Dorisburg returns to Aniara with two extended tech-house expeditions. The cavernous groove of Andakt flows into glistening melodies and yearning voices, while Grottloop on the flip side propels itself through layer upon layer of rhythms and echoes.

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WAS - Word and Sound Medien GmbH
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Hibernation is at an end: it's 2023 and Aniara Recordings are back. Dorisburg delivers the first of three new Aniara 12" releases. A-side "Voices" continues right where the Swedish label left off with its signature sound in 2019: 9 minutes of evocative minimalism that's as entrancing as it gets. On the flip side we find "Skulptur 7", a haunting, atmospheric dancefloor cut in the inimitable style of Dorisburg.

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WAS - Word and Sound Medien GmbH
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Warsaw-based Bartosz Kruczynski returns as Earth Trax to Phonica’s main label, following on from last year’s well received ‘L’Avventura’ 12”, this time in collaboration with regular production partner Newborn Jr.
The pair have created a string of brilliant records together, such as ‘Sax & Flute’ on Rhythm Section, ‘Mirage’ on Les Yeux Orange and ‘If You’ on Shall Not Fade. Bartosz also has a growing solo discography under his own name, along with a variety of aliases such as The Phantom, Pejzaz, and of course; Earth Trax.
The A side here leads with the title track ‘Truth’, in which rose-tinted reminiscences of the golden early 90s era of House music echo, with dubbed out diva vocals cascading over wide snares, 303 acid lines and that almighty bassline, appearing through shimmering delays and reverbs in a vision of bygone nights at the Hacienda or Shelleys. Next up is the ‘Back Alley mix’ or a traditional dub mix - everything you need from the main mix but less vocal and more plays on THAT bassline with dub effects.
On the flip, as its title suggests, ‘Old Way, New Way’ bridges the gap, combing the same bassline driven Chicago house stylings with the deep new age textures that have characterised previous releases from the pair, flutes and pads floating sweetly above jacking drum grooves, reminiscent of mid-90s Italo House. Finally, ‘And Then’ fulfils the transformation, with ethereal late night pads enveloping a more lofi rhythm section and more flute for a more subtle, end of night Don Carlos ‘Alone’ feel.

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From the fog comes Kontrolleri, Dorisburg's new label for original productions and collaborations. Creeped-out, hypnotic house music birthed from a stone monument deep in the woods.

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WAS - Word and Sound Medien GmbH
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Swedish label Aniara Recordings brings you deep, dirty and slow house & techno from the northern hemisphere. Gothenburg duo Genius of Time is giving us a fresh take on what modern house music can be in the roaring 10's. On the label side is Same Old Place, a very well-crafted track that builds slowly but surely through a rolling groove, until it drops into the void where a loving and soothing vocal calls you back into an embrace of spine-tingling piano stabs. Goosebumps every time! Tight Genes on the info side plays the same game, starting out in a darker shade with a relentless bassline, and as suddenly as the floor falls out from under your feet, a distant uplifting melody rises up as a bumping bassline drops in, unfolding into an uplifting oldschool house burner. Tip!!

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Dorisburg is Bossmusik regular with four releases on the label under his belt. For this EP he is joined by Efraim Kent - the newest member of the Boss family. Dorisburg and Efraim have many things in common, not just the previous records the pair has produced, but more importantly they unite in a shared love for intricate drum patterns, as well as being masters of trippy spiraling sounds. For the 10th installment in the Bossmusik collection, the Swedish duo goes all in with four deep, yet funky, expertly produced tech house cuts. The tenth release on the label will be released exactly ten years after the first record was released the 13th of October. The A-side opens with Further. A penetrating kick keeps chopped up drums and a spitting vocal sample in order and when the brooding bassline gets to close, hypnotic x-rays twists the narrative. On A2 the boys are clearly letting you know it is playtime; opening with a funk-driven beat and tumbling drums, this track is nothing less than a funhouse full of twirling tocsins - Attjo is certainly nothing to sneeze at. B1, Cave Gossip, is a low-slung affair with an electro-infused bassline; here a deep groove takes you on a hallucinogenic underground journey and a nonchalant vocal sample grows into a warped echoing choir. Final track Skrattack is where the drum-loving duo puts the full spotlight on the percussion: complex rhythm patterns provide a spaced-out backdrop, attacked by what sounds like giddy little extraterrestrial critters, ready to mess up the party in the most charming of ways.

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A Swedish affair on this new Boss Musik release by the Flord King. Three warm, rich, funky, modern house tracks on the 9th release on the lovely label curated by Johanna Schneider. The opening track "Shakkuri" has Flord King expertly demonstrating his trademark groove, letting the confident bassline lead the way through a complicated blueprint of fluttering techy sounds, with hi-hats and snares in constant dialogue. Spanning just over 10 minutes - King serves up a seductive slice of eternity. A sneaky sample appears on B1 in "Gucki", delivering subliminal messages throughout. Together with a loose, trippy Fender Rhodes-melody, King has bumped up the bassline a notch, turning the cut into a crunchy organ-sounding minimal, yet super-bouncy, house track. The subtle voice continues together with "the Flordian-groove" in B2, but this time King dives into deeper territory: every sonic space in "Flory" is filled, yet it is airy and reduced. Against a backdrop of dreamy flute-like instruments, Flord King paints a gentle cooling image on the closing track, creating a soothing dancefloor experience.

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Bossmusik returns with Adam Stromstedt for their seventh release. The Swede, now residing in Australia, is known for his eclectic track selection and production. On the A-side, two dance floors rollers combine groove and warm synths to create perfect soundtracks for the coming summer months. The B side showcases a more experimental side to Adam's production. Intermittent vocals combine with percussion driven rhythms for an easy going micro house trip.

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