Label:Novel Sound
Cat-No:NS-47
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Levon Vincent - Greetings And Salutations
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Levon Vincent - Sweat To Enjoy Life
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Levon Vincent - Stereo Systems III
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Levon Vincent - You Bliss Me
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Levon Vincent - Regarding Love
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Levon Vincent - Longing
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Levon Vincent - Carena
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Levon Vincent - Strut Beats
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Levon Vincent - Driving
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Levon Vincent - Jomox Track
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Levon Vincent - The Funk
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Levon Vincent - Sunday Mornings
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Levon Vincent - Greetings And Salutations (Vinyl Mix)
New tape from Levon Vincent
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More records from Levon Vincent
Label:Novel Sound
Cat-No:NS-40
Release-Date:17.02.2023
Genre:House
Configuration:12"
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Levon Vincent - The Medium Is The Message II (Long Mix)
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Levon Vincent - The Medium Is The Message II (Short Mix)
Levon Vincent continues unabashed to combine the Streetwise and the Elegant on his newest release, The Medium is the Message II - A reference to Marshall McLuhan's theory that the message signifies content and character, and the 'content' of any medium blinds us to the character of said medium. Levon doubles-down with Novel Sound #40, promoting his love for vinyl all these pleasurable years.
Mastered by the inimitable Josh Bonati in Brooklyn, NY.
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Mastered by the inimitable Josh Bonati in Brooklyn, NY.
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Label:Novel Sound
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Release-Date:04.11.2022
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Levon Vincent - Everlasting Joy
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Levon Vincent - Gattaca
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Levon Vincent - Sunrise
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Levon Vincent - Birds
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Levon Vincent - Wolves
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Levon Vincent - Tigers
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Levon Vincent - Mother Earth
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Levon Vincent - Moonlight
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Levon Vincent - Silent Cities
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Levon Vincent - Mother Amazon
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Levon Vincent - Sunset
Levon Vincent returns with his fourth full-length studio album Silent Cities a striking departure from his previous records. This, his first release experimenting with the cassette format, Silent Cities is a kind of mixtape through more private moods and personal pitches (literally given Levon’s non-standard tunings).
While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
“I was expanding further along the lines of a surprise favourite from my previous LP, a song called She Likes To Wave To Passing Boats which was not a 4 on-the-floor piece to play in clubs but a more impressionistic piece of music that I wrote to expound some emotions one day” says Levon. “It was a song written using just intonation. I really love how warm the pure 4ths sound, so when working on the new LP Silent Cities I decided to use my own tunings”.
Historically, the use of just intonation has meant that such instruments could sound "in tune" in one key but at the expense of more dissonance in the other keys. None of the songs on Silent Cities use standard Western equal temperament, Levon created his own scale designs coupled with the ancient ratios found in just intonation.
Born in Houston in 1975, Levon’s life changed dramatically when his parents moved their family to New York in 1981, uprooted from what he knew, the shock, the change from Houston to New York at 6 years old, is referred to constantly in Levon’s Musical output over the years. Levon's family moved houses in and around NYC from 1981 -2010, never more than a mile or two from the WTC. He lived on the Lower East Side during his teenage years and early 20s. This time period and this locale are also a big theme recurrent in his music as he tries to convey how the "downtown" lifestyle and culture-melding affected him so much at a tender age. He cut his teeth working in record shops around lower Manhattan, and while working at the Halcyon Record shop in Brooklyn he (alongside DJ Jus-Ed) was instrumental in creating the wave that came to be known as the "NYC House Renaissance" circa 2010. During the Y2K years he studied 20th C post-minimalism at Purchase college of New York under James McElwaine (who tangentially produced Man Parrish’s Self-Titled proto-hip-hop debt LP). Levon was fortunate to study theory with avant-garde composer Dary John Mizelle and orchestration under conductor Joel Thome. He undertook masterclasses with Philip Glass and also served as intern for John Kilgore, engineer for Steve Reich, where he was present for notable mix sessions such as “Violin Phase.”
Post-minimalism clearly remains an influence not to mention the early sampler stars of 80s freestyle and synth pop. Mixing such far-reaching influences is something Levon executes tremendously well. The first track Everlasting Joy moves at a head nodding 96 BPM tempo, reflecting formative influences like Paul Hardcastle’s Rainforest or Art Of Noise’s Moments in Love. “Those types of songs were a big eye opener for me as a youth, because it was where I realised songs in popular culture didn’t have to be kept to just 3 minutes, and they didn’t require vocals either. So, Everlasting Joy is a song with that intention, one that might be radio-friendly, despite the long arrangement and without vocals. You could say it was inspired by 107.5 in NY because that was a station I listened to a lot in the 1980’s.”
The majority of demos on Silent Cities were recorded before Covid-19 hit the world - when Levon had found a studio space outside of home in his adopted city of Berlin. It was a career first - working on music outside the bedroom. This riding the train or bicycling ‘going to work’ in Berlin opened up a new mood in his music, using the time back and forth to be inspired - commuting as an NYC transplant who still feels as a tourist in Berlin, with a pair of headphones, looking out the window on the train, or stopping on bridges and parking his bike to enjoy Berlin's skyline and horizon. Then, the pandemic struck and “work” came to a halt. Levon had recorded so much material during that year in the studio out of house it seemed like an inflection point for him to lighten the burden of the possessions he was carrying.
“People close to me have watched me give away synths and hardware regularly and I have given away my record collection every few years for my whole life. As a struggling artist in my 20s who had worked in record stores that whole time, I learned that moving constantly with 12k records just wasn't the way to live. So, in light of the pandemic, I set up a shop online, and sold all my music equipment. I also created a separate shop for all my sneakers and clothes. Easy come, Easy go. This provided me with a slow drip type of income that carried me quite well through the pandemic and it allowed me to focus on my own art and music. Getting rid of all my possessions felt like a weight being lifted from my shoulders and I was able to stay the course and remain committed to the music. I needed a further 2 years to mix and arrange the LP. If it weren’t for the pandemic, I would not been able to make this type of LP, so in light of everything, I was able to turn a depressing time in to something lasting and musically very positive.”
You can hear how his approach to a cassette release retains the "Medium is the Message." ethos. Silent Cities is a spooling, warm piece about life memories and embodiment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
“I was expanding further along the lines of a surprise favourite from my previous LP, a song called She Likes To Wave To Passing Boats which was not a 4 on-the-floor piece to play in clubs but a more impressionistic piece of music that I wrote to expound some emotions one day” says Levon. “It was a song written using just intonation. I really love how warm the pure 4ths sound, so when working on the new LP Silent Cities I decided to use my own tunings”.
Historically, the use of just intonation has meant that such instruments could sound "in tune" in one key but at the expense of more dissonance in the other keys. None of the songs on Silent Cities use standard Western equal temperament, Levon created his own scale designs coupled with the ancient ratios found in just intonation.
Born in Houston in 1975, Levon’s life changed dramatically when his parents moved their family to New York in 1981, uprooted from what he knew, the shock, the change from Houston to New York at 6 years old, is referred to constantly in Levon’s Musical output over the years. Levon's family moved houses in and around NYC from 1981 -2010, never more than a mile or two from the WTC. He lived on the Lower East Side during his teenage years and early 20s. This time period and this locale are also a big theme recurrent in his music as he tries to convey how the "downtown" lifestyle and culture-melding affected him so much at a tender age. He cut his teeth working in record shops around lower Manhattan, and while working at the Halcyon Record shop in Brooklyn he (alongside DJ Jus-Ed) was instrumental in creating the wave that came to be known as the "NYC House Renaissance" circa 2010. During the Y2K years he studied 20th C post-minimalism at Purchase college of New York under James McElwaine (who tangentially produced Man Parrish’s Self-Titled proto-hip-hop debt LP). Levon was fortunate to study theory with avant-garde composer Dary John Mizelle and orchestration under conductor Joel Thome. He undertook masterclasses with Philip Glass and also served as intern for John Kilgore, engineer for Steve Reich, where he was present for notable mix sessions such as “Violin Phase.”
Post-minimalism clearly remains an influence not to mention the early sampler stars of 80s freestyle and synth pop. Mixing such far-reaching influences is something Levon executes tremendously well. The first track Everlasting Joy moves at a head nodding 96 BPM tempo, reflecting formative influences like Paul Hardcastle’s Rainforest or Art Of Noise’s Moments in Love. “Those types of songs were a big eye opener for me as a youth, because it was where I realised songs in popular culture didn’t have to be kept to just 3 minutes, and they didn’t require vocals either. So, Everlasting Joy is a song with that intention, one that might be radio-friendly, despite the long arrangement and without vocals. You could say it was inspired by 107.5 in NY because that was a station I listened to a lot in the 1980’s.”
The majority of demos on Silent Cities were recorded before Covid-19 hit the world - when Levon had found a studio space outside of home in his adopted city of Berlin. It was a career first - working on music outside the bedroom. This riding the train or bicycling ‘going to work’ in Berlin opened up a new mood in his music, using the time back and forth to be inspired - commuting as an NYC transplant who still feels as a tourist in Berlin, with a pair of headphones, looking out the window on the train, or stopping on bridges and parking his bike to enjoy Berlin's skyline and horizon. Then, the pandemic struck and “work” came to a halt. Levon had recorded so much material during that year in the studio out of house it seemed like an inflection point for him to lighten the burden of the possessions he was carrying.
“People close to me have watched me give away synths and hardware regularly and I have given away my record collection every few years for my whole life. As a struggling artist in my 20s who had worked in record stores that whole time, I learned that moving constantly with 12k records just wasn't the way to live. So, in light of the pandemic, I set up a shop online, and sold all my music equipment. I also created a separate shop for all my sneakers and clothes. Easy come, Easy go. This provided me with a slow drip type of income that carried me quite well through the pandemic and it allowed me to focus on my own art and music. Getting rid of all my possessions felt like a weight being lifted from my shoulders and I was able to stay the course and remain committed to the music. I needed a further 2 years to mix and arrange the LP. If it weren’t for the pandemic, I would not been able to make this type of LP, so in light of everything, I was able to turn a depressing time in to something lasting and musically very positive.”
You can hear how his approach to a cassette release retains the "Medium is the Message." ethos. Silent Cities is a spooling, warm piece about life memories and embodiment.
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Germany
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Label:Novel Sound
Cat-No:NS-39
Release-Date:23.09.2022
Genre:House / Techno
Configuration:12"
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Levon Vincent - Side A
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Levon Vincent - Side B
Tracks for astral projection. Levon creates his own tonality using his original pitch designs to take the listener to a place that did not yet exist, whilst maintaining priority dance floor focus. The Niresa tracks are using such unique musical intervals that every listener can decide where the music is taking them, and there is no wrong answer. Levon says, "These are tracks for astral planing. The beauty of creating your own tonal dialog each time you work is that you can literally take the listener somewhere new and un-discovered with each new release
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Label:Novel Sound
Cat-No:NS-38
Release-Date:24.06.2022
Genre:House / Techno
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Levon Vincent - Side A
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Levon Vincent - Side B
Underwater deepness from Levon Vincent on Novel Sound, 3 beats to the bar and 180g pressing
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Label:Novel Sound
Cat-No:NS-37
Release-Date:20.05.2022
Genre:House / Techno
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Levon Vincent - ETA - Infinity (Warm Mix)
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Levon Vincent - ETA - Infinity (Frenzy Mix)
Limelight-era NYC street techno beats
Tracklist:
A1. ETA Infinity (Warm Mix) 12.33 mins
B1. ETA Infinity (Frenzy Mix) 11.00 mins
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Tracklist:
A1. ETA Infinity (Warm Mix) 12.33 mins
B1. ETA Infinity (Frenzy Mix) 11.00 mins
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Label:Novel Sound
Cat-No:NS-35
Release-Date:22.11.2021
Genre:House
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Levon Vincent - Julius Caeser
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Levon Vincent - Years Of Your Life
Brand new Levon!
NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds
Hypnotic ancient Espionage Techno-House Hybrid
NS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 sec
Targeted Dance-Floor Rhythms
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NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds
Hypnotic ancient Espionage Techno-House Hybrid
NS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 sec
Targeted Dance-Floor Rhythms
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Label:Novel Sound
Cat-No:NS-34
Release-Date:27.09.2021
Genre:House
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Levon Vincent - WE WILL DANCE TOGETHER AGAIN
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Levon Vincent - BELLS PHASE
NS-34 SIDE A - WE WILL ALL DANCE TOGETHER AGAIN - 14min 37 seconds
A Funky Levon Live Jam
NS-34 SIDE B - BELLS PHASE - 10mins 56 seconds
Phasing Tribal House
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A Funky Levon Live Jam
NS-34 SIDE B - BELLS PHASE - 10mins 56 seconds
Phasing Tribal House
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Label:Novel Sound
Cat-No:NS-36
Release-Date:13.08.2021
Genre:House
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Levon Vincent - Enchanted Cosmos
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Levon Vincent - Reprise
A celebration of L-O-V-E
incl. 12" x 24" Foldout
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incl. 12" x 24" Foldout
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Label:Novel Sound
Cat-No:NS-31
Release-Date:19.03.2021
Genre:Techno
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Levon Vincent - Riding Alongside The Ocean
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Levon Vincent - Ocean Dub
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Levon Vincent - Sunlight
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Label:Novel Sound
Cat-No:ns-25
Release-Date:24.07.2020
Genre:Techno
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Levon Vincent - No Title
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Levon Vincent - No Title
I made this release to commemorate 10 years of Novel Sound.
It features a track from my Resident Advisor Podcast called "WKO" which people have asked me to release many times over the last decade.
https://www.mixcloud.com/residentadvisor/ra158/
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It features a track from my Resident Advisor Podcast called "WKO" which people have asked me to release many times over the last decade.
https://www.mixcloud.com/residentadvisor/ra158/
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Label:Novel Sound
Cat-No:ns16
Release-Date:19.06.2020
Genre:House
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Levon Vincent - No Title
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Levon Vincent - No Title
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Label:Novel Sound
Cat-No:ns-29
Release-Date:26.06.2019
Genre:Techno
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Levon Vincent - No Title
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Levon Vincent - No Title
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Levon Vincent - No Title
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Levon Vincent - No Title
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More records from Novel Sound
Label:Novel Sound
Cat-No:NS-40
Release-Date:17.02.2023
Genre:House
Configuration:12"
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Levon Vincent - The Medium Is The Message II (Long Mix)
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Levon Vincent - The Medium Is The Message II (Short Mix)
Levon Vincent continues unabashed to combine the Streetwise and the Elegant on his newest release, The Medium is the Message II - A reference to Marshall McLuhan's theory that the message signifies content and character, and the 'content' of any medium blinds us to the character of said medium. Levon doubles-down with Novel Sound #40, promoting his love for vinyl all these pleasurable years.
Mastered by the inimitable Josh Bonati in Brooklyn, NY.
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Mastered by the inimitable Josh Bonati in Brooklyn, NY.
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Label:Novel Sound
Cat-No:NS-46
Release-Date:04.11.2022
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Levon Vincent - Everlasting Joy
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Levon Vincent - Gattaca
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Levon Vincent - Sunrise
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Levon Vincent - Birds
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Levon Vincent - Wolves
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Levon Vincent - Tigers
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Levon Vincent - Mother Earth
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Levon Vincent - Moonlight
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Levon Vincent - Silent Cities
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Levon Vincent - Mother Amazon
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Levon Vincent - Sunset
Levon Vincent returns with his fourth full-length studio album Silent Cities a striking departure from his previous records. This, his first release experimenting with the cassette format, Silent Cities is a kind of mixtape through more private moods and personal pitches (literally given Levon’s non-standard tunings).
While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
“I was expanding further along the lines of a surprise favourite from my previous LP, a song called She Likes To Wave To Passing Boats which was not a 4 on-the-floor piece to play in clubs but a more impressionistic piece of music that I wrote to expound some emotions one day” says Levon. “It was a song written using just intonation. I really love how warm the pure 4ths sound, so when working on the new LP Silent Cities I decided to use my own tunings”.
Historically, the use of just intonation has meant that such instruments could sound "in tune" in one key but at the expense of more dissonance in the other keys. None of the songs on Silent Cities use standard Western equal temperament, Levon created his own scale designs coupled with the ancient ratios found in just intonation.
Born in Houston in 1975, Levon’s life changed dramatically when his parents moved their family to New York in 1981, uprooted from what he knew, the shock, the change from Houston to New York at 6 years old, is referred to constantly in Levon’s Musical output over the years. Levon's family moved houses in and around NYC from 1981 -2010, never more than a mile or two from the WTC. He lived on the Lower East Side during his teenage years and early 20s. This time period and this locale are also a big theme recurrent in his music as he tries to convey how the "downtown" lifestyle and culture-melding affected him so much at a tender age. He cut his teeth working in record shops around lower Manhattan, and while working at the Halcyon Record shop in Brooklyn he (alongside DJ Jus-Ed) was instrumental in creating the wave that came to be known as the "NYC House Renaissance" circa 2010. During the Y2K years he studied 20th C post-minimalism at Purchase college of New York under James McElwaine (who tangentially produced Man Parrish’s Self-Titled proto-hip-hop debt LP). Levon was fortunate to study theory with avant-garde composer Dary John Mizelle and orchestration under conductor Joel Thome. He undertook masterclasses with Philip Glass and also served as intern for John Kilgore, engineer for Steve Reich, where he was present for notable mix sessions such as “Violin Phase.”
Post-minimalism clearly remains an influence not to mention the early sampler stars of 80s freestyle and synth pop. Mixing such far-reaching influences is something Levon executes tremendously well. The first track Everlasting Joy moves at a head nodding 96 BPM tempo, reflecting formative influences like Paul Hardcastle’s Rainforest or Art Of Noise’s Moments in Love. “Those types of songs were a big eye opener for me as a youth, because it was where I realised songs in popular culture didn’t have to be kept to just 3 minutes, and they didn’t require vocals either. So, Everlasting Joy is a song with that intention, one that might be radio-friendly, despite the long arrangement and without vocals. You could say it was inspired by 107.5 in NY because that was a station I listened to a lot in the 1980’s.”
The majority of demos on Silent Cities were recorded before Covid-19 hit the world - when Levon had found a studio space outside of home in his adopted city of Berlin. It was a career first - working on music outside the bedroom. This riding the train or bicycling ‘going to work’ in Berlin opened up a new mood in his music, using the time back and forth to be inspired - commuting as an NYC transplant who still feels as a tourist in Berlin, with a pair of headphones, looking out the window on the train, or stopping on bridges and parking his bike to enjoy Berlin's skyline and horizon. Then, the pandemic struck and “work” came to a halt. Levon had recorded so much material during that year in the studio out of house it seemed like an inflection point for him to lighten the burden of the possessions he was carrying.
“People close to me have watched me give away synths and hardware regularly and I have given away my record collection every few years for my whole life. As a struggling artist in my 20s who had worked in record stores that whole time, I learned that moving constantly with 12k records just wasn't the way to live. So, in light of the pandemic, I set up a shop online, and sold all my music equipment. I also created a separate shop for all my sneakers and clothes. Easy come, Easy go. This provided me with a slow drip type of income that carried me quite well through the pandemic and it allowed me to focus on my own art and music. Getting rid of all my possessions felt like a weight being lifted from my shoulders and I was able to stay the course and remain committed to the music. I needed a further 2 years to mix and arrange the LP. If it weren’t for the pandemic, I would not been able to make this type of LP, so in light of everything, I was able to turn a depressing time in to something lasting and musically very positive.”
You can hear how his approach to a cassette release retains the "Medium is the Message." ethos. Silent Cities is a spooling, warm piece about life memories and embodiment.
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WAS - Word and Sound Medien GmbH
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Germany
Contact: gpsr@wordandsound.netMore
While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
“I was expanding further along the lines of a surprise favourite from my previous LP, a song called She Likes To Wave To Passing Boats which was not a 4 on-the-floor piece to play in clubs but a more impressionistic piece of music that I wrote to expound some emotions one day” says Levon. “It was a song written using just intonation. I really love how warm the pure 4ths sound, so when working on the new LP Silent Cities I decided to use my own tunings”.
Historically, the use of just intonation has meant that such instruments could sound "in tune" in one key but at the expense of more dissonance in the other keys. None of the songs on Silent Cities use standard Western equal temperament, Levon created his own scale designs coupled with the ancient ratios found in just intonation.
Born in Houston in 1975, Levon’s life changed dramatically when his parents moved their family to New York in 1981, uprooted from what he knew, the shock, the change from Houston to New York at 6 years old, is referred to constantly in Levon’s Musical output over the years. Levon's family moved houses in and around NYC from 1981 -2010, never more than a mile or two from the WTC. He lived on the Lower East Side during his teenage years and early 20s. This time period and this locale are also a big theme recurrent in his music as he tries to convey how the "downtown" lifestyle and culture-melding affected him so much at a tender age. He cut his teeth working in record shops around lower Manhattan, and while working at the Halcyon Record shop in Brooklyn he (alongside DJ Jus-Ed) was instrumental in creating the wave that came to be known as the "NYC House Renaissance" circa 2010. During the Y2K years he studied 20th C post-minimalism at Purchase college of New York under James McElwaine (who tangentially produced Man Parrish’s Self-Titled proto-hip-hop debt LP). Levon was fortunate to study theory with avant-garde composer Dary John Mizelle and orchestration under conductor Joel Thome. He undertook masterclasses with Philip Glass and also served as intern for John Kilgore, engineer for Steve Reich, where he was present for notable mix sessions such as “Violin Phase.”
Post-minimalism clearly remains an influence not to mention the early sampler stars of 80s freestyle and synth pop. Mixing such far-reaching influences is something Levon executes tremendously well. The first track Everlasting Joy moves at a head nodding 96 BPM tempo, reflecting formative influences like Paul Hardcastle’s Rainforest or Art Of Noise’s Moments in Love. “Those types of songs were a big eye opener for me as a youth, because it was where I realised songs in popular culture didn’t have to be kept to just 3 minutes, and they didn’t require vocals either. So, Everlasting Joy is a song with that intention, one that might be radio-friendly, despite the long arrangement and without vocals. You could say it was inspired by 107.5 in NY because that was a station I listened to a lot in the 1980’s.”
The majority of demos on Silent Cities were recorded before Covid-19 hit the world - when Levon had found a studio space outside of home in his adopted city of Berlin. It was a career first - working on music outside the bedroom. This riding the train or bicycling ‘going to work’ in Berlin opened up a new mood in his music, using the time back and forth to be inspired - commuting as an NYC transplant who still feels as a tourist in Berlin, with a pair of headphones, looking out the window on the train, or stopping on bridges and parking his bike to enjoy Berlin's skyline and horizon. Then, the pandemic struck and “work” came to a halt. Levon had recorded so much material during that year in the studio out of house it seemed like an inflection point for him to lighten the burden of the possessions he was carrying.
“People close to me have watched me give away synths and hardware regularly and I have given away my record collection every few years for my whole life. As a struggling artist in my 20s who had worked in record stores that whole time, I learned that moving constantly with 12k records just wasn't the way to live. So, in light of the pandemic, I set up a shop online, and sold all my music equipment. I also created a separate shop for all my sneakers and clothes. Easy come, Easy go. This provided me with a slow drip type of income that carried me quite well through the pandemic and it allowed me to focus on my own art and music. Getting rid of all my possessions felt like a weight being lifted from my shoulders and I was able to stay the course and remain committed to the music. I needed a further 2 years to mix and arrange the LP. If it weren’t for the pandemic, I would not been able to make this type of LP, so in light of everything, I was able to turn a depressing time in to something lasting and musically very positive.”
You can hear how his approach to a cassette release retains the "Medium is the Message." ethos. Silent Cities is a spooling, warm piece about life memories and embodiment.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Novel Sound
Cat-No:NS-39
Release-Date:23.09.2022
Genre:House / Techno
Configuration:12"
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Levon Vincent - Side A
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Levon Vincent - Side B
Tracks for astral projection. Levon creates his own tonality using his original pitch designs to take the listener to a place that did not yet exist, whilst maintaining priority dance floor focus. The Niresa tracks are using such unique musical intervals that every listener can decide where the music is taking them, and there is no wrong answer. Levon says, "These are tracks for astral planing. The beauty of creating your own tonal dialog each time you work is that you can literally take the listener somewhere new and un-discovered with each new release
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Label:Novel Sound
Cat-No:NS-38
Release-Date:24.06.2022
Genre:House / Techno
Configuration:12"
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Levon Vincent - Side A
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Levon Vincent - Side B
Underwater deepness from Levon Vincent on Novel Sound, 3 beats to the bar and 180g pressing
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Label:Novel Sound
Cat-No:NS-37
Release-Date:20.05.2022
Genre:House / Techno
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Levon Vincent - ETA - Infinity (Warm Mix)
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Levon Vincent - ETA - Infinity (Frenzy Mix)
Limelight-era NYC street techno beats
Tracklist:
A1. ETA Infinity (Warm Mix) 12.33 mins
B1. ETA Infinity (Frenzy Mix) 11.00 mins
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Tracklist:
A1. ETA Infinity (Warm Mix) 12.33 mins
B1. ETA Infinity (Frenzy Mix) 11.00 mins
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Label:Novel Sound
Cat-No:NS-35
Release-Date:22.11.2021
Genre:House
Configuration:12"
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Levon Vincent - Julius Caeser
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Levon Vincent - Years Of Your Life
Brand new Levon!
NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds
Hypnotic ancient Espionage Techno-House Hybrid
NS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 sec
Targeted Dance-Floor Rhythms
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NS-35 SIDE A -JULIUS CAESAR- 9mins 5 seconds
Hypnotic ancient Espionage Techno-House Hybrid
NS-35 SIDE B-YEARS OF YOUR LIFE - 9 mins 10 sec
Targeted Dance-Floor Rhythms
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Label:Novel Sound
Cat-No:NS-34
Release-Date:27.09.2021
Genre:House
Configuration:12"
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Levon Vincent - WE WILL DANCE TOGETHER AGAIN
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Levon Vincent - BELLS PHASE
NS-34 SIDE A - WE WILL ALL DANCE TOGETHER AGAIN - 14min 37 seconds
A Funky Levon Live Jam
NS-34 SIDE B - BELLS PHASE - 10mins 56 seconds
Phasing Tribal House
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A Funky Levon Live Jam
NS-34 SIDE B - BELLS PHASE - 10mins 56 seconds
Phasing Tribal House
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Label:Novel Sound
Cat-No:NS-36
Release-Date:13.08.2021
Genre:House
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Levon Vincent - Enchanted Cosmos
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Levon Vincent - Reprise
A celebration of L-O-V-E
incl. 12" x 24" Foldout
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incl. 12" x 24" Foldout
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Label:Novel Sound
Cat-No:NS-31
Release-Date:19.03.2021
Genre:Techno
Configuration:12"
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Levon Vincent - Riding Alongside The Ocean
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Levon Vincent - Ocean Dub
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Levon Vincent - Sunlight
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Label:Novel Sound
Cat-No:ns-25
Release-Date:24.07.2020
Genre:Techno
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Levon Vincent - No Title
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Levon Vincent - No Title
I made this release to commemorate 10 years of Novel Sound.
It features a track from my Resident Advisor Podcast called "WKO" which people have asked me to release many times over the last decade.
https://www.mixcloud.com/residentadvisor/ra158/
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It features a track from my Resident Advisor Podcast called "WKO" which people have asked me to release many times over the last decade.
https://www.mixcloud.com/residentadvisor/ra158/
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Label:Novel Sound
Cat-No:ns16
Release-Date:19.06.2020
Genre:House
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Levon Vincent - No Title
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Levon Vincent - No Title
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Label:Novel Sound
Cat-No:ns-29
Release-Date:26.06.2019
Genre:Techno
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Levon Vincent - No Title
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Levon Vincent - No Title
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Levon Vincent - No Title
4
Levon Vincent - No Title
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Label:Novel Sound
Cat-No:ns-22
Release-Date:06.06.2019
Genre:Techno
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Levon Vincent - A1
2
Levon Vincent - A2
3
Levon Vincent - B1
4
Levon Vincent - B2
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Label:Novel Sound
Cat-No:ns-27
Release-Date:08.03.2019
Genre:Techno
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Levon Vincent - Track 1
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Levon Vincent - Track 2
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Levon Vincent - Track 3
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Label:Novel sound
Cat-No:ns-26
Release-Date:30.01.2019
Genre:Techno
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levon vincent - No Title
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levon vincent - No Title
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levon vincent - No Title
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Label:Novel sound
Cat-No:ns-24
Release-Date:05.12.2018
Genre:Techno
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Cat-No:ns-24
Release-Date:05.12.2018
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levon vincent - No Title
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levon vincent - No Title
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levon vincent - No Title
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DE - 22113 Hamburg
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Label:Novel sound
Cat-No:ns-23
Release-Date:01.10.2018
Genre:Techno
Configuration:12"
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Label:Novel sound
Cat-No:ns-23
Release-Date:01.10.2018
Genre:Techno
Configuration:12"
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Label:Novel sound
Cat-No:ns-21
Release-Date:17.05.2018
Genre:Techno
Configuration:12"
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Label:Novel sound
Cat-No:ns-21
Release-Date:17.05.2018
Genre:Techno
Configuration:12"
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Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804142717
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Label:Tresor Records / BMG
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Genre:Techno
Configuration:12" Excl
Barcode:4251804142717
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Cybotron - Maintain 04:56
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Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:17.11.2023
Label:rush hour
Cat-No:RH-RH1
Release-Date:06.08.2021
Genre:House
Configuration:12"
Barcode:
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Robert Hood - Funky Souls (Club 246 Mix)
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Robert Hood - Funky Souls (Original Mix)
*2021 repress* Back in 1996 Robert Hood launched his Floorplan monikor on this 12" through his own M-Plant sub-label Drama. This is probably the only time he really touched up a disco record and what a way to do it... Raw and minimal to the bone. This has to be one of the funkiest records to have emerged from Detroit in the last 25 years, and its unmistakably Robert Hood. BIG TIP!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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12"
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Label:Carbone Records
Cat-No:rd05
Release-Date:22.09.2023
Genre:Techno
Configuration:12"
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Last in:20.10.2023
Label:Carbone Records
Cat-No:rd05
Release-Date:22.09.2023
Genre:Techno
Configuration:12"
Barcode:
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1
D. Carbone & DSTM - Never Stop Raveolution
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2
D. Carbone & d_b - The Bad Dance
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3
D. Carbone & Hypnoskull - We Are Stronger
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4
D. Carbone & Lucas Campagna - Social Pressure
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5
D. Carbone & SDBX - Pitch You Back
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6
D. Carbone & Valeriø Innørta - Push Your Back Spin
Tracklisting:
A1 D. Carbone & DSTM - Never Stop Raveolution
A2 D. Carbone & d_b - The Bad Dance
A3 D. Carbone & Hypnoskull - We Are Stronger
B1 D. Carbone & Lucas Campagna - Social Pressure
B2 D. Carbone & SDBX - Pitch You Back
B3 D. Carbone & Valeriø Innørta - Push Your Back Spin
Sales Note
We want to celebrate the 5th Volume of our best series "Raving Disorder" in a special way.
Our Boss D. Carbone choose 6 of his favorite Artists on the label to make a Collab with each one.
DSTM, d_b, Hypnoskull, Lucas Campagna, SDBX, and Valerio Innorta are the mans who joined the boss in this amazing feature it creates a don't-miss duty bomb for your night.
A1 Never Stop The Raveolution is a dark and heavy techno banger that takes the mentality of D. Carbone and DSTM and brings it furthermore in the Techno Revolution Aim.
A2 The boss meets the mysterious d_b again after their debuts on Green Fetish Records "The Bad Dance" is a groovy Banger singed by d_b himself accompanied by powerful kick and 90's groove with dystopian noises and bells deliver the Kaos.
A3 D. Carbone featuring one of the most underground legends in Techno Hypnoskull with "We are Stronger".
The track is a Hymn against capitalism, a selfish attitude, and all the bad things of the Modern Era.
Listen deep to it!
B1 Starts with "Social Pressure" along with boy Lucas Campagna who meets the boss to create an absurd heavy banger, dreamy, powerful, complex, and modern make this a don't-miss bomb in your collection.
B2 is "Pitch You Back" along with SDBX a truly hit played by D. Carbone in almost every set during last year, is the first of long series of heavy hitters by this duo who is already working on EP, since the first listen to this track will be unforgettable.
B3 "Push Your Back Spin" is the Collaboration with the Roman hardcore boy Valerio Innorta, as the title says this track will let your back spin a heavy dance, the track came out after last Valerio's release on Carbone Records and blends in a perfect way this new style with the D. Carbone powerful sound.
Don't miss this vinyl, limited to 300 Marbled blue.
Release Date 22.09.23
Rave On!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 D. Carbone & DSTM - Never Stop Raveolution
A2 D. Carbone & d_b - The Bad Dance
A3 D. Carbone & Hypnoskull - We Are Stronger
B1 D. Carbone & Lucas Campagna - Social Pressure
B2 D. Carbone & SDBX - Pitch You Back
B3 D. Carbone & Valeriø Innørta - Push Your Back Spin
Sales Note
We want to celebrate the 5th Volume of our best series "Raving Disorder" in a special way.
Our Boss D. Carbone choose 6 of his favorite Artists on the label to make a Collab with each one.
DSTM, d_b, Hypnoskull, Lucas Campagna, SDBX, and Valerio Innorta are the mans who joined the boss in this amazing feature it creates a don't-miss duty bomb for your night.
A1 Never Stop The Raveolution is a dark and heavy techno banger that takes the mentality of D. Carbone and DSTM and brings it furthermore in the Techno Revolution Aim.
A2 The boss meets the mysterious d_b again after their debuts on Green Fetish Records "The Bad Dance" is a groovy Banger singed by d_b himself accompanied by powerful kick and 90's groove with dystopian noises and bells deliver the Kaos.
A3 D. Carbone featuring one of the most underground legends in Techno Hypnoskull with "We are Stronger".
The track is a Hymn against capitalism, a selfish attitude, and all the bad things of the Modern Era.
Listen deep to it!
B1 Starts with "Social Pressure" along with boy Lucas Campagna who meets the boss to create an absurd heavy banger, dreamy, powerful, complex, and modern make this a don't-miss bomb in your collection.
B2 is "Pitch You Back" along with SDBX a truly hit played by D. Carbone in almost every set during last year, is the first of long series of heavy hitters by this duo who is already working on EP, since the first listen to this track will be unforgettable.
B3 "Push Your Back Spin" is the Collaboration with the Roman hardcore boy Valerio Innorta, as the title says this track will let your back spin a heavy dance, the track came out after last Valerio's release on Carbone Records and blends in a perfect way this new style with the D. Carbone powerful sound.
Don't miss this vinyl, limited to 300 Marbled blue.
Release Date 22.09.23
Rave On!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:27.10.2023
Label:Lenske
Cat-No:lenske017
Release-Date:17.09.2021
Genre:Techno
Configuration:12"
Barcode:
(transparent vinyl in custom transparent sleeve) Belgium's Milo Spykers pays homage to his homeland with "Belgian Bass" EP, featuring four old school rave cuts set for release on his resident label, Lenske Records.
TRACKLISTING
A1. Milo Spykers - Stainless Steel
A2. Milo Spykers - Blood Hound
B1. Milo Spykers - Belgian Bass
B2. Milo Spykers - Cjax
INFO
Belgium's Milo Spykers pays homage to his homeland with "Belgian Bass" EP, featuring four old school rave cuts set for release on his resident label,Lenske Records.
Part of the Lenske family since its inception, DJ/Producer Milo Spykers returns to Lenske Records for his fourth EP on the Belgian label. Packed with four explosive tracks, the EP marks another stand-out release for Spykers following his "Accelerator" EP last summer.
Kicking off with authority is the thunderous opening track "Stainless Steel", armed with a marching kickdrum and whompy bass. The track breaks down midwa yto give way to a weighted synth melody and flared hi hats that conjoin with a triad of melodic themes, creating an intoxicating blend of rhythm and sound. Next up and packed with explosive pairings is "Blood Hound". Taunting synths and a punching kick create a propulsive rhythm. More chaotic than its predecessor, an array of drums are used to raise the intensity. Sinister synth notes blend seamlessly with the dramatic percussion that feels custom built for dark, thumping techno basements.
On the flip is title track "Belgian Bass", a high voltage stomper with a powerful kick, jackin' rhythm and metallic textures. Siren like synths sound out amongst powerful snares and cymbals. Creating an almost cinematic feeling, the track is brilliantly hectic, broken up by a solitary clap before the chaos resumes. Lastly is "Cjax", a raucous roller that feels like a perfect peak time energy spike, ending the record on a triumphant high note. Gurgling vocal samples stir beneath a driving kick drum and syncopated hi hats,while stabbing chords cut across the soundscape, intertwined with elongated droning synth notes that echo in the distance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTING
A1. Milo Spykers - Stainless Steel
A2. Milo Spykers - Blood Hound
B1. Milo Spykers - Belgian Bass
B2. Milo Spykers - Cjax
INFO
Belgium's Milo Spykers pays homage to his homeland with "Belgian Bass" EP, featuring four old school rave cuts set for release on his resident label,Lenske Records.
Part of the Lenske family since its inception, DJ/Producer Milo Spykers returns to Lenske Records for his fourth EP on the Belgian label. Packed with four explosive tracks, the EP marks another stand-out release for Spykers following his "Accelerator" EP last summer.
Kicking off with authority is the thunderous opening track "Stainless Steel", armed with a marching kickdrum and whompy bass. The track breaks down midwa yto give way to a weighted synth melody and flared hi hats that conjoin with a triad of melodic themes, creating an intoxicating blend of rhythm and sound. Next up and packed with explosive pairings is "Blood Hound". Taunting synths and a punching kick create a propulsive rhythm. More chaotic than its predecessor, an array of drums are used to raise the intensity. Sinister synth notes blend seamlessly with the dramatic percussion that feels custom built for dark, thumping techno basements.
On the flip is title track "Belgian Bass", a high voltage stomper with a powerful kick, jackin' rhythm and metallic textures. Siren like synths sound out amongst powerful snares and cymbals. Creating an almost cinematic feeling, the track is brilliantly hectic, broken up by a solitary clap before the chaos resumes. Lastly is "Cjax", a raucous roller that feels like a perfect peak time energy spike, ending the record on a triumphant high note. Gurgling vocal samples stir beneath a driving kick drum and syncopated hi hats,while stabbing chords cut across the soundscape, intertwined with elongated droning synth notes that echo in the distance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Lost Verses
Cat-No:LV004
Release-Date:03.11.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:11.01.2024
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Last in:11.01.2024
Label:Lost Verses
Cat-No:LV004
Release-Date:03.11.2023
Genre:Techno
Configuration:12"
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1
Oxygeno - Veneno En Los Labios
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2
Oxygeno - Condenados
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3
Oxygeno - Grito Al Vacio
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Oxygeno - As De Corazones
Tracklisting:
A1 Oxygeno - Veneno En Los Labios
A2 Oxygeno - Condenados
B1 Oxygeno - Grito Al Vacio
B2 Oxygeno - As De Corazones
Sales Note
"El Caos Reina" by Oxygeno is the new chapter of our label. This EP is made up of four raw, mental and introspective tracks where the creator tells us the story of a difficult and uncertain time.
Side A opens with "Veneno En Los Labios", an exercise with heavy drums, wrapped by a crunchy bass and a tense and nostalgic atmosphere. This track is followed by "Condenados", a more experimental, dark and anxious piece, where you can feel the terror of the situation.
On the B-side we first find "Grito Al Vacio", the most energetic track, with a strong kick and bassline, cutting percussions and a pad that appears as a desperate scream. In the last track but not least, "As De Corazones", is the hypnotic piece of the album but keeping the forcefulness of the rest.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Oxygeno - Veneno En Los Labios
A2 Oxygeno - Condenados
B1 Oxygeno - Grito Al Vacio
B2 Oxygeno - As De Corazones
Sales Note
"El Caos Reina" by Oxygeno is the new chapter of our label. This EP is made up of four raw, mental and introspective tracks where the creator tells us the story of a difficult and uncertain time.
Side A opens with "Veneno En Los Labios", an exercise with heavy drums, wrapped by a crunchy bass and a tense and nostalgic atmosphere. This track is followed by "Condenados", a more experimental, dark and anxious piece, where you can feel the terror of the situation.
On the B-side we first find "Grito Al Vacio", the most energetic track, with a strong kick and bassline, cutting percussions and a pad that appears as a desperate scream. In the last track but not least, "As De Corazones", is the hypnotic piece of the album but keeping the forcefulness of the rest.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:27.10.2023
Label:Exhale
Cat-No:exh002c
Release-Date:31.05.2021
Genre:Techno
Configuration:12"
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1
V.A. - Charlie Sparks - "Tatakai"
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2
V.A. - Under Black Helmet - "Rogue
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3
V.A. - Xiorro - "Hearing Colors"
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4
V.A. - Ahl Iver - "There Is Always Light"
(part 3/3 featuring Charlie Sparks, Under Black Helmet, Xiorro & Ahl Iver) Amelie Lens' EXHALE Records continues to deliver fiercely dynamic techno from the underground's most promising, rising and established artists with its second VA compilation.
TRACKLISTING
A1. Charlie Sparks - Tatakai
A2. Under Black Helmet - Rogue
B1. Xiorro - Hearing Colors
B2. Ahl Iver - There Is Always Light
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTING
A1. Charlie Sparks - Tatakai
A2. Under Black Helmet - Rogue
B1. Xiorro - Hearing Colors
B2. Ahl Iver - There Is Always Light
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Raster
Cat-No:R-M210-2
Release-Date:29.09.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:4260115999101
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Last in:16.11.2023
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Last in:16.11.2023
Label:Raster
Cat-No:R-M210-2
Release-Date:29.09.2023
Genre:Electronic, Electronica
Configuration:LP
Barcode:4260115999101
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1
Dasha Rush - Joy 100
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2
Dasha Rush - Light and Dust
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3
Dasha Rush - Morphingeist
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4
Dasha Rush - Morphingeist
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5
Dasha Rush - Dubby Doo
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6
Dasha Rush - Summer Photons
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7
Dasha Rush - LoveX
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8
Dasha Rush - Autumn Rivers
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9
Dasha Rush - Trumpets of Andromeda
Immerse yourself in an ethereal sonic voyage with Dasha Rush's latest electronic music masterpiece, »Contemplating«. This ambient album takes listeners on a transcendental journey through ethereal landscapes and immersive textures. The album's title perfectly encapsulates its essence. From the very first note, »Contemplating« captivates with its intricate layers of atmospheric harmonies, meticulously weaving together a tapestry of minimalistic sonic elements. As the ethereal soundscape unfolds, listeners are invited to embrace the moment of stillness in a realm where emotions and thoughts intertwine, creating a sonic experience that is both introspective and otherworldly.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Planet Rhythm
Cat-No:prrukblk089
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:12.12.2023
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Last in:12.12.2023
Label:Planet Rhythm
Cat-No:prrukblk089
Release-Date:01.12.2023
Genre:Techno
Configuration:12"
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1
Lenny San - Expansion
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2
Lenny San - Disruption
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3
Lenny San - Eruption
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4
Lenny San - Dispersion
Tracklisting
A1 Lenny San - Expansion
A2 Lenny San - Disruption
B1 Lenny San - Eruption
B2 Lenny San - Dispersion
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Lenny San - Expansion
A2 Lenny San - Disruption
B1 Lenny San - Eruption
B2 Lenny San - Dispersion
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Last in:12.05.2025
Label:PoleGroup
Cat-No:polegroup070
Release-Date:30.05.2025
Genre:Techno
Configuration:12"
Barcode:
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1
Lewis Fautzi - Total Absence
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Lewis Fautzi - Paranoia
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Lewis Fautzi - Ground State
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Lewis Fautzi - Uncertainty
2025 repress
Tracklisting:
A1 Lewis Fautzi - Total Absence
A2 Lewis Fautzi - Paranoia
B1 Lewis Fautzi - Ground State
B2 Lewis Fautzi - Uncertainty
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting:
A1 Lewis Fautzi - Total Absence
A2 Lewis Fautzi - Paranoia
B1 Lewis Fautzi - Ground State
B2 Lewis Fautzi - Uncertainty
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Rave Alert Records
Cat-No:rave31
Release-Date:25.08.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:17.03.2025
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Last in:17.03.2025
Label:Rave Alert Records
Cat-No:rave31
Release-Date:25.08.2023
Genre:Techno
Configuration:12"
Barcode:
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1
Creeds - Push Up
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Creeds - Slap The Bassline
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Creeds - Stolen Memories
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Creeds - Get Your Mom Down
Tracklisting:
A1 Creeds - Push Up
A2 Creeds - Slap The Bassline
B1 Creeds - Stolen Memories
B2 Creeds - Get Your Mom Down
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 Creeds - Push Up
A2 Creeds - Slap The Bassline
B1 Creeds - Stolen Memories
B2 Creeds - Get Your Mom Down
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:10.05.2024
Label:Lenske
Cat-No:lenske020
Release-Date:02.12.2022
Genre:Techno
Configuration:12"
Barcode:
(transparent vinyl in custom transparent sleeve) Techno trailblazer Amelie Lens presents her new EP 'In My Mind' on her own Lenske imprint, containing three explosive techno tracks.
TRACKLISTING
A. Amelie Lens - In My Mind
B1. Amelie Lens - First Light
B2. Amelie Lens - Trippin'
INFO
Techno trailblazer Amelie Lens presents her new EP 'In My Mind' on her own Lenske imprint, containing three explosive techno tracks.
Belgium's Lenske Records presents its next EP from label head Amelie Lens. The release marks a considerable high point of Lens' career, hot on the heels of the launch of her radio show and dropping just before her debut Ibiza residency with sister label EXHALE. 'In My Mind' will mark Amelie's first solo release on the label since 2020 and follows her collaboration with Airod on 'Raver's Heart' EP late last year. The EP also was inspired by electrifying visuals that Amelie takes on the road and showcases at selected gigs.
Title track 'In My Mind' opens proceedings with blasts, bangs and heavy reverbs whilst Amelie's voice swirls above. The build-up gives way to furious claps, and spiking synths that continue to dance around the vocal sample in a ruthless march. The beat is unrelenting with a venomous, pulsing bassline that creates this raw and atmospheric techno cut, while bubbling keys maintain vitality and lightness with their careful arrangement.
Multiple elements come into play for subsequent track 'First Light'. A stripped back kick synchronizes with distorted pads for the opening, soon accompanied by a heavier kick-drum counterpart and lick of acid to inject some sharpness. The true DNA of the track is the programmed claps and dark pads that rise and fall menacingly throughout, as splashes of effects are thrown into the mix.
Final track on the record 'Trippin'' undoubtedly packs a punch. Blasting off with a dominant kick and oscillating spring reverb that swipes through Amelie's wistful vocals, the harder elements gradually succumb to the softness of her voice. The listener's focus is momentarily shifted during an early breakdown before the kick returns with more vigor accompanied by hurried hi-hats and distortion that sends you into a frenzy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTING
A. Amelie Lens - In My Mind
B1. Amelie Lens - First Light
B2. Amelie Lens - Trippin'
INFO
Techno trailblazer Amelie Lens presents her new EP 'In My Mind' on her own Lenske imprint, containing three explosive techno tracks.
Belgium's Lenske Records presents its next EP from label head Amelie Lens. The release marks a considerable high point of Lens' career, hot on the heels of the launch of her radio show and dropping just before her debut Ibiza residency with sister label EXHALE. 'In My Mind' will mark Amelie's first solo release on the label since 2020 and follows her collaboration with Airod on 'Raver's Heart' EP late last year. The EP also was inspired by electrifying visuals that Amelie takes on the road and showcases at selected gigs.
Title track 'In My Mind' opens proceedings with blasts, bangs and heavy reverbs whilst Amelie's voice swirls above. The build-up gives way to furious claps, and spiking synths that continue to dance around the vocal sample in a ruthless march. The beat is unrelenting with a venomous, pulsing bassline that creates this raw and atmospheric techno cut, while bubbling keys maintain vitality and lightness with their careful arrangement.
Multiple elements come into play for subsequent track 'First Light'. A stripped back kick synchronizes with distorted pads for the opening, soon accompanied by a heavier kick-drum counterpart and lick of acid to inject some sharpness. The true DNA of the track is the programmed claps and dark pads that rise and fall menacingly throughout, as splashes of effects are thrown into the mix.
Final track on the record 'Trippin'' undoubtedly packs a punch. Blasting off with a dominant kick and oscillating spring reverb that swipes through Amelie's wistful vocals, the harder elements gradually succumb to the softness of her voice. The listener's focus is momentarily shifted during an early breakdown before the kick returns with more vigor accompanied by hurried hi-hats and distortion that sends you into a frenzy.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:27.10.2023
Label:Exhale
Cat-No:exh002a
Release-Date:31.05.2021
Genre:Techno
Configuration:12"
Barcode:
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1
V.A. - 999999999 - "Alarm 303
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V.A. - Jastice - "Hey You"
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V.A. - Kontain - "Neck Crank"
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V.A. - Grafin - "Chatty Echoes"
(part 1/3 featuring 999999999, Jastice, Kontain & Gräfin) Amelie Lens' EXHALE Records continues to deliver fiercely dynamic techno from the underground's most promising, rising and established artists with its second VA compilation.
TRACKLISTING
A1. 999999999 - Alarm 303
A2. Jastice - Hey You
B1. Kontain - Neck Crank
B2. Gräfin - Chatty Echoes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
TRACKLISTING
A1. 999999999 - Alarm 303
A2. Jastice - Hey You
B1. Kontain - Neck Crank
B2. Gräfin - Chatty Echoes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore