Artesian Sounds' first release in 3 years comes from Scissorwork. Lots of summer hit potential with house / pop crossover A Hundred Years, plus more functional tunes on the B side. B1 Flourishes is a leftfield bassy cut that works great as a warmup tool, and B2 Identity Crisis features peak time electro vibes. Scissorwork was one of the first big names in the lo-fi house scene, having taken a break to find his sound over the past years, he returns with a matured sound that borrows from multiple genres with constant crossover appeal through his knack for earworm melody and composition. Artesian Sounds returns from a similar hiatus, with label heads Aleksandir & Emre Can Swim having taken time to work on their own musical project over the past years. However, with 3 releases planned for 2022 already feauturing updated branding & artwork, new artists and exciting remixes, the label is looking to expand drastically.

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Baby I’m serious! Frits Wentink’s Bobby Donny Ace Series welcomes the illusive Prince Palmer for his first vinyl release on the label. Frits himself steps up on remix duties alongside another Bobby Donny artist, Joy Jenkins to round off another killer release from the Bobby Donny camp!

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The Bobby Donny ACE Series is back for its third VA instalment of previously digital only releases. Hand picked by label head Frits Wentink, these six tracks have already been in pretty much constant rotation for DJ’s in the know & now they’re gracing vinyl for the first time. Another great edition to this ongoing series!


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Frits Wentink’s Bobby Donny Label returns once more for the second BODO-ACE VA release, featuring both familiar and new faces across a six track EP of previously digital only releases. Frits and friends continue to showcase the unique and impeccable sound of Bobby Donny. After the success of the first VA, this won’t be around for long, so buy or cry.


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Frits Wentink’s Bobby Donny is back with six cuts taken from the first nine releases of the Bobby Donny ACE offshoot label. These previously digital only releases from five unknown producers alongside the King of Swing himself, Frits Wentink showcasing the unique sound of Bobby Donny. Presented here for the first time on vinyl and strictly for the discerning house music lover.

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Back in business, Bobby Donny cruise out with label head Frits Wentink popping up with ‘Timid Kickflip’ a four track EP of trademark Wentink wobblers.

Signature sounds, modulated movements, swung in all the right spots and just that right level of quirk to spin your head and free your limbs from their sedentary life.

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Anonymous newcomers Broke Brotherhood delivering 4 cuts, from driven trippy techno to wonky house. Celebrating the broke side of lyf. That side we all know, but forget to wear it with pride. Losing money for the love of music xxx Bobby Donny

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The regular Bobby Donny producer gets his groove in check with 4 uk garage style edits of 90’s era songs. Comes as a vinyl only, hand numbered series. Limited to an 800 run.

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Frits Wentink's Bobby Donny label welcomes Reykjavík producer Felix Leifur for more lush house explorations across four new cuts. The producer last released on this label in 2017 and his new one finds him again exploring deep and organic grooves, rough drums and jazzy pads.
The Tarleton Appreciation Club' has real, live sounding drums making for a spaced out house cut coloured with dreamy pads and muffled vocal samples that have an aching beauty. 'Parts' is a brilliantly jazzy jam with bright chord vamps, wooden hits and clipped vocals making for a track somewhere between the styles of Moodymann and Max Graef. Robbi' is another atmospheric track with pads and intimate melodies lingering in the air above choppy drum work that makes you want to wiggle. Closing things down is 'Juledreng', another perfectly roughed up bit of house with saturated chords and tons of reverb drawing you into its cosy little world.

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Frits Wentink's label Bobby Donny welcomes back young US producer TLIM SHUG for a second EP after his last effort back in 2016. His house sound has developed nicely but remains resolutely deep and atmospheric.

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Frits Wentink is back with his Bobby Donny label for his annual special edition vinyl only release for Amsterdam institution, Mary Go Wild! BODOMRGWLD03, features the crystal clear and mesmerizing vocals of Loes Jongerling, accompanied by frits on keys.


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This record was specially made for Mary Go Wild. It is a collage of the finest jams and sketches created by the loveliest bunch imaginable. It is collected, arranged and fiddled with by Frits. Love goes out to all involved and contributed: Iron Galaxy, Malin Genie, Axel Boman, Darling, Ben Westbeech, Celoy, Theravada, Boris Werner, Andeh Lang, Yaleesa Hall, Medlar, Hodini, Jordan CGZ, Chevel, Scissorworks, Detroit Swindle, Know Va, Larry The Cat, Maximill, Mosca, San2, Tom Ruijg, San Proper, Urulu, Laurel Halo, Viktor Palmer, Kornel Kovacs, Ally Howie, William Kouam Djoko, MLIR, Red Rackem, Ewald, Presk, Scott Franka & Kaap, Firestone, Wolf Music, DJ+ and Peel Seamus.

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The Bobby Donny label hits number four with a first EP of 2016. After efforts from label owner Frits Wentink and Eindhoven producer SAN2, this one comes from Tlim Shug. The low-profile American producer has only one EP to his name so far, but it was an impressive one that came on Echovolt Records last year and suggested he has a passion for moody and lo-fi deep house. Rari Techno is up first and operates in an underground cavern. It sets a sombre tone with its swirling pads and buried deep kicks all obscured by a grainy sheen of dust. That analogue warmth continues with Wig $plit which has a loose and raw percussive line laid over tender piano chords, bumpy drums and a gritty vocal r It's a fresh fusion that will get clubs on their toes before 'Mutuality' again sounds all knackered and broke, scuffed up and imperfect with its squelchy synths, off time hits and stuttering kicks. Last of all Overcaste Tune is another zoned out and moody deep house offering that sounds like L.I.E.S. artist Terekke at his best. This is a brilliantly insular and atmospheric EP that oozes subtle emotion and a cautious sense of optimism.

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For the second release on Frits Wentink's new Bobby Donny label, he hands over to San2, aka Geert Schilder. Hailing from Eindhoven in the south of the Netherlands, Schilder takes his production name from the building which houses his studio, on the second floor of the SAN building where the legendary radios and tape recorders were built by Philips. With this in mind, it seems to follow suit that his music is mainly produced with analog techniques, incorporating equipment like the Roland TR-606, SH-101, SBX-1 and AKAI MPC 2000XL. The EP opens with the title track, 'Impartial Perspective' with its marching beat gradually forming into a machine groove that's raw and funk-fuelled. Moving on to San2's second track, 'Distinguishing Bias' sits perfectly alongside the kind of wonky house manoeuvres that Frits is also known for. And talking of Mr. Wentink, the EP also includes his remix of 'Impartial Perspective', which twists up the original into a deep and trippy, lo-fi journey, while still maintaining the raw groove of the original. Released early September, San2's 'Impartial Perspective' is a great addition to what's already becoming a quality label. Look out for more releases on the horizon soon!

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Frits Wentink launches his new label Bobby Donny with 'Live Fast, Dwayne Young'. Bobby Donny has been set up to primarily feature Frits Wentink's own tracks, but focusing on the wonkier, more lo-fi house edge of his sound. The emphasis will be on tracks that are hardware jams on Rhodes, Juno 60 or mpc, then structured later. Frits Wentink has already garnered a huge fanbase for his quirky, innovative and characterful house music on a number of forward thinking labels like Wolfskuil, 2020Vision, Heist and Wolf with his recent debut album, 'Rarely Pure, Never Simple' on the latter, gaining much critical acclaim. His first EP on Bobby Donny opens with 'Dwayne Young', which puts the fun into funky with its deep vibe, filtered vocals and creative samplings. Slowing it down, 'Rio' is next, like a short but sweet interlude of off-kilter slow-mo experimentation. Then it's back to the grooving house beats of 'Guacamole' with its jazzy backbone, before the melodious 'Q&A' kicks in, featuring a gorgeously wobbly overtone. 'Aquarelle' is a perfect ending, with distorted elements gradually coming together to find their harmonious compromise. With 'Live Fast, Dwayne Young' Frits Wentink once again displays the hugely creative talents of this much sought after producer.

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