At the heart of Jacob Gurevitsch's latest album is a desire for collaboration, and with Spanish Grammy nominated singer Buika, and Danish chanteuse Alice Carreiri at the helm, the Danish guitarist delivers, with his third album Yellow Spaceship.

Rich in cross cultural flows, dipping into flamenco and bolero, jazz and with flourishes of Italian and French soundtrack motifs, Jacob has laced together 10 sublime tracks whilst unleashing his impressive Spanish guitar skills, a craft which begun in his late twenties, complimenting his soul, jazz and funk grounding, instilled as a young, gigging guitarist.

Phenomenally, Jacob has built a mammoth fanbase online with his streaming track counter reading at over 100 million in part due to the roaring success of his previous long player, Lovers in Paris, also released on Danish label, Music for Dreams. It was back in 2014 when his title track from said album was remixed without permission and gained large traction on the radio dials in Ibiza that kickstarted an association with the vibe of Ibiza and chill out music whilst picking up a legion of DJ fans like the legendary Ibizan DJ Alfredo. His second album In Search of Lost Time came out in September 2019, further stripped back and acoustic than his prior and that paved the way for Yellow Spaceship.

Residing in Copenhagen, Jacob has a litany of cultural paths that have led him back to Denmark, having travelled plenty and spent much time living and learning in both Buenos Aires and Rio De Janeiro. The bulk of the recordings on Yellow Spaceship took place in Denmark but Jacob's creative hideout in Palma, Mallorca has been integral to his songwriting process. And it is Majorca where Buika, the flamenco singer with attitude who takes the vocal reins in Melancolía, originally comes from. The song drips with emotion, an exploration of love and beauty and a recourse for painful times. Danes are known for their tendency towards melancholy, although here, the grey Nordic despondency makes way for a kind of poetic wallowing that compliments the Spanish guitar and singing. The song also represents a massive turning point in Jacob's life after a great friend passed, a movement in which appreciation of people and things became the key to life. It was at the funeral of his friend he heard a perfectly poetic make-believe about how his beloved pal had taken off into the sky in a 'Yellow Spaceship' with an errand to spread his charisma.

Jacob was drawn to the Spanish guitar during his late twenties and found himself playing bolero, a nineteenth century Cuban voice and guitar tradition. He began practising on nylon strings two hours a day, his first committed training since his student days at the Conservatoire in Copenhagen. Whilst he is at pains to make clear that he does not play flamenco it is the minor sounds he is most fond of and no surprise that the most common chord within the flamenco songbook is A…minor.

Other collaborations featured include his renewed musical match with singer and fellow Dane and friend Mark Linn on Breathe, where a familiar Spanish guitar billows along a slow jazz beat accompanied by a coiling violin and the smokey, honey drenched vocals. On Le Ville, Alice Carreri and Jacob serenade each other on the banks of the Seine (in truth, the Nyhavn on Copenhagen's urban shores). Alice is a long time member and performer in Copehagen's Don Gnu performance collective. Song for Sol is dedicated to Jacob's goddaughter Sol, written in Mallorca on the day of her 10th birthday and features Lars Vissing on trumpet. And to Finus, replete with orchestral pastures, it is the track named after Jacob's grandfather whom looking back during these turbulent recent years, he sees as a creative catharsis to Jacob Gurevitch the musician, an incredible support.

Jacob recently teamed up with Turkish electronic explorers Islandman as part of their new album and there is a tour, finally, in the midst which promises to see Jacob in cultural centres across Europe, or perhaps if you're lucky, in a sea facing lounge watching the sun slowly set across the Mediterranean.
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Dj Pippi & Willie Graff present their sophomore LP Universal Language, continuing their pioneering experiments with the Balearic sound.

This duo of Ibizan royalty began their collaboration 17 years ago, connecting through a special enthusiasm for the freedom and diversity of Balearic music. Odd singles here and there found their way to the labels such as Compost, Leng and Archipelago but not until 2022's Follow Your Dreams (Music For Dreams) did a longer release see light of day.

Now following up that celebrated debut, Pippi and Graff present a fresh batch of soulful, luxurious and highly original Balearica. Twelve tracks escort us through the duo's manifold styles, modulated with subtle layers of eloquent instrumentation and effervescent synths.

TRACKLIST:
A1 Un Buen Sueño feat Carmen Cano
A2 N'Goni feat Mikkel Nordsø & Anders Pomsaing
A3 Aire feat Antonio Jimenez Muñoz
B1 Golden Hour feat Jade PraiZe
B2 Dance First Think Later feat Paul Powell
B3 Island In The Sun feat Santino Surfers
C1 Soul Free feat Chilani, Walther & Olio
C2 Harmonized feat Mathias Heise
C3 Let Me Show You
C4 Faz Favor feat Rodrigo Sha & Pere Navarro
D1 Universal Language feat Mathias Heise
D2 Anta Lika feat Reinhard Vanbergen
D3 Noche De Primavera feat Troels Hammer & Rodrigo Sha

LP FORMAT DETAILS: Very limited edition double LP black vinyl, 180g heavyweight vinyl

PRIVATE LISTEN LINK: https://s.disco.ac/fdmsiyygvlgr

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Pete Blaker (NL) has teamed up with Belgium's Rheinzand to re-work tracks from their last Album 'Atlantis Atlantis'. This is by no means your standard 'remix' album!

Pete has sonically re-furbished the tracks getting the band to do new instrumental layers and vocal dubs to enrich his versions to recreate a totally new take on the songs. With Pete leading the way in his production style, showcasing another side to his skills than his traditional disco edits which we know & love. The Album flows through different electronic frequencies taking the listener on an unparalleled journey into another dimension.

Pete says "Back in 2021 I was asked to remix a track for Rheinzand (Strange World). I couldn't imagine that we would have had a whole remix album that would eventually be released on vinyl. This journey was a new, overwhelming, frightening but beautiful experience for me. I had never done something like this. I didn't have the experience and knowledge at that time. I only had one night a week of studio time and 10 months of time. And here we are, I can certainly say - anything is possible.

TRACKLIST:
A1 Love Games
B1. The Gift of Love
B2. Orange Bun.
C1. Ibiza Macht Frei
C2. Facciamo L'Amore
D1. Hotel Cathargo

2LP FORMAT DETAILS: Limited Heavyweight Black Double Vinyl (300 Worldwide)




PRIVATE LISTEN LINK: https://s.disco.ac/fkmejzcsnqxx More

Ahead of their European tour, Turkish electronic group islandman announce the release of the EP Popsicle Obstacle, out October 13 on Music For Dreams. The new material collected on the EP tracks a musical pathway from archaic folk traditions and regional acoustics through the electronic sequencer. From the spiritualist dream of primitive past to the glossy utopia of digital future. The core members of Islandman are multi-instrumentalist & producer, Tolga Böyük and Eralp Güven (percussion) and Erdem Ba?er (guitars). Islandman have become known for their live performances, as anyone who has witnessed their live streams from Istanbul for the London Jazz Festival and Boiler Room can attest to. The Popsicle Obstacle EP follows the group's third album Godless Ceremony of 2021 and their 2022 EP Bahar. More

Rheinzand are back with their electrifying new album.

Upon turning on 'Atlantis Atlantis', the oh so welcome spectre of recently departed Maria Mendola - the airy chanteuse of the beloved Bacchara - seems to appear. Charlotte Caluwaerts, a voice of similar purity proffers the message: "We'll be alright" on their first single, offering a salve to the troubles the world has faced in recent years.

As with their previous work, melody is key. Rich arrangements abound, with Reinhard Vanbergen's light and funky crevices detailing a home that feels cozy, inviting the listener into the best, most unexpected club around; the one in their living room with all their closest friends. The "Max Berlin" of the group, Mo Disko, is no stranger to bringing this kind of intimacy to his events and freewheeling DJ sets for decades in Gent, Belgium. Once again his spirit pushes the record into that inviting place where inhibition dissolves, (aka you can really freak out).

Much of Reinhard Vanbergen's recent output for Music for Dreams has expertly traversed the forgotten worlds of virtuoso led experimental records; full lengths with tracks that maestros like DJ Harvey undoubtedly treasure. There are glimpses of these danceable instrumental improvisational landscapes such as "Orange Bun".

One thing about Rheinzand is that they are musicians driven to make dance music that harkens back to a moment when real players appeared on dance music records. These were musicians devoted to their instruments, the kind who made love to them on stage, unafraid of modulations, bombast, histrionics even (cue Elefantasi).
Slower subdued numbers reiterate the "journey to Atlantis" we are on, such as the a cover of "Love Games" an honest low slung boogie take on the track.

One of the biggest takeaways from 'Atlantis Atlantis' is the excavation of the real fun that was had in dance music before the advent of loop based technology. Epic chord progressions, singing songs in multiple languages - these are musicians exploring the colour palette of the entire Pantone spectrum, not only shades of grey and black. Are you up to see the world in colour, brave enough for a journey to Atlantis? Welcome aboard, Rheinzand are here to invite you to do so.
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Rheinzand are back with their electrifying new album.

Upon turning on 'Atlantis Atlantis', the oh so welcome spectre of recently departed Maria Mendola - the airy chanteuse of the beloved Bacchara - seems to appear. Charlotte Caluwaerts, a voice of similar purity proffers the message: "We'll be alright" on their first single, offering a salve to the troubles the world has faced in recent years.

As with their previous work, melody is key. Rich arrangements abound, with Reinhard Vanbergen's light and funky crevices detailing a home that feels cozy, inviting the listener into the best, most unexpected club around; the one in their living room with all their closest friends. The "Max Berlin" of the group, Mo Disko, is no stranger to bringing this kind of intimacy to his events and freewheeling DJ sets for decades in Gent, Belgium. Once again his spirit pushes the record into that inviting place where inhibition dissolves, (aka you can really freak out).

Much of Reinhard Vanbergen's recent output for Music for Dreams has expertly traversed the forgotten worlds of virtuoso led experimental records; full lengths with tracks that maestros like DJ Harvey undoubtedly treasure. There are glimpses of these danceable instrumental improvisational landscapes such as "Orange Bun".

One thing about Rheinzand is that they are musicians driven to make dance music that harkens back to a moment when real players appeared on dance music records. These were musicians devoted to their instruments, the kind who made love to them on stage, unafraid of modulations, bombast, histrionics even (cue Elefantasi).
Slower subdued numbers reiterate the "journey to Atlantis" we are on, such as the a cover of "Love Games" an honest low slung boogie take on the track.

One of the biggest takeaways from 'Atlantis Atlantis' is the excavation of the real fun that was had in dance music before the advent of loop based technology. Epic chord progressions, singing songs in multiple languages - these are musicians exploring the colour palette of the entire Pantone spectrum, not only shades of grey and black. Are you up to see the world in colour, brave enough for a journey to Atlantis? Welcome aboard, Rheinzand are here to invite you to do so.
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At the heart of Jacob Gurevitsch's latest album is a desire for collaboration, and with Spanish Grammy nominated singer Buika, and Danish chanteuse Alice Carreiri at the helm, the Danish guitarist delivers, with his third album Yellow Spaceship.

Rich in cross cultural flows, dipping into flamenco and bolero, jazz and with flourishes of Italian and French soundtrack motifs, Jacob has laced together 10 sublime tracks whilst unleashing his impressive Spanish guitar skills, a craft which begun in his late twenties, complimenting his soul, jazz and funk grounding, instilled as a young, gigging guitarist.

Phenomenally, Jacob has built a mammoth fanbase online with his streaming track counter reading at over 100 million in part due to the roaring success of his previous long player, Lovers in Paris, also released on Danish label, Music for Dreams. It was back in 2014 when his title track from said album was remixed without permission and gained large traction on the radio dials in Ibiza that kickstarted an association with the vibe of Ibiza and chill out music whilst picking up a legion of DJ fans like the legendary Ibizan DJ Alfredo. His second album In Search of Lost Time came out in September 2019, further stripped back and acoustic than his prior and that paved the way for Yellow Spaceship.

Residing in Copenhagen, Jacob has a litany of cultural paths that have led him back to Denmark, having travelled plenty and spent much time living and learning in both Buenos Aires and Rio De Janeiro. The bulk of the recordings on Yellow Spaceship took place in Denmark but Jacob's creative hideout in Palma, Mallorca has been integral to his songwriting process. And it is Majorca where Buika, the flamenco singer with attitude who takes the vocal reins in Melancolía, originally comes from. The song drips with emotion, an exploration of love and beauty and a recourse for painful times. Danes are known for their tendency towards melancholy, although here, the grey Nordic despondency makes way for a kind of poetic wallowing that compliments the Spanish guitar and singing. The song also represents a massive turning point in Jacob's life after a great friend passed, a movement in which appreciation of people and things became the key to life. It was at the funeral of his friend he heard a perfectly poetic make-believe about how his beloved pal had taken off into the sky in a 'Yellow Spaceship' with an errand to spread his charisma.

Jacob was drawn to the Spanish guitar during his late twenties and found himself playing bolero, a nineteenth century Cuban voice and guitar tradition. He began practising on nylon strings two hours a day, his first committed training since his student days at the Conservatoire in Copenhagen. Whilst he is at pains to make clear that he does not play flamenco it is the minor sounds he is most fond of and no surprise that the most common chord within the flamenco songbook is A…minor.

Other collaborations featured include his renewed musical match with singer and fellow Dane and friend Mark Linn on Breathe, where a familiar Spanish guitar billows along a slow jazz beat accompanied by a coiling violin and the smokey, honey drenched vocals. On Le Ville, Alice Carreri and Jacob serenade each other on the banks of the Seine (in truth, the Nyhavn on Copenhagen's urban shores). Alice is a long time member and performer in Copehagen's Don Gnu performance collective. Song for Sol is dedicated to Jacob's goddaughter Sol, written in Mallorca on the day of her 10th birthday and features Lars Vissing on trumpet. And to Finus, replete with orchestral pastures, it is the track named after Jacob's grandfather whom looking back during these turbulent recent years, he sees as a creative catharsis to Jacob Gurevitch the musician, an incredible support.

Jacob recently teamed up with Turkish electronic explorers Islandman as part of their new album and there is a tour, finally, in the midst which promises to see Jacob in cultural centres across Europe, or perhaps if you're lucky, in a sea facing lounge watching the sun slowly set across the Mediterranean.
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All eyes are on Islandman, an interplanetary musical trio from Istanbul who release their long anticipated, third album Godless Ceremony on September 10 via Danish imprint and long-time home of the band, Music for Dreams.

Islandman makes an incendiary, uplifting and psychedelic slew of music drawn from a world of make-believe, rooted in Anatolia. These 10 tracks (+ 3 additional exclusives on the vinyl) - all of which flirt with balearic, house, down-tempo and electronica with a global gaze - are awash with acid drenched electronic motifs and stuttering electronic drum machine syncopations. The group effortlessly sail the globe, dropping into the tropics of Ecuador (Amarnos Ahora),to Mali visiting North African desert blues masters Tamikrest (Tarhamanine Assinegh) and North India (Drums Of Colca) whilst never forgetting the music and poetry from the band's spiritual home, Anatolia (Kara Toprak).
In Godless Ceremony we are withdrawn from time and place, delivered to a fantasy zone, dreamt up in the sea, gazing at the stars. It's a musical storyboard, that whilst conceived in Istanbul by producer, singer and multi instrumentalist Tolga Böyük, journeys to far off places, real and imagined.

Hindustani tablas, Tibetan flutes, flamenco guitars, Anatolian Saz and Balinese (Bhasa) vocals all mesh within a concept (and coping mechanism) that contemplates daily routine as beautiful and meditative and as Tolga has appreciated over a testing two years in which he lost his father,"You can take part in a religious ceremony, search for supernatural powers, but sometimes you need to find happiness in small, everyday things".

The record's tracklisting and flow, like it's production ambition and aesthetic, peaks and troughs and arguably perculates at the Underworld-esque title track Godless Ceremony, where Tolga takes front of stage delivering the lead vocal and playing the Saz, an Anatolian stringed guitar-like instrument.

Previously released as a single is Kara Toprak, originally a folk song by A?ik Veysel from Anatolia and exceptionally popular in Turkey, it's a collaboration with Danish guitarist Jacob Gurevitsch. Tolga trips to Bali (singing Bhasa) in Aku Membawa, a house groove (already played on Pete Tong's BBC Radio show) which was produced in collaboration with DJ DIVO, OliO & Music for Dreams label boss, Kenneth Bager. Tarhamanine Assinegh is a co-production between North African desert blues protagonists Tamikrest and Islandman, with Islandman reconstructing the song, perfectly fitting with their mission as contemporary cartographers. Drums of Colca splices the tabla and Hindustani tradition from India (it's actually two separate tabla recordings mixed together) with electronic accents whilst incorporating the mouth harp from Mongolia and Tibetan flutes. The guest collaborators are Troels Hammer & Ole Theill. Istanbul Lockdown was originally recorded for dance music giant Boiler Room, as an exclusive as part of a lockdown broadcast. Made in Istanbul, with live strings and Turkish clarinet, it brings back difficult memories for Tolga, having lost his father around the same time.

The core members of Islandman are multi-instrumentalist & producer, Tolga Böyük and Eralp Güven (percussion) and Erdem Ba?er (guitars). Islandman have become known for their live performances, as anyone who has witnessed their live streams from Istanbul for the London Jazz Festival and Boiler Room can attest to.

Islandman simply avoids boundaries and Godless Ceremony is ultimately their most open-minded work to date. The subtleties and deft electronic touches bewilder and their clear appreciation of music on a global level is an education for us all.
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RKDIA are releasing their debut album: 'Into RKDIA'. The album was written in Zanzibar, where the duo escaped the Nordic winter for some warm inspiration.

The duo consisting of Danish Morten Schantz (synth + vocals) and Swedish-Norwegian Anton Eger (drums) are well-known names on the jazz and fusion scenes of Europe. For a while now, both have been pushing the envelope, applying jazz logic in all sorts of unconventional shapes and places, seeking out the new and unheard.

With the release of the self-titled single 'RKDIA' earlier this year the duo gave a taste test of the blazingly frenetic, techno- chromatic, jolting and stirring world of RKDIA. A world you would have wished you had heard about a lot earlier. With their tribute single to the notorious Roger Federer: 'Federer Happier' they deliver a *hands in the air* tune leaving one breathless but comforted all at once. Not to mention the third single 'Iris' which represents the most pop sound from RKDIA on the album. It's a song that showcases Morten and Anton's love of a good pop melody. With Anton's unpredictable and truly inspiring, almost melodic drums and glitchy percussion, it lets 'Iris' arise into the unsudden, accompanied by Morten's, foremost, bleepy arpeggiated chords supplemented by his vocals with a twist of the vocoder. Honorable mentions amongst the numerous original tracks within the album are firstly 'Lucid Dreamer'. An unconstrained, four minute instrumental that feels like an extended snap- shot of a single moment in time, the melodies un- packing and re-packing themselves over and over. Secondly is yet another pumping, uplifting, and driving track 'Shelter' which is infiltrated by a jazzy trum- pet solo that furthermore accompanies the synth chord progression.
Take yourself on a journey 'Into' and 'Out Of' the world of RKDIA, through an album filled to the rim with originals.

If you are into M83, Nils Frahm, Radiohead, DeadMau5, Tycho, Brad Mehldau, Pink Floyd, Kraftwerk and Genesis then godspeed into RKDIA.

Morten Schantz and Anton Eger have recevied world wide critical acclaim with artists such as JazzKamikaze, Phronesis, Marius Neset as well as their own solo projects.
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Melodies seem to sprout from the hands of Reinhard Vanbergen. This Friday, the multi-instrumentalist releases his bundle of no less than three new albums. Has he been seized by some kind of spirit, channeling higher creative forces through his body? Or does everything he plays around with just seem to work? Whatever it is, we're digging it.
The first album, Presents For Friends, consists of piano pieces, Stringworx is string pieces and Ubuntu dives into the world of the computer, as a mode of production and instrument in itself.
A release that resists categorizing. It flies from bliss to whim, flirts with the sensational and the silly. An immersion and a playdate, with beautiful melodies, masterful harmonic shifts, eccentric fusions and little moments genius scattered throughout.

TRACKLISTING:

Disc 1 Stringworx

A1 Billies Birthday
A2 Hillary
A3 Ticking Away Part 1
A4 Tree of Life
A5 T.O.F Theme 11
B1 The Gate
B2 Ticking Away Part 3
B3 Sounds of the Playground

Disc 2 Presents For Friends

C1 Voor Altijd
C2 Kozmo's Universe
C3 For Andy
C4 Rosa
C5 L'histoire D'elise Et Sa Giraffe Turquoise
C6 Melody Blue
C7 Juliens Journey
C8 Remi, Prince of the Tundra
D1 Zoe
D2 A Brothers Tale
D3 Lovebirds
D4 Sids First Smile
D5 Love Will Find A Way
D6 Robbelicious
D7 Gus Gus Gus
D8 Hinda House
D9 Aurora Sunset
E3 Reborn
F1 The Road to Memphis
F2 For Charlotte
F3 Lucky Me

LP FORMAT DETAILS: Limited Edition (300) 3LP Box Set Individual artwork sleeves with outer box & insert

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TRACKLISTING:
A1. The Gods & I (Fyraften 2019 Remaster)
B1. The Gods & I (og mix)
B2. In A Figga of Speech

OVERVIEW:
Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue. Taken from the very rare sought after album 'Kosmik Gypsy. The EP includes the original mix, a lovingly remastered Fyraften 2019 version.

Also includes 'In a Figga of Speech' track from Kosmik Gypsy.
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A1. Yoshio Ojima - Sealed
A2. Olololop - Mon (orte Remix)
A3. Kazuya Kotani - Fatima
B1. Schadaraparr - N.I.C.E. Guy (Nice Guitar Dub)
B2. Little Tempo - Frostie
B3. Karel Arbus & Eiji Takamatsu - Coco & The Fish
B4. Kentaro Takizawa - Gradual Life (Album Version)
C1. Yoshiaki Ochi - Balasong
C2. Kaoru Inoue - Wave Introduction
C3. Little Big Bee - Scuba (Original Version) 4. Coastlines - East Dry River
D1. Susumu Yokota - Uchu Tanjyo
D2. Chillax - Time And Space
D3. Takashi Kokubo - Quiet Inlet

CD Tracklist (Same Running order as LP)

For the fifth entry in our Collector`s Series we enlist the skills of Japan-based musical connoisseurs, Ken Hidaka, Max Essa, and Dr. Rob. Their compilation Oto No Wa sets out to map the evolution of chilled Japanese sounds across 3 decades, collecting 14 tracks, produced by a wide range of artists. From ambient pioneers to dance-floor veterans, to a 9-piece reggae band, Little Tempo, percussionist Kazuya Kotani, and organic, psychedelic collective, Olololop.

Beginning in the late 1980s, the era when "environmental music" became prevalent, there`s Yoshio Ojima`s cool computer-generated Sealed. The compilation also includes later work by his contemporaries Takashi Kokubo, and Yoshiaki Ochi. Theirs are compositions designed for art galleries and museum installations. "BGM" built from emerging technology, and / or counterpoint tapped out expertly on sticks and stones. The 90s give us the seminal electronics of Susumu Yokota, and the solar-flare strut of Scha Dara Parr - Japan's answer to The Beastie Boys. Here, remixed by the legendary Major Force. Moving into the 21st century we have the post-house productions of Flower Records. Kentaro Takizawa`s oceanic Gradual Life, and Little Big Bee`s colourful coral reef-diving Scuba. Fellow traveller, Kaoru Inoue`s "Kyushu kosmische". Representing the next decade are Flower Records` current rising stars, Coastlines, who calmly combine classic fusion, library music, and gentle nova bossa nova rhythms. Alongside them are the sun-baked electro-acoustics of Karel Arbus & Eiji Takamatsu, plus Chillax` previously unreleased epic analog / modular jam.

All of these selections are the result of some serious "digging" but more importantly they represent physical connections made during Ken`s 20-plus-year career in the "Biz", Max` decade of DJing all over Japan. Music made by folks interviewed by Rob at the websites, Test Pressing and Ban Ban Ton Ton. Friendships forged at Lone Star - the trio's long-running party, which takes place every month at Bar Bonobo in Harajuku.
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TRACKLISTING:
A1 Te Faz Bem
A2 Deixa Música Tocar
A3 So Vejo Voce
A4 Nada Mais
B1 Can't Sleep (Album Version)
B2 é Bom Amar (Poema)
B3 Je Ta Falei
B4 Lullabye For Ipanema
C1 Serei Seu
C2 E a Felicidade
C3 Some Di Some Day
D1 Festa De La Relaxamento
D2 Serei Seu (Danilo Braca Revision)
After a string of successful singles, "Deixa Musica A Tocar", "So Vejo Voce", "E A Felicidade" and the DJ Harvey supported "Te Faz Bem" and "Serei Seu", the Danish / Brazilian quartet constellation Copenema (Copenhagen / Ipanema = Copenema) are ready to release their debut album "Deixa Musica a Tocar" .
The album mixes European electronica influences with Brazilian songwriting style. The sound becomes unique and some would say Balearic.
The album's leading single "Te Faz Bem", a funky downtempo track with live saxophone, flute and rhythm guitars and a baseline to die for has become somewhat a national Ibiza balearic anthem over the past years and spread worldwide, especially due to the massive support from DJs, from Harvey to DJ Pippi to Pete Tong and more.
"Serei Seu" the second single, another Ibiza fave, is a funky party track that sounds like a modern Jorge Ben. The single "So Vejo Voce" is Stan Getz meets the beach vibes, "Festa De Relaxamento" an Alfredo fave is jazzy Brazilian funk vibes with heavy live drums and a bass line that wants you to move.
"Lullaby For Impanema" is sunset material. The band's first recording, the 12 min beautiful jazzy cosmic downtempo Pat Metheny influenced and Leo Mas supported "Some Di Some Day" is pure bliss and a sunset fave amongst the Balearic community.
The album has three added bonus tracks (vinyl only) - Can't Sleep and Nada Mais, both recorded in a Music For Dreams writers camp recently, and the 12 minute journey of Serei Seu by Danilo Braca.

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Turkish trio Islandman have been busy of late with festival and club gigs around the globe. Now they are setting off on a cross cultural sound journey with their second album "Kaybola" (which means to get lost to find a new way in Turkish)
The record is chock full of ethno-cultural material from Japan to Bulgaria, including field recordings of Tuva, Central Asia throat singers. Shamanic rhythms were introduced to nomadic guitars, combining with compact electronic structures, finally transforming jazz elements into dance movements of a tribe that no one knew and emerged as 'KAYBOLA'.
The album has been 2 years in the making and the result will no doubt gain a whole new fanbase.
An intoxicating mix of experimental electronics punctuated by distinctly Turkish instrumentation.
The album features the single 'Lamani' a hypnotically psychedelic hip-swiveler of a track.
It also features their latest single 'Dimitro' which is their superb re-work of a traditional Bulgarian wedding song using 808 drum machine & bass to work it into a slow-mo dance track whilst retaining the raw vocals and ritualistic feeling. Tolga found the original record whilst digging in a world music record store in Istanbul and immediately fell in love with the vocals. Other highlights on the record include sunset, chill fave 'Khepre', the dancefloor chugger 'Shu' & the superbly catchy trumpet banger 'Sahara' Pink Floyd vibes on the hippie synth based 'Hold Your Breath'.
This special edition double vinyl release includes 5 tracks that are not on the digital album each with their own unique style and includes collaborations with Ibiza legend DJ Pippi on Sem Voce and the jazz journey of Lumiere, produced in Denmark with label mates The Swan & The Lake & Langkilde.
Altogether a wonderful new album by Islandman who has taken another musical leap forward from his critically acclaimed debut album 'Rest in Space', an album which has just been re-issued on Limited Edition yellow vinyl!


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