Somewhere in the deep blue Caribbean Sea, between reality and illusion, lies an island: X-Coast.

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After years of being lost at sea, the ancient scrolls containing the long sought after fragments of X-Coast were discovered. It was decided that the transcripts be pressed onto plates and scattered throughout the realms, so that the age-old knowledge may never be forgotten. On the front side of the disc, we deciphered two XTC transmissions. The first, "XTC I" dates from the original session. The second is the final attempt known to us, "XTC V". The reverse side unfolds with an interpretation of "XTC V" by the prophet known as Foamek, who brings it to new, uncharted reaches of euphoria. The next scroll, titled "Horns" is a real collector's gem, played just once before during the inaugural X-Coast Boiler Room - transmission Belgrade. The plate ends with what we believe is the first X-Coast session ever recorded. Simply called "Horizon”, it was evident that the inhabitants of the island stumbled upon something legendary. This is a one-time opportunity to obtain the scrolls. Do not let them fall into the wrong hands!

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X-Coast embarks on the eighth expedition into the exotic lands of palm trees and blue skies with the ‘Yucat?a´?n? ?Channel’? ?EP. Expedition eight features three jams packed full of emotional breakdowns, rave samples and thrashing synth? ?patterns,? ?accompanied? ?by? ?a? ?remix? ?from? ?previous? ?release? ?artist? ?DJ? ?Boring.



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Riviera Records presents an uncompromising clash of sounds from all over the globe. 5 tracks from the likes of Lewis Taylor, DJ Pacifier, Cult, Lil Na$$ty, DJ RaDa & X-Coast spanning from house, techno, trap to experimental rave.

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Straight from the island of X-Coast, Riviera Records is back - this time introducing Villa, an emerging duo from Frankfurt. A side features their fast tribal infused techno killa beats with filtered disco vocals. To spice things up even more, its the Get On Up remixes by electro powerhouse DJ Mell G and XL Traxx (Lag & X-Coast) on the flipside. This music is meant to be played off of a record!

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Riviera Records presents XTC002: The Atlantic Connection with non-stop flights to X-Coast from Ireland, UK and USA. The first route offers a very intuitive bass and breakbeat driven ride with a Tama Gucci signature, sensual vocals cutting through the airspace. The second journey is flying over (hard) house territory with DJ Torture serving the snacks. The B side we have a UK to X-Coast red eye flight with a trance edge courtesy of Capt. Ejeca. B2 is the only supersonic flight offered at this time navigated by Tommy Holohan: a shuffled up Reese bass powered techno from Ireland to X-Coast in just 4 minutes and 57 seconds - buckle up Attention: BPM changes at short notice!

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WAS - Word and Sound Medien GmbH
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After years of being lost at sea, the ancient scrolls containing the long sought after fragments of X-Coast were discovered. It was decided that the transcripts be pressed onto plates and scattered throughout the realms, so that the age-old knowledge may never be forgotten. On the front side of the disc, we deciphered two XTC transmissions. The first, "XTC I" dates from the original session. The second is the final attempt known to us, "XTC V". The reverse side unfolds with an interpretation of "XTC V" by the prophet known as Foamek, who brings it to new, uncharted reaches of euphoria. The next scroll, titled "Horns" is a real collector's gem, played just once before during the inaugural X-Coast Boiler Room - transmission Belgrade. The plate ends with what we believe is the first X-Coast session ever recorded. Simply called "Horizon”, it was evident that the inhabitants of the island stumbled upon something legendary. This is a one-time opportunity to obtain the scrolls. Do not let them fall into the wrong hands!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Two track EP from the Italian early 90's cult label, Interactive Test, helmed by legendary Falsini brothers. Both sides going generously past the 8 minute marker and well into the upper 120 BPM class of affairs, "Farf-Ability" is another show case of the experimentally excursive approach to the early Italian progressive sound, this time on behalf of Francesco Farfa. Two flavours served confidently: uplifting daytime ravey on the A side, and darker trancier night time on the B side, heavy on the percussive samples. Remastered and re-issued with new full cover artwork, featuring photographic evidence of a special moment in time for Italian rave culture.

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Tracklisting:
A1 Unknown Artist - STR ASJ
A2 Unknown Artist - ELD AYO
B1 Unknown Artist - AKI AA!
B2 Unknown Artist - VUT HAY

Sales Note
Tooflie keeps up deep-vein research instinct to remake and remodel the hidden gems of the worldwide archive quirks to tomorrow's dancefloor. Label's best-kept secret anonymous producers return with a highly anticipated funk-driven four-tracker voyage to pan-Asian crates, from Bollywood to China with a journey to Uzbekistan and Southeast Asia. They're here to take you on a gleeful joyride around their collective musical imagination: the A side sweeps in with a hypnotic feel via psychedelic swells, tension-building textures, and a bumpy, hardy rhythm, while the next cut is softening sharp edges of Bollywood original and adding sophisticated melodic expression into dancefloor territory. Do the flip to find two more bright refixes' of Chinese and Uzbekistan tunes. The bubbling 303-driven rhythms of the 'B1' are packed with sleazed-up keys, thumping bass injections, and resonant chants. The latest cut goes full-on ecstatic disco mode and finishes the release with a clean, floor-filling edit of a rare uplifting slice of Uzbekistan's celestial magic. Vinyl-only and in a very limited quantities as usual!

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Hi! We are ready to present the second record from My Cup Of Tea produced by founder Piero, it includes 4 house tracks and broken beats with a warm and danceable sound, includes a remix by Carlo from Aterral. We hope that this copy will find its place not only on the shelf, but also in the bag and will always be relevant at any party. From the southern latitudes - with love!



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Attention Italo fans, the long-awaited return of Il Bosco's hugely popular series of 'Hits From The Manctalo Discortek' is here.

As always, the selection is crammed with deeply dug gems that will have hardcore Italo collectors drooling and Italo newcomers drawn to the scene by his infectious choices.
8 hitters that would cost you a deposit on a house to own (if you could even find them). Essential.



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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Repress!

Beautiful Balearic house vibes on this Best Record release, a label that is best known for soul-boogie and Italo-disco reissues, but it also comes with forgotten gems from the Italian deep house scene, such as Aqua Marina by The Countach! They have been in active service only in 1990 releasing just two singles... but two singles that are not forgotten! "Aqua Marina" has plenty of lashings of jazz funk rubbed into its loins, not least on the "Sweet Dream Version". The "Paradise Version" nudges the key of the club mixes and ramps up the reverb, and then the "Original Studio Version" switches up the mood with an organic, live band groove on this crucial 12inch. A timeless masterpiece by DJ-producers Giampiero Malvatani (aka Giampi) and Davide Domenella (aka D.Dee), developed by M Giancarlo Ragni at the Vallemania Studio in Genga. Precious classic Balearic beat, 100% pure for which even today we shed sweet tears of nostalgia for this sound of the early 90s! Classic stuff!

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In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music.

This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology.

More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009’s Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981, Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the ‘80s on new compilation Ghana Special - Volume 2, a collection of 18 burger highlife, electronic afrobeat, and reggae tracks.

Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country’s musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves.

Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene.

Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from “Bürger”, the German for “citizen”. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists.

Tracks such as Ernest Honny’s experimental cut “New Dance” are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi’s band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou’s top studios. Similarly, Nan Mayen’s “Mumude” is a slick, 80’s pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track “Asobrachie” is “influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music”; on “Jigi Jigi”, the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences.

Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. Ghana Special - Volume 2 stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era.

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Reissue of "Die Schöpfung" by Cybex Factor from 1991

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The Overlords is a pioneer electronic project coming from Denmark. Rune Bendixen, Carsten Pedersen and Ian Ion started to work together in the late 80’s inspired by Front 242 and Adrian Sherwood’s electronic dub. The ever-cheaper samplers allowed the band to record their debut album “Midnight at the Grooveyard II” (1988) and built their own studio The Grooveyard in Copenhagen. Next works started to get increasingly influenced by techno, new beat and innovative dance music. A new single “Moontrap” (1990) appeared on Belgium’s Antler Subway Records and led The Overlords to collaborate with Kenneth Baker who remixed the next single and massive club hit “Sundown” (1991). The full-length “Organic?” (1991) came shortly after also on Antler Subway in Belgium, ZYX Records in Germany and reached America with Caroline Records. The success continued to grow and a new EP for “Organic+” (1992) was out with the title track remixed by the legendary DJ and producer Sven Väth.

“From the first song, with it’s chorus of ‘We Are Genetic Engineers’ and it’s rich, catchy melody, “Organic?” throws the fetters of EBM off and soars to heady heights. The third track leaves the fresh energetic, colourful world of humour to create menace and dread with a brilliant cover version of “Holiday In Cambodia” which has the same threatening sound of the D.K.s original, and is perhaps even more danceable and disturbing. An exciting album full of catchy, tongue-in-cheeky chant-a-long tracks and the music has such depth, such stark, radiant colour, such brilliance that is unreservedly recommended.” (Soft Watch)

“Organic?” was originally released only on CD and cassette and is now available for the first time on vinyl record including all original tracks plus some bonus and remixes. Limited edition of 500 copies on double vinyl with gatefold sleeve and one postcard.

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Somewhere in the deep blue Caribbean Sea, between reality and illusion, lies an island: X-Coast.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More