Label:stroboscopic artefacts
Cat-No:satotem002
Release-Date:17.08.2018
Genre:Techno
Configuration:10"
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Cat-No:satotem002
Release-Date:17.08.2018
Genre:Techno
Configuration:10"
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1
l.b. dub corp - Roar
2
l.b. dub corp - Hard Wax
3
l.b. dub corp - Step Sure Dub
(Clear vinyl) The second release to be pressed into Totem's slabs of 10-inch vinyl is from techno impresario Luke Slater's L.B. Dub Corp moniker. Slater has been operating as a pioneer, with a full deck of aliases, throughout the genre's many corners since the days when techno was a newborn phenomenon. The stripped back sounds of L.B. Dub Corp's last releases on the imprint have resounded naturally within the psychotropic space carved out by Stroboscopic Artefacts.
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Label:Dekmantel
Cat-No:DKMNTL101
Release-Date:24.05.2024
Genre:House / Techno
Configuration:2LP
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Cat-No:DKMNTL101
Release-Date:24.05.2024
Genre:House / Techno
Configuration:2LP
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1
L.B. Dub Corp - Saturn To Home Ft. Kittin
2
L.B. Dub Corp - You Got Me Ft. Robert Owens
3
L.B. Dub Corp - Your Love
4
L.B. Dub Corp - Golden Star Ft. Baal Mortimer
5
L.B. Dub Corp - Only The Good Times
6
L.B. Dub Corp - Krank
7
L.B. Dub Corp - No Trouble In Paradise Ft. Paul St. Hilaire
8
L.B. Dub Corp - Cloack And Dagger
After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more. The LP is set to release on 10th May 2024
Since his first forays into DJing, Luke Slater has been pursuing different streams of inspiration to wind up with some of the most enduring electronic music of the past 30 years. From the grandiose ambient techno of The 7th Plain to the trailblazing machine funk of Planetary Assault Systems, he’s gifted a lot of music to the world. His L.B. Dub Corp alias first emerged in 2006, and has since been a vessel for a looser approach to club music compared to the steely big room energy of P.A.S. At times it’s housier, elsewhere dubbier, but still logically attached to Slater’s overall arc as an artist and music lover.
On his new album, which marks his first appearance on Dekmantel, Slater wanted to celebrate the unique cultural intake which set him on his path. It starts with his earliest memories marvelling at the beats in his father’s big band and jazz funk records until he was old enough to be drumming himself. The drums have remained a source of fascination despite his years entangled in machine music, and for the first time Slater uses his own live drumming on Saturn to Home.
The subtle imperfections of human rhythm are a big draw - Slater has always shied away from anything too ‘perfect’. From the rough and ready advent of drum machines and synths in early 80s pop, disco and electro to the breakthrough years of house music, Slater started to get a handle on how the sounds were made by identifying with the DIY, anything-goes spirit of the era. These are the touchstones which were on his mind as he started to work on Saturn to Home, not seeking to create carbon copies or overtly retro tracks, but rather to keep the verve and open-ended attitude of that music on his mind as made the album throughout 2022.
Beyond the drums, the vocals are the other vital ingredient which Slater knew he needed for this record. His own voice appears sporadically, but he also very intentionally reached out to artists such as legendary deep house original Robert Owens and dub techno crooner Paul St. Hilaire. Iconic French electro provocateur Miss Kittin also makes an appearance. Alex is the solo alias for Alexandra Grübler of Baal & Mortimer, who lends her freewheeling approach to ‘Golden Star’ in a style Slater compares to Liz Fraser in Cocteau Twins.
Behind ‘Only The Good Times’ lies the story of fabled Eindhoven street character Arnol Kox, who passed away in 2020, whose philosophical proclamations had become local legend. Slater managed to record Kox shouting the Dutch equivalent of the track title, which had become his sole mantra after years preaching to folk in the city centre, creating a heartfelt tribute to someone who embodied the misfit individuality Slater feels most at home around, not least in the club.
It’s this lattice of sounds, stories and feelings which give Saturn to Home its electric, diaristic energy. Whether it’s the feverish passion of ‘Your Love’s infectious chord stabs or the smoky soundsystem tendrils of ‘Golden Star’, the elastic drums and mutant synth funk of ‘Krank’ or the star-scraping breakbeat techno of ‘Only The Good Times’, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past. More
Since his first forays into DJing, Luke Slater has been pursuing different streams of inspiration to wind up with some of the most enduring electronic music of the past 30 years. From the grandiose ambient techno of The 7th Plain to the trailblazing machine funk of Planetary Assault Systems, he’s gifted a lot of music to the world. His L.B. Dub Corp alias first emerged in 2006, and has since been a vessel for a looser approach to club music compared to the steely big room energy of P.A.S. At times it’s housier, elsewhere dubbier, but still logically attached to Slater’s overall arc as an artist and music lover.
On his new album, which marks his first appearance on Dekmantel, Slater wanted to celebrate the unique cultural intake which set him on his path. It starts with his earliest memories marvelling at the beats in his father’s big band and jazz funk records until he was old enough to be drumming himself. The drums have remained a source of fascination despite his years entangled in machine music, and for the first time Slater uses his own live drumming on Saturn to Home.
The subtle imperfections of human rhythm are a big draw - Slater has always shied away from anything too ‘perfect’. From the rough and ready advent of drum machines and synths in early 80s pop, disco and electro to the breakthrough years of house music, Slater started to get a handle on how the sounds were made by identifying with the DIY, anything-goes spirit of the era. These are the touchstones which were on his mind as he started to work on Saturn to Home, not seeking to create carbon copies or overtly retro tracks, but rather to keep the verve and open-ended attitude of that music on his mind as made the album throughout 2022.
Beyond the drums, the vocals are the other vital ingredient which Slater knew he needed for this record. His own voice appears sporadically, but he also very intentionally reached out to artists such as legendary deep house original Robert Owens and dub techno crooner Paul St. Hilaire. Iconic French electro provocateur Miss Kittin also makes an appearance. Alex is the solo alias for Alexandra Grübler of Baal & Mortimer, who lends her freewheeling approach to ‘Golden Star’ in a style Slater compares to Liz Fraser in Cocteau Twins.
Behind ‘Only The Good Times’ lies the story of fabled Eindhoven street character Arnol Kox, who passed away in 2020, whose philosophical proclamations had become local legend. Slater managed to record Kox shouting the Dutch equivalent of the track title, which had become his sole mantra after years preaching to folk in the city centre, creating a heartfelt tribute to someone who embodied the misfit individuality Slater feels most at home around, not least in the club.
It’s this lattice of sounds, stories and feelings which give Saturn to Home its electric, diaristic energy. Whether it’s the feverish passion of ‘Your Love’s infectious chord stabs or the smoky soundsystem tendrils of ‘Golden Star’, the elastic drums and mutant synth funk of ‘Krank’ or the star-scraping breakbeat techno of ‘Only The Good Times’, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past. More
Label:mote evolver
Cat-No:mote053
Release-Date:31.05.2018
Configuration:12"
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Cat-No:mote053
Release-Date:31.05.2018
Configuration:12"
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Fresh off the new album we welcome the arrival of a limited L.B Dub Corp single. Opening proceedings, 'See The Light' unveils a soulful and vocal driven side to the L.B.Dub Corp sound, whilst 'We Are going Home' switches up the aesthetic and movesinto duskier, percussion driven territories. Last up, Slater punctuates the EP with the intricate, snaking sonics of 'Calling The Spirit', harnessing slick, skipping hats and a hypnotic, ever-evolving lead line.
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Label:mote evolver
Cat-No:motelp04
Release-Date:11.05.2018
Genre:Techno
Configuration:2LP
Barcode:
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Label:mote evolver
Cat-No:motelp04
Release-Date:11.05.2018
Genre:Techno
Configuration:2LP
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(180 gr vinyl incl. DL card) Following its launch in 2006, Slater's L.B. Dub Corp moniker has been responsible for refreshing house music on labels like Mote-Evolver and Ostgut Ton, with the latter hosting the pseudonym's debut album in 2013. 'Side Effects’ is the project’s first body of work since then. “I wrote the tracks over the last year between being on the road as P.A.S. and playing a few L.B. Dub Corp house sets, which naturally evolved into ‘Side Effects’ almost accidentally” – Luke Slater
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2LP
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Label:Stroboscopic Artefacts
Cat-No:SALP011
Release-Date:11.11.2022
Configuration:2LP
Barcode:5050580781535
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Label:Stroboscopic Artefacts
Cat-No:SALP011
Release-Date:11.11.2022
Configuration:2LP
Barcode:5050580781535
1
Lotus Eater - Pendulum
2
Lotus Eater - Lost Conductor
3
Lotus Eater - Wishing Well
4
Lotus Eater - Tunnel
5
Lotus Eater - Intracluster
6
Lotus Eater - Stars
7
Lotus Eater - The End of Words
8
Lotus Eater - Filament
9
Lotus Eater - Pray
Lotus Eater is a duo consisting of Luca Mortellaro (Lucy) and Seth Horvitz (Rrose), techno artists just as comfortable operating in the uncharted area of experimental music who have gained a cult following, both influencing and challenging the direction of contemporary electronic music. Eschewing the typical instrumentation of techno but still inhabiting its archetypes, Lotus Eater uses synthesised sound and feedback as fundamental sources to generate both textural and percussive elements. A sense of tension and weight emerge from sources that cannot be easily pinpointed. Each release forms a complex narrative from a paradoxically simple and restrained set of sound sources. Officially formed in 2017, Lotus Eater came to life through several collaborations over a number of years, and finally blossomed with the release of its critically acclaimed debut album "Desatura," which Lotus Eater toured live in 2018 - 2019. 2022 sees the release of the second Lotus Eater album "Plasma" and a new audiovisual live project to accompany it. "Plasma" unfolds with exacting precision by exhibiting a point of focus and expanding on it. It uses a single, throbbing pulse to generate a constellation of sounds and rhythms that form around it like a volcanic eruption in slow motion. Playing with our sense of time and weight, "Plasma" feels simultaneously slow and urgent, spacious and immense. Lotus Eater zooms into the infinite abyss and finds not just light, but fire at the end of the tunnel. Will we be saved, or will we burn?
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Label:Stroboscopic Artefacts
Cat-No:SALP010
Release-Date:11.02.2022
Genre:Techno
Configuration:LP
Barcode:5414165090069
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Cat-No:SALP010
Release-Date:11.02.2022
Genre:Techno
Configuration:LP
Barcode:5414165090069
1
Lucy - Wanton Witch 1 (Daddy's Girl)
2
Lucy - Wanton Witch 2 (Do I Pass)
3
Lucy - Wanton Witch 3 (Walking on Moirai)
4
Lucy - Wanton Witch 4 -5 (Lament Ceremony - Looping Projection of You)
5
Lucy - Wanton Witch 6 (Resentment)
6
Lucy - Wanton Witch 7 - 8 (Is This All We Can Do - Unsound Mind)
7
Lucy - Wanton Witch 9 (Nervous Burial)
8
Lucy - Wanton Witch 10 (The Beautiful Trauma of Being)
9
Lucy - Wanton Witch 11 (Grieve)
Serendipities surround the collaboration between Berlin's Stroboscopic Artefacts label founder Lucy and their most recent record with Malaysian Bangkok based emerging artist Wanton Witch. The release culminates in the reimagining of WW debut LP as seen and felt through the lens of Lucy. This is a follow up full-length album by Lucy not approached as a usual remixes record, but instead a fully fleshed out new body of work with the WW material being an integral part of Lucy's sonic palette. Despite the label hiatus during the first year of lockdowns, the isolation of the pandemic helped create a fertile ground for a back and forth between Wanton Witch and Lucy's own distinct sound palettes to collide. With the normal every day pressures of touring lifted and enlightened by WW's sonic world, Lucy has seen this as a positive opportunity to manifest new pathways of connectivity and process a phase of personal growth. Not simply about the breaking of gender lines, but also about the blurring of creative boundaries, especially when making music. Lucy's original patronage of Wanton Witch and her relatively fresh and new voice in the electronic music scene can be seen as a contribution to this idea of dismantling industry norms. In more than a decade of SA operations this is a reset moment for the label's mission focusing on empowering new talent, refreshing and growing with them, presenting a dynamic two-way process bewtween the label as a whole and the individual artists output. Lucy's personal revolution has coincided with Wanton Witch's own discovery of her musical voice and their paths have created a synchronicity. This osmosis of thought and feeling, even through massive distances, can be so real and tangible. Lucy's new album is a testament to the power of connective tissue in collaboration. It is this catalyst of realisation that has allowed the creative work to flourish under the toughest of pandemic conditions.
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12"
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Label:Stroboscopic Artefacts
Cat-No:sa015
Release-Date:22.01.2022
Genre:techno / minimal
Configuration:12"
Barcode:5050580775985
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Label:Stroboscopic Artefacts
Cat-No:sa015
Release-Date:22.01.2022
Genre:techno / minimal
Configuration:12"
Barcode:5050580775985
1
Pfirter, Xiantek, - Caos Y Orden Superior
2
Kangding Ray, - Wars
SA015 is a split vinyl taken care of by long term label artist, Pfirter, and by a new voice that's been adding to the SA story across the summer, Kangding Ray. Pfirter's 'Caos y Orden Superior' is a weighty odyssey spread across nine minutes. Its opening is languid but somehow relentless as strange synthesised sounds are interrupted by insistent beats. Across the arc of this track 'chaos' and 'order' lose their static definitions, and played over a large club rig this has the potential to throughly disorientate. From here Kangding Ray takes over duties with 'Wars', a fragmented meditation on the darkest side of human nature. Created from hues saturated by the pain of mistakes and regrets, it pulses, rocking gently, swooning in and out. This stunning slice of electronic music acts as a balm for the very wounds that conflict leaves behind.
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Label:stroboscopic artefacts
Cat-No:sa022
Release-Date:21.01.2022
Genre:Techno
Configuration:12" Excl
Barcode:827170534162
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Label:stroboscopic artefacts
Cat-No:sa022
Release-Date:21.01.2022
Genre:Techno
Configuration:12" Excl
Barcode:827170534162
upc/barcode: 827170534162 Release: 31st March 2014
Tracklist: A side: One Month Off, The Wall
B side: Cave Dwellings, Marker Shop, Viewpoint
The third release for Stroboscopic Artefacts in 2014, SA22 is the new cut from Italian producer Chevel. 'One Month Off' is an EP built around the abstract themes of construction, starting with demolition and ending on perspective. Opening track 'One Month Off' combines a warm thump with skittering percussion. Ragged cymbals build pressure. As the track continues to strut, through insistence as much as confidence, it gives out. 'The Wall', next up, is perhaps misleadingly a more unsettled affair. There is little linear impetus, a panoply of syncopated beats and foreign noises from the undergrowth. This is a wall of multitudinous surface, a front concealing the unsettled and unsure within. 'Cave Dwellings' is a more organic construct, building from the traditional basics of a kick drum and hi hat. Like the opening number this is a confident piece, but the Caves resonate with greater darkness and menace. The kick squelches at the bottom, the snare drips; glistening echoes bound through the chamber. 'Marker Shop' is fourth up, uniting disparate urges and glorious moods. The beat is uncomfortable, and repeatedly gives way. The record closes on 'Viewpoint', a piece of warmer perspective. It is not, however, a calm scene: in many ways this is a view of something more unsettled than what has come before. It is both jungular and industrial, an uncompromising marriage of nature and noise.
Chevel lands, then, on SA, with a discussion of construction and constructs. Out on March 31st.
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Tracklist: A side: One Month Off, The Wall
B side: Cave Dwellings, Marker Shop, Viewpoint
The third release for Stroboscopic Artefacts in 2014, SA22 is the new cut from Italian producer Chevel. 'One Month Off' is an EP built around the abstract themes of construction, starting with demolition and ending on perspective. Opening track 'One Month Off' combines a warm thump with skittering percussion. Ragged cymbals build pressure. As the track continues to strut, through insistence as much as confidence, it gives out. 'The Wall', next up, is perhaps misleadingly a more unsettled affair. There is little linear impetus, a panoply of syncopated beats and foreign noises from the undergrowth. This is a wall of multitudinous surface, a front concealing the unsettled and unsure within. 'Cave Dwellings' is a more organic construct, building from the traditional basics of a kick drum and hi hat. Like the opening number this is a confident piece, but the Caves resonate with greater darkness and menace. The kick squelches at the bottom, the snare drips; glistening echoes bound through the chamber. 'Marker Shop' is fourth up, uniting disparate urges and glorious moods. The beat is uncomfortable, and repeatedly gives way. The record closes on 'Viewpoint', a piece of warmer perspective. It is not, however, a calm scene: in many ways this is a view of something more unsettled than what has come before. It is both jungular and industrial, an uncompromising marriage of nature and noise.
Chevel lands, then, on SA, with a discussion of construction and constructs. Out on March 31st.
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Label:stroboscopic artefacts
Cat-No:sa026
Release-Date:21.01.2022
Genre:Techno
Configuration:12"
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Cat-No:sa026
Release-Date:21.01.2022
Genre:Techno
Configuration:12"
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His partnership with the label has already resulted in a collaboration with Modern Heads, as well as one of the first entries in the Monad series, and now a fascinating new EP that showcases his talent for testing the limits of perception.
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12"
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Label:Stroboscopic Artefacts
Cat-No:SA021
Release-Date:14.01.2022
Genre:techno / minimal
Configuration:12"
Barcode:5050580776036
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Label:Stroboscopic Artefacts
Cat-No:SA021
Release-Date:14.01.2022
Genre:techno / minimal
Configuration:12"
Barcode:5050580776036
1
Lucy - Catch Twenty Two (Shapednoise Remix)
2
Lucy - The Illusion of Choice (Donato Dozzy Remix)
3
Lucy - Laws and Habits (Milton Bradley Remix)
4
Lucy - The Self as Another (Eomac Remix)
To start the year 2014, Stroboscopic Artefacts bring you SA021 - a remixes selection of tracks from Lucy's forthcoming LP Churches Schools and Guns. In presenting four of the album cuts in altered impressions, SA021 helps the label keep on re-examining the timbres, tones and textures of techno. First up is the unsettled edit of 'Catch Twenty Two' by the young Italian producer Shapednoise. The infamous Heller novel of the same name (though in numerals rather than letters) was a satirical rampage through the futility and tragedy of conflict; this is also a rampage, littered with opaque utterances of sonic thrust, stood stoutly on an unpredictable and emotional structure of aural dissonance. Following this is the Italian maestro Donato Dozzy and his presentation of 'The Illusion of Choice'. The track bounds along like a train through the jungle, powered by a distant rumble and purring synths. Skittering and melodic percussion sounds a little like birds; the drums are made of rawhide, strong, insistent, controlled. Third in line is the remix of 'Laws and Habits' by Milton Bradley. This cut is hypnosis with little regard - not an accident, but effortless. Metallic distortion buzzes like bees across your head, zipping across the top of delicate hi-hats and an elastic groove. This is a walk through the 4am night, appreciative of the glimmering streetlamps, and fearful of nothing. Last is Eomac's rework of 'The Self As Another', bringing the record to a resonant conclusion. One half of label favourite Lakker, the Irish producer begins with a melody line cut from razor-sharp cloth. The pulsating beat is dressed in metallic shimmer, confidently pursuing a dangerous course. And yet there is a pause amid this brief insistence, a moment of perspective, perspicacity. The record considers its place, and asks for contemplation. With a selection this strong, and of such ideas and identities, this contemplation is surely a worthy vice. This may be a prelude to the full record, but it is a cut made of vehement conviction.
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12"
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Label:Stroboscopic Artefacts
Cat-No:SA003V
Release-Date:14.01.2022
Configuration:12"
Barcode:5050580775992
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Cat-No:SA003V
Release-Date:14.01.2022
Configuration:12"
Barcode:5050580775992
1
Lucy & Ercolino - Gmork (Original Mix)
2
Lucy & Ercolino - So the Nothing Grows Stronger (Original Mix)
3
Lucy & Ercolino - Gmork (Dadub Tool)
4
Lucy & Ercolino - So the Nothing Grows Stronger (Dadub Tool)
Stroboscopic Artefacts' third release sees label owner Lucy and underground trailblazer Ercolino, inspired by novelist Michael Ende's imagery, create two visions of a nihilistic future. The 12'' begins with the tale of fear incarnate Gmork, the most power
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Label:Stroboscopic Artefacts
Cat-No:SA018
Release-Date:14.01.2022
Genre:techno / minimal
Configuration:12"
Barcode:5050580776005
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Label:Stroboscopic Artefacts
Cat-No:SA018
Release-Date:14.01.2022
Genre:techno / minimal
Configuration:12"
Barcode:5050580776005
1
Zeitgeber - Body Out
2
Zeitgeber - Body In
Zeitgeber is a project that sees Lucy and Speedy J exploring roots and limits. The duo have both indulged their experimental sides from time to time. Perhaps most notably Speedy J with his mid-'90s run on Novamute, and Lucy on his 2011 full-length for Stroboscopic Artefacts. But Zeitgeber is something more, with two artists pushing each other to go further. SA018 is a single that gives only a slight hint as to what is to come in the shape of a complete LP. 'Body Out' is floor-ready techno with a twist. The textures that lie beneath feel like they're just as important (if not more), slithering and twittering away in constant dialogue with the just-slightly-off-the-grid beat. 'Body In' is the inverse of the A-side, a slow-moving chorus of indescribable ambience. As a precursor to the forthcoming album, it's a perfect taster of the uncompromising sounds yet to be heard.
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Label:Stroboscopic Artefacts
Cat-No:SA005
Release-Date:14.01.2022
Configuration:12"
Barcode:5050580775978
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Cat-No:SA005
Release-Date:14.01.2022
Configuration:12"
Barcode:5050580775978
1
Frank Martiniq, - Blast Corps (Original Mix)
2
Frank Martiniq, - Dark Star
3
Frank Martiniq, - Lovelane (Original Mix)
4
Frank Martiniq, - Blast Corps (Tool)
5
Frank Martiniq, - Blast Corps (Tool)
6
Frank Martiniq, - Lovelane (Tool)
SA005 is destined to become a vinyl collectors’ must-have. Frank Martiniq explores a whole new sonic identity on this unique 12”, forging together off-kilter beats and fists full of atmospheric compression. “Blast Corps” opens the EP with a surge of delayed baseline. Crispy static rises from below and echoes swoop and simmer beneath the full blooded base. It builds insistently, the 4/4 structure is infused with far off blips and the dusty sizzles of low-pitched white noise. On “Dark Star” warm dub keeps the sound organic. It’s elemental, the baseline seems enormous enough to have a gravity of its very own and the other elements pull together around its weight. It teases, the breathy elements twitch, fidget, become fully formed but refuse to drop.
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Label:stroboscopic artefacts
Cat-No:SALP009
Release-Date:28.05.2021
Genre:Techno
Configuration:2LP
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Cat-No:SALP009
Release-Date:28.05.2021
Genre:Techno
Configuration:2LP
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1
Wanton Witch - daddys girl
2
Wanton Witch - do i pass
3
Wanton Witch - walking on moirai
4
Wanton Witch - lament ceremony
5
Wanton Witch - Looping Projection Of You
6
Wanton Witch - resentment
7
Wanton Witch - is this all we can do
8
Wanton Witch - Unsound Mind
9
Wanton Witch - nervous burial
10
Wanton Witch - The Beautiful Trauma Of Being
11
Wanton Witch - grieve
(2LP + DL) The Malaysian-born, Bangkok-based producer delivers an 11-track strong release that flows like a complete soundscape. Employing caustic electronics and diverse sound textures, she challenges traditional track conventions by deconstructing elements of IDM, experimental, hardcore and rave.
TRACKLIST
A1. Daddy's Girl
A2. Do I Pass
A3. Walking on Moirai
B1. Lament Ceremony
B2. Looping Projection Of You
C1. Resentment
C2. Is This All We Can Do?
C3. Unsound Mind
D1. Nervous Burial
D2. The Beautiful Trauma Of Being
D3. Grieve
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TRACKLIST
A1. Daddy's Girl
A2. Do I Pass
A3. Walking on Moirai
B1. Lament Ceremony
B2. Looping Projection Of You
C1. Resentment
C2. Is This All We Can Do?
C3. Unsound Mind
D1. Nervous Burial
D2. The Beautiful Trauma Of Being
D3. Grieve
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Label:Stroboscopic Artefacts
Cat-No:sa036
Release-Date:22.04.2020
Genre:Techno
Configuration:12"
Barcode:
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Cat-No:sa036
Release-Date:22.04.2020
Genre:Techno
Configuration:12"
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1
Adiel - No Title
2
Adiel - No Title
3
Adiel - No Title
4
Adiel - No Title
Sharing the same forward-facing approach to techno music, it was about time that Roman DJ and producer Adiel lands her debut EP on Stroboscopic Artefacts. Following on from an array of 12-inches on her own imprint, including a recent joint effort with Anthony Linell, 'If Not Now When?' is an ode to the all-enveloping strangeness of eternal nights that cuts a path of ecstatic light in the dark.
TRACKLISTING
A1. If Not Now When?
A2. At The Bottom Of The Sea
B1. If Not Me Who?
B2. ESRR
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TRACKLISTING
A1. If Not Now When?
A2. At The Bottom Of The Sea
B1. If Not Me Who?
B2. ESRR
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10"
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Label:Stroboscopic Artefacts
Cat-No:satotem007
Release-Date:27.02.2020
Genre:Techno
Configuration:10"
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Last in:25.01.2022
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Last in:25.01.2022
Label:Stroboscopic Artefacts
Cat-No:satotem007
Release-Date:27.02.2020
Genre:Techno
Configuration:10"
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Zeitgeber ( Speedy J & Lucy) - Seventeen Zero Four
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Zeitgeber ( Speedy J & Lucy) - One Zero Five
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Zeitgeber ( Speedy J & Lucy) - Twenty Zero Two
(10” clear vinyl) Five years on since their last joint outing in Stroboscopic Artefacts Monad series, Speedy J and Lucy team up again as Zeitgeber on 'Seventeen Zero Four', a new three-tracker descending deep into the filthy, tenebrous outskirts of club music.
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Label:Stroboscopic Artefacts
Cat-No:sa10yearsep
Release-Date:17.01.2020
Genre:Techno
Configuration:12"
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Last in:07.02.2020
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Last in:07.02.2020
Label:Stroboscopic Artefacts
Cat-No:sa10yearsep
Release-Date:17.01.2020
Genre:Techno
Configuration:12"
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Lucy - No Title
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Lucy - No Title
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Lucy - No Title
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Lucy - No Title
Lucy remixes Donato Dozzy, Caterina Barbieri, Ben Klock, and Xhin for Stroboscopic Artefacts' tenth anniversary
TRACKLIST
A1. Donato Dozzy – Sotto Ma Sotto (Lucy Remix)
A2. Caterian Barbieri – Virgo Rebellion (Lucy Remix)
B1. Lucy & Klock – War Lullaby (Lucy Remix)
B2. Xhin – Link (Lucy Remix) More
TRACKLIST
A1. Donato Dozzy – Sotto Ma Sotto (Lucy Remix)
A2. Caterian Barbieri – Virgo Rebellion (Lucy Remix)
B1. Lucy & Klock – War Lullaby (Lucy Remix)
B2. Xhin – Link (Lucy Remix) More
Label:Stroboscopic Artefacts
Cat-No:sa10yearslp
Release-Date:07.11.2019
Genre:Techno
Configuration:4LP
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Last in:19.10.2020
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Last in:19.10.2020
Label:Stroboscopic Artefacts
Cat-No:sa10yearslp
Release-Date:07.11.2019
Genre:Techno
Configuration:4LP
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
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X - No Title
4p gatefold+DL. Stroboscopic Artefacts releases 'X - Ten Years Of Artefacts', a 13-track album curated by Lucy aka Luca Mortellaro. It celebrates ten years of his label by boldly confirming its raison d'être: a continual redefinition of modern techno. The compilation features tracks from Lucy, Rrose, Zeitgeber, Lotus Eater, Shifted, Efdemin, L.B. Dub Corp, James Ruskin, Denise Rabe, Adriana Lopez, Chevel, Alessandro Adriani and Serena Butler.
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Label:Stroboscopic Artefacts
Cat-No:satotem006
Release-Date:03.10.2019
Genre:Techno
Configuration:10"
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Last in:13.12.2019
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Last in:13.12.2019
Label:Stroboscopic Artefacts
Cat-No:satotem006
Release-Date:03.10.2019
Genre:Techno
Configuration:10"
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Adriana Lopez - No Title
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Adriana Lopez - No Title
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Adriana Lopez - No Title
For her first sortie away from her usual recording homes, Adriana steps up in no real unknown territory either, with Stroboscopic Artefacts’ Totem series providing a much suitable shelter for her deep-penetration, quaky club weaponry to grow and expand.
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Label:Stroboscopic Artefacts
Cat-No:satotem005
Release-Date:15.08.2019
Genre:Techno
Configuration:10"
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Label:Stroboscopic Artefacts
Cat-No:satotem005
Release-Date:15.08.2019
Genre:Techno
Configuration:10"
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Denise Rabe - A Manifesto
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Denise Rabe - B1 Don’t Leave
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Denise Rabe - B2 Clouds
(10" inch clear vinyl) Firmly entrenched in techno's haziest alcoves, every new record from Denise Rabe is as punishingly hypnotic an experience as it aims to penetrate the deepest laid of your cerebral zones.
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Label:stroboscopic artefacts
Cat-No:satotem004
Release-Date:07.06.2019
Genre:Techno
Configuration:12"
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Last in:26.08.2019
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Last in:26.08.2019
Label:stroboscopic artefacts
Cat-No:satotem004
Release-Date:07.06.2019
Genre:Techno
Configuration:12"
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Shifted - The Light Touch
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Shifted - Seel
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Shifted - Mixen
(Clear vinyl) As ever, Brewer's musical output looks to the heart of the genre - remaining true to purist sensibilities that favour economy of sonic components and studio prowess over unnecessary fanfare, but all the while forging new ground & refining a genuinely personal aesthetic. A powerful debut on a label in fine form that represents some of the best of the British artist's work.
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Label:stroboscopic artefacts
Cat-No:salp008
Release-Date:09.05.2019
Genre:Techno
Configuration:2LP
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Last in:01.02.2022
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Label:stroboscopic artefacts
Cat-No:salp008
Release-Date:09.05.2019
Genre:Techno
Configuration:2LP
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
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Alessandro Adriani - No Title
(2xLP gatefold cover) Throughout eleven cuts painstakingly executed but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity.
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