Presenting another fully legit, remastered and repackaged reissue from the WD vaults! Brand new style for 2020. London's Warriors Dance label was a unique operation and a pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city. A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. The studio, helmed by label owner Tony ‘Addis’, acted as an incubator for artists whose names would go down in the history books. No Smoke was one of the main and best known outfits on this cult label. Their mammoth worldwide, cult club smash 'Koro Koro' is still in DJ bags across the galaxy today! 'Righteous Rule' is another tuffy from this crew, some heavyweight bassline madness for the dance. All the elements of the WD sound are here, a perfect mix-up of Reggae vibes, jacking house and tribal badness rolled into one. A proper record, to be played on a proper system! This one's become a rare catch out in the wild, and is fetching some P's on the web among the collectors. Here's a nice 2020 repress for you, done the right way! More

London's Warriors Dance label was a unique operation and a pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city. A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. The studio, helmed by label owner Tony ‘Addis’, acted as an incubator for artists whose names would go down in the history books. Melancholy Man was a name synonymous with the crew, a name with a lot of weight, considering it was one of many of Tony Addis himself's production nom de plume's employed when behind the boards. 'Precaution' is that WD rawness, driving break-beat warehouse business with a massive dose of euphoria, the way it should be done. Included here are the original mixes from the 1991 OG 12", but as an added bonus, there is an unreleased, taken from Tony Addis' DAT archive mix that has never seen the light of day. That's 4 different mixes of this stormer that will fit into versatile DJ sets, straight from the source! More

Presenting a fully legit, remastered and repackaged reissue of this legendary afro-house classic for 2018.
London's Warriors Dance label was a unique operation and a pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen, they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city. A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. The studio, helmed by label owner Tony ‘Addis’, acted as an incubator for artists whose names would go down in the history books.
Tony's own No Smoke, a project with associate Fred McPablo, was one such name, and their 1989 uber classic 'Koro Koro' is a record that should need no introduction. A record that gained fame in its native London through being absolutely caned by the cream of the crop of the nascent acid house scene at the time. 'Koro Koro' was one of those records that had DJ's and dancers clamouring to get a copy, so much so that it was subsequently picked up and licensed by labels in the USA where the record had fallen into the hands of DJ's such as Tony Humphries, Masters At Work and many more, fast becoming an all-time classic in the states too. Essentially 'Koro Koro' birthed a new style of House and Techno music, fusing together tribal, African and percussive elements with analogue synths, hardcore street-style drum programming and a warehouse attitude. All very Warriors Dance indeed! This is basically one of those classic records, completely essential. All killer, no filler!
The EP is presented again, in its full 1989 form with all 4 cuts intact. No edits, no remixes, just the pure unadulterated WD vibe, featuring original label artwork tweaked by Atelier Superplus and lovingly remastered by Optimum Mastering, Bristol, UK
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Presenting the long sought after, groundbreaking and classic 1990 UK long-player finally remastered and reissued for 2018. More

London's Warriors Dance label was a unique operation and a pioneering London label during the late 80's acid house phenomena. Home to an assortment of DJs, MCs and soundmen , they went on to make their own original and indelible mark on the rave scene from the infamous 'Addis Ababa' studio on Harrow Road on the North-West side of the city. A former reggae and soul studio that was instrumental to the output of influential artists like Soul II Soul and more, a steady diet of reggae, bass, hip-hop, house and techno kept their edgy, and diehard UK sound and style right at the cutting edge of the dance music underground across the globe with the top DJs and producers of the day celebrating the label. No Smoke's 'Koro Koro' is undoubtedly an anthem. A classic. A game-changer. It's one of those records that spread across the world on its release and in its subsequent life thereafter. Literally caned by any DJ worth his salt in 1989 and beyond, this storming, eerie and driving tribal house monster was a huge hit. Licensed and re-released time and time again, and still causing havoc on dance floors in 2018, 'Koro Koro' ushered in a new style of Afrocentric house music, something new, unique and timeless. To inaugurate this incredible reissue series we have original Warriors Dance engineer and studio wizard, Ian Tregoning's special 2018 'rewire' of the track, a faithfully updated, stripped back and reimagined version whose lithe, minimal, streamlined and spatial lines catapult this London warehouse classic deep deep into the future. A truly special remix created specially for this project. B-side 'It's My Life' is perhaps a little less 'known' than 'Koro Koro' but it is just as deadly. Mining a different sonic furrow to the A-side this 1991 breakbeat/hip-house hybrid absolutely pummels a sound-system (in the best way). The original version saw MC Watts Noize dropping bars of wisdom about making his way in an ever confusing world across a backdrop of chopped up breaks, deep sub-bass rumbles and euphoric, angelic synth pads. The special version featured on this 12" sampler is the infamous (almost) instrumental re-edit from Beautiful Swimmer Max-D. This is the first time this version has ever been made available, having only been out there in the world as a much obsessed over Youtube upload and as one of the highlights of Beautiful Swimmers 2015 Trilogy Tapes mixtape. Super heavy, it will undoubtedly whet the appetites of those who've been screaming for a physical release. Special mixes & edits courtesy of Ian Tregoning and Max-D More

Repress!

Following the recent dip into the theo parrish archives that was the twin cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential.... More

Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi More

Tracklisting
A1 VIL - Summer Loop
A2 VIL - Moon Chords
B1 VIL - Summer Loop (Fireground remix)
B2 VIL - The Rtm is Burning

Sales Note
Floating melodies and low swung grooves concoct an atmosphere of pure ecstasy on Moon Chords from Portuguese talent, Vil. Fireground debuts on the label contributing a euphoric, hardgroove interpretation. More

Tracklisting
A1 KiNK - Unicord
B1 KiNK - Quantum Shake
B2 KiNK - Pitch Down

Sales Note
House and techno's most innovative improviser, KiNK, lands on Mutual Rytm X.

Offering four more thrilling dancefloor weapons, the iconic talent lands on SHDW's new Mutual Rytm X Series to deliver the label's second release.

Legendary Bulgarian artist KiNK is widely regarded as one of the most respected live acts on the global scene. He is a noted tech wizard who creates loops on the fly, crafts killer drums and never fails to hypnotise dancefloors. He has released on almost every influential label of the last 15 years and taken his unrivalled live show to all corners of the world, often drawing on those sets to bring aspects and inimitable qualities from his performances into his tracks. This innovative approach has helped to solidify his reputation as a groundbreaking figure, inspiring a new generation of musicians and producers, and he once again showcases precisely why he's in a league of his own here with a first appearance on SHDW's newly minted Mutual Rytm X.

'Unicord' opens up this new EP in thrilling fashion with sleek, Detroit-style synth loops flashing up top as the heavy, pounding while warm drums drive things down low. 'Quantum Shake' brings 90s energy with new school sound deists - the dubby drums are fast and urgent, the synth craft is deft, and the percussion adds texture to a straight-up but sophisticated techno anthem. 'Pitch Down' then brings fantastically unhinged synth leads that spray and zip about the mix to boggle the brain. Rattling percussive loops and chunky drums keep things moving as those synths get even more wild. To close, the digital bonus 'Highpass Lowpass' is a masterfully muscular cut with rugged bass and taught synths interlinking to mind-melting effect.

KiNK 'Quantum Shake' EP drops via Mutual Rytm X on 21st June 2024.


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Burroughs continues his evolution on Seventh Sign, with the singular Carl Finlow lending a masterly remix to an overall formidable bunch More

Tracklist:
A1 - David Löhlein - Bad Bitch
A2 - Fabian Wegmeth - Nyama Mabe
B1 - Hiss - Will
B2 - Symon - Cyberpunk More

Tracklisting:
A1 Vladimir Dubyshkin - Belissimo
A2 Vladimir Dubyshkin - I Decided To Fly
B1 Vladimir Dubyshkin - Machines Behave Badly
B2 Vladimir Dubyshkin - Pigeon Epilepsy
B3 Vladimir Dubyshkin - Rooyggbiv

Sales Note
- 2023 repress -

Hailing from the ancient Russian city of Tambov, on the banks of the Tsna River, the youngest member of the Trip family Vladimir Dubyshkin emerges for a potent debut solo EP. cheerful pessimist is an engaging package of highly anticipated deep, swirling techno tracks that many will recognise from label head Nina Kraviz's DJ sets. Diving straight into the core of a peak time set, Vladimir unleashes five formidable doses of unrestrained energy. Swollen sub bass and thumping percussion forge an unmistakable sense of physicality, whilst spiralling, a melodic leads run circles around the listener. Cheerful pessimist wastes no time warming up, plunging head first into the belly of the beast. A thrilling debut and an essential release for lovers of vibrant techno. More

Tracklisting
A1 Remco Beekwilder - Principle Of Rotation
A2 Remco Beekwilder - Antiruffa
B1 Remco Beekwilder - Below The Surface
B2 Remco Beekwilder - Fire From The Shadows
B3 Remco Beekwilder - Tone Of Rush

Sales Note
The characteristic spirit of a momentum feeling folded into a rotation work ethic. Manifesting on the fly while keeping the tension alive with a clear eye on the horizon, he embraces the hayday era of techno foundations and captures his 'Principle Of Rotation EP' on EMERALD.


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Acclaimed Canadian electronic producer Francis Latreille, known as Priori, unveils his new singles "Learn To Fly" and “Segue” today, marking the first releases from his upcoming third album, This But More. "Learn To Fly" offers a taste of the album's lush, dubby techno soundscapes, while "Segue" showcases the album's ambient side. Arriving May 24th via NAFF, This But More marks a sonic departure for the artist, exploring a richly textured landscape of electroacoustic compositions inspired by literature, cinema, and the transformative power of nature.

Priori delved into This But More from September 2023 to March 2024, drawing upon archival recordings and fresh ideas. "This album is about healing," Priori explains. "Not necessarily 'music that heals', but about the process in its ups and downs, its beauty and uncertainty." Themes of protection, healing, sleep, and decay naturally emerged during the creative journey.

To craft this immersive world, Priori collaborated extensively. Writer and musician Devon Hansen penned a series of "Suggested Stories" to accompany the album, adding depth to its lore. Musically, Priori teamed up with James K, Ben Bondy, Sabola, Adam Feingold, and Jesse Osborne-Lanthier, infusing the album with diverse instrumentation, including violin, guitar, software instruments, and field recordings.

This collaborative spirit extends to the album's striking visuals. Jesse Orsborne Lanthier designed the main and single artworks, while Ulysse De Lezenne crafted a unique jewel, both pieces seamlessly connected to the album's narrative.

The intricate world-building sets This But More apart. "It's the biggest collaborative project I have tackled so far," Priori notes. This spirit of exploration extends to the second single, “Wake”, featuring Priori's first vocal collaboration with close friend Jamie Krasner (James K).

Priori's artistic process is grounded in self-awareness and intuition, asking vital questions about how each element serves the greater purpose of the music. Swimming sessions between studio work provided clarity and focus throughout the album's creation. These meditative moments reflect in the music, inviting listeners into a contemplative, dreamlike state.

Beyond music, Priori draws inspiration from the literary worlds of Gene Wolfe, Ursula K LeGuin, China Mieville, Brian Caitlin, the evocative games of Hidetaka Miyazaki and Yoko Taro, as well as the ever-evolving beauty of myths and nature. More

Repress!

Following the success of his last RS release, 'Ripples,' the enigmatic Wallace returns to Rhythm Section after a series of stellar releases with a highly anticipated follow-up - ‘Papertrip’ that is destined to once again set the dance music community ablaze.

Wallace's impact on the scene has been nothing short of extraordinary, since Ripples he has gone on to play in the iconic Panorama bar, tour Japan and release a double LP on Mule musiq.Wallace continues to cultivate a dedicated following among discerning listeners and industry tastemakers alike. Now, with the forthcoming release, Wallace is poised to ascend to new heights, continuing the undeniable Wallace-maina. More

Tracklisting:
A1 Remco Beekwilder - Moortgat
A2 Remco Beekwilder - Positive Life Force
B1 Remco Beekwilder - Dogma Day
B2 Remco Beekwilder - Amtrak

Release Note:
Remco Beekwilder is back on both sides with his 'Moortgat EP' on EMERALD. As infamous as the EP title implies, he's bringing the balance between cold mistily remembered sounds and a heart-warming practical feel. A constant shift in mood and intensity, driven by stark drum programming using the right amount of funk to interact with the opposing fundamentals. All cuts share a lot of DNA with each other and makes you reminisce of simpler times. More

- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.

Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.

All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More