Tracklist
01 Will You Hate Me
02 Is It Really Love (Dub)
03 Back For More
04 What To Do With That

Short Info
Austrian powerhouse Demuja debuts on Permanent Vacation with a deep four-tracker. A name long in the spotlight of the global house and disco scenes, Demuja has previously releasedhis deep, soulful sounds on the likes of Aus Music, Shall Not Fade, Nervous, and his own MUJA label. On his latest EP, he turns to Benjamin Frohlich and Tom Bioly’s revered Permanent Vacation imprint, showcasing four tracks of deep sonic bliss across the ‘Bring Back Love’ EP, which has already garnered support from Laurent Garnier, Stacey Pullen, Alinka, and more.
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Tracklist:
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land

B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More

Tracklist:
01 Depak Ine
02 Destiny feat. Pional
03 El Oeste
04 Oro y Sangre
05 Journeys feat. Ekhi
06 Missing You
07 Last Land
08 Estiu
09 When The Past Was Present
10 H.O.R.S.E.
11 So Will Be Now... feat. Pional

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More

Tracklist:

Album
01 Depak Ine
02 Destiny feat. Pional
03 El Oeste
04 Oro y Sangre
05 Journeys feat. Ekhi
06 Missing You
07 Last Land
08 Estiu
09 When The Past Was Present
10 H.O.R.S.E.
11 So Will Be Now... feat. Pional


ƒin outtakes & remixes
01 Tragedial
02 Destiny feat. Pional (Bullion Version)
03 Matilda's Dream (LP Version)
04 Mai Mes
05 Last Land (Kenton Slash Demon Remix)
06 Zanzibar (80’s Tapemix)
07 I Want Tonite
08 Journeys feat. Ekhi (Bostro Pesopeo Remix)
09 When The Past Was Present (Pachanga Boys Purple Remix)


If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision. More

Tracklist:
A1 Si Si Si
A2 Burnt Deep
A3 Like
A4 Out Of Reach
A5 Day In Shock

B1 The OK Hole
B2 I Wanna Be Adored
B3 Strobe
B4 With The Night At Our Feet

New Jackson marks his long awaited follow-up to 2017’s From Night To Night with its successor OOPS!... POP for long-time collaborators Permanent Vacation. A concise triumph in techno pop, its 9 tracks elevate his signature electronic sounds into anthemic new heights.
David Kitt is a prolific sonic polymath who’s enjoyed a colourful career making whatever he likes.
While releasing music under a vast array of aliases and collaborations for close to two and a half decades, New Jackson has remained his irregular home since 2011 for when ‘at one with the machines’. It offers a kaleidoscopic window into his love of dance music, and on his debut album under the alias From Night To Night (released in 2017 on Dublin’s All City label) he unfurled his singular vision; a dilated suite of nocturnal soul coaxed from his beloved electronic equipment with songwriter’s nous, sonically etched as blunted whispers coalesced from the dusky billows of Dublin bay. Further EPs and singles followed, alongside a beloved live show he toured globally, plus detours with his critically-lauded Garies duo (with Lumigraph) and a David Kitt solo album.
In the time since his New Jackson debut, he’s slowly distilled his studio methodology to help mine the true core of his musical self. Within this experimentation, he has stumbled upon the bounty that is OOPS!... POP, his most direct and euphoric body of work to date. Recorded across the span of five years and three different countries, Kitt has managed to transform his beloved alias into a leaner beast, tightening the screws around arrangements and songwriting to inspire an album sonically effortless in demeanour and spontaneously playful in structure and form. Aided by a stacked cast of collaborators including Rita Lynn, Donnacha Costello, Riche “Jape” Egan, Yenkee, Kean Kavanagh, Margie Jean Lewis, Meg Cronin and Fehdah, it bears the hallmarks of the studio albums of yesteryear in its dynamism and gratification while drawing on his rich bouquet of influences across a century of recorded music.
Opener SI SI SI lulls you in with its smothered vocoder’d croons and patient groove, BURNT DEEP next yields a surprising deep house turn, lit gently with casual hedonism. LIKE rewires the playbook entirely, shuffling along its minimal 80’s boogie groove with a cheeky grin, before lead single OUT OF REACH further mines the golden pastures with its glorious stuttering techno power-pop fit with that anthemic chorus. DAY IN SHOCK digi-dubs around the wonderful vocal turn of Fehdah in purest heads-down manner, then THE OK HOLE and STROBE both descend the psychedelic wormhole of anaesthetised breaks and electro with its entranced dancefloor gaze. I WANNA BE ADORED, the Madchester anthem from The Stone Roses, is then surprisingly reimagined as a lost kraut-pop robo sung classic while WITH THE NIGHT AT OUR FEET is our climactic conclusion, a mechanised symphony of dual proportions; a humane core of angelic harmonies chugging along in electro rhythm before soaring strings take us on our way.
New Jackson’s oeuvre, indeed David Kitt’s musical world, is vast; OOPS!... POP then might just be his opus across it all, a towering achievement of soaring catharsis in melody and song that soundtracks the most direct transmissions from his heart to yours.

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Tracklist
1. Ride The Night (Red Axes Remix)
2. Ride The Night (Alex Neri Remix)
3. Ride The Night (Jennifer Loveless Remix)
4. Ride The Night (Original Version)

Short Info
Baldo's electrifying track "Ride The Night" has been making waves across the global dance music scene, captivating audiences and dominating dancefloors with its infectious energy. Now, the hit single receives a fresh spin from acclaimed artists Red Axes, Alex Neri, and Jennifer Loveless in a highly anticipated vinyl release, marking a new chapter in the evolution of this standout track.
Originally unleashed as a dancefloor anthem, "Ride The Night" has solidified Barcelona's Baldo's reputation as a maestro of electronic beats. Its pulsating rhythms, captivating melodies, and euphoric atmosphere have earned it widespread acclaim, garnering support from DJs and fans alike. In this special vinyl edition, the magic of "Ride The Night" is reinvented through the unique perspectives of three distinguished remixers:

1. Red Axes: Renowned for their eclectic blend of genres and signature psychedelic soundscapes, Red Axes inject their remix with an otherworldly groove that pushes the boundaries of sonic exploration.
2. Alex Neri: A stalwart of the electronic music scene, Italian's Alex Neri brings his decades of experience to the table, delivering a remix that seamlessly blends classic house vibes with a contemporary edge, ensuring dancefloor domination.
3. Jennifer Loveless: With her innovative approach to DJing and production, Jennifer Loveless infuses her remix with a pulsating energy that captivates from start to finish, offering a fresh perspective on "Ride The Night" that is bound to ignite dancefloors worldwide.

This vinyl release marks the first time these remixes are available in physical format, offering fans and collectors alike the opportunity to own a piece of electronic music history. Each remix brings a distinct flavor to the table, showcasing the versatility and timelessness of Baldo's original composition.
"Ride The Night" on vinyl is a must-have for any discerning DJ or electronic music aficionado, serving as a testament to the enduring power of Baldo's music and the boundless creativity of the remixers involved.

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A
Kicking And Screaming
High Noon
Locked Groove A
B
How To Dream
Flat Footed Laurence

Short Info
SNECKER is the musical union of German born Panorama Bar resident DJ nd_baumecker and American musician and performer Snax. An initial foray making a bootleg remix of a Lady Gaga track led to weekly meetings at Baumecker's studio on the legendary Berghain nightclub campus. Jams would last for hours as Baumecker tinkered with his vast array of gear, Snax hoped from keyboard to keyboard and everything was recorded. At Snax's studio across town, arrangements were solidified and vocals added. Soon, files and files of heady, psychedelic and groovy music was piling up on hard drives and after Snecker's first release on Vienna's Freeride Millenium and a track on the 8th Permanent Vacation compilation, the boys now present "How To Dream" EP on Permanent Vacation. Four tracks (and some tools for creative DJs to be found on the vinyl release) full of blends of House, Boogie and Disco only a duo with a long creative history can provide.
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Tracklist

A1 Spumatore
A2 Giro D'Italia
A3 Decathlon
A4 Fracture
A5 Pendio Acid

B1 No No No
B2 Dillingen
B3 Obereggen
B4 Corporate Mind Disintegration
B5 Alpha Synthauri



Short Info


A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.

Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.

The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.



Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.

For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.

So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.

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Tracklist

A1 Session Victim Extended Remix
A2 Session Victim Dub Mix

B1 Bella Boo Remix
B2 Original



Short Info

40 Thieves classic hit "Don't Turn It Off" feat. Qzen on vocals gets the 2023 update with new versions by Sweden's finest Bella Boo and professional boundaries pushers Session Victim. Both remixes bring new facets of the original to the forefront and shine new light on this Permanent Vacation classic, which was initially releaseed in 2008.
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LP incl Digital Download Voucher

Tracklist

A Side

01 Yellow River Drone
02 Cycles
03 Lotus Drive
04 Libellenflug
05 Things We See When We Look Closer

B Side

01 Mangrove Railways
02 Sky And Sand
03 Silver Rushing Streams
04 Zoom Out
05 Life By The Pond


Short Info

It's album time for Sam Goku aka Robin Wang: "Things We See When We Look Closer" is the second album from the Chinese-German artist, releasing nearly two years after his debut album "East Dimensional Riddims", that combined traditional Asian instruments and field recordings with his own modern take on dance music that focuses on fluid rhythms, beautiful melodies and ambient haze.

Based in Munich, things came together naturally with Permanent Vacation as a label for the DJ and producer. Not only sharing the same hometurf, but also a certain eclectic approach on music. After two EPs on the label, that found their way into DJ Sets from the likes of Ben Ufo & Four Tet, DJ Voices, Call Super and many more, Robin is drawing ever wider circles with his new album.

On eleven tracks he is refining his unique approach in his productions, probably described best as a deeply nature-rooted and aethereal sound from twinkling ambience over bright, bouncy kickdrums to shuffling breaks. Robin is hunting for the bigger picture by taking a closer look. Finding new life in the different microcosms and gaining new perspectives on things by switching the angle and developing a meditative and psychedelic swirl.

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2-LP incl Digital Download Voucher

Tracklist

Vinyl #1:

A1. Half-time Dreams feat. INIT
A2. Persistently There
A3. See you In Paradise feat. Vanessa

B1. Reset feat. Fort Romeau & Coloray
B2. Snap Out feat. Snax

Vinyl #2:

C1. Nocturnal Prowler
C2. Intense Affectionate
C3. Non Attachment

D1. Pepper On The Tongue Feat. Curses
D2. Mitate



Short Info

Massimiliano Pagliara returns to Permanent Vacation with his fourth studio album "See You In Paradise". After the highly acclaimed "Nothing Stays In One Place For Long" EP from 2020, this is the first full-length from the Italian-raised and Berlin-based producer for the label. Albums in the dance music genre can often be a challenge in terms of finding the right balance between the dancefloor and listening at home. Massimiliano, however, mastered this craftmanship perfectly while reviving the art of the album format.
Mostly written and produced in the lockdown period of spring 2020 these 10 tracks offer the whole sonic spectrum from the "Massi universe". The hardware enthusiast blends analogue-heavy and bright synthesizer melodies, pop hooks, Chicago house groove with more technoid tracks and atmospheric soundscapes. Taking you on a journey through his mind, body and soul: From his underground disco passion and pulsating dancefloor moments to ethereal and meditative ambience.

Inspired, both musically and aesthetically - one of his favourite carnal catchphrases titles the album - by Disco hero Patrick Cowley, Massimiliano channelled past, present and future in searching for new adventures within his music. For the first time working with live musicians (saxophone and piano) to bring a new facet on the table, that flows with the production seamlessly.

Communication and getting into a dialogue is a crucial part for Massimiliano as an artist. Whether it used to be as a ballet dancer, as a DJ, most prominently as a resident of the legendary Berghain / Panorama Bar, a producer and in collaboration with other artists and musicians: Maestro Massi has gathered an illustrious group of friends and like minded artist such as Snax, Fort Romeau and Init (with whom he has worked before), as well as new collaborators including Curses, Coloray and Vanessa. Under the artistic direction of Massimiliano each artist was able to bring his own unique talent into the album's coherent production and together with Massimiliano they created something that is more than the sum of its parts: A refuge full of beauty and harmony and free from worries in an upside down world. In other words: "See You In Paradise”
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Tracklist

A1 On Your Mind
A2 Piano Dance
A3 Cocktail
B1 Veto
B2 Got To Keep On
B3 Night Walk

Short Info
Fresh from delivering standout performances at Berlin’s renowned Panorama Bar and Amsterdam’s DGTL, Theo
Kottis presents his first solo release on Permanent Vacation, the sparkling ‘On Your Mind’ EP, released on 1
July (vinyl & digital).
The creation of the six tracks on ‘On Your Mind’ EP, provided moments of escapism for Theo Kottis, during the
depths of lockdown 2020. His nods to synth pop and italo fun, inspired by bands of the new wave era, are
intended to bestow upon the listener those same blissed out moments. There’s more to these tracks than meets
the ear, particularly stand out ‘On Your Mind’, the product of relentless pursuit. For Theo, the collaboration with
Permanent Vacation was long awaited and is a memorable mark within his thriving career.
Theo Kottis said: “Thrilled to finally share these tracks, I worked on them 2 years ago and was fortunate enough
to find them a home at Permanent Vacation, which has long been one of the labels I've admired most. As these
tracks were a solo lockdown project, I've loved collaborating with PV on the release - particularly the creation of
the vinyl. Next up - I can't wait to play them out IRL in parties this summer.”
Edinburgh-born and now London-based Theo Kottis is set for a big summer with a host of high profile worldwide
festival and club dates, with forthcoming dates including his Beautiful Strangers label Off Sonar showcase party in
Barcelona with KiNK, Saoirse, & a B2B with Ryan Elliott, Warehouse Project, El Dorado Festival, Ijland
Amsterdam, Pikes Ibiza and Lost Village Festival. More

LP

Tracklist
a1 party life
a2 show her your soul
a3 audrey
a4 show me
b1 thought you were the one
b2 anything
b3 the key
b4 party life (dub mix)

Short Info
After the re-release of the classic "Nu Romantix" album, Ed DMX aka DMX Krew returns to Permanent Vacation
with his new album "Party Life". This time the long-haired UK legend is taking a step back from his trademark
Electro and Techno sound and putting on his romancing suit. Ed is crooning over 80's styled Boogie, Disco and
Funk tracks in a way only he can do it and that will either make you jump for joy or cruising down the coastal
promenade. "Party Life" is another example why Ed is a master of all crafts in the ever expanding DMX Krew
universe.




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Tracklist
A1 The Night Mail
A2 Hussle Free
B1 Shoot Out The Lights
B2 It's Not Over

Short Info
Completely new mastered vinyl re-issue of the classic and highly sought after New Jackson EP from 2011.



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Vinyl LP with digital download voucher

Tracklist
A Side
1. Monday Funday
2. Sponge Bob
3. Planets & Orbits
4. Pixie Crop
B Side
1. Feathered Flip
2. Telemark
3. Angry Professor
4. Techno Power

Short Info
The Covid Pandemic hit Germany in March 2020 and by the 15th of March all of the public life was shut down. It
was the same day where my son Rio was born.
For me, this early stage of the pandemic had something very intimate and private, since I was forced to stay at
home with my young family for weeks. In Mai 2020 I started to leave the house, for other occasions then just
going to the shop or taking a walk and that was the time I started working on “Hotel Solaris”. It was an intense
creative rush: in 8 weeks the album was written, performed and produced in one flow. I had two days every week,
where I could go to the studio for 4 hours and that time the album was done. It had a corpus in a sense that I
knew I wanted a faster or a slower track at points, but the whole hotel idea came when I saw photos of the old
Hotel Arkada on the Croatian island Hvar, that my extremely talented friend Marcella Zanki shot on her holidays.
They show a well preserved socialist-brutalist hotel architecture in the middle of the beautiful Adriatic and for me it
was like looking at pictures from a timeless place, without knowing where and when it exactly was, totally surreal.
I liked that idea of a hote that stands as an escape symbol from the real world, which was something everyone
needed when the pandemic was building stronger and stronger. I decided to call it Hotel Solaris, inspired by the
novel from Stanislav Lem, where Solaris is a planet covered by an ocean which triggers our subconscious mind to
become reality. It all fit at the end and “Hotel Solaris” was done.




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Repress. Vinyl 12" in black standard sleeve

Tracklist

A1 Original
A2 Perel Remix

B1 Krystal Klear Remix
B2 Theo Kottis Remix

Short Info

Midnight Magic's, New York's No.1 Disco Band, evergreen "Beam Me Up" gets the anniversary remix treatment by some of today's experts in this area: First up is Running Back regular Krystal Klear, who gives the original the electronic disco do-over transporting "Beam Me Up" into the new decade. Whizz-Kid and Wonder Woman Perel steps up with an 80's flavoured and synth-heavy Cosmic Disco version. Scotland's finest Theo Kottis, turns up the euphoria level with his piano house meets italo version. A hit is a hit is a hit.


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Tracklist
A1. Melodies On The Meridian
A2. Quantum Field Trip

B1. The Final Front Ear
B2. Journey To Now-Here

Short Info
Hailing from Donald Street in Brunswick, Melbourne, James and Peter Isaacs are the brotherly duo Donald’s House. Taking influence from Paradise Garage styled disco, early 90s house, Italo and anything with a DMX drum kit, their take on dance music is as refreshing as it is familiar. After two EP releases with Nick Höppner’s label, Touch From A Distance, James and Peter present their first full length EP for Permanent Vacation: "Final Frontier" with 4 tracks that show their prolific productions skills on all i's glory.



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-NO SALES TO JAPAN-

LP: 180g vinyl, half speed mastered, heavy sleeve, obi

Tracklisting LP
A1. Hot House (Charlie Parker)
A2. All The Things Your Are (Jerome Kern)
A3. Red Carpet (Duke Ellington)
A4. Bouncing With Bud (Bud Powell)
B1. Embraceable You (George Gershwin)
B2. Just One of Those Things (Cole Porter)
B3. Mellow Dream (Ryo Fukui)

Info

We Release Jazz is so happy to announce the official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams, the aptly titled album Ryo Fukui in New York, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Recorded in February 1999 at Avatar Recording Studios in New York and inspired by Ryo Fukui’s idol and mentor Barry Harris, the fourth album from the famed Sapporo pianist captures memorable ses-sions with seasoned American jazz musicians (and frequent Barry Harris collaborators) Lisle Arthur Atkinson on bass and Leroy Williams on drums.

Ryo Fukui in New York is pure bop heaven, glowing with poetic takes on classics by Charlie Parker, George Gershwin, Duke Ellington, Jerome Kern, Cole Porter, and Bud Powell, plus a supreme remake of Fukui’s very own "Mellow Dream". It’s expressive, soulful, and vibrating with a bouncing swing feel all the way through; every note falls exactly where it should, undeniable brilliance. Much like the other albums by the genius from Hokkaido, it’s got that "special something", hard to grasp, hard to describe, but 100% felt. Skills and heart, the Ryo Fukui way.

Following his New York adventures, Ryo Fukui headed back to Sapporo, and more precisely to his jazz club Slowboat, where his newly acquired experience inspired numerous jam sessions and a full dedication to perfecting his craft. He sadly passed away in 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still hap-pens to this day.

This is reissued in conjunction with Ryo Fukui’s A Letter from Slowboat (2016), also available via We Release Jazz.


Points of interests

- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Barry Harris, Scenery, jazz clubs and New York nights.

- Official reissue of Ryo Fukui’s New York sessions with Lisle Atkinson and Leroy Williams.

- 9th release from We Release Jazz, following Ryo Fukui’s Scenery, Mellow Dream, and A Letter from Slowboat, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoer-ri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)


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- LP , GATEFOLD, STICKER
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching


GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient


TRACKLIST:

Side A : Light And Darkness

A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20

Side B : Schwingungen 19:00

We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
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7 track EP, 180G, HQ Varnished Sleeve

Genre: Experimental, IDM, Downtempo

Tracklist 12":
A
01 Für Wolke
02 Innocent Hearts
03 Florence
04 Ourselves
B
01 Everything I Couldn't Tell You
02 I Will Never Leave You Again,
For The Rest Of My Life [Feat. Doris]
03 On Starlit Oceans [III]

Here comes a new 7 track EP titled 'WELTEN' by Ergin Erteber as successor to his self-titled debut
album. Again it´s this instrumental, sometimes krauty, sometimes dreamy and unobtrusive sound that
is liked so much: very cinematic, very emotional, very personal in its stories. More

GENRE/S: Deep House

TRACKLISTS:
A1. Rhythm & Simplicity
A2. A New World To Forget
A3. Tape Jam Pt. 2
B1. 0221 (Serious Mix)
B2. Motion Anthem

New Jersey-born Ali Berger is a drum machine specialist and low-key US electronic music standby, now based in Pittsburgh after spending the 2010s in Boston and Detroit. His catalog of original music runs deep, with over 60 releases on his Trackland label and EPs on imprints like Spectral Sound and Sequencias, all resulting from a lovingly-cultivated studio approach which respects improvisation as a spiritual practice.

Here with this sublime release on Scissors and Thread, Ali shares a multitude of sounds and atmospheres across the five tracks. As Ali himself puts it "This record collects tracks from the last three years, plus 0221 (Serious Mix) which is from 2018. There's a full cross-section of production techniques represented here, from one-take jams to multi-tracked compositions, but through it all there's a deep melancholy which (I hope) is tempered by enough groove to be uplifting. Maintaining emotional balance takes constant, caring attention; music is a part of that process for me and these tracks reflect that."
This balancing of melancholic atmospheres and groove is evident throughout - Rhythm & Simplicity is a low key thoughtful banger for the more discerning dancefloors, while A New World To Forget also exhibits a deep love of cultured house music and analog drum machines. Tape Jam Pt 2 is the perfect mix of improvisation and pure groove, put down in a rough and gritty fashion. 0221 (Serious Mix) merges a breakbeat with pads and synths that give off a balearic sunrise vibe, while Motion Anthem wraps up the EP with a tougher groove coupled with wistful melodies and oceans of feeling.











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Includes: HQ Gatefold, 3x12 140g Vinyl, black innersleeve, download code

Tracklisting:
CD / LP
A1.Superposition B1. Gott Ist Schrott B2. Oddification C1. Gentle Venom C2. Das Große Flimmern D1.Silly Idol D2.Punch The Dragon E1.Fear Of An Extra Planet F1.The Friendly Coroner F2.Extrawelt - 2084
Info:
EXTRAWELT are back! Although in fairness, they were never gone. On the contrary, since their first release on James Holden's Border Community Label dropped in 2005, Arne Schaffhausen and Wayan Raabe have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", their two seminal albums on Cocoon Recordings. The duo are one of the most booked live acts worldwide, commanding a huge fan base. Their performances are the stuff of legend, making them the absolute highlight at every club and festival they play. So it's with great pride and respect, that we can announce the release of Extrawelt's third album for Cocoon Recordings. "Fear Of An Extra Planet" completes the Cocoon trilogy and the excitement growing among their fans represents a new high in the history of EXTRAWELT!
Musically, of course, there's enormous pressure on EXTRAWELT to deliver, but this is dismissed with a playful disregard and they are clearly focused on the job in hand. The album title "Fear Of An Extra Planet" sounds cinematic, like some art-house science fiction film, without giving too much away. However, from the first seconds of the opening track "Superposition", the album title makes 100% sense and sets the scene for the rest of the trip. We are immersed in wide open spaces and invited to explore dark and dusky worlds that transport us back to their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream like quality that made James Holden's label so influential.
Second up, "Gott ist Schrott" takes a much more minimalist approach with its retro 80s drum programming, monster bass lurking in the breaks and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples that gives us a taste of what's in store. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like 'in pursuit' feeling.
With "Das Grosse Flimmern" we cautiously approach the album's high point. It's still in keeping with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade us with an energy and impetus that always radiates from their music. Next in line is "Silly Idol" and here Arne Schaffhausen and Wayan Raabe opt again for a more minimal tack, focusing even more intensely on the dance floor to reveal a pulsing, twisted heart to the album.

"Punch The Dragon" is the hidden gem of the collection, utilising and melting together the most bombastic and playful elements. This one is totally off the hook, a sensory overload in an acoustic widescreen format! Then we have the title track "Fear Of An Extra Planet" which perfectly sums up the album concept. It opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analogue drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album.

As we near our destination, "The Friendly Coroner" really does honour its name. The morbid charm of the title is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. In our mind's eye we see a cheerful medical doctor removing his bloody gloves, hanging his smock in the closet and vibing out in his neon drenched workspace. And there we sit, glued to our cinema seat, submerged in the different textures EXTRAWELT have conjured up on "Fear Of An Extra Planet". Over the course of the last title, the strings usher in the final acknowledgments as the credits roll. The dramatic end of "2084" leaves us transfixed in front of a black screen in a large, dark room safe in the knowledge that we've just witnessed a science fiction epic.

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Format Notes:

2023 First time reissue, 140g vinyl, remastered for this edition by Simon Francis


Vinyl Track List:

A1 Future Vision (3:47)
A2 Cosmic News (2:25)
A3 Baby Bass (2:43)
A4 Star Odyssey (3:33)
A5 Meteor One (2:11)
A6 Bass For Love (2:46)

B1 Space Alert (3:24)
B2 Galaxy Wars (2:45)
B3 All The Bass (2:53)
B4 O.V.N.I. Telex (3:36)
B5 Galactics (2:50)
B6 Animals Bass (2:14)

Release Notes:

Spatial & Co is a synth-drizzled, spaced-out bass-heavy discoid-funk masterpiece from French disco lord and Arpadys maestro Sauveur Mallia. Recorded for French library label Tele Music, in 1979, it's by turns cosmic funk and creeping crime funk, bursting with low slung, k-i-l-l-e-r basslines, loping drum breaks and sparkling percussion. It's so funky it hurts.

Confidently swaggering out the gate is "Future Vision", with its loping yet dextrous bassline across strutting beats setting the scene. "Cosmic News", with its live crowd noises over killer bass work is reminiscent of Bernard & Nile's "Chic Cheer". The bass vs synth workout "Baby Bass" increases the propulsion whilst the dark and mysterious vibes of "Star Odyssey" serve as cosmic respite from being overpowered by funk. The temperature and tempo are raised with the bouncing sophisticated funk of "Meteor One", a slinky interstellar instrumental of the highest order before the sultry, melodic "Bass For Love" offers some attractive slow-mo sleaze to close out the first side.

Opening up Side B, the menacing, beatless "Space Alert" sounds like all those sci-fi theme tunes from your childhood, synthesised into one glorious (black) whole. "Galaxy Wars" is next, another majestic cosmic gem, sans drums. The ultra-percussive flex of "All The Bass" sees the return of the frenetic funky bass and neck-snapping drums. The stretched out funk of "O.V.N.I. Telex" is irresistible and cavernous in scope whilst the swirling, dramatic "Galactics" is an ominous yet melodic wonder. The throwaway funk-lite "Animals Bass" is a bit of a daft way to close out this otherwise flawless set but, hey, flirting with perfection is probably always more fun than actually achieving it.

Sauveur Mallia is a crucial figure in the history of electronic and dance music and a hugely underrated French library bass player and composer from the Arpadys / Voyage crew. This is just the beginning of Be With's Mallia - Tele Music reissue campaign!

The audio for Spatial & Co Vol. 1 has been remastered by Be With regular Simon Francis, ensuring the punch of Sauveur's bass and those sick drums come through to the fullest. Pete Norman’s expert skills has made sure nothing is lost in the cut whilst the original and iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
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After the great success of their debut album in 2021 the Brazilian duo Xique-Xique asked some of their friends to remix their favourite tracks of the album. The result is a superb collection of remixes by heavyweight artists of the scene: On the 12", you will find Zoe Reijue, Mira & Chris Schwarzwalder, Dengue Dengue Dengue, Niko Schwind and Psilosamples. Ranging from groovy downtempo to quirky electronica and solid rave vibes, this wild bunch of tracks constitutes a fabulous remix album for all the moments at the club. Get your floaties ready to ride the vortex of 'Na Lagoa - Remixed'.

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2LP

Electronica-dub-techno-house

Special remarks: Printed Inner Sleeves

Tracklisting:
A1-Trombe
A2-Fordizm
A3-Esika Molimo Ezali
B1-Clair de Lune à Mykonos
C1-Allô?
C2-Mange
D1-Satanique Musette
D2-La Folie Studio
D3-Théâtre de Verdure

Release Info:
This album, a product of two years of studio sessions, saw us engaging in musical dialogues, hitting record when inspiration struck. In the studio, that moment always comes, when a fragile and magical balance happens.

Château Flight says :
• Playing electronic music, whether alone or not, must be joyous, fun, and make you feel good.
• The studio is not a sanctuary but a place of life. Technology must not be intimidating.
• Welcoming friends and new objects in the studio should be an infinite source of inspiration.
• If nothing happens in the studio, turn off the light and play a percussion record.
• With 25 years of experience, Château Flight can make you forget all your troubles, instantly and painlessly.
• The key to success: midi sync + din sync + external trigs.
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12" LTD

12"

A1 Tu b e s G r a n d e ( I a n P o o l e y M a i n M i x )
A 2 Tu b e s G r a n d e ( I a n P o o l e y D u b)
B 1 Tu b e s G r a n d e ( A n a l o g P i a n o D u b)
B 2 Tu b e s G r a n d e ( O r i g i n a l )

A1& A 2 R e m i x & a d d i t i o n a l p r o d u c t i o n
b y I a n P o o l e y
P u b l i s h e d b y C o p y r i g h t C o n t r o l
33 R P M


Renowned Jazz musician Ulf Kleiner lands on Ian Pooley’s Pooled Music this April with ‘Tubes’Grande’ featuring three remixes from the label boss.

A long term collaborator of Pooley, lending rich keyboard work to the legendary producer’s records over the years, Ulf Kleiner is better known outside of electronic music. Taken from his 2020 LP, ‘Pianoskop’, ’Tubes Grande’ is a light but immersive piece of acoustic modern Jazz that, at just 3.36 minutes, begs repeat listens. Pooley’s interpretations, a ‘Main Version’, ‘Dub’ and ‘Analog Piano Dub Mix’ lead Kleiner’s work to the dancefloor in distinct ways, showing off the producers deft touch and studio experience across the package. From the decidedly organic, mid-paced house of the ‘Analog Piano Dub’ to the dense, electronic melodies of the ‘Main Version’ to the blissed out ‘Ian Pooley Dub’ this Pooley in the form of his career.

Ulf Kleiner’s ‘Tubes Grande’ with Ian Pooley Remixes is released on Pooled Music on May 7th More

Territories: Worldwide no restrictions

Format Notes:

Part of Be With x KPM Library Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl


Track List:

A1 The Rub 2:27
A2 Money Runner 2:15
A3 White Elephant Walk 1:24
A4 White Elephant Walk (Link) 0:07
A5 Walking Link 0:18
A6 Master Plan 3:26
A7 Night Watch 2:12
A8 The Fence (Version A) 1:49
A9 The Fence (Version B) 2:11
A10 Surveillance 1:33

B1 Total Silence 1:26
B2 Eyes 0:47
B3 Drama Backcloth (1a) 1:38
B4 Drama Backcloth (1b) 0:17
B5 Drama Backcloth (2) 0:59
B6 Drama Backcloth (3) 0:17
B7 Drama Backcloth (4) 0:24
B8 Scenechange (1) 0:17
B9 Scenechange (2a) 0:10
B10 Scenechange (2b) 0:24
B11 Scenechange (2c) 0:25
B12 Scenechange (3a) 0:17
B13 Scenechange (3b) 0:17
B14 Scenechange (4) 0:15
B15 Scenechange (5) 0:21
B16 Scenechange (6a) 0:25
B17 Scenechange (6b) 0:21
B18 Scenechange (7) 0:10
B19 Scenechange (8a) 0:12
B20 Scenechange (8b) 0:30
B21 Scenechange (9) 0:51
B22 Brass Statement 0:05
B23 Final Statement 0:47

It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT! More