Tracklist:
Flexidisc 1 (transparent): Series a (Alpha)
Flexidisc 2 (blue): Series ß (Beta)
Flexidisc 3 (yellow): Series ? (Gamma)
Flexidisc 4 (black): Series d (Delta)

Info:
Scale and Scope is a set of four colour flexidisc records, each containing an instantiation of an individual microtonal designer scale, developed by Stefan Goldmann. The four discs are housed in a printed cardboard portfolio.
The flexidisc medium plays like a vinyl record, but is inherently noisier and tends to exhibit more signal disruptions than conventional vinyl. Expect occasional clicks, crackle and other variations, which differ substantially from copy to copy. These make each set unique.
The digital file versions are re-recorded directly from the flexidiscs, with very few corrections and a few spectral interventions by the original artist. The full resolution digital files used for cutting the flexidiscs will be available exclusively and individually to collectors who wish to acquire one of the scales as
instantiated in the recordings.

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Tracklist CD: 1. Axios, 2. Helicon, 3. Yantra, 4. Scylax, 5. Drilon, 6. Magoras, 7. Tyros, 8. Struma, 9.
Arda, 10. Hebros, 11. Ropotamo, 12. Scamander

Info:
Layered asymmetry: With Alluvium, Stefan Goldmann explores new structural paths for machine
rhythm in irregular metres. Throughout the album, different non-binary patterns run simultaneously,
interlocking into twelve offerings of jagged polyrhythmic magic. Such a framework may juxtapose 11
on one axis, against 7 on another and 5 on a third – building stunningly iridescent edifices of
multidimensional time.
This is the third album in a series of "first principles" research of metric asymmetry. Veiki (2019) laid
the foundation for "real broken beat". Then, Vector Rituals (2022) explored the bending of grids in
order to yield idiosyncratic forms of organising time. Alluvium takes these two approaches and
expands them beyond their initial reach: Irregular patterns moving along parallel timelines within one
unifying grid.

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Tracklist
CD1: Sector 1
CD2: Sector 2
CD3: Sector 3
CD4: Sector 4
CD5: Sector 5

Info:
For its first publication, Edition Kymata has commissioned a five-part long-form work from Stefan
Goldmann. This exposé to an incorporeal spatial structure captures infinite reverb responses to five
carefully designed immersive spaces.
Building on his earlier reverb-only work 'Call and Response' (2022), the capacity of reverberation to
enable the experience of impossible architecture is further explored – possibly in its clearest form to
date. The five zones of intangible aural sensibility compiled in this box set range from soothing to
menacing, inviting to a unique critical listening situation in which the listener's perception is the
dynamic side of the exchange while the stimulus persists in profound permanence.
The properties of the five enclosures – boundless in the time domain, distinct in their spatial
characteristics – reveal themselves completely and can be precisely described in statistical data,
allowing for multiple levels of access: a brief visit, long-term contemplation, exclusive ownership.
Stefan Goldmann is an electronic music composer based in Berlin, Germany.
Edition Kymata is a publishing house for audio arts with a focus on the study of first principles.

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Tracklist CD - Mix CD:

01. Acustica (Part 1)
02. Acustica (Part 2)
03. Acustica (Part 3)
04. Acustica (Part 4)
05. Acustica (Part 5)
06. Acustica (Part 6)
07. Acustica (Part 7)
08. Acustica (Part 8)
09. Acustica (Part 9)
10. Acustica (Part 10)
11. Acustica (Part 11)
12. Acustica (Part 12)
13. Acustica (Part 13)
14. Acustica (Part 14)
15. Acustica (Part 15)
16. Acustica (Part 16)
17. Acustica (Part 17)
18. Acustica (Part 18)
19. Acustica (Part 19)
20. Acustica (Part 20)
21. Acustica (Part 21)
22. Acustica (Part 22)
23. Acustica (Part 23)
24. Acustica (Part 14)


Info:
Acustica: For this acoustic sources-only mix, Stefan Goldmann cut up a vast library of recorded
interpretations of 20th century avant-garde compositions. Layered segments of individual instrumental
and chamber performances form emergent orchestral opulence – just to spill over into actual
orchestral segments. Goldmann has tackled acoustic archives before with his edit of multiple
recordings of Igor Stravinsky's 'Le Sacre du Printemps'. However, this mix traverses the disparities
and convergences of seven decades of score-based music with impressively results. A meta-level
polystylistic work that explores vast potentials of integration, interaction and interference. An antidote
to the prevailing practice of sounding compositions in scattered, sterile isolation. Here, opposing
concepts of music are channeled into one continuous flow, with a coherent DJ performance as the
vehicle.

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Tracklist:
A. In Aggregate
B. Carob

about:
One of techno's most joyous experimentators delivers two intriguing uptempo tracks. Instead of hitting
hard and heavy 'In Aggregate' and 'Carob' float delicately, with explosive detail blooming freely and
high above what feels rather like a bass-ladden undercurrent than a persistent kick drum foundation.
Both tracks expand on Stefan Goldmann's extensive polyrhythmic research and integrate tonal and
metric functions within the same units of sound. Somewhat radically, the central sound of 'Carob' is all
in one: beat, bassline and single-note melody. By contrast, 'In Aggregate' unfolds lush layers of
exuberant percussion, countered by rounded drops of bass and an occasional vocal snippet
ricocheting off of claustrophobia-inducing walls of glass.
As future-forward as they are organic, these offerings come with appropriately idiosyncratic artwork by
Jorinde Voigt. Printed on inside-out heavy paper cover + a printed inner sleeve.

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LP plus Free Digital Download included


Tracklist:
A1. Nayba
A2. Oyotung
A3. Lorino
A4. Yukagir
B1. Tiksi
B2. Ayon
B3. Valkumey

The Album:
Proprietary rhythm: Vector Rituals sees techno polymath Stefan Goldmann constructing polymetric rites of percussion. Synthesized from the ground up, timbral characteristics, metric properties, dynamic
expression and microrhythmic phrasing are shaped by the interactions of layered control voltage functions. The result is an assembly of abstract dances ranging from the intricate to the powerful.
Near-humanoid behaviour emerges from liquid patterns, laid out and brought to life by the freewheeling encounter of modular waveforms and snappy envelopes. Sounds evoke metallic textures
– ringing, scraping – and group into virtual shapes from tiny spikes to vast surfaces.
Some of the parametric relationships employed are as loose as to imply chance drifts. Others lock in with strict regularity as found in the 13 vs. 17 polymeter pattern of opening track 'Nayba'. By contrast,
in the strictly repetitive yet highly asymmetrical sequence of 'Yukagir' each metric step has its own uniquely irregular duration. The center piece of this collection is 'Ayon' with multiple autonomous and
highly agile timelines. Its constituent layers break away in radial fashion and fall back together at widely spaced points of congregation.
All compositions herein present powerful proof of the unlimited capacity of electronic music to yield new principles of organisation and to solidify their expression into clear-cut gestalt.

The Record:
Vector Rituals comes on 180g vinyl with artwork by highly acclaimed visual artist Jorinde Voigt, printed onto the inside-out cover sleeve and continued on the inner jacket.

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Format: 7”

Tracklist:
E. Singing Wire
F. Geared

About:
This is the fnal chapter in a series of three 7" records which see Stefan Goldmann probing the upper
temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals for a
collective return to highly energised club experiences. 'Singing Wire' is playfully swinging and feels
surprisingly natural and decelerated for what it is – while taking you decisively and rapidly to its farend destination. 'Geared' is raw voltage with all the sparks fying. More bouncy than harsh, these
tracks show impressively how diferent tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and refective-lacquer details, with individual colour-coded inner sleeves. Comes with download card.

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Format: 7”

Tracklist:
C. Danke Dingo
D. Iron Hive

About:
This is the second instalment in a series of three 7" records which see Stefan Goldmann probing the
upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals
for a collective return to highly energised club experiences. 'Danke Dingo' pierces through a
stroboscopic grid of chords – 'Iron Hive' is one assertive rhythmic manifestation of menacingly
metallic swarms. More bouncy than harsh, these tracks show impressively how different tempos allow
for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. A card with a download code
is included. Round three of the trilogy will be released in February 2022. Happy New Year!

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Format: 7”

Tracklist:
A. Badger
B. Sawhorse

About:
This is the first instalment in a series of three 7" records in luxurious packaging which see Stefan
Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are
bold and blazing signals for a collective return to highly energised club experiences. 'Badger' is a
breaks-infused peak time weapon while 'Sawhorse' morphs more subtly through hypnotic and
seesawing synth patches. More bouncy than harsh, this material shows impressively how different
tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. Rounds two and three of the
trilogy will be released in January and February 2022.

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Track list CD:
1. Onset Trajectory, 2. Flood, 3. Merge, 4. Blind Deconvolution, 5. Neodym, 6. The Hearth, 7. Fission, 8. Caesium-133, 9. Surface Boundary, 10. Viscosity, 11. Builders, 12. Polymer, 13. Shift Invariant

Info:
In February 2020, the Philharmonie Berlin opened its gates for the first time in its history for a fully
blown electronic music program. Strom Festival continued for two days across three of the Berlin
landmark's jagged spaces. Stefan Goldmann had been invited to serve as the festival's artist-curator
and also performed its inaugural concert in the building's pentagonal Grand Hall. As much as this
event was without precedent for one of the world's leading classical music institutions, it is also an
uncannily typical match for Goldmann's rather unusual career path.
Though nominally techno, his music is distinguished by an ever-imaginative take on the form. From
exploring asymmetric rhythms to designing novel tuning systems to re-imagining the technological
base of electronic music – few have looked further beyond the genre's functional foundations.
Respectively, his music keeps appearing in contexts far removed from techno's club institutions –
featuring work with ensembles, dance companies, film makers and his own opera, as well as sitespecific performances at venues such as Kyoto's Honen-In Temple and LA's LACMA museum.
'Live At Philharmonie Berlin' is closely tailored to the Grand Hall, featuring a wealth of material
specifically developed to engage its architecture and acoustics. Apart from being a document that
brilliantly captures the Philharmonie's aural footprint with clear-cut synthetic probes, it also comes
close to being a retrospective of Goldmann's most striking formal ideas. Harking back to his early use
of wavetable synthesis for highly liquid units of pitch, timbre and dynamics, his recent
recontextualisations of industrial preset sounds and gradual shades of distortion fuse to shape the
soundscape of the one hour performance. These sounds then swirl through shifting microtonal grids
and freewheeling polyrhythms, solidifying into alien melodies, spiky transients and blocks of coloured
noise.


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Tracklist:

A1. Funia
A2. Sweet Protocol
B1. Tickle In The Heart
B2. Norilsk Nickel


Info:

Sheer power. With 'Tears Of Joy' Stefan Goldmann hands in an array of unapologetically bass-heavy techno cuts. Attacking a sound system's full width, these simplistic two-tone workouts turn out to have tremendous depth. Never standing still, constant feisty modulation keeps basslines and bodies.



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Tracklist:
1. Planinar, 2. Sofra, 3. Vilayet, 4. Etropolis, 5. Katran, 6. Teghlicci, 7. Makara, 8. Kapan, 9. Teslá


INFO:
Stefan Goldmann's 'Veiki' is a bold foray onto new rhythmic ground for machine-based dance music. While Veiki's sounds appear firmly grounded in contemporary techno, its pulse is neither based on the 4/4 tradition nor on the breakbeat continuum. The metres employed here are distinctly asymmetric – i.e. they never add up to binary entities, but are odd-numbered instead. With patterns of 7, 9 or 11, they offer possibilities for dislocating the center of gravity not available to standard rhythmic fare. Thus this may represent one of the few systematic efforts to move slamming machine techno onto an alternative rhythmic foundation: Real broken beat.

Asymmetric / irregular metres are part of the ancient music tradition of the Eastern Mediterranean as well as of South Eastern Europe. The patterns employed here are also present in the traditional music of Bulgaria with which Stefan Goldmann grew up. Citing no other aspects and using no 'ethnic' samples, these tracks lead a way to resolving the problem of how to bring the tools and traits of cutting edge electronic music to alternative traditions of music, or vice versa. Structure over surface.

Of course irregular metres have been visited for structural exploration for Western musicians of different backgrounds, such as Don Ellis, Steve Coleman or Burnt Friedman & Jaki Liebezeit who have all developed highly distinguished and idiosyncratic approaches in relation to these. Thus a reduction of the phenomenon to its core and emergence as a clear-cut and reproducible form appeared imminent for at least two decades. The inexplicable surprise though is that despite the ongoing rhythmic differentiation of breakbeat and techno this obvious step seems to have never been taken decisively. Now here it is.

Vital Sales Points:
- Live premiere from Buenos Aires streamed by MUTEK (full professional video online)
- Recent DJ set at Boiler Room
- Extensive Global Promo by Modern Matters / Macro.
- Upcoming event Feb 2020: Stefan Goldmann curates “Strom Festival” for Philharmonie Berlin, (world-leading classical music institution) featuring Nina Kraviz, KiNK, Robert Henke, Ryoji Ikeda etc.


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Tracklist:
A. In Aggregate
B. Carob

about:
One of techno's most joyous experimentators delivers two intriguing uptempo tracks. Instead of hitting
hard and heavy 'In Aggregate' and 'Carob' float delicately, with explosive detail blooming freely and
high above what feels rather like a bass-ladden undercurrent than a persistent kick drum foundation.
Both tracks expand on Stefan Goldmann's extensive polyrhythmic research and integrate tonal and
metric functions within the same units of sound. Somewhat radically, the central sound of 'Carob' is all
in one: beat, bassline and single-note melody. By contrast, 'In Aggregate' unfolds lush layers of
exuberant percussion, countered by rounded drops of bass and an occasional vocal snippet
ricocheting off of claustrophobia-inducing walls of glass.
As future-forward as they are organic, these offerings come with appropriately idiosyncratic artwork by
Jorinde Voigt. Printed on inside-out heavy paper cover + a printed inner sleeve.

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Track list Vinyl:
A1. Patterns, A2. Seem To Take, A3. Ah Oh, B1. Oho Oho, B2. Pears, B3. Swim, C1. Aaa, C2.
Glucose, C3. Unless It Rains, D1. 0%, D2. 9, D3. Long Before

Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. With three
albums the Berlin trio pioneered an astonishing inversion of the typical electronic band set up, by
pairing a plethora of disembodied, sampled voices with acoustic real-time interaction on bass, drums
and keys.
'Yield', their fourth album, presents a shift in focus. Less weight on the vocal core – lots of new
integrations of sampling, synthesis and band action in different constellations. This diversification of
sources pulls the conceptual stops out and yields a dazzling array of magical instrumentalism. Bold.
Catchy. Flourishing.
From 'Gold' to 'Universe', KUF solidified an irresistible marriage of android vocal cords and highly
energetic beats. Their third album 'Re:Re:Re' applied the concept to remix/cover version hybrids of
classics from Macro's stellar back catalog, tackling originals by the likes of rRoxymore, KiNK, Patrick
Cowley, Santiago Salazar and Stefan Goldmann. With proof that the concept could be applied with
supremely gratifying results to such diverse contexts, time was ripe to go back to the drawing board
and reimagine the perimeter.
Now 'Yield' breathes the freedom of playful reassembly of the main ingredients. A sampler's cut-up
capabilities triggered by frisky fingers. Persistent bass. Adamant drums. Rough soul, intertwined by
improvised outbursts and shaped with the aesthetics of raw MPC-based chunky techno. Twelve slices
of hyper-integrated realtime magic.

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LP plus Free Digital Download included


Tracklist:
A1. Nayba
A2. Oyotung
A3. Lorino
A4. Yukagir
B1. Tiksi
B2. Ayon
B3. Valkumey

The Album:
Proprietary rhythm: Vector Rituals sees techno polymath Stefan Goldmann constructing polymetric rites of percussion. Synthesized from the ground up, timbral characteristics, metric properties, dynamic
expression and microrhythmic phrasing are shaped by the interactions of layered control voltage functions. The result is an assembly of abstract dances ranging from the intricate to the powerful.
Near-humanoid behaviour emerges from liquid patterns, laid out and brought to life by the freewheeling encounter of modular waveforms and snappy envelopes. Sounds evoke metallic textures
– ringing, scraping – and group into virtual shapes from tiny spikes to vast surfaces.
Some of the parametric relationships employed are as loose as to imply chance drifts. Others lock in with strict regularity as found in the 13 vs. 17 polymeter pattern of opening track 'Nayba'. By contrast,
in the strictly repetitive yet highly asymmetrical sequence of 'Yukagir' each metric step has its own uniquely irregular duration. The center piece of this collection is 'Ayon' with multiple autonomous and
highly agile timelines. Its constituent layers break away in radial fashion and fall back together at widely spaced points of congregation.
All compositions herein present powerful proof of the unlimited capacity of electronic music to yield new principles of organisation and to solidify their expression into clear-cut gestalt.

The Record:
Vector Rituals comes on 180g vinyl with artwork by highly acclaimed visual artist Jorinde Voigt, printed onto the inside-out cover sleeve and continued on the inner jacket.

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DE - 22113 Hamburg
Germany
Conatct: [email protected]More

Format: 7”

Tracklist:
E. Singing Wire
F. Geared

About:
This is the fnal chapter in a series of three 7" records which see Stefan Goldmann probing the upper
temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals for a
collective return to highly energised club experiences. 'Singing Wire' is playfully swinging and feels
surprisingly natural and decelerated for what it is – while taking you decisively and rapidly to its farend destination. 'Geared' is raw voltage with all the sparks fying. More bouncy than harsh, these
tracks show impressively how diferent tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and refective-lacquer details, with individual colour-coded inner sleeves. Comes with download card.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
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Conatct: [email protected]More

Format: 7”

Tracklist:
C. Danke Dingo
D. Iron Hive

About:
This is the second instalment in a series of three 7" records which see Stefan Goldmann probing the
upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals
for a collective return to highly energised club experiences. 'Danke Dingo' pierces through a
stroboscopic grid of chords – 'Iron Hive' is one assertive rhythmic manifestation of menacingly
metallic swarms. More bouncy than harsh, these tracks show impressively how different tempos allow
for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. A card with a download code
is included. Round three of the trilogy will be released in February 2022. Happy New Year!

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
Germany
Conatct: [email protected]More

Format: 7”

Tracklist:
A. Badger
B. Sawhorse

About:
This is the first instalment in a series of three 7" records in luxurious packaging which see Stefan
Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are
bold and blazing signals for a collective return to highly energised club experiences. 'Badger' is a
breaks-infused peak time weapon while 'Sawhorse' morphs more subtly through hypnotic and
seesawing synth patches. More bouncy than harsh, this material shows impressively how different
tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. Rounds two and three of the
trilogy will be released in January and February 2022.

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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More

Tracklist 12”:
A1. Twyhyndeman
A2. Destructive Motions
B1. Stone Mystic
B2. Experienced

Tracklist CD (included with 12”):
1. Twyhyndeman
2. Shake The Globe – Part 1
3. Shake The Globe – Part 2
4. Destructive Motions
5. Stone Mystic
6. Experienced
7. Kinderspiel für Ferenc
8. Leave The Thorns To Fight
Info:
Techno boldness from the depths of Upstate New York. Mysterious L'estasi Dell'oro returns with eight
mind-boggling machine songs. Twisted mechanical workouts, enchanted while driving hard like
awakened nature recapturing unattended industrial structures. Circular melodies cut through the
rectangular metallic clutter. This is the stuff to bring us back together.
Following previous releases on Macro, Field, Flaneur Audio, Fifth Wall and Voodoo Down, Christopher
Ernst leaves his Brooklyn phase behind and starts afresh with his first long-form release in five years.


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Highly original remakes of tracks by A-list artists such as KiNK, Peter Kruder (of Kruder & Dorfmeister), Patrick Cowley & Stefan Goldmann.

Tracklist 2LP:
A1. An Ardent Heart (Stefan Goldmann)
A2. Arcade (Santiago Salazar)
A3. Furniture (Raudive)

B1. Soon (Patrick Cowley & Jorge Socarras)
B2. Feral (Raudive)
B3. Memory Fails Me (Patrick Cowley)

C1. Vodolaz (KiNK)
C2. Law Of Return (Peter Kruder)
C3. Stammophorm (Anno Stamm)

D1. Darksun (rRoxymore)
D2. Hollow Sound (Stefan Goldmann)



Info:
Electronic / acoustic wonder band KUF deliver a special surprise for their third album: eleven sizzling hot takes on tracks drawn from the Macro label's stellar catalog, as originally crafted by some of today's most respected artists in electronic music. KiNK, Patrick Cowley, Peter Kruder (of K&D), Stefan Goldmann, rRoxymore and more get the treatment. With a nod to the label's previous highly original compilations and mixes from the Macrospective and Vinylism series, Re:Re:Re captures more new ground.

KUF's previous albums presented an astonishing inversion of the typical extended electronic set up, in that they paired a plethora of disembodied, sampled voices with acoustic real time interaction on bass, drums and keys. Re:Re:Re shifts the focus of sampling altogether to scanning entire tracks and compositions which are then reimagined with the band's singular approach. Neither just remixes, nor faithful reproductions, KUF engage in careful sound archaeology. From re-programming key sounds to holistic granular deconstructions, the originals's sound palettes are reproduced to serve as a springboard towards entirely new instalments. The resulting tracks range from intimate ballads to full power dance floor movers, spanning a highly engaging arc of sheer listening pleasure.


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Tracklist:

A1. Funia
A2. Sweet Protocol
B1. Tickle In The Heart
B2. Norilsk Nickel


Info:

Sheer power. With 'Tears Of Joy' Stefan Goldmann hands in an array of unapologetically bass-heavy techno cuts. Attacking a sound system's full width, these simplistic two-tone workouts turn out to have tremendous depth. Never standing still, constant feisty modulation keeps basslines and bodies.



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Turntablist and sound artist Maria Chavez turns in her first continuous full length audio work. 'Plays' is a DJ mix CD that doesn't feature any tracks. It is a remix of a work whose original doesn't feature recorded sound. It is a minimalistic yet complex electroacoustic work, literally built from scratch, bootstrapping sound out of sheer silence: creatio ex nihilio.


Tracks: I, II, III, IV, V, VI, VII, VIII, IX, X, XI

Info:
Turntablist and sound artist Maria Chavez turns in her first continuous full length audio work. 'Plays' is a DJ mix CD that doesn't feature any tracks. It is a remix of a work whose original doesn't feature recorded sound. It is a minimalistic yet complex electroacoustic work, literally built from scratch, bootstrapping sound out of sheer silence: creatio ex nihilio.
The story of this album starts with a record given to Cha?vez as a birthday present. It is Stefan Goldmann's 'Ghost Hemiola', a double vinyl set of empty locked grooves. The record contains no sound whatsoever other than the vinyl's own surface noise.
Cha?vez's work with records and turntables usually features a rich layer of recorded audio which is transformed, cut up and rearranged by a wide range of fearless physical manipulations. By contrast 'Ghost Hemiola' is a blank canvas, unveiling her craft in its purest form, unobstructed by any audio content other than the sounds of the medium itself.
Breaking up the medium is happening both ways here, literally as well as figuratively. Unlike with her live performances, for "Plays" Cha?vez employs digital processes extensively, zooming into minute details of sound and the artefacts of both mediums, the tangible vinyl record and disembodied digital audio. Narrowing down shards of sound to extremely short frames creates metallic timbres, reverberating quasi- spaces and percussive layers. Slowing down the tempo until sound halts at one sample of its digital representation brings forth emergent frequencies, which Cha?vez then uses to play melodies - vaguely resembling her analog technique of playing melodies by skipping a stylus back and forth across a test tone record.
This thorough investigation of the unobstructed vinyl medium with digital means is distilled into a one hour composition on this album. By the way - Chavez and Goldmann share the same birthdate.


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The music in this album is derived from works originally commissioned for the five hour music theatre
work ALIF, as premiered at Berlin’s MaerzMusik Festival of 2016. Revised from 2017 to 2019 for the
album format, the works herein are an excellent representation of Stefan Goldmann’s ongoing
investigation of the wider potentials of techno.

Tracklist:
Tracks: 1. Broca – 2. Zahir – 3. Covert Bias – 4. Tacit Script – 5. Scaling Net – 6. Turbulent Scalar –
7. Apophenia – 8. HMS Solitude

Info:
Tacit Script builds its own network of interdependent grids in which sound objects move and thrive
along multiple dimensions.

All frequencies fall into custom scales, developed individually for each track and generated by bending
the standard chromatic system. Most electronically produced music operates with a 1V per octave
tuning which is divided into 12 equally spaced steps, equivalent to the piano keyboard. Stefan
Goldmann skews or stretches this variable in order to achieve different microtonal spacings, wider or
narrower, thus eliminating the octave – commonly a fixture in most music. Intervals might thus be at 75
or 110 or 138% of their ‘regular’ ratio. Melodic objects then traverse these unfamiliar spectral
structures, singing electric songs with alien voices.

Divergent metric layers drift apart, only to be pulled back together at critical points. Clearly pulsed
elements hammer out persistent patterns, yet complex polymetric friction persists over long stretches
of time. Altern-ating continuous sweeps and abrupt shifts through wavetables define the highly
synthetic, yet organically developing timbres of Tacit Script. Relentless repetition is the force which
yields coherent composite shapes in this setting. The results are emphatically in the realm of techno –
what is being pushed forward are the interrelations of its constituent layers.

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Tracklisting:
A1: Humane 4:15 A2: Nonthing's Wrong 3:15 A3: Chance 2:50 A4: Take A Look Around 4:00
B1: B 4:50 B2: I Don't Want You ... 9:10 B3: Only When I Sleep 3:30
C1: Parkee 3:40 C2: Czech 4:22 C3: Into Dreams 1:50
D1: Repeat 4:40 D2: Universe 2:10 D3: Too Late 5:00

Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. Voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. Glowing synths push forward. Basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. Voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio session's deep flow… A vortex of quirky hands, responsive ears and glowing circuits.
Since Thomas A. Edison first recorded the human voice in 1877, the recording arts have changed music forever. Musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. An era of sampling offered a cubistic analysis of the recorded past and DJs took dancers onto intricately fractured time travels. This is the historic foundation that KUF keep probing. Just like the sampler and the DJ before them, they found new ways to re-allocate where machine and man stand when making music together. Most importantly, they turn the resulting friction into sparkling bursts of energy.
'Universe' digs deeper into the android vocal chords. The album offers sweeping melodies, different beats and persistent bass. Immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during Berlin Lichtenberg warehouse rehearsals. By striking the keys, KUF squeeze out and serve up all the soul accumulated in those savory phonetic shreds. Wood striking metal, thick bass strings moving air, oscillators humming eagerly. Physical and electrical, alive and stunningly beautiful - after a year well spent in smoky clubs, on festival stages and in extensive nocturnal sessions, KUF deliver chapter two of their unfolding saga



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Tracklist:
1. Humane, 2. Nothing's Wrong, 3. Chance, 4. Take A Look Around, 5. B, 6. I Don't Want You No More, 7. Only When I Sleep, 8. Parkee, 9. Czech II, 10. Into Dreams, 11. Repeat, 12. Universe, 13. Too Late
Info:
KUF create emotion-laden dialogues across layers of time and dimensions of sound. Voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. Glowing synths push forward. Basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. Voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio session's deep flow… A vortex of quirky hands, responsive ears and glowing circuits.
Since Thomas A. Edison first recorded the human voice in 1877, the recording arts have changed music forever. Musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. An era of sampling offered a cubistic analysis of the recorded past and DJs took dancers onto intricately fractured time travels. This is the historic foundation that KUF keep probing. Just like the sampler and the DJ before them, they found new ways to re-allocate where machine and man stand when making music together. Most importantly, they turn the resulting friction into sparkling bursts of energy.
'Universe' digs deeper into the android vocal chords. The album offers sweeping melodies, different beats and persistent bass. Immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during Berlin Lichtenberg warehouse rehearsals. By striking the keys, KUF squeeze out and serve up all the soul accumulated in those savory phonetic shreds. Wood striking metal, thick bass strings moving air, oscillators humming eagerly. Physical and electrical, alive and stunningly beautiful - after a year well spent in smoky clubs, on festival stages and in extensive nocturnal sessions, KUF deliver chapter two of their unfolding saga



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Tracks:
A. Stammophin
B1. Stammotan
B2. Stammophorm
Written & produced by Lars Stöwe. Mastered by Rashad Becker.
Info:
Anno Stamm is the revered 4/4 branch name of Berlin's Lars Stoewe. As Anstam he has been at the forefront of dark beat science, touring extensively with the likes of Moderat and Thom Yorke's Atoms For Peace and has appeared at festivals ranging from Mutek and CTM to Sonar and Dimensions.

'Annothek' is his second EP for Macro. The three tracks build on the same set of sound sources and offer three different views at their glowing core. Elastic basslines pierce through a bed of sweet and warm chords, surrounded by sizzling noise percussion. Definitely on the more introspective side, the three cuts offer a special emotional depth while maintaining a bit more than just enough oomph to get the action going. Late night and early morning are the possible settings. It's a declaration of tender love that comes with a gentle push towards the closest darkroom.



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Tracks:
A. Dexydi
B1. Spellbind
B2. Liulka
Written & produced by Roboknob. Mixed by Stefan Goldmann. Mastered by Rashad Becker.
Info:
We've said it before: techno's vanguard can be found in the East right now. Sofia's quirky techno underground is densifying. Evolving around the Diviat Slon parties (residents: StefaK & Stefan Goldmann), the Beton nights, the indoors offspins of Artmospheric festival and unannounced appearances of KiNK under his Cyrillic guise, raw and rave-infused techno is increasingly defining the city's sound of the small hours.
Roboknob are part of this movement, and this is their debut EP. A live hardware duo, Yasen and Stanislav drop rugged, noisy machine jams around the Bulgarian capital and have been regulars at Artmospheric. The EP's tracks have been distilled from their live repertoire and mixed by Stefan Goldmann into sharply defined form with added bite. 'Dexydi' is Greek for acid - the corrosive liquid, not the music. Accordingly, its heavy-handed single-note bass attack will cut through anything. 'Spellbind' is more bouncy with frantic upward movements, distorted percussive fallout and a seasick bass foundation. 'Liulka' handles two layers of time rubbing off of each other: quirky and pushing high in the sky, against the bass drum mechanics down low. A suitable acoustic symbol for Sofia's state of techno.


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Tracklist:
A1: Please Don't Tell Me That
A2: Serious Attack
B1: She Put Me Under A Light Trance
B2: Overland Trip

Release info:
Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures.
Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release.
Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world.
The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.


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Tracklist:
A1: Uhod
A2: Who's Your Daddy
B1: Treatment
B2: Symphony No.9

Release info:
Between the vast flatlands of Western Ukraine and the Pacific shores of Vladivostok, a new quirky techno underground has been racking up hefty grid rhythms below the radar. Initially free from the weekend routines of the established club circuit, producers from Etapp Kyle to Stanislav Tolkachev have been experimenting with the possibilities of shifting grids in their post-socialist bedroom studios. The interconnecting conduit of these geographically isolated minds has often been the radio show of Nikita Zabelin, a Moscow-based DJ mining the local torrents for treasures.
Vladimir Dubyshkin is one premier example of how this culture yields wildly exciting finds. Listening to how sweepingly effective his de-centered vision of techno is, it's hard to believe that this actually is his first fully fledged vinyl release.
Hailing from Tambov, a city of 280.000 souls 460 km southeast of Moscow, Vladimir Dubyshkin is a regular of Zabelin's show and has contributed tracks to two compilations on Nina Kraviz's TRIP label - another major force in bringing great techno from the fringes of the former Soviet Union to the attention of the world.
The "For Various Reasons EP", coming in two separate installments, now shows the full picture of Dubyshkin's special talents. Highly energetic, rave-infested analog techno with de-tuned melodies rubbing against take-no-prisoners basslines. There is an intense emotional component present at all times, typically missing in Western grayscale techno. And once again, the great promise of participation of techno has been proved alive and well, with the freshest contribution coming from the least expected of places.


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Germany
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Tracks: A1. Inward Slope, A2. A-Drive, A3. , B1. Constructor, B2. Spikes

Release info:
Rough techno versions, derived from Stefan Goldmann's synth-heavy 'A1' film soundtrack. Five cuts remixed into the mighty 4/4 grid (mostly). Free wheeling hardware synthesis and heavy-handed beats line up for concrete-blasting impact on 'Constructor' and 'A-Drive'. The B2's 'Spikes' is a more loose affair around a scintillating analogue synth riff. Contrastingly, 'Inward Slope' features a warped beat layout and wavetable splashes, sounding like a weeping robot fighting with a cat. 'Roadside Lot' is a soothing ambient FM tech tool. That's it. On to the next fifty.




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