Limited Edition (300 Worldwide) Black 180g LP Vinyl Santino Surfers - An Introduction is a combination of the finest tracks from their self-titled debut LP & some choice cuts from the forthcoming Album. An amorphous blend of chilled-out, soulful, and melodically lavish material. Imagine twangy 60's black and white guitars splashed with neon colour and dusty country rock curls in distorted gleam. The 'surf' sound is prevalent throughout the work (hence the name), setting the dial at laid back, grooving and liberated moods that probe the frontiers of the psychedelic.

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“ Phil Mison returns with a second album under his Ambala-moniker, presenting a generous set of aquatic beats and moonlit synth-grooves of the highest quality. ”

Tracklist:

A1 End of the Day
A2 Pyramid Parachute
A3 Amor Bailar
A4 Through The Gate
B1 Morning Lights
B2 Paradise
B3 Release My Mind
C1 Eko Mania
C2 Sergios Theme
C3 Blue Future
C4 Slow River
D1 Quiet Yellow Purple
D2 Don't Forget
D3 Amor Bailar (Dan Idjut Mainline Mix)

Listen Link: https://s.disco.ac/llxrxfcmhzef

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TRACKLIST:
Side A:
1. Sattava
2. Bahar
3. Sad Walk
4. Self Hypnosis
Side B:
1. Yorgunum Kaptan
2. Nara Nara Nara - islandman Remix
3. Future Days (Hey! Douglas Extended Remix)

LP FORMAT DETAILS:
EP + Bonus Tracks. Black 180g

OVERVIEW: Turkish band islandman release the 'Bahar' EP + Bonus tracks for the first time on Vinyl for Record Store Day 2025.

The A side consists of four sublime tracks including 'Sattava', 'Sad Walk' and 'Self-Hypnosis' & title track 'Bahar' which is
a firm fan & listener favourite which has racked up over 3 million streams.

The B Side includes 3 tracks never before released on vinyl tracks from the Turkish Trio. Kicking off with "Yorgunum Kaptan" A rework of Cem Karaca's composition recorded in '84, which lyrics were initially driven from the poem written by Naz?m Hikmet in 1957. This fresh take on the original is an ode to the pioneer and a homage because of being the inspiration for the band from the beginning.
Next up is Nara Nara Nara (islandman Remix) by NaraBara, the Jazz-Fusion band from Mongolia. This is the most recent chugging islandman remix.

Closing off the EP is the fantastic Future Days (Hey! Douglas Remix) which was released in 2018, but still sounds so fresh today.


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Visti’s Vinyl Collective deliver a wholesome brew of world, jazz, electronic and pop on debut album.


In his native soil of Denmark, Jonas Visti is best known for his radio show Visti’s Vinyls, in which he journeys time and space in search of interesting sounds – whether dusty afro-beat, Ethiopian jazz virtuosos or obscure 70’s Tropicalia.


His new project, Visti’s Vinyl Collective, extends the musical ethos of his radio program into a creative force of its own. Gathering some of the finest talent on the Danish jazz scene – and inviting a small selection of international guest features – Visti has crafted an album of manifold styles but a singular ethos: warm, positive, colorful music for a world that could use it.

The album, Vol. 1, will be available on the Copenhagen-based imprint Music For Dreams.


The album is written and produced in collaboration with William Winding whose electronic influence can be heard on several tracks. Emma Sehested Høeg, Dawda Jobarteh and Markus Artved have also written music on the albu

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Pete Blaker (NL) has teamed up with Belgium's Rheinzand to re-work tracks from their last Album 'Atlantis Atlantis'. This is by no means your standard 'remix' album!

Pete has sonically re-furbished the tracks getting the band to do new instrumental layers and vocal dubs to enrich his versions to recreate a totally new take on the songs. With Pete leading the way in his production style, showcasing another side to his skills than his traditional disco edits which we know & love. The Album flows through different electronic frequencies taking the listener on an unparalleled journey into another dimension.

Pete says "Back in 2021 I was asked to remix a track for Rheinzand (Strange World). I couldn't imagine that we would have had a whole remix album that would eventually be released on vinyl. This journey was a new, overwhelming, frightening but beautiful experience for me. I had never done something like this. I didn't have the experience and knowledge at that time. I only had one night a week of studio time and 10 months of time. And here we are, I can certainly say - anything is possible.

TRACKLIST:
A1 Love Games
B1. The Gift of Love
B2. Orange Bun.
C1. Ibiza Macht Frei
C2. Facciamo L'Amore
D1. Hotel Cathargo

2LP FORMAT DETAILS: Limited Heavyweight Black Double Vinyl (300 Worldwide)




PRIVATE LISTEN LINK: https://s.disco.ac/fkmejzcsnqxx

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Ahead of their European tour, Turkish electronic group islandman announce the release of the EP Popsicle Obstacle, out October 13 on Music For Dreams. The new material collected on the EP tracks a musical pathway from archaic folk traditions and regional acoustics through the electronic sequencer. From the spiritualist dream of primitive past to the glossy utopia of digital future. The core members of Islandman are multi-instrumentalist & producer, Tolga Böyük and Eralp Güven (percussion) and Erdem Ba?er (guitars). Islandman have become known for their live performances, as anyone who has witnessed their live streams from Istanbul for the London Jazz Festival and Boiler Room can attest to. The Popsicle Obstacle EP follows the group's third album Godless Ceremony of 2021 and their 2022 EP Bahar.

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Rheinzand are back with their electrifying new album.

Upon turning on 'Atlantis Atlantis', the oh so welcome spectre of recently departed Maria Mendola - the airy chanteuse of the beloved Bacchara - seems to appear. Charlotte Caluwaerts, a voice of similar purity proffers the message: "We'll be alright" on their first single, offering a salve to the troubles the world has faced in recent years.

As with their previous work, melody is key. Rich arrangements abound, with Reinhard Vanbergen's light and funky crevices detailing a home that feels cozy, inviting the listener into the best, most unexpected club around; the one in their living room with all their closest friends. The "Max Berlin" of the group, Mo Disko, is no stranger to bringing this kind of intimacy to his events and freewheeling DJ sets for decades in Gent, Belgium. Once again his spirit pushes the record into that inviting place where inhibition dissolves, (aka you can really freak out).

Much of Reinhard Vanbergen's recent output for Music for Dreams has expertly traversed the forgotten worlds of virtuoso led experimental records; full lengths with tracks that maestros like DJ Harvey undoubtedly treasure. There are glimpses of these danceable instrumental improvisational landscapes such as "Orange Bun".

One thing about Rheinzand is that they are musicians driven to make dance music that harkens back to a moment when real players appeared on dance music records. These were musicians devoted to their instruments, the kind who made love to them on stage, unafraid of modulations, bombast, histrionics even (cue Elefantasi).
Slower subdued numbers reiterate the "journey to Atlantis" we are on, such as the a cover of "Love Games" an honest low slung boogie take on the track.

One of the biggest takeaways from 'Atlantis Atlantis' is the excavation of the real fun that was had in dance music before the advent of loop based technology. Epic chord progressions, singing songs in multiple languages - these are musicians exploring the colour palette of the entire Pantone spectrum, not only shades of grey and black. Are you up to see the world in colour, brave enough for a journey to Atlantis? Welcome aboard, Rheinzand are here to invite you to do so.


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Rheinzand are back with their electrifying new album.

Upon turning on 'Atlantis Atlantis', the oh so welcome spectre of recently departed Maria Mendola - the airy chanteuse of the beloved Bacchara - seems to appear. Charlotte Caluwaerts, a voice of similar purity proffers the message: "We'll be alright" on their first single, offering a salve to the troubles the world has faced in recent years.

As with their previous work, melody is key. Rich arrangements abound, with Reinhard Vanbergen's light and funky crevices detailing a home that feels cozy, inviting the listener into the best, most unexpected club around; the one in their living room with all their closest friends. The "Max Berlin" of the group, Mo Disko, is no stranger to bringing this kind of intimacy to his events and freewheeling DJ sets for decades in Gent, Belgium. Once again his spirit pushes the record into that inviting place where inhibition dissolves, (aka you can really freak out).

Much of Reinhard Vanbergen's recent output for Music for Dreams has expertly traversed the forgotten worlds of virtuoso led experimental records; full lengths with tracks that maestros like DJ Harvey undoubtedly treasure. There are glimpses of these danceable instrumental improvisational landscapes such as "Orange Bun".

One thing about Rheinzand is that they are musicians driven to make dance music that harkens back to a moment when real players appeared on dance music records. These were musicians devoted to their instruments, the kind who made love to them on stage, unafraid of modulations, bombast, histrionics even (cue Elefantasi).
Slower subdued numbers reiterate the "journey to Atlantis" we are on, such as the a cover of "Love Games" an honest low slung boogie take on the track.

One of the biggest takeaways from 'Atlantis Atlantis' is the excavation of the real fun that was had in dance music before the advent of loop based technology. Epic chord progressions, singing songs in multiple languages - these are musicians exploring the colour palette of the entire Pantone spectrum, not only shades of grey and black. Are you up to see the world in colour, brave enough for a journey to Atlantis? Welcome aboard, Rheinzand are here to invite you to do so.


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All eyes are on Islandman, an interplanetary musical trio from Istanbul who release their long anticipated, third album Godless Ceremony on September 10 via Danish imprint and long-time home of the band, Music for Dreams.

Islandman makes an incendiary, uplifting and psychedelic slew of music drawn from a world of make-believe, rooted in Anatolia. These 10 tracks (+ 3 additional exclusives on the vinyl) - all of which flirt with balearic, house, down-tempo and electronica with a global gaze - are awash with acid drenched electronic motifs and stuttering electronic drum machine syncopations. The group effortlessly sail the globe, dropping into the tropics of Ecuador (Amarnos Ahora),to Mali visiting North African desert blues masters Tamikrest (Tarhamanine Assinegh) and North India (Drums Of Colca) whilst never forgetting the music and poetry from the band's spiritual home, Anatolia (Kara Toprak).
In Godless Ceremony we are withdrawn from time and place, delivered to a fantasy zone, dreamt up in the sea, gazing at the stars. It's a musical storyboard, that whilst conceived in Istanbul by producer, singer and multi instrumentalist Tolga Böyük, journeys to far off places, real and imagined.

Hindustani tablas, Tibetan flutes, flamenco guitars, Anatolian Saz and Balinese (Bhasa) vocals all mesh within a concept (and coping mechanism) that contemplates daily routine as beautiful and meditative and as Tolga has appreciated over a testing two years in which he lost his father,"You can take part in a religious ceremony, search for supernatural powers, but sometimes you need to find happiness in small, everyday things".

The record's tracklisting and flow, like it's production ambition and aesthetic, peaks and troughs and arguably perculates at the Underworld-esque title track Godless Ceremony, where Tolga takes front of stage delivering the lead vocal and playing the Saz, an Anatolian stringed guitar-like instrument.

Previously released as a single is Kara Toprak, originally a folk song by A?ik Veysel from Anatolia and exceptionally popular in Turkey, it's a collaboration with Danish guitarist Jacob Gurevitsch. Tolga trips to Bali (singing Bhasa) in Aku Membawa, a house groove (already played on Pete Tong's BBC Radio show) which was produced in collaboration with DJ DIVO, OliO & Music for Dreams label boss, Kenneth Bager. Tarhamanine Assinegh is a co-production between North African desert blues protagonists Tamikrest and Islandman, with Islandman reconstructing the song, perfectly fitting with their mission as contemporary cartographers. Drums of Colca splices the tabla and Hindustani tradition from India (it's actually two separate tabla recordings mixed together) with electronic accents whilst incorporating the mouth harp from Mongolia and Tibetan flutes. The guest collaborators are Troels Hammer & Ole Theill. Istanbul Lockdown was originally recorded for dance music giant Boiler Room, as an exclusive as part of a lockdown broadcast. Made in Istanbul, with live strings and Turkish clarinet, it brings back difficult memories for Tolga, having lost his father around the same time.

The core members of Islandman are multi-instrumentalist & producer, Tolga Böyük and Eralp Güven (percussion) and Erdem Ba?er (guitars). Islandman have become known for their live performances, as anyone who has witnessed their live streams from Istanbul for the London Jazz Festival and Boiler Room can attest to.

Islandman simply avoids boundaries and Godless Ceremony is ultimately their most open-minded work to date. The subtleties and deft electronic touches bewilder and their clear appreciation of music on a global level is an education for us all.


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RKDIA are releasing their debut album: 'Into RKDIA'. The album was written in Zanzibar, where the duo escaped the Nordic winter for some warm inspiration.

The duo consisting of Danish Morten Schantz (synth + vocals) and Swedish-Norwegian Anton Eger (drums) are well-known names on the jazz and fusion scenes of Europe. For a while now, both have been pushing the envelope, applying jazz logic in all sorts of unconventional shapes and places, seeking out the new and unheard.

With the release of the self-titled single 'RKDIA' earlier this year the duo gave a taste test of the blazingly frenetic, techno- chromatic, jolting and stirring world of RKDIA. A world you would have wished you had heard about a lot earlier. With their tribute single to the notorious Roger Federer: 'Federer Happier' they deliver a *hands in the air* tune leaving one breathless but comforted all at once. Not to mention the third single 'Iris' which represents the most pop sound from RKDIA on the album. It's a song that showcases Morten and Anton's love of a good pop melody. With Anton's unpredictable and truly inspiring, almost melodic drums and glitchy percussion, it lets 'Iris' arise into the unsudden, accompanied by Morten's, foremost, bleepy arpeggiated chords supplemented by his vocals with a twist of the vocoder. Honorable mentions amongst the numerous original tracks within the album are firstly 'Lucid Dreamer'. An unconstrained, four minute instrumental that feels like an extended snap- shot of a single moment in time, the melodies un- packing and re-packing themselves over and over. Secondly is yet another pumping, uplifting, and driving track 'Shelter' which is infiltrated by a jazzy trum- pet solo that furthermore accompanies the synth chord progression.
Take yourself on a journey 'Into' and 'Out Of' the world of RKDIA, through an album filled to the rim with originals.

If you are into M83, Nils Frahm, Radiohead, DeadMau5, Tycho, Brad Mehldau, Pink Floyd, Kraftwerk and Genesis then godspeed into RKDIA.

Morten Schantz and Anton Eger have recevied world wide critical acclaim with artists such as JazzKamikaze, Phronesis, Marius Neset as well as their own solo projects.


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Melodies seem to sprout from the hands of Reinhard Vanbergen. This Friday, the multi-instrumentalist releases his bundle of no less than three new albums. Has he been seized by some kind of spirit, channeling higher creative forces through his body? Or does everything he plays around with just seem to work? Whatever it is, we're digging it.
The first album, Presents For Friends, consists of piano pieces, Stringworx is string pieces and Ubuntu dives into the world of the computer, as a mode of production and instrument in itself.
A release that resists categorizing. It flies from bliss to whim, flirts with the sensational and the silly. An immersion and a playdate, with beautiful melodies, masterful harmonic shifts, eccentric fusions and little moments genius scattered throughout.

TRACKLISTING:

Disc 1 Stringworx

A1 Billies Birthday
A2 Hillary
A3 Ticking Away Part 1
A4 Tree of Life
A5 T.O.F Theme 11
B1 The Gate
B2 Ticking Away Part 3
B3 Sounds of the Playground

Disc 2 Presents For Friends

C1 Voor Altijd
C2 Kozmo's Universe
C3 For Andy
C4 Rosa
C5 L'histoire D'elise Et Sa Giraffe Turquoise
C6 Melody Blue
C7 Juliens Journey
C8 Remi, Prince of the Tundra
D1 Zoe
D2 A Brothers Tale
D3 Lovebirds
D4 Sids First Smile
D5 Love Will Find A Way
D6 Robbelicious
D7 Gus Gus Gus
D8 Hinda House
D9 Aurora Sunset
E3 Reborn
F1 The Road to Memphis
F2 For Charlotte
F3 Lucky Me

LP FORMAT DETAILS: Limited Edition (300) 3LP Box Set Individual artwork sleeves with outer box & insert



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TRACKLISTING:
A1. The Gods & I (Fyraften 2019 Remaster)
B1. The Gods & I (og mix)
B2. In A Figga of Speech

OVERVIEW:
Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue. Taken from the very rare sought after album 'Kosmik Gypsy. The EP includes the original mix, a lovingly remastered Fyraften 2019 version.

Also includes 'In a Figga of Speech' track from Kosmik Gypsy.


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A1. Yoshio Ojima - Sealed
A2. Olololop - Mon (orte Remix)
A3. Kazuya Kotani - Fatima
B1. Schadaraparr - N.I.C.E. Guy (Nice Guitar Dub)
B2. Little Tempo - Frostie
B3. Karel Arbus & Eiji Takamatsu - Coco & The Fish
B4. Kentaro Takizawa - Gradual Life (Album Version)
C1. Yoshiaki Ochi - Balasong
C2. Kaoru Inoue - Wave Introduction
C3. Little Big Bee - Scuba (Original Version) 4. Coastlines - East Dry River
D1. Susumu Yokota - Uchu Tanjyo
D2. Chillax - Time And Space
D3. Takashi Kokubo - Quiet Inlet

CD Tracklist (Same Running order as LP)

For the fifth entry in our Collector`s Series we enlist the skills of Japan-based musical connoisseurs, Ken Hidaka, Max Essa, and Dr. Rob. Their compilation Oto No Wa sets out to map the evolution of chilled Japanese sounds across 3 decades, collecting 14 tracks, produced by a wide range of artists. From ambient pioneers to dance-floor veterans, to a 9-piece reggae band, Little Tempo, percussionist Kazuya Kotani, and organic, psychedelic collective, Olololop.

Beginning in the late 1980s, the era when "environmental music" became prevalent, there`s Yoshio Ojima`s cool computer-generated Sealed. The compilation also includes later work by his contemporaries Takashi Kokubo, and Yoshiaki Ochi. Theirs are compositions designed for art galleries and museum installations. "BGM" built from emerging technology, and / or counterpoint tapped out expertly on sticks and stones. The 90s give us the seminal electronics of Susumu Yokota, and the solar-flare strut of Scha Dara Parr - Japan's answer to The Beastie Boys. Here, remixed by the legendary Major Force. Moving into the 21st century we have the post-house productions of Flower Records. Kentaro Takizawa`s oceanic Gradual Life, and Little Big Bee`s colourful coral reef-diving Scuba. Fellow traveller, Kaoru Inoue`s "Kyushu kosmische". Representing the next decade are Flower Records` current rising stars, Coastlines, who calmly combine classic fusion, library music, and gentle nova bossa nova rhythms. Alongside them are the sun-baked electro-acoustics of Karel Arbus & Eiji Takamatsu, plus Chillax` previously unreleased epic analog / modular jam.

All of these selections are the result of some serious "digging" but more importantly they represent physical connections made during Ken`s 20-plus-year career in the "Biz", Max` decade of DJing all over Japan. Music made by folks interviewed by Rob at the websites, Test Pressing and Ban Ban Ton Ton. Friendships forged at Lone Star - the trio's long-running party, which takes place every month at Bar Bonobo in Harajuku.


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TRACKLISTING:
A1 Te Faz Bem
A2 Deixa Música Tocar
A3 So Vejo Voce
A4 Nada Mais
B1 Can't Sleep (Album Version)
B2 é Bom Amar (Poema)
B3 Je Ta Falei
B4 Lullabye For Ipanema
C1 Serei Seu
C2 E a Felicidade
C3 Some Di Some Day
D1 Festa De La Relaxamento
D2 Serei Seu (Danilo Braca Revision)
After a string of successful singles, "Deixa Musica A Tocar", "So Vejo Voce", "E A Felicidade" and the DJ Harvey supported "Te Faz Bem" and "Serei Seu", the Danish / Brazilian quartet constellation Copenema (Copenhagen / Ipanema = Copenema) are ready to release their debut album "Deixa Musica a Tocar" .
The album mixes European electronica influences with Brazilian songwriting style. The sound becomes unique and some would say Balearic.
The album's leading single "Te Faz Bem", a funky downtempo track with live saxophone, flute and rhythm guitars and a baseline to die for has become somewhat a national Ibiza balearic anthem over the past years and spread worldwide, especially due to the massive support from DJs, from Harvey to DJ Pippi to Pete Tong and more.
"Serei Seu" the second single, another Ibiza fave, is a funky party track that sounds like a modern Jorge Ben. The single "So Vejo Voce" is Stan Getz meets the beach vibes, "Festa De Relaxamento" an Alfredo fave is jazzy Brazilian funk vibes with heavy live drums and a bass line that wants you to move.
"Lullaby For Impanema" is sunset material. The band's first recording, the 12 min beautiful jazzy cosmic downtempo Pat Metheny influenced and Leo Mas supported "Some Di Some Day" is pure bliss and a sunset fave amongst the Balearic community.
The album has three added bonus tracks (vinyl only) - Can't Sleep and Nada Mais, both recorded in a Music For Dreams writers camp recently, and the 12 minute journey of Serei Seu by Danilo Braca.

O

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Turkish trio Islandman have been busy of late with festival and club gigs around the globe. Now they are setting off on a cross cultural sound journey with their second album "Kaybola" (which means to get lost to find a new way in Turkish)
The record is chock full of ethno-cultural material from Japan to Bulgaria, including field recordings of Tuva, Central Asia throat singers. Shamanic rhythms were introduced to nomadic guitars, combining with compact electronic structures, finally transforming jazz elements into dance movements of a tribe that no one knew and emerged as 'KAYBOLA'.
The album has been 2 years in the making and the result will no doubt gain a whole new fanbase.
An intoxicating mix of experimental electronics punctuated by distinctly Turkish instrumentation.
The album features the single 'Lamani' a hypnotically psychedelic hip-swiveler of a track.
It also features their latest single 'Dimitro' which is their superb re-work of a traditional Bulgarian wedding song using 808 drum machine & bass to work it into a slow-mo dance track whilst retaining the raw vocals and ritualistic feeling. Tolga found the original record whilst digging in a world music record store in Istanbul and immediately fell in love with the vocals. Other highlights on the record include sunset, chill fave 'Khepre', the dancefloor chugger 'Shu' & the superbly catchy trumpet banger 'Sahara' Pink Floyd vibes on the hippie synth based 'Hold Your Breath'.
This special edition double vinyl release includes 5 tracks that are not on the digital album each with their own unique style and includes collaborations with Ibiza legend DJ Pippi on Sem Voce and the jazz journey of Lumiere, produced in Denmark with label mates The Swan & The Lake & Langkilde.
Altogether a wonderful new album by Islandman who has taken another musical leap forward from his critically acclaimed debut album 'Rest in Space', an album which has just been re-issued on Limited Edition yellow vinyl!




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Ira Jame's Vessel Recordings Group comes through with a brilliant selection of remixes of one of the best deep house tunes of the genre's early era. Ron Trent and Chez Damier's 'Don't Try It' is a bumping cut with vibey vocals and steamy synths that rock any party, and here it gets reworked into myriad different moods. There's a slower, more seductive Natural Rhythm vocal, a Joshua Try The dub rework with more spiritual synths and slower, spacious drums, a bubbly Andrew Macari String Me Along vocal mix that is cuddly and warm and a chunky Andrew Emil 2M19 dub that rolls heavy with fizzy, sugary chords. Each one breathes fresh life into the original, but always with a sympathetic hand.

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The A Side serves up a California tribute, vo-coded slapper that would make MORODER catch a stank face. The B-Side "YOU CAN'T STOP ME" delivers supreme disco boogie ala their idol NILE RODGERS with Grade A songwriting and excellently delivered vocals from studio collaborator DANKE.

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The A-Side "NUN TROVO CcHIU" delivers a cosmic jazz-funk stomper chock full of twinkling keys & a groovy bassline. The B-Side "CHIKI CHICANCAN" features a driving psychedelic fusion of Afro-funk & Mediterranean breezes. A two-sided instrumental stunner with versions of two disco floor fillers.

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The new Lumberjacks “Real Love” by Jerk Boy, Marcel Vogel & Million Miles is a truly intercontinental connection. Started as a seed by Marcel Vogel in Amsterdam, transmitted across half the world to Sydney Australia to be refined by Jerk Boy aka Adam Stivala and refined in Los Angeles by french singer Million Miles and eventually remixed in London by Oliver Night.

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Repress!

The reissue of SOCIAL LOVER's sophomore effort on TUGBOAT EDITIONS, after the previous sell outs of this & "FEEL MY LOVE". This edition gets a slight update with the dub/instrumental version as the B side. The A SIDE is a dubby bubbly cover of EVELYN "CHAMPAGNE" KING classic "LOVE COME DOWN".

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The label say:

"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.

Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."

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