Fresh modern electronix by Brooklyn-based Patricia aka Max Ravitz, who presents his first album for Analogical Force. "Blue Ridge" puts on display Ravitz's eclectic range of influence and balances cerebral sequenced-synthesiser activity with intricate sound collages. Brilliant stuff from Patricia, with all details such as lovely packaging and quality mastering (by Josh Bonati) covered by The Analogue Force posse! More

The masters for these recordings were lost long ago so we have restored from mint vinyl and had remastered at Subvert Central Mastering. The DJ Seduction remix is rare as hens teeth. The record has been cut at 45 RPM for the DJ's. More

Spectral Sound has assembled four distinctive but complementary producers to flesh out Fort Romeau's remix 12", Frankfurt Versions. Dial Records vet Roman Flügel builds on vaporous atmosphere and snappy movements for his densely layered version of "Insides". Tackling "Lately" and "All I Want", Robert Johnson regulars Orson Wells and Massimiliano Pagliara display their love for bassline-driven dance music. And the Tuff City Kids outfit (a.k.a. Gerd Janson and Phillip Lauer) delivers two interpretations of Insides closer "Cloche". Frankfurt Versions doesn't just wrangle together Fort Romeau's cohorts and contemporaries, it illustrates their vitality in spades. More

Matthew Dear continues his resurgence as Audion in 2014 with "Sky / Motormouth Remixes" as he continues to build on last year's Audion X, a compilation album looking back at a decade of Audion material. The latter featured two all-new Audion tracks, "Sky" and "Motormouth", featured here for the first time on vinyl accompanied by four hard hitting remixes from Daniel Avery, Hotflush label boss Paul Rose aka Scuba, and Spectral Sound newcomer Matrixxman. The pages will only continue to turn as a new Audion album is imminent along with a groundbreaking live audio-visual show, Subverticul, touring worldwide throughout 2014. More

Producer Mark E hails from the West Midlands, an area of the UK that was at the heart of the industrial revolution and was also hit hardest by the decline of UK industry in the 1970s, and again by the economic crisis of our own time. It's an area with a distinct sound and atmosphere, one that manifests in the music of artists as diverse as Black Sabbath and The Specials, and one that plays into many of the ideas behind Mark E's new record Product of Industry. The album's title is a subtle nod to the producer's past and heritage. He explains, "The name lies in the manufacturing past of the area I grew up, [and] the manufacturing past of my family. [It references] how the decline of industry in the Midlands UK changed the landscape physically and socially — I'm now a music producer and DJ, and this is totally different to my grandparents who were truck drivers and sheet metal workers. [The title discusses] how things have changed, and it's also about how I came to be in this position, due to the current global financial situation. I lost my job due to it, [which led to me] trying out music — and here I am, a product of industry, both currently and historically." As befitting its genesis, there's something distinctly mechanistic to the music on Product of Industry — as Mark E says, "The music is grinding, continuous, heavy, relentless." You can hear this idea in the industrial clatter that underpins "Kultra Kafe," the grinding rhythm of "Bog Dance," the pounding beat of "Eganix." Part of this sound is generated by the album's reliance on classic machinery of a musical kind: "My approach was very different on Product of Industry compared to Stonebreaker," Mark E explains. "I approached it with an album in mind. The technique is [also] different — this is majority analogue, whereas Stonebreaker was 100% digital." But just as importantly, this reliance on classic analogue synths also means that the sound of Product of Industry is shot through with a certain warmth, a reminder that there's humanity at the heart of this industrial environment and this industrial sound.. The music, explains the producer, was designed to be "soulful and delicate," and in many ways its abiding warmth is a throwback to the classic sounds of Chicago house. They're firmly located on the other side of the Atlantic, though, and several tracks incorporate "vocal snippets of the language and accent of the West Midlands." The result is an album that's steeped in history — both musical and social — but also sounds utterly contemporary. It's a testament to the way the creative spirit can flourish even in the most adverse of circumstances, and also an album-long evocation of the idea that the machines we build are ultimately expressions and extensions of ourselves. More

A warm and affectionate take on the sound of Chicago house, mixing thick analog pad sounds with a 4/4 kick. More

The Rise EP is Yakine's first release for Spectral Sound, a four-track slab of understated, atmospheric techno More

"Oranges" is a glorious eight-minute slow-burner with a Space Dub version on the flipside. More

Following the noir glory of "The Lovers Night", Subb-an blesses Spectral with another techhouse monster. More