The colors are stunning. In a single view, I see looking out at the edge of the earth, all the colors of the prism. Red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. As I looked upon our home rock, I saw many natural features. I witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. I also saw huge forests, extending along & across several borders as if these divides didn’t exist. I watched the extent of one ocean touch the shores of separate continents; then suddenly, a profound thought came over me as I looked down on all this....
The Birds Don’t Fly This High More

Passive priorities find you in the evening, late night and morning, in every moment of the day as the earth takes it course around the sun. Through such a faze, in the summer of '15, a collection of four tunes were jammed in homage to such moments with inspiration taken from the depths of adult contemporary and the moods and 'tudes of BeaubienOuest. These four tunes, delivered today as Priorities by Project Pablo soundtrack our spring days and follow a trip through the day-to-day while discovering balance in the mundane. Off the back of a critically acclaimed album early last year “I Want To Believe”, and crowned with 1080p’s inaugural vinyl release (album sampler) Project Pablo joins the Magicwire crew with his first solo material in over a year. Having spent the last few years on hiatus Magicwire is back with their sophomore release of their second life inspired by their love of VHS skate tapes, sun drenched days and colorful late nights. More

The debut release from up-and-coming artist “Kommune1” on Lone’s Magic Wire label welcomes the merger of Warehouse-Techno vibes with the accessibility of House. These compositions take shape in both the tracks “MOTUS” and “Shadowkick”, each displaying the loyalist replications of everything that makes a head-nodding, foot-stomping, wall-shaking track. The A-side track “MOTUS” displays the ethics of both Berghain thumping4/4 rhythms, complete with big builds, subtle dynamic changes and a drop that would never cease to throw any listener into a frenzy of inexplicable groove and motion. A nod to the early days of Detroit Techno and Chicago House is also remnant in the track, with its heavy bass-loops, and restrained vocal phrases. After receiving support from Blawan, Ben UFO, NT89, Pariah, Dauwd, Happa et al, the track has been intensifying the dancefloor spaces of the last few months, receiving praise both in internet circles and DJ’s top 10 lists. An assured must have in any DJ’s vinyl bag for the remainder of 2012 and the coming year. B-side “Shadowkick” follows in a similar stylistic notion as the previous track. With the main aim being the destruction of the dancefloor still, “Shadowkick” is another big Techno-House track, emphasising on the power of the bassline and a hard rhythm. Subtle dub-like-chords, crisp percussion, and dynamic alterations all combine to act as a perfect DJ tool. The breakdown section of the track is enough to see a floor of “Hands in the air” before all hell seemingly breaks loose when the rhythms punches back into the main emphasis of the track.

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Magic Wire label head Lone picks another smasher, aptly titled Delirium Tremens, from the elusive Neon Jung with a suitably precise re-edit from Nathan Fake on the b.side, fresh after his last remix for Radiohead Delirium Tremens takes on flavours of garage, soul and psychedelia and glues it all together with an armour plated, mutant electro backbone designed to make the dancefloor lose it for 4 minutes but still keeps the soul firmly intact. It’s another demonstration of Neon Jung’s ability to take influences from many genres and join the dots to create something fresh, but with all the right reference points to make this accessible to everyone from your backpacking beat head to the hardcore club frequenters. The bass in the first drop of this track is just berserk – there’s no other word for it. The B side sees Nathan Fake up the tempo but draw it out, making this perfect for the more patient crowd. It has Nathans signature beat all over it – it rotates, swings and soars gloriously until it finally ends in a warm afterglow, complementing the original perfectly in its ‘grower not a shower’ approach.
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After the run away success of the first Magic Wire releases (Pineapple Crush / Emerald Fantasy Tracks), Lone dons his A&R cap and signs two massive ‘where the fuck did that just come from?’ tracks from new boy Neon Jung (Keaver & Brause, Kona Triangle).
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Magic Wire present the second release on the label from co-founder Lone. Following up the huge debut release 'Pineapple Crush' comes 'Emerald Fantasy Tracks'.
Lone's recent "Pineapple Crush / Angel Brain" was an overwhelming success, marking a fantastic debut for his label Magic Wire and a coming of age for the young producer. "Emerald Fantasy Tracks" is the follow up mini-album released late November and is set to be just as fulfilling. As with the first release on the label, this one is a limited edition. Don't get caught napping again!
The opening track 'Cloud 909' sets the scene - a massive slab of piano stab-lead Detroit inspired Techno, which picks up exactly where 'Pineapple Crush' left off and is set to cause the same ammount of damage to the club as the former. Where-as the last release focused mainly on the rawness of early hardcore tunes, 'Emerald...' possibly goes even further back in time. From the primitive 808 / Black Dog inspired house of 'Moon Beam Harp' to the typical Lone styled sun bleached euphoria on Risottowe4' and 'Petrcane Beach Track' - this is Lone fascination in the roots of dance music taken to it's extreme.
Covering all areas, this is the most diverse Lone record to date. Set to blow up at the end of the year, expect 'Emerald Fantasy Tracks' to be cained by dj's across the board...
Tracklisting:
01. Cloud 909
02. Aquamarine
03. Moon Beam Harp
04. Ultramarine
05. Re-Schooling
06. Rissotowe_4
07. Petrcane Beach Track
08. The Birds Don't Fly The High More

Magic Wire present the second release on the label from co-founder Lone. Following up the huge debut release 'Pineapple Crush' comes 'Emerald Fantasy Tracks' - an 8 track mini album spread across two 12's, housed in a full colour gatefold sleeve. The opening track 'Cloud 909' sets the scene - a massive slab of piano stab-lead Detroit inspired Techno, which picks up exactly where 'Pineapple Crush' left off and is set to cause the same ammount of damage to the club as the former. Where-as the last release focused mainly on the rawness of early hardcore tunes, 'Emerald...' possibly goes even further back in time. From the primitive 808 / Black Dog inspired house of 'Moon Beam Harp' to the typical Lone styled sun bleached euphoria on Risottowe4' and 'Petrcane Beach Track' - this is Lone fascination in the roots of dance music taken to it's extreme. Covering all areas, this is the most diverse Lone record to date. Set to blow up at the end of the year, expect 'Emerald Fantasy Tracks' to be cained by dj's across the board...

Tracklisting:
a1 cloud 909
a2 aquamarine
b1 moon beam harp
b2 ultramarine
c1 re-schooling
c2 risottowe_y
d1 petrcane beach track
d2 the birds don't fly this high More