in the studio in their shared hometown of Berlin.
Amy Dabbs has released a string of lauded 12"s since her 2020 debut, including her latest highly acclaimed EP on Shall Not Fade, in addition to collaborating with Coco Bryce, launching her own imprint Dabbs Traxx last year, and featuring regularly on BBC Radio1 Dance.
Athlete Whippet, headed up by Robin Braum, have delivered a myriad of esteemed releases across Toy Tonics, Rhythm Section and Tartelet, which have earned heavy support from Pete Tong, Jamz Supernova and Tom Ravenscroft, to name a few.
Teaming up for the first time here, Amy Dabbs & Robin Braum deliver a fiery three-tracker for Will Saul's Aus Music, covering a variety of moods across the versatile EP. Kicking off the A-side is 'Deep In Your Love', with swirling pads and emotive strings tangling around a tear-jerking vocal refrain, which make for a highly moving opener. A2, 'Into You' continues the emotional journey with lively percussion, subby basslines, and sensuous vocal samples overlaid with luscious analogue chords played out on the Juno 106. On the flip, 'Milkshake' closes out proceedings with a glorious blend of anthemic hands-in-the-air piano riffs and deep acid grooves. This track is a surefire summer hit, set to ignite airwaves and the dancefloor in equal measure.







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Tracklist:
01 Xoul Trap
02 Temptress
03 Inertia
04 Unorthodox

Release Info:
Otik drops the four-track ‘Xoul Trap EP’ on Will Saul’s Aus Music this May.
Otik, aka Ashley Thomas, has been steadily making himself known as one of the finest exponents of leftfield
UK club music since his debut in 2013 through a string of heavy releases on the likes of Midland’s
Intergraded, Martyn’s 3024, and his own Solar Body imprint. Arriving now on Aus Music, the
London-based DJ/producer brings a set of atmospheric, breakbeat-laden techno tracks for his first
appearance on the label.
‘Xoul Trap’ kicks off the A-side with moody vocal chops, emotive pads, and thunderous kicks combining to
form a hair-raising late-night affair. Following is the shuffling ‘Temptress’, which sees sharp and detailed
percussion fuse with dusty chords and speaker-rattling subs.
On the flip, ‘Inertia’ begins with a pumping 4/4 pattern as washed-out synths reverberate alongside shining
plucks and warm, inviting low end. ‘Unorthodox’ sees shimmering leads swirl around choral samples and UK
Funky-tinged drum hits, rounding out yet another standout record from both Otik and Aus Music.
Otik’s ‘Xoul Trap EP’ drops via Aus Music on 12th May 2023






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GENRES: electronica/leftfield/downtempo

TRACKLISTS:

A1 Verblex Oscillos
A2 How Do I Know
A3 Frederikalstublieft

B1 Siegfried Benaultibaum
B2 L.O.V.E
B3 Rebula Conundrum

C1 Nlasckhdsjk
C2 Hakelifjell
C3 Still Have Time

D1 Isolated
D2 Maladayfun Faction
D3 Alone In My Kitchen

Release Note:
Mark Hawkins readies ‘Venn Diagram’ album for Aus Music this May.
Mark Hawkins’ early releases on labels such as Djax Up Beats and Ugly Funk lit flares in the world of
underground techno, with a sense of humour and tougher-than-thou sonic palette enforced via his jacking live
sets. Across the following decades, Mark has delivered razor sharp cuts that encompass pretty much
anything that has an electronic heart - leaving his own unique trail for others to follow via his work for labels
as diverse as Dixon Avenue Basement Jams, Sonic Mind, Mistress Recordings, Houndstooth and Aus.

With his latest album, it feels like Mark has pushed ahead with a change of direction he started with 2021’s
‘The New Normal’. ‘Venn Diagram’ carries on this journey into uncharted lands; molten, distorted drum
assaults weave around glistening melodies, kitchen sink soul glides below fractured sound pools. Opener
‘Verblex Oscillos’ immediately demands your attention grabbing, with a so-happy-it’s-sad melody spiralling
around a cascade of tough-as-fuck dance floor destroying beats, along with ‘Isolated’s urgent combination of
strings, acid and chicago-tough electro beats.

Other cuts on the album share a similar approach, ‘Maladayfun Friction’s restless energy derives from a fusion
of skittering drums and deranged synths and ‘Still Have Time’s dreamy super saw pads and plaintive vocal
espouse a kind of wasted elegance, roaming the city nightlife in a Gucci dress and Doc Martin boots.
‘Nlasckhdsjk’ and ‘Frederikalstublieft’ propel forward with such a sleek and effervescent aesthetic, recalling
fast drives along picturesque European highways or heady take-offs to unknown urban territories. The
aesthetic becomes more elegant on the album’s centrepoint tracks ‘Rebula Conundrum’ and ‘Nlasckhdsjk’,
where optimistic bleeps, bass and 707 drums underpin jazzy chords and soaring leads.

Other tracks show the arc of Mark’s direction of travel, with soulful vocals that share a well of deep-rooted
optimism that was so evident on his breakthrough 2016 Social Housing album. ‘L.O.V.E.’ breaks into
post-Sophie territory with a catchy modulated vocal joyfully two-stepping across to the nightclub bar and
‘How Do I Know’ providing a heart rending torch song for 6am kicking-out-time refugees to help them find
their way back home.







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2022 Repress

Tracklist
A1 Just B1 Celeste B2 Back 2 U (Tranz Dub)
Info:
Hot on the heels of AUS' recent releases from Breach, Huxley and Bwana they ready their next offering from Irish duo and long term label affiliates Bicep. Aptly timed for the festival months, their 'Just' EP follows up a series of self-released titles which include collaborations with Ebony and Midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. The title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. A vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. Tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.


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2022 repress

Barcode 4012957146201

Tracklist A1. Circles B1. NRG106

Info:
Jet-setting Irish duo Bicep return to Will Saul's Aus label with two steady analog techno grooves ready for deployment in either their own wildly celebrated sets or those of any DJ looking for modern dance tracks that are still faithful to the classics - this is techno that hasn't forgotten where it came from, essentially.
Using gritty, vintage-sounding rhythm sections as solid foundations, each track gradually builds up its own lush, melodic embellishments overtop - "Circles" stays true to its name with a cyclical main melody, shadowy bass and fuzzy house pads, whereas "NRG106" sets spacey, dramatic chords and breathy vocals against the insistent, chittering machine percussion.
As usual these two esteemed bloggers / DJs / artists / all around polymaths prove themselves to be paragons of taste, but here it's clear that they are also steadily growing as producers, taking on different styles with aplomb and making it all look much easier than it really is.


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2022 Repress

UPC: 827170486263

Tracklist EP: A1: Stash A2: Courtside Drama B1:Rise B2: The Game

Release Info:
Aus Music non-stop. Not quite content with already chalking up two of the biggest EPs of 2013 so far from Midland and Dusky, Aus return once again with yet another release you’ve been waiting for - the return of Belfast’s biggest sons, Bicep. The London-based duo of Andrew Ferguson and Matthew McBriar had a breakthrough year in 2012, four years after the pair's Feel My Bicep blog first began. The past year has seen them play in more than a dozen countries, including major gigs across the US, China and, more recently, Australia, with particular highlights including a peak time set at Berlin’s haloed Panorama Bar and capacity crowds at both Sub Club and Trouw. In addition to the release of “You/ Don’t” on Aus, the boys also inaugurated their own imprint With the Visions Of Love EP, whilst "$tripper", which was released through Love Fever, came in at number 35 on RA's top 50 tracks of 2012 poll. Further to that they scooped the award for DJ Mag’s Best Breakthrough DJ, supplied Tim Sweeney’s Beats In Space show with an exclusive mix of unreleased material, remixed Ripperton’s “Let’s Hope,” and all the while maintaining the DJ treasure trove that is their blog. Across the EP they take things a little deeper, delving into a different area of their own personal taste. What's presented is an overall more lo-fi style and broader approach, drawing from a wide range of influences including King Street Sounds, HBO's The Wire and Aphex Twin.

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Tracklist

A – Wilkommen
AA – Think Different
B – Retrogott – Like This Damiano von Erckert remix
BB – Komposition 1
BBB - RAVE#06
C - Frankfurt
CC – RAVE #10
D – Sorry Mate, Do You Have A Rizla?
DD – XTC Spirits Evolving To Higher Spheres
DDD – Komposition 2

Release Info:
Damiano von Erckert’s ‘The Past / The Future’ lands on Aus music this November perfectly in time for the winter season. TPTF is Damiano’s third studio album and sees him perfectly balancing rave euphoria with more cuddly intimate moments moving effortlessly from deep Detroit techno to the spacious kraut sounds associated with his homeland. ‘The Past / The Future’ has depth substance and timelessness all packaged beautifully by design and art legend Eike Koenig

'The Past / The Future is for all independent thinking romantics and specialists looking for urban melancholy and the feeling of freedom and security. It is for those who find themselves in the dust and rain of the night darkness. It serves people who are determined to conquer their inner fears and readjust the orientation of their minds to banish stress, anger and despair from their lives. Finally, it is the soundtrack for lovers and fighters who want to slow down time and create new patterns to open up new dimensions in their lives as ravers, dancers and people of the night. It is about forgotten fragments of past sounds and the simplicity of clubbing'







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Tracklist

A1 – Light A Fire
B1 – Keeping Strong
B2 – Everything

Release Info:
Fresh off the back of her recent DJ Kicks compilation release and an EP for Shall Not Fade in 2021, Cinthie returns to Will Saul’s Aus imprint for her first EP release of 2022, once again delivering her raw, energetic House sound to the world. Title-cut ‘Light A Fire’ leads the way and lays down organic drums, hypnotic vocal lines and choppy stab sequences alongside bumpy bass tones, intricately unfolding synth swells, resonant bleeps, and dynamic delays, resulting in a big sun-drenched anthem to perfectly set the tone. ‘Keeping Strong’ follows next and employs classic House tropes via gritty string stabs, plucked bass notes and dubbed out vocal cuts, running atop skippy, swinging drums for six and a half minutes. ‘Everything’ then rounds out the release, diving deeper this time as Cinthie employs dubbed out chords, weighty subs, crunchy percussion, and cinematic, elongated strings swells, concluding the release with a smooth, emotive feel.







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Tracklist:

A1 – Repeater
B1 – Nobody
B2 – Repeater (DJ Seinfeld remix)


Release Info:
Life and Death founder Manfredi Romano aka DJ Tennis debuts on Aus with ‘Repeater’ - here he delves deep into his own cosmos creating two cuts that are uniquely spacey whilst playful and powerful. DJ Seinfeld needs no introduction. His DJ Kicks mix and debut album for Ninja Tune have both been critically acclaimed. His ravey mix of 'Repeater' is a tension builder, his version simmers away for seven minutes patiently dropping metallic stabs and detroit fm synths licks. Manfredi’s career spans over two decades as agent, manager, promoter, label owner, dj and producer. His releases are few and far between so, it’s an honour for him to trust us with his art.







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Tracklist

A1 – Swamp
A2 – Disintergration
B1 – Afloat
B2 – Moving On
B3 - Meadows

Release Info:
Earth Trax’s ‘Afloat' EP follows his third LP for Bristol based Shall Not Fade. Earth Trax aka Bartosz touches on Trance, Techno and Deep spacey Electro. B's knack for building tension is infectious, here you see his production skills on full display each track has so much clarity you can feel the space it’s Broody and Beautiful and always delivered with a unique touch of class.







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Tracklist
A1 – Drunken Clouds
A2 – I Wanted More
B1 – Midnight Shift
B2 – Last Day Last Dance

Release Info
Hermione FRANK aka rRoxymore has spent the past decade cherry picking the labels she works with whilst
building up a totally unique signature sound - DBA, Timedance and recently Ideophone. Hermione's Aus EP
sounds soft and intricate yet punchy and powerful. Beautiful synth licks and crunchy drums melded together with
plenty of UK attitude. A daydreamer’s delight, it offers restrained weight and it’s the perfect elixir for any morning
dance floor.







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202r4 repress

Worldwide no exceptions

LP Format Notes:
Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes.

LP Track List:

A1 : Are These My Memories?
A2 : Walking Across The Field
A3 : Summer Stroll
A4 : It’s Raining Tomorrow
A5 : Dancing In July

B1 : Shadows Across The Path
B2 : Waiting By The Car
B3 : Kinda Knew Anna
B4 : Love That Bird
B5 : More Rain In The Woods

Release Notes:

Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

While recordings unintended for release should often be approached with caution, this is a rare case of unheard material being assembled as an indispensable and coherent piece. Girls In The Grass is something super special. The light and shadow that defines Hiett’s music is arguably more compelling here. It speaks to us in a language that feels profound, yet entirely comforting and familiar.

Girls In The Grass reintroduces Hiett’s languid electric blues boogie, crafted on Saturday afternoons with fellow art director Simon Kentish. Kentish would cook, pour some wine and then utilise his arsenal of technology. He’d dial up a chugging rhythm, together with some ambient pads or keyboard textures, and anchor the weightless gauze of Hiett’s six-stringed touch.

Hiett’s guitar sings with the same clean, crisp tone as Down On The Road, animated by a carefree weekend groove. Unlike his defining album which was boiled under pressure, these subsequent sessions have all the time in the world. The naïve melodies chart a missing link between Vini Reilly’s ventures into electronica and Booker T, sounding like sun-warped takes on wordless, fractured non-hits from his heroes The Beach Boys.

Remastered for public pleasure by Simon Francis, these private moments are adorned with Hiett’s singular photography and feature typically idiosyncratic liner notes from Mikey IQ Jones.


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ww / excl UK

lim. handstamped 180 Gr. Vinyl Edition / UK Garage

We are back at it again, proud to welcome our next release...
4 tracks from 4 various artists who are helping define the new UK Garage sound!

A1. SINCERITY - L&F
A2. GET LOOSE (DUB) - PAUL 90
B1. THINKIN 'BOUT - EASE UP GEORGE
B2. PUCARA - FARA-83



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2023 repress

Tracklist
A1. Electric Baile (Enzo Elia Vocal Edit)
A2. Electric Baile (Enzo Elia Dub Edit)
A3. Electric Baile (Enzo Elia Bonus Beats)
B1. Pushin’ Too Hard (Gerd Janson Mega mix)
B2. Pushin’ Too Hard (Gerd Janson Instrumix)


Shortinfo:
Master Plan was the Chicago based dance music project of Pepper Gomez and Tom O’Callahan. Spanning from 1984 to 1986, the groups development is in sync with the dance music scene of Chicago during that era. While their first record „Pushin’ Too Hard“ is a Windy City version of the NYC club music of the time and its European cross-pollination, „Electric Baile“ from two years later down the line is almost a quantum jump into house music. With the engineering help of Matt Warren, it bears the marks of Ron Hardy, Chip E, Farley Jackmaster Funk or the WBMX dance party craze, if you will. Here you have remastered and updated versions by Enzo Elia and Gerd Janson. The first ones’ edit attempt of „Electric Baile“ ignited this edition. A custom-tailored main mix is completed by a dub and useful bonus beat version to do, what DJs used to do. Concluded by two edits of „Pushin’ Too Hard“ by GJ, you get two great slices of yesterday that are still major dance music blue prints today.




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2022 repress

A: Mir a nero ISRC: DEMM11200019
B: Amaranthus ISRC: DEMM11200020


It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.



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- First ever re-press of the debut single from A Sagittariun. Long out of print since it’s 2011 release.
- Remixes by MD2 AKA Mike Dehnert (Fachwerk)

Tracklist
A1. The Circle Stops Somewhere (Original Mix)
A2. Telepathic Heights
B1. The Circle Stops Somewhere (MD2 Mello Mix)
B2. The Circle Stops Somewhere (MD2 Hard Mix)

Re-press of A Sagittariun’s debut 2011 EP on Elastic Dreams. “The Circle Stops Somewhere” has been a
defining release for the British techno explorer, long since out of print since its release seven years ago.
Now the label re-press the original vinyl release that features two amazing MD2 (AKA Mike Dehnert) remixes.
Resident Advisor summarised the debut A Sagittariun release in a glowing review “The Circle Stops Somewhere"
is definitive driving music, even down to the evocation of onrushing traffic in the form of cold, blurred synth stabs.
It's also a nostalgically-observed piece of electronic jazz, the dominant motifs of which transport one into a
crepuscular world of uncertainty and disquiet. The reliable Mike Dehnert turns in two contrasting mixes…”

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2025 repress

Tracklist:

A: Blume Der Nacht
B: Rue Burnout


DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.


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2025 repress

Format Notes: 140g vinyl, remastered from the original tapes

Territories:
Worldwide no restrictions

Track List:

A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)

B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)

Release Notes:

More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.

Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.

No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.

Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.

The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.

“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.

The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.

The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.

“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.

“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.

The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.


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2525 REPRESS EDITION

ll star cast from 4 different cosmic corners comes the more electronic side of Hamam. T hink of it as the dorian gray of Frankfurt airport , but instead it's at the hamam in istanbul. Fattish - no stranger to electronic versions of loved and cherished turkish songs, Fattish delivers a monster cinematic piece, strings section...the whole lot...check anything he puts his hands on, this one made it to the wax Kozmonotosman - our man on the moon, he visits regularly so if u need any rocks or bits ask him he will bring u, I got loads of rock so u can ask me alternatively.
My man delivers a super dope and groovy number from a not so well known jam from the 70's . Just get down and boogie on this. Kurt Adam - one of the new faves of the Hamam camp, delivers a taverna cut in a housey affair. Don't be fooled by the electronics, I drink raki to this any day at the drinkery. Hold me down if u can m gonna dance in euphoria, hear the wolfman roarrr.



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2025 repress

UPC: 827170489462 Release : 18.03.2013
Tracklist: A. La Duquesa // ISRC: DEMM11300036 B. Burn with me // ISRC: DEMM11300049
"La Duquesa", the most tender and most refined piece of the album Amygdala, perfectly casual and serious, deep and euphoric, all at the same time, is dedicated to the Spanish Duquesa de Alba, who, as holder of 46 titles of nobility, is even more highly decorated than Queen Elisabeth. Koze is fascinated by this lady: With her peculiarly creepy appearance she seems like a relic from the past era of the Spanish nobility. She is the most pictured woman in Spain and a pop phenomenon. When, in 2011, she married a man 24 years younger than herself, the entire country badmouthed her. Sometimes Koze would love to be that younger man, who the Spaniards dismiss as a legacy hunter! Encore the needle is cookin'. Dj Koze did it again. His homage to Audrey Horne. "Burn with me" - a fucked up, deep and schizophrenic brainfoodbouncer with legato bass and hi hats way out of time. The beat burst like shagging, the dirty off hi-hat lashes remorseless in the twat-herd - everyone just wants to get laid straight away.


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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.





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2022 repress

UPC: 827170527461 Release date : December 16th 2013
Tracklist: A. When Radio was boss B. Maybachswagger
The Artist Concurrently Known As Jackmate has been already been indoctrinated into our cult since he signed onto he Pampa bookings roster awhile back. As SoulPhiction he is also co-founder of Philpot, the Stuttgart-based label, home to the majority of his releases over the past 10+ years. Anyway, we get the privilege of stamping the Turkey logo on SoulPhiction's first proper release of 2013, following his remixes for Murat Tepeli and Detroit Swindle. "When Radio Was Boss" is a tribute to those magical electromagnetic waves that ruled yesteryear. With that prototypical Pampa percussion-rattling and clanking its way into the room-and a warm, round bassline bounce combined with some symphonic froth in the atmosphere, this track definitely demands airplay. On the dancefloor, at least! (And right in the middle of the track, catch the pleasantly jarring shout-out from WBAU, the call sign of the defunct New York radio station that counted members of Public Enemy and hosts of Yo! MTV Raps amongst its staff.) On the flip, the bpm gets cranked down just a bit for "Maybachswagger"-If the A-side is a tribute to radio, the B has roller-skating on its mind. Starting out spooky with a sampled voice cooing over a slightly detuned bassline, the surprise comes in the final third, when a kawaii disco vibe drops in, seducing you onto the rink for a few laid-back laps.


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