Track list Vinyl:
A1. Patterns, A2. Seem To Take, A3. Ah Oh, B1. Oho Oho, B2. Pears, B3. Swim, C1. Aaa, C2.
Glucose, C3. Unless It Rains, D1. 0%, D2. 9, D3. Long Before

Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. With three
albums the Berlin trio pioneered an astonishing inversion of the typical electronic band set up, by
pairing a plethora of disembodied, sampled voices with acoustic real-time interaction on bass, drums
and keys.
'Yield', their fourth album, presents a shift in focus. Less weight on the vocal core – lots of new
integrations of sampling, synthesis and band action in different constellations. This diversification of
sources pulls the conceptual stops out and yields a dazzling array of magical instrumentalism. Bold.
Catchy. Flourishing.
From 'Gold' to 'Universe', KUF solidified an irresistible marriage of android vocal cords and highly
energetic beats. Their third album 'Re:Re:Re' applied the concept to remix/cover version hybrids of
classics from Macro's stellar back catalog, tackling originals by the likes of rRoxymore, KiNK, Patrick
Cowley, Santiago Salazar and Stefan Goldmann. With proof that the concept could be applied with
supremely gratifying results to such diverse contexts, time was ripe to go back to the drawing board
and reimagine the perimeter.
Now 'Yield' breathes the freedom of playful reassembly of the main ingredients. A sampler's cut-up
capabilities triggered by frisky fingers. Persistent bass. Adamant drums. Rough soul, intertwined by
improvised outbursts and shaped with the aesthetics of raw MPC-based chunky techno. Twelve slices
of hyper-integrated realtime magic. More

Highly original remakes of tracks by A-list artists such as KiNK, Peter Kruder (of Kruder & Dorfmeister), Patrick Cowley & Stefan Goldmann.

Tracklist 2LP:
A1. An Ardent Heart (Stefan Goldmann)
A2. Arcade (Santiago Salazar)
A3. Furniture (Raudive)

B1. Soon (Patrick Cowley & Jorge Socarras)
B2. Feral (Raudive)
B3. Memory Fails Me (Patrick Cowley)

C1. Vodolaz (KiNK)
C2. Law Of Return (Peter Kruder)
C3. Stammophorm (Anno Stamm)

D1. Darksun (rRoxymore)
D2. Hollow Sound (Stefan Goldmann)



Info:
Electronic / acoustic wonder band KUF deliver a special surprise for their third album: eleven sizzling hot takes on tracks drawn from the Macro label's stellar catalog, as originally crafted by some of today's most respected artists in electronic music. KiNK, Patrick Cowley, Peter Kruder (of K&D), Stefan Goldmann, rRoxymore and more get the treatment. With a nod to the label's previous highly original compilations and mixes from the Macrospective and Vinylism series, Re:Re:Re captures more new ground.

KUF's previous albums presented an astonishing inversion of the typical extended electronic set up, in that they paired a plethora of disembodied, sampled voices with acoustic real time interaction on bass, drums and keys. Re:Re:Re shifts the focus of sampling altogether to scanning entire tracks and compositions which are then reimagined with the band's singular approach. Neither just remixes, nor faithful reproductions, KUF engage in careful sound archaeology. From re-programming key sounds to holistic granular deconstructions, the originals's sound palettes are reproduced to serve as a springboard towards entirely new instalments. The resulting tracks range from intimate ballads to full power dance floor movers, spanning a highly engaging arc of sheer listening pleasure.
More

Highly original remakes of tracks by A-list artists such as KiNK, Peter Kruder (of Kruder & Dorfmeister), Patrick Cowley & Stefan Goldmann.

Tracklist CD:

1. An Ardent Heart (Stefan Goldmann)
2. Arcade (Santiago Salazar)
3. Furniture (Raudive)
4. Soon (Patrick Cowley & Jorge Socarras)
5. Feral (Raudive)
6. Memory Fails Me (Patrick Cowley)
7. Vodolaz (KiNK)
8. Law Of Return (Peter Kruder)
9. Stammophorm (Anno Stamm)
10. Darksun (rRoxymore)
11. Hollow Sound (Stefan Goldmann)

Info:
Electronic / acoustic wonder band KUF deliver a special surprise for their third album: eleven sizzling hot takes on tracks drawn from the Macro label's stellar catalog, as originally crafted by some of today's most respected artists in electronic music. KiNK, Patrick Cowley, Peter Kruder (of K&D), Stefan Goldmann, rRoxymore and more get the treatment. With a nod to the label's previous highly original compilations and mixes from the Macrospective and Vinylism series, Re:Re:Re captures more new ground.

KUF's previous albums presented an astonishing inversion of the typical extended electronic set up, in that they paired a plethora of disembodied, sampled voices with acoustic real time interaction on bass, drums and keys. Re:Re:Re shifts the focus of sampling altogether to scanning entire tracks and compositions which are then reimagined with the band's singular approach. Neither just remixes, nor faithful reproductions, KUF engage in careful sound archaeology. From re-programming key sounds to holistic granular deconstructions, the originals's sound palettes are reproduced to serve as a springboard towards entirely new instalments. The resulting tracks range from intimate ballads to full power dance floor movers, spanning a highly engaging arc of sheer listening pleasure.
More

Tracklist:
1. Humane, 2. Nothing's Wrong, 3. Chance, 4. Take A Look Around, 5. B, 6. I Don't Want You No More, 7. Only When I Sleep, 8. Parkee, 9. Czech II, 10. Into Dreams, 11. Repeat, 12. Universe, 13. Too Late
Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. Voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. Glowing synths push forward. Basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. Voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio session's deep flow… A vortex of quirky hands, responsive ears and glowing circuits.
Since Thomas A. Edison first recorded the human voice in 1877, the recording arts have changed music forever. Musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. An era of sampling offered a cubistic analysis of the recorded past and DJs took dancers onto intricately fractured time travels. This is the historic foundation that KUF keep probing. Just like the sampler and the DJ before them, they found new ways to re-allocate where machine and man stand when making music together. Most importantly, they turn the resulting friction into sparkling bursts of energy.
'Universe' digs deeper into the android vocal chords. The album offers sweeping melodies, different beats and persistent bass. Immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during Berlin Lichtenberg warehouse rehearsals. By striking the keys, KUF squeeze out and serve up all the soul accumulated in those savory phonetic shreds. Wood striking metal, thick bass strings moving air, oscillators humming eagerly. Physical and electrical, alive and stunningly beautiful - after a year well spent in smoky clubs, on festival stages and in extensive nocturnal sessions, KUF deliver chapter two of their unfolding saga

More

Tracklisting:
A1: Humane 4:15 A2: Nonthing's Wrong 3:15 A3: Chance 2:50 A4: Take A Look Around 4:00
B1: B 4:50 B2: I Don't Want You ... 9:10 B3: Only When I Sleep 3:30
C1: Parkee 3:40 C2: Czech 4:22 C3: Into Dreams 1:50
D1: Repeat 4:40 D2: Universe 2:10 D3: Too Late 5:00

Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. Voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. Glowing synths push forward. Basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. Voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio session's deep flow… A vortex of quirky hands, responsive ears and glowing circuits.
Since Thomas A. Edison first recorded the human voice in 1877, the recording arts have changed music forever. Musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. An era of sampling offered a cubistic analysis of the recorded past and DJs took dancers onto intricately fractured time travels. This is the historic foundation that KUF keep probing. Just like the sampler and the DJ before them, they found new ways to re-allocate where machine and man stand when making music together. Most importantly, they turn the resulting friction into sparkling bursts of energy.
'Universe' digs deeper into the android vocal chords. The album offers sweeping melodies, different beats and persistent bass. Immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during Berlin Lichtenberg warehouse rehearsals. By striking the keys, KUF squeeze out and serve up all the soul accumulated in those savory phonetic shreds. Wood striking metal, thick bass strings moving air, oscillators humming eagerly. Physical and electrical, alive and stunningly beautiful - after a year well spent in smoky clubs, on festival stages and in extensive nocturnal sessions, KUF deliver chapter two of their unfolding saga

More

Tracklist (Vinyl):
A1: Gold, A2: Princess, A3: Just Like You
B1: 19-02, B2: Hundred Flowers
C1: GYB, C2: While, C3: Spirit
D1: Mnky, D2: Larc

Release info:
Macro has been the home for the albums of some of electronic music's most exciting live acts. So when a live band enters this context, it should better enter with a bang. KUF do just this with their album debut. The three-piece outfit with keys, bass and drums cooks up a sound that is as warm, cozy and exciting as it is utterly alien. The rhythm section hints at the great history of dirty funk and bouncing r'n'b, but the grooves are firmly of today: dance-centered, thrillingly interactive and broken up at the best possible joints.

The bewildering thing about KUF is that it is a vocal-led group that has no singer on stage at all. All vocal elements are based on self-recorded samples which keyboard whizz kid Tom Schneider melds and bends and squeezes in real time. As if it was the most natural thing to do. With no artificial synchronization in place, Valentin Link on bass and Hendrik Havekost on drums push the disembodied voices into an arena of hyperintegrated realtime magic of rough soul, intertwined by improvised outbursts and shaped with the aesthetics of raw MPC-based cut up techno.

The album's grabbing openers "Gold" and "Princess" are full-on instances of the brightly burning world of KUF, with the other eight tunes never ever letting you down. All along, the Berlin based trio take their audiences through a full range of emotions and constantly shifting dynamics. The thorough integration of this extraordinary degree of sheer diversity into a unified experience is simply astonishing. But never forget this is a live band, and that's how anything here has been developed: live, in direct interplay. Seeing is believing.
More

Tracklist:
1. Gold, 2. Princess, 3. Just Like You, 4. 19-02, 5. Hundred Flowers, 6. GYB, 7. Wildlife, 8. While, 9. Spirit, 10. Odyssee, 11. Mnky, 12. Larc

Macro has been the home for the albums of some of electronic music's most exciting live acts, such as KiNK and Elektro Guzzi. So when a live band enters this context, it should better enter with a bang. KUF do just this with their album debut.

The band:
Three-piece outfit KUF, featuring keys, bass and drums, cooks up a sound that is as warm, cozy and exciting as it is utterly alien. The rhythm section hints at the great history of dirty funk and bouncing R&B, but the grooves are firmly of today: dance-centered, thrillingly interactive and broken up at the best possible joints. The bewildering thing about KUF is that it is a vocal-led group that has no singer on stage at all. All vocal elements are based on self-recorded samples which keyboard whizz kid Tom Schneider melds, bends and squeezes in real time. As if it was the most natural thing to do. With no artificial synchronization in place, Valentin Link on bass and Hendrik Havekost on drums push the disembodied voices into an arena of hyperintegrated realtime magic of rough soul, intertwined by improvised outbursts and shaped with the aesthetics of raw MPC-based cut-up techno.

The album:
The album's grabbing openers "Gold" and "Princess" are full-on instances of the brightly burning world of KUF, with the other ten tunes never ever letting you down. All along, the Berlin based trio take their audiences through a full range of emotions and constantly shifting dynamics. The thorough integration of this extraordinary degree of sheer diversity into a unified experience is simply astonishing. But never forget this is a live band, and that's how anything here has been developed: live, in direct interplay. Seeing is believing.


More

Tracklist:
A1: Odyssee
A2: Wildlife
B1: Odyssee - VIP Remix
B2: Staring At The Sky

Release info:
Macro has been the home for the albums of some of electronic music's most exciting live acts. So when you are a live band and you enter this context, you'd better enter with a bang. KUF do just this with their debut EP for the label. The three-piece outfit with keys, bass and drums cook up a sound that's as warm, cozy and exciting as it is utterly alien, all at the very same time. The rhythm section hints at the great history of dirty funk and r'n'b, but the grooves are firmly of today: dance-centered and broken up at the best possible joints.

The bewildering thing about KUF is that it is a vocal-led group that has no singer on stage at all. All vocal elements are based on self-recorded samples which keyboard whizz kid Tom Schneider melds and bends and squeezes in real time. As if it was a regular thing to do. With no artificial synchronization in place, Valentin Link on bass and Hendrik Havekost on drums push the disembodied, highly abstract voices into an arena of hyperintegrated realtime magic.

"Odyssee" and "Wildlife" are full-on introductions to the world of KUF, with "Staring At The Sky" being a jam-type addition which the band is killing with in their live sets. The title track also comes with a special guest VIP remix for the techno clubs. But never forget this is a live band, and that's how anything you hear here has been developed. Seeing is believing.
More