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eric maltz - No Title
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eric maltz - No Title
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eric maltz - No Title
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eric maltz - No Title
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eric maltz - No Title
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eric maltz - No Title
Eric Maltz is a producer from New York City and now resides in Berlin, Germany. He is a former employee of Halcyon records from its' OG glory days in it's first location in Red Hook/Carrol Gardens areas of Brooklyn. "Eric Provided a sofa to me often through-ought my 20's and vice-versa, we both cared about music above all else- we lived and breathed music- and we helped each other survive when we were penniless - if one was up, so was the other...
Eric and I were roommates, friends, we looked out for each other in a rough city with tough rules. Every time one of us got a job at a restaurant or record shop, within weeks we would have the other working there too. We did that for a decade. We slang records for years at Halcyon- a shop on Smith Street which had a portrait of Stevie Wonder painted on the front facade- and we threw parties all around Brooklyn back then too.. Every shitty bar that would have us lol. We were a dope team. He's the only person who has ever touched the third rail on a subway and survived too! True story. So you know I couldn't wait to release his Debut LP. Proud of this guy" - Levon Vincent
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Eric and I were roommates, friends, we looked out for each other in a rough city with tough rules. Every time one of us got a job at a restaurant or record shop, within weeks we would have the other working there too. We did that for a decade. We slang records for years at Halcyon- a shop on Smith Street which had a portrait of Stevie Wonder painted on the front facade- and we threw parties all around Brooklyn back then too.. Every shitty bar that would have us lol. We were a dope team. He's the only person who has ever touched the third rail on a subway and survived too! True story. So you know I couldn't wait to release his Debut LP. Proud of this guy" - Levon Vincent
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from eric maltz
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Eric Maltz - No Title
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Eric Maltz - No Title
Eric Maltz had a busy 2018 with the release of the first two records on his label Flower Myth, the frenetic Pathway EP and the dub-techno informed Estuaries EP. The smashing vocal single Naked Broken followed on Possible Futures as well as a remix for Marlon Hoffstadt, a debut performance at Berlin’s Atonal Festival and to close the year, a live set at Tresor with close friend Levon Vincent whose Novel Sound label released Eric's 2017 double EP NS-17.
2019 is gearing up to be just as busy and kicks off with “Dream Journal”, two long form cuts for deep dancefloors.
A side “Dream Journal” is one for the REM cycles. A development of Maltz’ signature psychedelic deep house sound, dub sound effects jump in and out of focus, swirling arpeggios pan across the stereo field and a playful piano solo take turns at the center of the stage as a deep bass line and funk-ready drum machine hold the fort.
On the flip, “Subliminal Virgo” is exactly that, hitting with a loose breakbeat and echoes of "Dream Journal" before settling into an unstoppably subby 4x4 throb. A synth solo hides deep under the layers as Maltz adventures into the dark chasms of thought gaps
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2019 is gearing up to be just as busy and kicks off with “Dream Journal”, two long form cuts for deep dancefloors.
A side “Dream Journal” is one for the REM cycles. A development of Maltz’ signature psychedelic deep house sound, dub sound effects jump in and out of focus, swirling arpeggios pan across the stereo field and a playful piano solo take turns at the center of the stage as a deep bass line and funk-ready drum machine hold the fort.
On the flip, “Subliminal Virgo” is exactly that, hitting with a loose breakbeat and echoes of "Dream Journal" before settling into an unstoppably subby 4x4 throb. A synth solo hides deep under the layers as Maltz adventures into the dark chasms of thought gaps
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Novel sound
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Levon Vincent - Greetings And Salutations
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Levon Vincent - Sweat To Enjoy Life
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Levon Vincent - Stereo Systems III
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Levon Vincent - You Bliss Me
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Levon Vincent - Regarding Love
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Levon Vincent - Longing
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Levon Vincent - Carena
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Levon Vincent - Strut Beats
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Levon Vincent - Driving
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Levon Vincent - Jomox Track
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Levon Vincent - The Funk
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Levon Vincent - Sunday Mornings
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Levon Vincent - Greetings And Salutations (Vinyl Mix)
New tape from Levon Vincent
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Levon Vincent - The Medium Is The Message II (Long Mix)
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Levon Vincent - The Medium Is The Message II (Short Mix)
Levon Vincent continues unabashed to combine the Streetwise and the Elegant on his newest release, The Medium is the Message II - A reference to Marshall McLuhan's theory that the message signifies content and character, and the 'content' of any medium blinds us to the character of said medium. Levon doubles-down with Novel Sound #40, promoting his love for vinyl all these pleasurable years.
Mastered by the inimitable Josh Bonati in Brooklyn, NY.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Mastered by the inimitable Josh Bonati in Brooklyn, NY.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Levon Vincent - Everlasting Joy
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Levon Vincent - Gattaca
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Levon Vincent - Sunrise
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Levon Vincent - Birds
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Levon Vincent - Wolves
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Levon Vincent - Tigers
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Levon Vincent - Mother Earth
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Levon Vincent - Moonlight
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Levon Vincent - Silent Cities
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Levon Vincent - Mother Amazon
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Levon Vincent - Sunset
Levon Vincent returns with his fourth full-length studio album Silent Cities a striking departure from his previous records. This, his first release experimenting with the cassette format, Silent Cities is a kind of mixtape through more private moods and personal pitches (literally given Levon’s non-standard tunings).
While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
“I was expanding further along the lines of a surprise favourite from my previous LP, a song called She Likes To Wave To Passing Boats which was not a 4 on-the-floor piece to play in clubs but a more impressionistic piece of music that I wrote to expound some emotions one day” says Levon. “It was a song written using just intonation. I really love how warm the pure 4ths sound, so when working on the new LP Silent Cities I decided to use my own tunings”.
Historically, the use of just intonation has meant that such instruments could sound "in tune" in one key but at the expense of more dissonance in the other keys. None of the songs on Silent Cities use standard Western equal temperament, Levon created his own scale designs coupled with the ancient ratios found in just intonation.
Born in Houston in 1975, Levon’s life changed dramatically when his parents moved their family to New York in 1981, uprooted from what he knew, the shock, the change from Houston to New York at 6 years old, is referred to constantly in Levon’s Musical output over the years. Levon's family moved houses in and around NYC from 1981 -2010, never more than a mile or two from the WTC. He lived on the Lower East Side during his teenage years and early 20s. This time period and this locale are also a big theme recurrent in his music as he tries to convey how the "downtown" lifestyle and culture-melding affected him so much at a tender age. He cut his teeth working in record shops around lower Manhattan, and while working at the Halcyon Record shop in Brooklyn he (alongside DJ Jus-Ed) was instrumental in creating the wave that came to be known as the "NYC House Renaissance" circa 2010. During the Y2K years he studied 20th C post-minimalism at Purchase college of New York under James McElwaine (who tangentially produced Man Parrish’s Self-Titled proto-hip-hop debt LP). Levon was fortunate to study theory with avant-garde composer Dary John Mizelle and orchestration under conductor Joel Thome. He undertook masterclasses with Philip Glass and also served as intern for John Kilgore, engineer for Steve Reich, where he was present for notable mix sessions such as “Violin Phase.”
Post-minimalism clearly remains an influence not to mention the early sampler stars of 80s freestyle and synth pop. Mixing such far-reaching influences is something Levon executes tremendously well. The first track Everlasting Joy moves at a head nodding 96 BPM tempo, reflecting formative influences like Paul Hardcastle’s Rainforest or Art Of Noise’s Moments in Love. “Those types of songs were a big eye opener for me as a youth, because it was where I realised songs in popular culture didn’t have to be kept to just 3 minutes, and they didn’t require vocals either. So, Everlasting Joy is a song with that intention, one that might be radio-friendly, despite the long arrangement and without vocals. You could say it was inspired by 107.5 in NY because that was a station I listened to a lot in the 1980’s.”
The majority of demos on Silent Cities were recorded before Covid-19 hit the world - when Levon had found a studio space outside of home in his adopted city of Berlin. It was a career first - working on music outside the bedroom. This riding the train or bicycling ‘going to work’ in Berlin opened up a new mood in his music, using the time back and forth to be inspired - commuting as an NYC transplant who still feels as a tourist in Berlin, with a pair of headphones, looking out the window on the train, or stopping on bridges and parking his bike to enjoy Berlin's skyline and horizon. Then, the pandemic struck and “work” came to a halt. Levon had recorded so much material during that year in the studio out of house it seemed like an inflection point for him to lighten the burden of the possessions he was carrying.
“People close to me have watched me give away synths and hardware regularly and I have given away my record collection every few years for my whole life. As a struggling artist in my 20s who had worked in record stores that whole time, I learned that moving constantly with 12k records just wasn't the way to live. So, in light of the pandemic, I set up a shop online, and sold all my music equipment. I also created a separate shop for all my sneakers and clothes. Easy come, Easy go. This provided me with a slow drip type of income that carried me quite well through the pandemic and it allowed me to focus on my own art and music. Getting rid of all my possessions felt like a weight being lifted from my shoulders and I was able to stay the course and remain committed to the music. I needed a further 2 years to mix and arrange the LP. If it weren’t for the pandemic, I would not been able to make this type of LP, so in light of everything, I was able to turn a depressing time in to something lasting and musically very positive.”
You can hear how his approach to a cassette release retains the "Medium is the Message." ethos. Silent Cities is a spooling, warm piece about life memories and embodiment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
“I was expanding further along the lines of a surprise favourite from my previous LP, a song called She Likes To Wave To Passing Boats which was not a 4 on-the-floor piece to play in clubs but a more impressionistic piece of music that I wrote to expound some emotions one day” says Levon. “It was a song written using just intonation. I really love how warm the pure 4ths sound, so when working on the new LP Silent Cities I decided to use my own tunings”.
Historically, the use of just intonation has meant that such instruments could sound "in tune" in one key but at the expense of more dissonance in the other keys. None of the songs on Silent Cities use standard Western equal temperament, Levon created his own scale designs coupled with the ancient ratios found in just intonation.
Born in Houston in 1975, Levon’s life changed dramatically when his parents moved their family to New York in 1981, uprooted from what he knew, the shock, the change from Houston to New York at 6 years old, is referred to constantly in Levon’s Musical output over the years. Levon's family moved houses in and around NYC from 1981 -2010, never more than a mile or two from the WTC. He lived on the Lower East Side during his teenage years and early 20s. This time period and this locale are also a big theme recurrent in his music as he tries to convey how the "downtown" lifestyle and culture-melding affected him so much at a tender age. He cut his teeth working in record shops around lower Manhattan, and while working at the Halcyon Record shop in Brooklyn he (alongside DJ Jus-Ed) was instrumental in creating the wave that came to be known as the "NYC House Renaissance" circa 2010. During the Y2K years he studied 20th C post-minimalism at Purchase college of New York under James McElwaine (who tangentially produced Man Parrish’s Self-Titled proto-hip-hop debt LP). Levon was fortunate to study theory with avant-garde composer Dary John Mizelle and orchestration under conductor Joel Thome. He undertook masterclasses with Philip Glass and also served as intern for John Kilgore, engineer for Steve Reich, where he was present for notable mix sessions such as “Violin Phase.”
Post-minimalism clearly remains an influence not to mention the early sampler stars of 80s freestyle and synth pop. Mixing such far-reaching influences is something Levon executes tremendously well. The first track Everlasting Joy moves at a head nodding 96 BPM tempo, reflecting formative influences like Paul Hardcastle’s Rainforest or Art Of Noise’s Moments in Love. “Those types of songs were a big eye opener for me as a youth, because it was where I realised songs in popular culture didn’t have to be kept to just 3 minutes, and they didn’t require vocals either. So, Everlasting Joy is a song with that intention, one that might be radio-friendly, despite the long arrangement and without vocals. You could say it was inspired by 107.5 in NY because that was a station I listened to a lot in the 1980’s.”
The majority of demos on Silent Cities were recorded before Covid-19 hit the world - when Levon had found a studio space outside of home in his adopted city of Berlin. It was a career first - working on music outside the bedroom. This riding the train or bicycling ‘going to work’ in Berlin opened up a new mood in his music, using the time back and forth to be inspired - commuting as an NYC transplant who still feels as a tourist in Berlin, with a pair of headphones, looking out the window on the train, or stopping on bridges and parking his bike to enjoy Berlin's skyline and horizon. Then, the pandemic struck and “work” came to a halt. Levon had recorded so much material during that year in the studio out of house it seemed like an inflection point for him to lighten the burden of the possessions he was carrying.
“People close to me have watched me give away synths and hardware regularly and I have given away my record collection every few years for my whole life. As a struggling artist in my 20s who had worked in record stores that whole time, I learned that moving constantly with 12k records just wasn't the way to live. So, in light of the pandemic, I set up a shop online, and sold all my music equipment. I also created a separate shop for all my sneakers and clothes. Easy come, Easy go. This provided me with a slow drip type of income that carried me quite well through the pandemic and it allowed me to focus on my own art and music. Getting rid of all my possessions felt like a weight being lifted from my shoulders and I was able to stay the course and remain committed to the music. I needed a further 2 years to mix and arrange the LP. If it weren’t for the pandemic, I would not been able to make this type of LP, so in light of everything, I was able to turn a depressing time in to something lasting and musically very positive.”
You can hear how his approach to a cassette release retains the "Medium is the Message." ethos. Silent Cities is a spooling, warm piece about life memories and embodiment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Levon Vincent - Side A
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Levon Vincent - Side B
Tracks for astral projection. Levon creates his own tonality using his original pitch designs to take the listener to a place that did not yet exist, whilst maintaining priority dance floor focus. The Niresa tracks are using such unique musical intervals that every listener can decide where the music is taking them, and there is no wrong answer. Levon says, "These are tracks for astral planing. The beauty of creating your own tonal dialog each time you work is that you can literally take the listener somewhere new and un-discovered with each new release
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Levon Vincent - Side A
2
Levon Vincent - Side B
Underwater deepness from Levon Vincent on Novel Sound, 3 beats to the bar and 180g pressing
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Levon Vincent - ETA - Infinity (Warm Mix)
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Levon Vincent - ETA - Infinity (Frenzy Mix)
Limelight-era NYC street techno beats
Tracklist:
A1. ETA Infinity (Warm Mix) 12.33 mins
B1. ETA Infinity (Frenzy Mix) 11.00 mins
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Tracklist:
A1. ETA Infinity (Warm Mix) 12.33 mins
B1. ETA Infinity (Frenzy Mix) 11.00 mins
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Levon Vincent - Julius Caeser
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Levon Vincent - Years Of Your Life
Brand new Levon!
NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds
Hypnotic ancient Espionage Techno-House Hybrid
NS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 sec
Targeted Dance-Floor Rhythms
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds
Hypnotic ancient Espionage Techno-House Hybrid
NS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 sec
Targeted Dance-Floor Rhythms
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Levon Vincent - WE WILL DANCE TOGETHER AGAIN
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Levon Vincent - BELLS PHASE
NS-34 SIDE A - WE WILL ALL DANCE TOGETHER AGAIN - 14min 37 seconds
A Funky Levon Live Jam
NS-34 SIDE B - BELLS PHASE - 10mins 56 seconds
Phasing Tribal House
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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A Funky Levon Live Jam
NS-34 SIDE B - BELLS PHASE - 10mins 56 seconds
Phasing Tribal House
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WAS - Word and Sound Medien GmbH
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1
Levon Vincent - Enchanted Cosmos
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Levon Vincent - Reprise
A celebration of L-O-V-E
incl. 12" x 24" Foldout
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WAS - Word and Sound Medien GmbH
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incl. 12" x 24" Foldout
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1
Levon Vincent - Riding Alongside The Ocean
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Levon Vincent - Ocean Dub
3
Levon Vincent - Sunlight
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WAS - Word and Sound Medien GmbH
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1
Levon Vincent - No Title
2
Levon Vincent - No Title
I made this release to commemorate 10 years of Novel Sound.
It features a track from my Resident Advisor Podcast called "WKO" which people have asked me to release many times over the last decade.
https://www.mixcloud.com/residentadvisor/ra158/
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It features a track from my Resident Advisor Podcast called "WKO" which people have asked me to release many times over the last decade.
https://www.mixcloud.com/residentadvisor/ra158/
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WAS - Word and Sound Medien GmbH
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Contact: [email protected]More
1
Levon Vincent - No Title
2
Levon Vincent - No Title
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WAS - Word and Sound Medien GmbH
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1
Levon Vincent - No Title
2
Levon Vincent - No Title
3
Levon Vincent - No Title
4
Levon Vincent - No Title
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WAS - Word and Sound Medien GmbH
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1
Levon Vincent - A1
2
Levon Vincent - A2
3
Levon Vincent - B1
4
Levon Vincent - B2
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1
Levon Vincent - Track 1
2
Levon Vincent - Track 2
3
Levon Vincent - Track 3
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1
levon vincent - No Title
2
levon vincent - No Title
3
levon vincent - No Title
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WAS - Word and Sound Medien GmbH
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1
levon vincent - No Title
2
levon vincent - No Title
3
levon vincent - No Title
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WAS - Word and Sound Medien GmbH
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WAS - Word and Sound Medien GmbH
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Germany
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