You might know Barnt as one of the people behind the idiosyncratic imprints Magazine and Schalen, through which he released his most of his EPs and the incomparable 2014 debut album, Magazine 13.; or maybe you know the thread of beautiful, unpredictable club hits he’s woven with labels like Cómeme and Hinge Finger.

Despite living in Cologne, and being friends with the label, Barnt has not put out anything on Kompakt yet, apart from an one-off appearance on Pop Ambient 11 over a decade ago. An EP had been in the air for several years, but it took Barnt a bit of time to get into the right state of mind, because he wanted to make sure the music paid tribute to “the ceremonial, emotional, grand sprit” that he connects with Kompakt.

Typical to the producer’s modus operandi, ProMetal Fan Decor Only Product spins out a surprising narrative, catching the listener unawares, while remaining fundamentally Barnt. After the elegiac opener “Fan”, stately in its melancholic, epic flourish, “You Know What’s Gone” stomps into earshot, the pounding thud of the drums pinning clanging patterns to the dancefloor, a Sturm Und Drang symphony, the tones all clashing metals and silvers.

After that, there’s release – the hypnotic psychedelic reels of “This Is For Decor Only” are Barnt gone trance, a sensual glide of a track that pirouettes out an eternity of sizzling hi-hats and strip light melodies. While you might want to be alone when listening to “Fan”, you might have the time of your life dancing to “This Is For Decor Only”, played by your favourite DJ at your favourite festival this Summer.

With ProMetal Fan Decor Only Product, wrapped in a sleeve by artist Lukas Heerich, Barnt and Kompakt finally come together, equal parts refined elegance and sweaty fervour.

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We did not intend to release remixes of Barnt's debut album "Magazine 13." – but here is why we had to change our minds: After Tale Of Us heard "Cherry Red", they asked for the stems with the idea they would craft a version for their sets – as luck would have it, Recondite happened to pass by the studio at just the right time, and together they ended up finishing a driving and vital interpretation of Barnt's melodic masterpiece. Around the same time Jens-Uwe Beyer had been quietly reshaping the same track. Prolonging the already massive breakdown towards the end of the track, his remix has been a highlight of Barnt's DJ sets over the past few months. The final piece of the puzzle came when Crato proposed the possible cover art – a bold remix in itself, reworking the original cover. The elements were in place, it became obvious this release had to see the light of day ... So here is Magazine 131. !

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The long awaited debut album by one of the most unique producers in Dance music these days

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Luxury vinyl edition containing 2x180g vinyl and CD in gatefold sleeve.

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In an air of shamelessness Barnt's extracts of euphoria associate for curious liaisons and eminent effects.

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Barnt orchestrates his profound knowledge of true cosmic sound design in the most convincing manner

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Perm is one of Leipzig's most busy producers and performers of electronic music. After releases on shtum, Mana All Nite, DUR, KANN and Nachtdigital in recent years, Holger is more than happy to welcome him with a four-tracker that o ers a deep insight into his vision of timeless Techno: Airy and yet rmly grounded, with a foggy atmosphere that permeates a vast space of sound. It is trippy and hypnotic but also very bodily and highly energetic. With these qualities it ts very nicely with Holger 11 (Polo) and 12 (Barnt) – a perfect closer for this mini triplet series, a concept that has become sort of a trademark for the label.

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Holger #10 introduces yet another new face to the ever growing label crew: Chino has been one of the most busy live performers in Poland for the last decade – playing all-hardware sets in clubs and at festivals on a weekly basis. His »HISS« EP is a true Acid treasure and Holger’s most decisive step into proper club territory. »Worker« and »Paper Rider« are two bass-heavy dancefloor belters, with strong kickdrums and synapse-tickling 303 lines. The flipside shows two more of Chino’s many facets: While »31.08.« is a slow-burning Dubtechno hypnosis, »Shifter« closes the EP with moody Electro. Mastered by Ruud Lekx, also known as the legend that is Rude 66.

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Dream Weapons' »Moonland« from his »Pathways EP« (Holger 3, 2014) has been a favorite of many. Accordingly, remix duties were given into the trustworthy hands of Barnt and Jens-Uwe Beyer – two of the co-founders of much acclaimed Cologne label Magazine. An expert in mixing and structuring, Barnt carves out the hidden capabilities of the original while Jens-Uwe Beyer takes a slightly more humorous but no less feet-moving approach to things. Weirdo techno in typical Magazine/Holger style.

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A few words by Steffen Bennemann: »I was in loose contact with Aggelos (Dream Weapons) for a few years, watching him from a distant with great interest. In 2012, he sent me his debut LP on Inner Ear under his Fantastikoi Hxoi moniker and it quickly became my favourite album of the year. When I told him our plans for Holger he sent me some of his more electronic-leaning music. I was instantly captured by the driving, trippy kraut techno songs which show homage to the psychedelic sounds of the 60s and 70s while holding their own in the here and now. Exactly our cup of tea.«

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A few words by Steffen Bennemann: »When the Webermichelson guys introduced us to Timoka, we didn't even dare to hope he would ever join a start-up label like Holger. His work just sounded way beyond that, so sophisticated and well produced, highly artistic and melodically complex. But as it turned out he not only became a part of our family - he even went on to define our graphic identity (together with Reymund Schröder) with his visual art. We couldn't dream of a better match. Plus: Aare is a hit (even if Timoka hates to hear that).

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A few words by Steffen Bennemann: »When I heard Margot for the first time, I instantly fell in love with their synth-driven free- form kraut-techno. Strong melodies, insanely well-shaped beats, sometimes driving, sometimes bravely bending the rules. After great releases on James Holden's Border Community, Ivan Smagghe's Kill The DJ and their own label we were more than happy to welcome them in our Holger family. Here they can show their more experimental side, far beyond common floor/listening conventions and full of synapse-tickling synth magic. Plus a secret pop hit (Trentaseitrenta), perfect for closing any exceptional club night.«

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