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Last in:13.05.2019
Label:FCR
Cat-No:12fcr09
Release-Date:22.02.2019
Genre:House
Configuration:12"
Barcode:
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Ali Berger - No Title
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Ali Berger - No Title
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Ali Berger - No Title
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Ali Berger - No Title
Detroit’s Ali Berger joins up with FatCat Records’ sub-label FCR to release four acid-tinged cuts entitled ‘Keys The Door EP1’.
Michigan’s Ali Berger has been making music for nearly ten years now and was first introduced to house and techno in 2012 through a party at New York’s Dope Jams. Later that year he went on to release his debut EP on Militant Science and has since gone on release music via Clave House, Isaiah Tapes and Firm Tracks. Ali represents a new wave of producers coming through the US scene earning him regular slots at venues across the country. His ‘Keys The Door EP1’ sees him join Brighton’s FatCat sub-label FCR which launched with two releases from Cottam, in addition to records from DJJ and Project 223.
Ali uses mostly hardware from the 90s and early 2000s to make his music and the stripped back nature of production is a constant feature throughout the EP. ‘Badlands’ opens things up with a chugged out groove immersed with weaving 303s and eccentric modulations before rhythmic synth stabs, angelic leads and delicate chords take the focus in ‘Love In This Box’.
‘Secrets’ maintains the attractive atmosphere through a lusciously deep bassline, a haunting acid line and inviting oscillations until ‘Sleeves’ finishes things off with a raw drum sequence, illustrious melodies and alleviating pads in the second half.
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Michigan’s Ali Berger has been making music for nearly ten years now and was first introduced to house and techno in 2012 through a party at New York’s Dope Jams. Later that year he went on to release his debut EP on Militant Science and has since gone on release music via Clave House, Isaiah Tapes and Firm Tracks. Ali represents a new wave of producers coming through the US scene earning him regular slots at venues across the country. His ‘Keys The Door EP1’ sees him join Brighton’s FatCat sub-label FCR which launched with two releases from Cottam, in addition to records from DJJ and Project 223.
Ali uses mostly hardware from the 90s and early 2000s to make his music and the stripped back nature of production is a constant feature throughout the EP. ‘Badlands’ opens things up with a chugged out groove immersed with weaving 303s and eccentric modulations before rhythmic synth stabs, angelic leads and delicate chords take the focus in ‘Love In This Box’.
‘Secrets’ maintains the attractive atmosphere through a lusciously deep bassline, a haunting acid line and inviting oscillations until ‘Sleeves’ finishes things off with a raw drum sequence, illustrious melodies and alleviating pads in the second half.
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More records from Ali Berger
Label:Fixed Rhythms
Cat-No:FRS029
Release-Date:02.08.2024
Genre:techhouse
Configuration:12"
Barcode:
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Label:Fixed Rhythms
Cat-No:FRS029
Release-Date:02.08.2024
Genre:techhouse
Configuration:12"
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Ali Berger - Sun Rising On Harmony
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Ali Berger - Inside
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Ali Berger - Thoughts Like Light Snow
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Ali Berger - Mint Leaf
Ali Berger has been churning out top-tier, thoughtful house music with plenty of soul and bounce for some time now. Whether he’s releasing via his own label Trackland, or dropping 12”s on labels like Spectral Sound, Clave House, Firm Tracks, and FCR, or DJing either solo or collaboratively with Davis Galvin as Hits Only, Ali’s signature feel is always palpable…there’s a genuine spirit to it all.
This 12” is four bumpers that balance sunshine and introspective, heady, thumpin’ house. A1 “Sun Rising On Harmony” has an ear-worm bass line hook driving the tune with an infectious melody on top riding shotgun. A2 “Inside” brings some acidic tendencies to a back-to-basics house sound we’re always in the mood for. Flip to the B-side and “Thoughts Like Light Snow” give us an electro reprise. B2 “Mint Leaf” brings us home with a swelling bass line and snares that dew-drop over the 4/4 with luscious pads and brain-itch scratching zoinks playing at your ear in the background. House music that’s like fine chocolate. Unpack and indulge! More
This 12” is four bumpers that balance sunshine and introspective, heady, thumpin’ house. A1 “Sun Rising On Harmony” has an ear-worm bass line hook driving the tune with an infectious melody on top riding shotgun. A2 “Inside” brings some acidic tendencies to a back-to-basics house sound we’re always in the mood for. Flip to the B-side and “Thoughts Like Light Snow” give us an electro reprise. B2 “Mint Leaf” brings us home with a swelling bass line and snares that dew-drop over the 4/4 with luscious pads and brain-itch scratching zoinks playing at your ear in the background. House music that’s like fine chocolate. Unpack and indulge! More
Label:Scissor And Thread
Cat-No:sat065
Release-Date:31.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382451686
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Last in:24.05.2024
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Last in:24.05.2024
Label:Scissor And Thread
Cat-No:sat065
Release-Date:31.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382451686
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Ali Berger - Rhythm & Simplicity
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Ali Berger - A New World To Forget
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Ali Berger - Tape Jam Pt. 2
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Ali Berger - 0221 (Serious Mix)
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Ali Berger - Motion Anthem
GENRE/S: Deep House
TRACKLISTS:
A1. Rhythm & Simplicity
A2. A New World To Forget
A3. Tape Jam Pt. 2
B1. 0221 (Serious Mix)
B2. Motion Anthem
New Jersey-born Ali Berger is a drum machine specialist and low-key US electronic music standby, now based in Pittsburgh after spending the 2010s in Boston and Detroit. His catalog of original music runs deep, with over 60 releases on his Trackland label and EPs on imprints like Spectral Sound and Sequencias, all resulting from a lovingly-cultivated studio approach which respects improvisation as a spiritual practice.
Here with this sublime release on Scissors and Thread, Ali shares a multitude of sounds and atmospheres across the five tracks. As Ali himself puts it "This record collects tracks from the last three years, plus 0221 (Serious Mix) which is from 2018. There's a full cross-section of production techniques represented here, from one-take jams to multi-tracked compositions, but through it all there's a deep melancholy which (I hope) is tempered by enough groove to be uplifting. Maintaining emotional balance takes constant, caring attention; music is a part of that process for me and these tracks reflect that."
This balancing of melancholic atmospheres and groove is evident throughout - Rhythm & Simplicity is a low key thoughtful banger for the more discerning dancefloors, while A New World To Forget also exhibits a deep love of cultured house music and analog drum machines. Tape Jam Pt 2 is the perfect mix of improvisation and pure groove, put down in a rough and gritty fashion. 0221 (Serious Mix) merges a breakbeat with pads and synths that give off a balearic sunrise vibe, while Motion Anthem wraps up the EP with a tougher groove coupled with wistful melodies and oceans of feeling.
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TRACKLISTS:
A1. Rhythm & Simplicity
A2. A New World To Forget
A3. Tape Jam Pt. 2
B1. 0221 (Serious Mix)
B2. Motion Anthem
New Jersey-born Ali Berger is a drum machine specialist and low-key US electronic music standby, now based in Pittsburgh after spending the 2010s in Boston and Detroit. His catalog of original music runs deep, with over 60 releases on his Trackland label and EPs on imprints like Spectral Sound and Sequencias, all resulting from a lovingly-cultivated studio approach which respects improvisation as a spiritual practice.
Here with this sublime release on Scissors and Thread, Ali shares a multitude of sounds and atmospheres across the five tracks. As Ali himself puts it "This record collects tracks from the last three years, plus 0221 (Serious Mix) which is from 2018. There's a full cross-section of production techniques represented here, from one-take jams to multi-tracked compositions, but through it all there's a deep melancholy which (I hope) is tempered by enough groove to be uplifting. Maintaining emotional balance takes constant, caring attention; music is a part of that process for me and these tracks reflect that."
This balancing of melancholic atmospheres and groove is evident throughout - Rhythm & Simplicity is a low key thoughtful banger for the more discerning dancefloors, while A New World To Forget also exhibits a deep love of cultured house music and analog drum machines. Tape Jam Pt 2 is the perfect mix of improvisation and pure groove, put down in a rough and gritty fashion. 0221 (Serious Mix) merges a breakbeat with pads and synths that give off a balearic sunrise vibe, while Motion Anthem wraps up the EP with a tougher groove coupled with wistful melodies and oceans of feeling.
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Label:Sequencias
Cat-No:Seq017
Release-Date:09.06.2023
Genre:House / Techno
Configuration:12"
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Label:Sequencias
Cat-No:Seq017
Release-Date:09.06.2023
Genre:House / Techno
Configuration:12"
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Ali Berger - First Light
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Ali Berger - Interstate
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Ali Berger - Crush Metric
Ali Berger drops a gorgeous three track ep with the right amount of bump in its tracks. Lovely tracks with a fine drive in it, somehow reminding of the early releases on Patrice Scott's Sistrum label. Adventurous, Fresh and energetic.
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Label:Spectral Sounds
Cat-No:spc146
Release-Date:16.08.2019
Genre:House
Configuration:12"
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Label:Spectral Sounds
Cat-No:spc146
Release-Date:16.08.2019
Genre:House
Configuration:12"
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Ali Berger - Sump Pump
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Ali Berger - Voices
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Ali Berger - Microbial Corrosion
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Ali Berger - Dreaming Of A World
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Ali Berger - Pattern Buffers Depolarizing
Freshly relocated to Pittsburgh by way of Detroit, Ali Berger is a prolific bastion of no-frills acid and house bombs. He takes a break from dropping dancefloor experiments on his Trackland Acid Dealerships label to join Spectral in releasing five of his most polished and modernized tracks to date. All of Sump Pump was produced within a month and utilized the same few instruments—making for a robust, hard-banging sound palette that orbits around the Pittsburgh Modular Synthesizer Box module and a single kick drum run through an Akai S1100. "Sump Pump" and "Dreaming of a World" deliver the kind of jacking, hypnotic acid that never goes out of style, while "Voices" and "Microbial Corrosion" bring in some infectious machine funk with a side of psychedelia. Sump Pump ends with "Pattern Buffers Depolarizing," a spacey broken beat jam that touches on Berger's experimental side. It makes for a vibrant five-tracker that's remarkably both distinct and cohesive.
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Last in:12.07.2019
Label:FCR
Cat-No:12fcr10
Release-Date:18.04.2019
Genre:House
Configuration:12"
Barcode:
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Ali Berger - No Title
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Ali Berger - No Title
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Ali Berger - No Title
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Ali Berger - No Title
Detroit’s Ali Berger returns to FatCat Records’ sub-label FCR with a follow up release entitled ‘Keys The Door EP2’.
After his ‘Keys The Door EP1’ that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan’s Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali’s previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that’s gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.
‘Grease Trap’ kicks things off with a wavering acid line, robust melodies and outlandish oscillations before ‘Heard’ drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. ‘Hit Piece’ introduces eccentric synth shoots, bubbling percussion and glistening rhythms until ‘Keys The Door’ rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.
More
After his ‘Keys The Door EP1’ that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan’s Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali’s previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that’s gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.
‘Grease Trap’ kicks things off with a wavering acid line, robust melodies and outlandish oscillations before ‘Heard’ drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. ‘Hit Piece’ introduces eccentric synth shoots, bubbling percussion and glistening rhythms until ‘Keys The Door’ rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.
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Last in:12.08.2019
Label:FCR
Cat-No:12fcr02
Release-Date:07.06.2019
Genre:House
Configuration:12"
Barcode:
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E&D - Not Enough
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E&D - Not Enough (Mall Grab Remix)
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E&D - Runaway
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E&D - Runaway (Ali Berger Remix)
Exciting new electronic project E&D burst onto the scene in stunning style with the exhilarating ‘Not Enough’ and ‘Runaway’, released on FCR on 14th June and backed by remixes from acclaimed electronic producers Mall Grab and Ali Berger.
London based E&D have unleashed two scintillating vocal cuts which have UK clubbing culture at their very core, featuring classic Garage influences. The theme of heartbreak runs throughout both ‘Not Enough’ and ‘Runaway’ with an emphasis on harmony and melody which will be integral to the identity of the E&D project.
The deep and atmospheric ‘Not Enough’ presents a beautiful yet powerful female vocal whose tone and expression perfectly emphasises the message of lost love. E&D perfect balance this with contrasting shimmering and stabbing beats to produce a track that already has the hallmarks of a classic.
‘Runaway’ is an up-tempo, vintage-sounding UK Garage themed cut with poignant undertones, as the gorgeous female vocal again mourns a relationship which has moved on.
For the remixes, E&D have called upon two of electronic music’s most respected producers – Mall Grab and Ali Berger. Both offer a completely fresh perspective to the originals. With his remix of ‘Not Enough’ celebrated Australian Producer Mall Grab takes the original into deeper, tougher territory, stripping back and lowering the vocal and adding intense, almost tribal, percussion alongside vintage acid house beats.
FCR favourite Ali Berger also takes his working of ‘Runaway’ deep into the underground, emphasising the bass, cleverly layering the vocal and building to a peak-time floor-filler. More
London based E&D have unleashed two scintillating vocal cuts which have UK clubbing culture at their very core, featuring classic Garage influences. The theme of heartbreak runs throughout both ‘Not Enough’ and ‘Runaway’ with an emphasis on harmony and melody which will be integral to the identity of the E&D project.
The deep and atmospheric ‘Not Enough’ presents a beautiful yet powerful female vocal whose tone and expression perfectly emphasises the message of lost love. E&D perfect balance this with contrasting shimmering and stabbing beats to produce a track that already has the hallmarks of a classic.
‘Runaway’ is an up-tempo, vintage-sounding UK Garage themed cut with poignant undertones, as the gorgeous female vocal again mourns a relationship which has moved on.
For the remixes, E&D have called upon two of electronic music’s most respected producers – Mall Grab and Ali Berger. Both offer a completely fresh perspective to the originals. With his remix of ‘Not Enough’ celebrated Australian Producer Mall Grab takes the original into deeper, tougher territory, stripping back and lowering the vocal and adding intense, almost tribal, percussion alongside vintage acid house beats.
FCR favourite Ali Berger also takes his working of ‘Runaway’ deep into the underground, emphasising the bass, cleverly layering the vocal and building to a peak-time floor-filler. More
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Label:FCR
Cat-No:12fcr08
Release-Date:10.05.2019
Genre:House
Configuration:12"
Barcode:
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MATTHS - No Title
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MATTHS - No Title
Acclaimed electronic producer Matthew Hodson presents his exciting new project, MATTHS, with ‘Velocet’ released on FatCat Records’ sub label FCR on 17 May 2019.
With his debut MATTHS release, the Brighton-based artist presents two stunning, atmospheric soundscapes ‘Velocet’ and ‘Loop’ which both immediately captivate the listener with their masterful, brooding beats. Using a bespoke modular synthesiser setup, MATTHS has designed and compiled a unique musical instrument that enables the creation of textures and tones specific to personal creative concepts.
Title track ‘Velocet’ is a dynamically charged sonic excursion which keeps on building throughout to a powerful crescendo, providing a clever balance of familiarity and disconnection.
‘Loop’ complements the title track perfectly, an ambient yet powerful cut that develops with layers of rhythm and melody, drenched in arrhythmic delays and swashes of reverb.
Recent MATTHS performances include opening for Wire; supporting Alex Banks (Monkeytown Records), Ulrich Schnauss and Rival Consoles (Erased Tapes). MATTHS has worked with the original BBC Radiophonic Workshop on their new material at Peter Gabriel’s Real World Studios. In May, MATTHS will play the Superbooth Festival in Berlin. More
With his debut MATTHS release, the Brighton-based artist presents two stunning, atmospheric soundscapes ‘Velocet’ and ‘Loop’ which both immediately captivate the listener with their masterful, brooding beats. Using a bespoke modular synthesiser setup, MATTHS has designed and compiled a unique musical instrument that enables the creation of textures and tones specific to personal creative concepts.
Title track ‘Velocet’ is a dynamically charged sonic excursion which keeps on building throughout to a powerful crescendo, providing a clever balance of familiarity and disconnection.
‘Loop’ complements the title track perfectly, an ambient yet powerful cut that develops with layers of rhythm and melody, drenched in arrhythmic delays and swashes of reverb.
Recent MATTHS performances include opening for Wire; supporting Alex Banks (Monkeytown Records), Ulrich Schnauss and Rival Consoles (Erased Tapes). MATTHS has worked with the original BBC Radiophonic Workshop on their new material at Peter Gabriel’s Real World Studios. In May, MATTHS will play the Superbooth Festival in Berlin. More
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Last in:12.07.2019
Label:FCR
Cat-No:12fcr10
Release-Date:18.04.2019
Genre:House
Configuration:12"
Barcode:
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Ali Berger - No Title
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Ali Berger - No Title
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Ali Berger - No Title
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Ali Berger - No Title
Detroit’s Ali Berger returns to FatCat Records’ sub-label FCR with a follow up release entitled ‘Keys The Door EP2’.
After his ‘Keys The Door EP1’ that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan’s Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali’s previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that’s gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.
‘Grease Trap’ kicks things off with a wavering acid line, robust melodies and outlandish oscillations before ‘Heard’ drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. ‘Hit Piece’ introduces eccentric synth shoots, bubbling percussion and glistening rhythms until ‘Keys The Door’ rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.
More
After his ‘Keys The Door EP1’ that picked up support from the likes of Ben UFO, Artwork, Huerco S and Machine Woman, Michigan’s Ali Berger returns to the FatCat Records off-shoot FCR which features releases from Cottam, DJJ and Project 223. Ali’s previous releases on Clave House, Firm Tracks and Isaiah Tapes reflect his keen ear for slick, stripped back house productions that’s gained the attention worldwide resulting in him being signed to FatCat and regularly featuring in clubs all over the US.
‘Grease Trap’ kicks things off with a wavering acid line, robust melodies and outlandish oscillations before ‘Heard’ drops low-slung bass grooves, emotive leads and rhythmic tombs reminiscent of early Larry Heard productions. ‘Hit Piece’ introduces eccentric synth shoots, bubbling percussion and glistening rhythms until ‘Keys The Door’ rounds things off with a cheerful house cut fusing dreamy piano chords and a stimulating drum sequence.
More
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Last in:26.04.2018
Label:Fcr
Cat-No:12fcr05
Release-Date:16.03.2018
Genre:techhouse
Configuration:12"
Barcode:
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cottam - Locked In The Groove
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cottam - Dreaming Of Another Place
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cottam - Sample Heavy Dub
Following Cottam’s critically acclaimed ‘I Can’t Carry On’ EP, which marked the inaugural release on FatCat records’ new electronic sub label FCR, the highly-rated DJ/producer’s new 12” drops on March …, also via FCR. ‘Locked in The Groove’ is a groovy, boogie chugger, which powerfully ebbs and flows over nearly 11 captivating minutes, and ‘Sample Heavy Dub’ is all dark ‘n’ heady eastern atmospherics, whilst ‘Dreaming Of Another Place’ is a fathoms deep, epic journey into mystical and majestic dub-house. An avid participant in Preston's early rave scene, Paul Cottam inevitably pursued DJing, progressing to warm up slots for his techno heroes Surgeon and Regis. Tentative steps into production using Ableton were met with such encouragement that Cottam’s debut releases began to appear. A set of four untitled, un-marketed and un-promoted vinyl self-releases created a huge organic stir with record collectors, attentive journalists and DJs including Moodyman, Gerd Janson and Soul Clap.
This buzz was helped in part by speculation on his identity, but was primarily due to his simple yet effective, flavour-filled and groovesome tracks that blurred the boundaries between re-edits, reworks and originals, moving between slow-mo chug and more straight-up house, whilst encompassing elements of disco, hip hop, nu soul and afrobeat. More
This buzz was helped in part by speculation on his identity, but was primarily due to his simple yet effective, flavour-filled and groovesome tracks that blurred the boundaries between re-edits, reworks and originals, moving between slow-mo chug and more straight-up house, whilst encompassing elements of disco, hip hop, nu soul and afrobeat. More
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Last in:26.10.2017
Label:Fcr
Cat-No:12fcr06
Release-Date:20.10.2017
Genre:techhouse
Configuration:12"
Barcode:
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djj - No Title
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djj - No Title
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djj - No Title
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djj - No Title
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djj - No Title
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djj - No Title
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djj - No Title
On this new EP, DJJ’s trademark jagged take on filtered French house is still present, but with Chicago bump, techno and more random elements thrown in for good measure.
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Last in:13.10.2017
Label:Fcr
Cat-No:12fcr04
Release-Date:15.09.2017
Genre:techhouse
Configuration:12"
Barcode:
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cottam - No Title
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cottam - No Title
FCR’s first release is the deep future classic ‘I Can’t Carry On’ by Cottam, accompanied by a remix from Detroit’s Todd Modes on the flip.
'I Can't Carry On', is a proper Chi-style-deep-house-classic-in-the-making, whose layers subtly build over 12 immersive minutes. With a raw driving bassline, deep strings and killer underground vocal sample, it stands up easily against early Ron Trent and Lil Louis favourites.
Cottam shot to notoriety in 2009 with three limited edition 12"s that blew up the underground deep house and nu-disco scenes with no advertising and no info - combining neo-soul, afrobeat and hip hop with slo-mo house grooves all three sold out in double quick time and ended up in many 'best of 2009' charts. Since then, Cottam has concentrated on developing his own style of sub-aquatic acid house - remixes for Luv Jam on Phonica's label, Pattern Select on Delusions of Grandeur and Morning Factory on 20:20 Vision offshoot Fina have complemented original tracks on Quintessentials, Wolf Music, German undercover label Story and the summer anthem 'Sunrise Sunset'. The journey continues with his most accomplished tracks yet on the Deep Deep Down EP for Aus Music and a remix for Geoff Leopard on Endless Flight.
A burgeoning career behind the decks has seen Cottam DJ around the world from London & Ibiza super clubs to the dirtiest basements of Berlin and Manchester.
More
'I Can't Carry On', is a proper Chi-style-deep-house-classic-in-the-making, whose layers subtly build over 12 immersive minutes. With a raw driving bassline, deep strings and killer underground vocal sample, it stands up easily against early Ron Trent and Lil Louis favourites.
Cottam shot to notoriety in 2009 with three limited edition 12"s that blew up the underground deep house and nu-disco scenes with no advertising and no info - combining neo-soul, afrobeat and hip hop with slo-mo house grooves all three sold out in double quick time and ended up in many 'best of 2009' charts. Since then, Cottam has concentrated on developing his own style of sub-aquatic acid house - remixes for Luv Jam on Phonica's label, Pattern Select on Delusions of Grandeur and Morning Factory on 20:20 Vision offshoot Fina have complemented original tracks on Quintessentials, Wolf Music, German undercover label Story and the summer anthem 'Sunrise Sunset'. The journey continues with his most accomplished tracks yet on the Deep Deep Down EP for Aus Music and a remix for Geoff Leopard on Endless Flight.
A burgeoning career behind the decks has seen Cottam DJ around the world from London & Ibiza super clubs to the dirtiest basements of Berlin and Manchester.
More