o Long awaited debut album from Mike Connelly and his wife, Tara, recording together as Clay Rendering.
o Additional production by Dominick Fernow, additional vocals by Becka Diamond
o Mastered by Paul Corley
o A delicate yet uncompromising set of songs drifting somewhere between Gothic, Ambient, Black Metal and Dream Pop.

Perhaps the most compelling of all the many projects started by one-time members of Wolf Eyes, Clay Rendering came to life in 2013 and have since released a trio of singles for Hospital Productions that have gained them the admiration of followers spanning both electronic and metal communities.

Their material occupies unique terrain, recalling The Cure's widescreen Disintegration-era instrumentals meets Cocteau Twins/Xmal Deutschland, cut through with a Black Metal palette and an appreciation of electronic music that imbues their production (notably assisted by Dominick Fernow) with an end-of-world quality that's impossible to pin down. Evoking Nine Inch Nails one moment, you find yourself in a smoke- filled, strobe-lit Road House the next; bleary-eyed, head spinning, coming down.

Guitar, Accordion, Piano and electronics underpin these songs, opening with the whirling death march of 'Maps on The Floor' and the funereal trudge of "Swallow The Century" before the grinding fuzz of "Sight From Up There" changes pace with the addition of a forlorn piano melody and Becka Diamond's distant vocal zooming in on half-remembered songs, rendered here with hazy definition.

"Fall Of The Bed" and "Memory Loses Momentum" find Clay Rendering at their most visceral and catchy; a reminder that they are first and foremost a band that write incredible songs, often submerged in fuzz and atmosphere, but here left exposed, bare, on display.

And yet the title track "Snowthorn", "River Without" and the incredible album closer "Night To Perish" edge the album from the bleak and into the sublime, turning away from the snowy landscapes their music so often evokes, instead pulling you deep into night...

Tracks: 1.Maps On The Floor 2.Swallow The Century 3. Sight From Up Here 4. Snowthorn 5. River Without 6. Fall Off The Bed 7.Patient Days 8. Memory Loses Momentum 9. Night To Perish


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Shifted’s debut for Hospital Productions following an album for sublabel Bed Of Nails in 2013. Integrating his more searching work as Alexander Lewis and his increasingly introspective work as Shifted while eloquently addressing his past, ‘Appropriation Stories’ is a comprehensive statement of intent and
Brewer’s finest, most mature work to-date.

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Guy Brewer returns to his Avian label with a a two-part EP, Arrangements In Monochrome - his first Shifted releases since last year's Hospital Productions album 'Under A Single Banner'. Although not conceived as an album project, Arrangements In Monochrome's two EPs can be viewed together as a single entity - the result of Brewer's continuing exploration of textured noise excursions and muscular techno of considerable drive and heft, all the while retaining a cinematic quality within its quieter moments. The simultaneous release of the two EPs arrives in December, bringing to a close a year that has seen Avian release the sophomore album of Swedish duo SHXCXCHCXSH and EPs from Sigha and Alessandro Cortini's Skarn alias.



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Guy Brewer returns to his Avian label with a a two-part EP, Arrangements In Monochrome - his first Shifted releases since last year's Hospital Productions album 'Under A Single Banner'. Although not conceived as an album project, Arrangements In Monochrome's two EPs can be viewed together as a single entity - the result of Brewer's continuing exploration of textured noise excursions and muscular techno of considerable drive and heft, all the while retaining a cinematic quality within its quieter moments. The simultaneous release of the two EPs arrives in December, bringing to a close a year that has seen Avian release the sophomore album of Swedish duo SHXCXCHCXSH and EPs from Sigha and Alessandro Cortini's Skarn alias.



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With part one still doing the rounds we present the second of this two part series from Shifted - his first outing on Avian since the brilliantly received AVN001 ! Following the recent success of 'Sickness By Means Of Clairvoyance' on Sigha's own 'Our Circula Sound' label (OCS005), these two tracks tread a formidable if slightly deeper path... Expect the usual support for this great artist

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The first of a two part series from Shifted - his first outing on Avian since the brilliantly received AVN001 !Following the recent success of 'Sickness By Means Of Clairvoyance' on Sigha's own 'Our Circula Sound' label (OCS005), these two tracks tread a formidable if slightly deeper path...



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After the success of his Drained EP for Luke Slater's Mote Evolver label, Shifted returns with 2 tracks of deep tripping, highly reduced techno
plus a bonus cut of droning ambience on his own newly minted Avian imprint.


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'Shifted' also released a record on Luke Slaters label 'Mote Evolver'. A1 Shifted A2 Shifted B1 Szare Remix


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the forever-progressive Luke Slater has plucked a special release from the ether that will impress and intrigue followers of Mote’s approach to underground techno. Shrouded in anonymity, Shifted’s release is fuelled by a personal passion for techno


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Lotus Eater is a duo consisting of Luca Mortellaro (Lucy) and Seth Horvitz (Rrose), techno artists just as comfortable operating in the uncharted area of experimental music who have gained a cult following, both influencing and challenging the direction of contemporary electronic music. Eschewing the typical instrumentation of techno but still inhabiting its archetypes, Lotus Eater uses synthesised sound and feedback as fundamental sources to generate both textural and percussive elements. A sense of tension and weight emerge from sources that cannot be easily pinpointed. Each release forms a complex narrative from a paradoxically simple and restrained set of sound sources. Officially formed in 2017, Lotus Eater came to life through several collaborations over a number of years, and finally blossomed with the release of its critically acclaimed debut album "Desatura," which Lotus Eater toured live in 2018 - 2019. 2022 sees the release of the second Lotus Eater album "Plasma" and a new audiovisual live project to accompany it. "Plasma" unfolds with exacting precision by exhibiting a point of focus and expanding on it. It uses a single, throbbing pulse to generate a constellation of sounds and rhythms that form around it like a volcanic eruption in slow motion. Playing with our sense of time and weight, "Plasma" feels simultaneously slow and urgent, spacious and immense. Lotus Eater zooms into the infinite abyss and finds not just light, but fire at the end of the tunnel. Will we be saved, or will we burn?

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Serendipities surround the collaboration between Berlin's Stroboscopic Artefacts label founder Lucy and their most recent record with Malaysian Bangkok based emerging artist Wanton Witch. The release culminates in the reimagining of WW debut LP as seen and felt through the lens of Lucy. This is a follow up full-length album by Lucy not approached as a usual remixes record, but instead a fully fleshed out new body of work with the WW material being an integral part of Lucy's sonic palette. Despite the label hiatus during the first year of lockdowns, the isolation of the pandemic helped create a fertile ground for a back and forth between Wanton Witch and Lucy's own distinct sound palettes to collide. With the normal every day pressures of touring lifted and enlightened by WW's sonic world, Lucy has seen this as a positive opportunity to manifest new pathways of connectivity and process a phase of personal growth. Not simply about the breaking of gender lines, but also about the blurring of creative boundaries, especially when making music. Lucy's original patronage of Wanton Witch and her relatively fresh and new voice in the electronic music scene can be seen as a contribution to this idea of dismantling industry norms. In more than a decade of SA operations this is a reset moment for the label's mission focusing on empowering new talent, refreshing and growing with them, presenting a dynamic two-way process bewtween the label as a whole and the individual artists output. Lucy's personal revolution has coincided with Wanton Witch's own discovery of her musical voice and their paths have created a synchronicity. This osmosis of thought and feeling, even through massive distances, can be so real and tangible. Lucy's new album is a testament to the power of connective tissue in collaboration. It is this catalyst of realisation that has allowed the creative work to flourish under the toughest of pandemic conditions.

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SA015 is a split vinyl taken care of by long term label artist, Pfirter, and by a new voice that's been adding to the SA story across the summer, Kangding Ray. Pfirter's 'Caos y Orden Superior' is a weighty odyssey spread across nine minutes. Its opening is languid but somehow relentless as strange synthesised sounds are interrupted by insistent beats. Across the arc of this track 'chaos' and 'order' lose their static definitions, and played over a large club rig this has the potential to throughly disorientate. From here Kangding Ray takes over duties with 'Wars', a fragmented meditation on the darkest side of human nature. Created from hues saturated by the pain of mistakes and regrets, it pulses, rocking gently, swooning in and out. This stunning slice of electronic music acts as a balm for the very wounds that conflict leaves behind.

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His partnership with the label has already resulted in a collaboration with Modern Heads, as well as one of the first entries in the Monad series, and now a fascinating new EP that showcases his talent for testing the limits of perception.


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To start the year 2014, Stroboscopic Artefacts bring you SA021 - a remixes selection of tracks from Lucy's forthcoming LP Churches Schools and Guns. In presenting four of the album cuts in altered impressions, SA021 helps the label keep on re-examining the timbres, tones and textures of techno. First up is the unsettled edit of 'Catch Twenty Two' by the young Italian producer Shapednoise. The infamous Heller novel of the same name (though in numerals rather than letters) was a satirical rampage through the futility and tragedy of conflict; this is also a rampage, littered with opaque utterances of sonic thrust, stood stoutly on an unpredictable and emotional structure of aural dissonance. Following this is the Italian maestro Donato Dozzy and his presentation of 'The Illusion of Choice'. The track bounds along like a train through the jungle, powered by a distant rumble and purring synths. Skittering and melodic percussion sounds a little like birds; the drums are made of rawhide, strong, insistent, controlled. Third in line is the remix of 'Laws and Habits' by Milton Bradley. This cut is hypnosis with little regard - not an accident, but effortless. Metallic distortion buzzes like bees across your head, zipping across the top of delicate hi-hats and an elastic groove. This is a walk through the 4am night, appreciative of the glimmering streetlamps, and fearful of nothing. Last is Eomac's rework of 'The Self As Another', bringing the record to a resonant conclusion. One half of label favourite Lakker, the Irish producer begins with a melody line cut from razor-sharp cloth. The pulsating beat is dressed in metallic shimmer, confidently pursuing a dangerous course. And yet there is a pause amid this brief insistence, a moment of perspective, perspicacity. The record considers its place, and asks for contemplation. With a selection this strong, and of such ideas and identities, this contemplation is surely a worthy vice. This may be a prelude to the full record, but it is a cut made of vehement conviction.


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Stroboscopic Artefacts' third release sees label owner Lucy and underground trailblazer Ercolino, inspired by novelist Michael Ende's imagery, create two visions of a nihilistic future. The 12'' begins with the tale of fear incarnate Gmork, the most power

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Zeitgeber is a project that sees Lucy and Speedy J exploring roots and limits. The duo have both indulged their experimental sides from time to time. Perhaps most notably Speedy J with his mid-'90s run on Novamute, and Lucy on his 2011 full-length for Stroboscopic Artefacts. But Zeitgeber is something more, with two artists pushing each other to go further. SA018 is a single that gives only a slight hint as to what is to come in the shape of a complete LP. 'Body Out' is floor-ready techno with a twist. The textures that lie beneath feel like they're just as important (if not more), slithering and twittering away in constant dialogue with the just-slightly-off-the-grid beat. 'Body In' is the inverse of the A-side, a slow-moving chorus of indescribable ambience. As a precursor to the forthcoming album, it's a perfect taster of the uncompromising sounds yet to be heard.

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SA005 is destined to become a vinyl collectors’ must-have. Frank Martiniq explores a whole new sonic identity on this unique 12”, forging together off-kilter beats and fists full of atmospheric compression. “Blast Corps” opens the EP with a surge of delayed baseline. Crispy static rises from below and echoes swoop and simmer beneath the full blooded base. It builds insistently, the 4/4 structure is infused with far off blips and the dusty sizzles of low-pitched white noise. On “Dark Star” warm dub keeps the sound organic. It’s elemental, the baseline seems enormous enough to have a gravity of its very own and the other elements pull together around its weight. It teases, the breathy elements twitch, fidget, become fully formed but refuse to drop.

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(2LP + DL) The Malaysian-born, Bangkok-based producer delivers an 11-track strong release that flows like a complete soundscape. Employing caustic electronics and diverse sound textures, she challenges traditional track conventions by deconstructing elements of IDM, experimental, hardcore and rave.


TRACKLIST

A1. Daddy's Girl
A2. Do I Pass
A3. Walking on Moirai
B1. Lament Ceremony
B2. Looping Projection Of You
C1. Resentment
C2. Is This All We Can Do?
C3. Unsound Mind
D1. Nervous Burial
D2. The Beautiful Trauma Of Being
D3. Grieve


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Sharing the same forward-facing approach to techno music, it was about time that Roman DJ and producer Adiel lands her debut EP on Stroboscopic Artefacts. Following on from an array of 12-inches on her own imprint, including a recent joint effort with Anthony Linell, 'If Not Now When?' is an ode to the all-enveloping strangeness of eternal nights that cuts a path of ecstatic light in the dark.
TRACKLISTING

A1. If Not Now When?
A2. At The Bottom Of The Sea
B1. If Not Me Who?
B2. ESRR


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(10” clear vinyl) Five years on since their last joint outing in Stroboscopic Artefacts Monad series, Speedy J and Lucy team up again as Zeitgeber on 'Seventeen Zero Four', a new three-tracker descending deep into the filthy, tenebrous outskirts of club music.


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Lucy remixes Donato Dozzy, Caterina Barbieri, Ben Klock, and Xhin for Stroboscopic Artefacts' tenth anniversary
TRACKLIST

A1. Donato Dozzy – Sotto Ma Sotto (Lucy Remix)
A2. Caterian Barbieri – Virgo Rebellion (Lucy Remix)
B1. Lucy & Klock – War Lullaby (Lucy Remix)
B2. Xhin – Link (Lucy Remix)

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4p gatefold+DL. Stroboscopic Artefacts releases 'X - Ten Years Of Artefacts', a 13-track album curated by Lucy aka Luca Mortellaro. It celebrates ten years of his label by boldly confirming its raison d'être: a continual redefinition of modern techno. The compilation features tracks from Lucy, Rrose, Zeitgeber, Lotus Eater, Shifted, Efdemin, L.B. Dub Corp, James Ruskin, Denise Rabe, Adriana Lopez, Chevel, Alessandro Adriani and Serena Butler.


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For her first sortie away from her usual recording homes, Adriana steps up in no real unknown territory either, with Stroboscopic Artefacts’ Totem series providing a much suitable shelter for her deep-penetration, quaky club weaponry to grow and expand.


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(10" inch clear vinyl) Firmly entrenched in techno's haziest alcoves, every new record from Denise Rabe is as punishingly hypnotic an experience as it aims to penetrate the deepest laid of your cerebral zones.


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(2xLP gatefold cover) Throughout eleven cuts painstakingly executed but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity.

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Mannequin boss Alessandro Adriani returns to Stroboscopic Artefacts with 'Embryo' - an immersive four-track micro-odyssey spanning across jagged ambient scopes, unmapped acidic grounds and further leftfield-friendly sonic territories, opening up the path for his forthcoming sophomore LP and first ever for Stroboscopic Artefacts, 'Morphic Dreams'.


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