Tracklisting
A1 Ribé - Las Tres Puertas
A2 Ribé - La Rabia
B1 Ribé - Itinerario
B2 Ribé - El Sutil Arte
C1 Ribé - Ellas
C2 Ribé - El Sigilo
D1 Ribé - 100215
D2 Ribé - El Nuevo Mundo

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Tracklisting
A1 Ribé - La Penumbra
A2 Ribé - El Método
B1 Ribé - Las Raices
B2 Ribé - Bajo el Olivo

Sales Note
After his acclaimed album for us released recently, Ribe comes again into the mothership with this modular madness EP, proving again his mastery of intelligent techno and sound design.

La penumbra is the first track, as the title suggests, darkness and shadows come immediately to mind when listening to it. A solitary bass drum joined by several drones and ambiences interleaving and mutating over the arrangement.

El Metodo follows, electric and sharp, with repetitive modular bleeps floating over a bass heavy groove. The only additional elements are percussive and come into the track progressively until the hypnotic climax.

Flipping the record, Las Raices introduce distortion and roughness on the equation, relying on a powerful groove soon accompanied by high pitched drones and electric synthetic washes.

Last Tune is Bajo el Olivo, liquid and elastic, with resonant bubbles going asymmetrically on top of the rhythm with occasional percussive details going on the back. A sci-fi sequence appears in the middle of the track adding additional sound hypnosis.

No doubt that Ribe has his own trademark sound and we are really proud of having him onboard.

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Ribe´ joins Boddika’s Nonplus Records imprint with his debut modular techno album entitled ‘Tested Signal LP’. Longstanding analogue enthusiast, producer and live performer Ribe´ is no stranger to the world of reduced and perfected techno having racked up countless hours amongst the cables and steel crates of his sound-producing machines. With previous releases on Non Series, Ex Aequo, PoleGroup’s sub-label AINE and with upcoming cuts on Warm Up and Token, alongside regularly appearing amongst Madrid’s club circuit, all play a vital part to fueling his credible and growing catalogue. The Spanish artist now delivers an ensnaring collection, that reflects the modular performer’s current output, on his first album - a project encompassing fifteen-tracks - which places focus on dark warehouse and machine-like sounds that engulf rhythm. ‘Overture’ opens with distant chords and a sparse atmosphere that is jarred by occasional glitches, both ‘Tested Signal’ and Ribe´ & Boddika’s collaborative cut ‘Fusion’ follow with sparking analogue qualities and buried sub-frequencies. Next, ‘Variables’ has a digital language to it with binary-like beats and bleeps until UK-based and Mote Evolver producer Shifted then follows with layering in a dubbed rhythm and intricate percussion ideal for early hour sessions. ‘Flux’ elevates the energy with its reverberating synth while tracks such as ‘Entropy’ and ‘Vacuum’ lean more towards cantering techno patterns alongside the disjointed and broken drums of ‘The Certainty of uncertain’, ‘Sub rosa’ and ‘Symmetry axis’. Finally, ‘Rhetoric’ then fluctuates with minimalist-style programming before ‘Quantic Drone’ hauntingly dissipates into a vast aural space, ‘Pulses’ then subtlety rattles with otherworldly sequences until ‘Prototype’ concludes with its tonal rich hits and chattering cymbals. TRACK LISTING:A1. Tested Signal, A2. Fusion w/ Boddika, B1. The Certainty of Uncertain, B2. Variables (Shifted Rmx)

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Retina.it debut on Nonplus Records, with five tracks of analogue driven Techno/Electronic music

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Charles Duff and Daniel Fisher have known each other since well before their respective forays into dance music. They serendipitously crossed paths at some point in the early 2010s with mutual friends in the NYC club kid scene. Shortly thereafter they realised they both were keen to ditch the vapid hipster bullshit that had fueled their early careers thus far in order to pursue something pure: techno. Mind you, this was at a time when it was not terribly cool to be into underground dance music. If anything, they both were greeted with massive skepticism from their peers but that didn't ultimately deter them. Both went from relative obscurity to regular slots at Berghain. And for two American kids musing in a pathetic bedroom studio, this was nothing short of a dream come true. A prophecy had been fulfilled. The two tried their hands at numerous attempts at collaboration over a 5 year period but nothing seemed to stick. Most of it sucked horrendously according to them. But not on this occasion. The stars finally came into alignment and they were able to execute a concise group of tracks that finally made sense together. Which brings us to Threads. Threads, an homage to the uber-dystopian BBC docudrama from the 80s, sums up their dynamic approach to tracks. It's an alienating, sinister take on techno that somehow manages to not fully lose faith in dire times. Much like life today.

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Emerging from the wake of his sold out release with Zehnin Records, Paleman continues his experiments with textural and visceral modular music exploration for his debut 3 track EP for Nonplus Records. A side “Sweltering Rain” is a powerful piece of groaning, urgent dance floor minimalism, charging forward with a ritualistic, undulating droid line set against scorched, otherworldly drones. B1 “Cells” opens with scurrying modulated white noise and reverberating cosmic texture patterns set against a monolithic kick drum ostinato. The elegant minimalism develops with radioactive analog synth alarms and stark futuristic vocal glitches as the track barrels forward with momentum. B2 Titan Vulture explores an undiscovered alien landscape evoking imagery of liquid pools of methane, erupting geysers and swirls of otherworldly elements. It is an absorbing, chugging and captivating piece of textural escapism, evolving as it goes whilst still featuring the elegant and considered minimalistic touch that runs throughout the EP.

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Ellen Allien prepares to release her first ever solo EP outside of her BPitch Control imprint and has chosen a label she avidly admires, Boddika's Nonplus. The title track is both a thundering call to action and a love letter to the unifying power of rave culture. While its lyrics may seem vague at first "take a stand for or against what?" they unravel their mystery while the track unfolds gradually. Starting off as a sparse basement banger, ‘Take A Stand’ slowly escalates into an acidic anthem before subtly changing its course once more towards the end. Over the course of ten and a half minutes, Ellen Allien revives the cheerful optimism of the original techno revolution while positioning herself against the joylessness inherent to so much techno these days. This is a revolution you can dance to. On the b-side, ‘Trigger’ takes us into an equally hypnotising trip down the wormhole of contemporary rave culture. Combining a hard-hitting groove with a muffled, bouncing acid bassline, it will have basements and big rooms alike dripping with sweat. On ‘Flying Objects’, Ellen Allien uses her voice once more, this time to round off what could just well be the official musical manifesto for what she usually refers to "space techno" - a colourful, futurist statement that leaves no ass unshaken.

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The Blink single is a labour of love spanning over 2 years evolving from Reshape’s Live Series. The ‘Tunnel mix’ takes its title from being road tested at the now closed Tunnel Club in Paris and both tracks are a homage to early UK and Detroit techno which Redshape holds fond memories of from his youth.

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Burial releases 2 new tracks on Nonplus, out in October!!



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A collection of tracks written & produced in 2016, Milan, Italy, including some of his first solo material after focusing on his CW/A project with Francesco Leali aka Clockwork for a few years. An audio engineer by trade, Avatism records electronic music and operates Parachute Records from his Milan-based studio. With original compositions and remixes on Nonplus, Vakant, Decca, R&S and his own imprint, the young Italian is well-respected for his own brand of dilapidated, muscular dance music. Performing solely as a live act, his improvised transmissions echo through the walls of clubs like Fabric, Berghain, Concrete, Panorama Bar and festivals of the calibre of Sonar, Audioriver and EXIT, either alone or under the guise of CW/A.

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Musician, journalist, radio host. In his works he is looking for a balance between the corporeal and the contemplative aspects of music. Sound induced by him can be described as something between techno, deep techno and dub techno, under a deep impact of broadly although not always explicitly understood ambient.

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Fresh off of a pair of well-received EPs on his recently-launched Manhigh imprint, Berlin’s highly respected techno auteur Henning Baer makes his first appearance on Nonplus with 4 excellently crafted, saturated machine techno tracks on The Idea of Instinct. Following on feelings suggested in the title, the EP opens with a pair of more contemplative pieces: the title track’s spare arrangement puts mechanical rhythmic drive behind its exploration of dusky electronic atmospheres, while the feeling of ‘DNA’ is both brighter and slightly pacier, its hypnosis deriving from the pads and synthesizer sequences that circle the drums. ‘CCC II’ takes a darker approach to a similar idea, this time with the suggestion of polyrhythms in the distant and heavily-treated percussive elements circling in the background behind uneasy ambience. It builds to the closer ‘Spiritual Quest’, where overlaid rhythms in 3 and 4 are not easily reducible and create the tension at the track’s centre driving it to its conclusion.

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Creepin' in plays with the gray areas that exist between genres, contrasting with the clarity of the digital synths and over saturated analog drums. Next up Ineffekt is acid electro cut with thrashing percussion held together with 808 drums. Red Alert is the only track with a vocal. Classic Roland drums, deep sub and hardware synths mixed with the hypnotic vocal overlays make this one for the freaks. Sky Pager is slow cooked mid 90's jacking business, the kind I'm known for. 808 Trash Pile is an acid hammer of a cut with the drum and synth doing a maniacal game of call and response.
More than ever I used digital and analog together creating more sinister vibes on these tracks. The tracks for me also reside in a gray area that is in between house and techno and at the same time analog and digital.

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Acclaimed Be As One boss Shlomi Aber makes a big step up here by putting out a trio of his killer techno cuts on the always excellent and forward looking NonPlus label run by Boddika. His XY Play EP continues in his no nonsense, ‘floor facing style and impresses once more. Shlomi Aber is an underground titan who runs his own musical empire in the form of his Be As One label. He has made it into an essential outlet for no frills house and techno and his own output has found him in fine favour with DJs and dancers alike. Playing all over the world and also serving as an expert at the Emerging Ibiza festival on the White Isle, here he comes correct once more. The title EP XY Play is a brain frying affair with cantering drums and stern synths bringing a dark and intone vibe to the groove. Way Old Story is just as heads down but less ominous, here the synths are a little spooky and add intrigue to his slick rubbery drums. Last but not least Related Sources is a hunched over house track with dub in its kick drums and a desolate industrial feel in the landscapes above. Atmospheric from the first to the last moment, this is another killer EP from Shlomi Aber.

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Nonplus has been pushing the envelope for forward thinking music since its inception in 2009 and the next EP confirms this. There is little known about Hexagon Son but the raw and intricate sound of the Spiral EP suggests this is no newcomer. From the hypnotic swirls of Spiral17, the raw robot funk of Opia to the deconstructed tape driven re-imaging of Blipworx. The Spiral EP covers all corners of the expansive world of Techno.

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Eduardo makes his return to Nonplus with the Sensitive Compartmented Information EP. Eduardo is one of techno’s most dedicated underground legends and continues on a path unaffected by fads or fashions. Following on from his Sequoia Symposium in April last year again we have a 4 tracker exploring the deep realms of techno

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He's not what you'd call a prolific producer but the old saying of 'quality over quantity' couldn't ring truer for Marcellis. With just 3 releases in the last 12 years starting with a single on 2004, followed by an EP on Workshop and then his album on Millions Of Moments, any new work is highly anticipated. Its been a long time coming for Nonplus but every bit worth the wait. 3 tracks covering a range of styles from the ice cold analogue quirkiness of 'Sleep', to the bumping 4/4 offering of 'Indigo Skyfold' through to the jazzed out chugger 'Can They Do Tha (G Love Real Raw)' its an honour to have Marcellis as an addition to the catalogue.

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Nonplus 035 passes the torch to Finnish producer Samuli Kemppi who’s built a solid back catalogue over the last 15 years and in that time has also become a pioneer of electronic music in Helsinki. His radio show Deep Space Helsinki (Alongside Juho) developed into one of the cities most popular club nights and also into his shared record label DSH. His debut on Nonplus brings us 3 slices of no nonsense deep space techno.

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Nonplus continue with the Source Direct re release and remix series and here we have one of the most influential dnb tracks ever written, Source Direct - The Crane, which was a 90s classic at the forefront of the future thinking genre. Alongside the original track there was an alternate version found on an old DAT tape which will now surface on NONPLUS LTD 003, and on remix duties, Inland & Function give their take on the track giving it the 4/4 techno treatment.

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Radio Slave’s 'Dont Stop No Sleep' has gone under the knife with the remix treatment from some of electronic musics finest producers. Robert Hood, A Tale Of Us, and Roman Poncet & DJ Deep all deliver their own takes on the original in their own unique styles and breathe new life into this classic slice of techno.

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30 year old Inland a.k.a Ed Davenport is an Englishman currently residing in Berlin. His release history dates back to 2006 with a steady output of house and techno and he spawned his Inland alias in 2012, kicking off his own Countercharge imprint with the Solstice EP. He also co-manages the Infrastructure label alongside Function, the pair having produced the 'Odeon/Rhyl' EP together as Function/Inland for the label's comeback release after a 9 year hiatus. Talking about his EP for Nonplus he explains; "This EP represents my current standpoint on 4/4 club music. Textural, crisp, fuller techno tracks with plenty going on beneath the surface. I made the tracks starting with a quite free, live-jam approach in the studio, laying down long recordings of synth parts, drums, and FX while working the mixer to create accents and peaks. Then I layered and edited everything afterwards, trying to maintain the essence of those live jams, letting the tracks find their own story. These are all long tracks designed to work in their entirety, but that can also be thrown in for 2 or 3 minutes in a fast paced set and make their mark."

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