1
Albrecht La'Brooy - Albrecht La'brooy_Tempelhof
2
Albrecht La'Brooy - Albrecht La'brooy_Hinterhof
3
Albrecht La'Brooy - Albrecht La'brooy_U-bahn_S-bahn
Track list:
A1 - Tempelhof
A2 - Hinterhof
B1 - U-bahn / S-bahn
Release Info:
Known for their take on the gentler side of house music, jazz pianists, electronic enthusiasts and label founders of the Analogue Attic imprint, Albrecht La'Brooy have joined Night Tide's family with their latest sojourn "Emissary" EP.
The release began with a concept from the artists, who asked for field recordings taken by Night Tide's Eluize from around her adopted home in Berlin. Sounds from parks, gardens, trains and stations that make up the local, everyday sonic landscape made their way across the Atlantic to arrive in Albrecht La'brooy's studio, where they were used as inspiration for the three outings on this record.
The Melbourne duo's live approach to programming and arrangement can be heard as the tracks ebb and flow effortlessly. In "Tempelhof" sub swells and a throbbing kick accompany delicate leads and lightly touched drums. The more uptempo "Hinterhof" pulses and sways with lively percussion, crystalline bells, euphoric strings and softly spoken melodies that float in and out of view.
"U-bahn / S-bahn" begins with glistening top lines and panoramic chords over a growling bass and a steady groove. As the journey rolls on from the underground into open-air window-gazing territory, the piece takes an ambient, beatless turn. Contemplative synth lines and arpeggios play while the station announcements drift somewhere in the distance.
Photograph by Christophe Mauberqué.
More
A1 - Tempelhof
A2 - Hinterhof
B1 - U-bahn / S-bahn
Release Info:
Known for their take on the gentler side of house music, jazz pianists, electronic enthusiasts and label founders of the Analogue Attic imprint, Albrecht La'Brooy have joined Night Tide's family with their latest sojourn "Emissary" EP.
The release began with a concept from the artists, who asked for field recordings taken by Night Tide's Eluize from around her adopted home in Berlin. Sounds from parks, gardens, trains and stations that make up the local, everyday sonic landscape made their way across the Atlantic to arrive in Albrecht La'brooy's studio, where they were used as inspiration for the three outings on this record.
The Melbourne duo's live approach to programming and arrangement can be heard as the tracks ebb and flow effortlessly. In "Tempelhof" sub swells and a throbbing kick accompany delicate leads and lightly touched drums. The more uptempo "Hinterhof" pulses and sways with lively percussion, crystalline bells, euphoric strings and softly spoken melodies that float in and out of view.
"U-bahn / S-bahn" begins with glistening top lines and panoramic chords over a growling bass and a steady groove. As the journey rolls on from the underground into open-air window-gazing territory, the piece takes an ambient, beatless turn. Contemplative synth lines and arpeggios play while the station announcements drift somewhere in the distance.
Photograph by Christophe Mauberqué.
More
More records from Albrecht La'Brooy
1
albrecht la'brooy - No Title
2
albrecht la'brooy - No Title
3
albrecht la'brooy - No Title
4
albrecht la'brooy - No Title
Over the past three years Melbourne's Albrecht La'Brooy have patiently cultivated their own space within Australia's prolific electronic music scene. Deeply rooted in techno's ambient influences, the duo improvise their compositions with an overarching approach that breaks away from techno's conventional presentation. Recorded in one take from beginning to end, Escape Velocity sees Albrecht La'Brooy take on the Voyage aesthetic and principles to create a twenty five minute odyssey spanning four passages, to be played continuously across the 12 Inch medium. Utilising both sparse, drifting ambient palettes and driving, machine-led rhythms, Escape Velocity is a pensively uplifting account of future travels through space and the ninth installment to the Voyage catalogue.
More
More
More records from Night Tide
1
R.Kitt - A1 Ripples From the Edge
2
R.Kitt - A2 I Wish You Hadn't Said
3
R.Kitt - A3 Strange Perspective
4
R.Kitt - B1 Stitch Up
5
R.Kitt - B2 Machine Damhsa
Tracklist
A1 Ripples From the Edge
A2 I Wish You Hadn't Said
A3 Strange Perspective
B1 Stitch Up
B2 Machine Damhsa
Release Info:
Dublin's R.Kitt, fresh off the back of an incredible live throw down at AVA festival in Belfast sent us through some divine music we absolutely had to have. "Ripples from the Edge" shares five sentimental yet forward thinking originals from the rising producer as well as a remix from label founder Eluize.
The title track comes at us with cascading arps, ariose droplets and pure, smokey pads that burst through a jungle of thumping percussion. "I Wish You Hadn't Said" gets going with gritty breaks and glassy synths that would be at home on a fog laden warehouse floor, mood lightening melodic jabs slice through before things turn back to a tumultuous minor. "Strange Perspective" is casual and light hearted, funk charged electro.
On the flip "Stitch Up" feels ancestral, heavy bass, earthy leads and a dark and enigmatic vocal hit heavy. Damhsa, the Irish word for dance, inspires the next jam, "Machine Damhsa", a fast paced 4/4 beckoning to do so. The track's breath catching breakdown gives a moment of transcendence between it's boundless energy and pulsating drive.
Eluize couldn't resist the lush melodies from Ripples and dives in to turn out a cosmic, 80s touched b boy ready version.
Photography by EAST CHINA SEA PHOTO CLUB, a film photography collective based in Kagoshima Japan. Design by Danny Ogden Design. More
A1 Ripples From the Edge
A2 I Wish You Hadn't Said
A3 Strange Perspective
B1 Stitch Up
B2 Machine Damhsa
Release Info:
Dublin's R.Kitt, fresh off the back of an incredible live throw down at AVA festival in Belfast sent us through some divine music we absolutely had to have. "Ripples from the Edge" shares five sentimental yet forward thinking originals from the rising producer as well as a remix from label founder Eluize.
The title track comes at us with cascading arps, ariose droplets and pure, smokey pads that burst through a jungle of thumping percussion. "I Wish You Hadn't Said" gets going with gritty breaks and glassy synths that would be at home on a fog laden warehouse floor, mood lightening melodic jabs slice through before things turn back to a tumultuous minor. "Strange Perspective" is casual and light hearted, funk charged electro.
On the flip "Stitch Up" feels ancestral, heavy bass, earthy leads and a dark and enigmatic vocal hit heavy. Damhsa, the Irish word for dance, inspires the next jam, "Machine Damhsa", a fast paced 4/4 beckoning to do so. The track's breath catching breakdown gives a moment of transcendence between it's boundless energy and pulsating drive.
Eluize couldn't resist the lush melodies from Ripples and dives in to turn out a cosmic, 80s touched b boy ready version.
Photography by EAST CHINA SEA PHOTO CLUB, a film photography collective based in Kagoshima Japan. Design by Danny Ogden Design. More
Track list:
A1 - Slate
A2 - For the Forgetful
B1 - The Blackout
B2 - Second Valley
B3 - Rest (Refrain)
Release Info:
Night Tide founder Eluize returns to the label with her follow up to last year's debut release "Talk In Technicolour". Her latest five track sonic trip "For the Forgetful" follows 24 hours searching to be lost, finding comfort in the dance floor, time spent after hours and the day that follows. It seeks out soaring highs and sweeping lows covering all energies.
"Slate" opens. A deep offering, subtle and enthralling. Bright eyed keys, smooth strings, a snare that snaps and a swelling sub alludes to what's to come. The tale continues with "For the Forgetful", a hypnotic, punchy, deep house workout, alluring and sensual it beckons with whispered promises, abyssal toms, twisted pads and intricate percussion.
We go harder on the flip, ruthless, pushing, pulsing "The Blackout" shakes away any last doubt and drives the sojourn into the night along with memories you'll try to retrieve tomorrow. Eluize's take on techno, the bass pumps beneath a grinding acid line, interspersed with echoed bleeps and a cutting lead. The build continues. "Second Valley" is ecstatic. Deep house meets trance-esque undertones, for peak time moments or as the day breaks. Its cinematic soundscape speaks to Eluize's penchant for the theatric as classical instruments twist through synthetic sounds.
We close with "Rest (Refrain)" which brings back themes from the session had in an ambient context, mustering the mood of recovery, waking, confused in the gentle afternoon light, when memories and motifs from the night before linger on the mind in gentler forms.
Photography by Christophe Mauberqué.
More
A1 - Slate
A2 - For the Forgetful
B1 - The Blackout
B2 - Second Valley
B3 - Rest (Refrain)
Release Info:
Night Tide founder Eluize returns to the label with her follow up to last year's debut release "Talk In Technicolour". Her latest five track sonic trip "For the Forgetful" follows 24 hours searching to be lost, finding comfort in the dance floor, time spent after hours and the day that follows. It seeks out soaring highs and sweeping lows covering all energies.
"Slate" opens. A deep offering, subtle and enthralling. Bright eyed keys, smooth strings, a snare that snaps and a swelling sub alludes to what's to come. The tale continues with "For the Forgetful", a hypnotic, punchy, deep house workout, alluring and sensual it beckons with whispered promises, abyssal toms, twisted pads and intricate percussion.
We go harder on the flip, ruthless, pushing, pulsing "The Blackout" shakes away any last doubt and drives the sojourn into the night along with memories you'll try to retrieve tomorrow. Eluize's take on techno, the bass pumps beneath a grinding acid line, interspersed with echoed bleeps and a cutting lead. The build continues. "Second Valley" is ecstatic. Deep house meets trance-esque undertones, for peak time moments or as the day breaks. Its cinematic soundscape speaks to Eluize's penchant for the theatric as classical instruments twist through synthetic sounds.
We close with "Rest (Refrain)" which brings back themes from the session had in an ambient context, mustering the mood of recovery, waking, confused in the gentle afternoon light, when memories and motifs from the night before linger on the mind in gentler forms.
Photography by Christophe Mauberqué.
More
1
THOMMYY RA & Simonn - THOMMYY RA - Journey Into Nowhere
2
THOMMYY RA & Simonn - THOMMYY RA - Die Darling Die
3
THOMMYY RA & Simonn - THOMMYY RA - Razzy Moon
4
THOMMYY RA & Simonn - Simonn - Unknown Habits
5
THOMMYY RA & Simonn - Simonn - Lost in Progress
6
THOMMYY RA & Simonn - Simonn - Raw and Unbleached
Track list:
A1 - THOMMYY RA - Journey Into Nowhere, A2 - THOMMYY RA - Die Darling Die, A3 - THOMMYY RA - Razzy Moon
B1 - Simonn - Unknown Habits, B2 - Simonn - Lost in Progress, B3 - Simonn - Raw and Unbleached
Release Info:
Night Tide's sophomore release welcomes two new names to the family. THOMMYY RA and Simonn bring us the "Lost Journey" EP, a 6 tracker of analogue laden esoteric house.
On the A, we have THOMMYY RA, label boss at Nasty Habits Tape Cltr and prone to a bi-annual name change, he contributed the silty SETH NK remix of Eluize's "Up All Night" on our label's debut record earlier this year. He opens with "Journey Into Nowhere", an eerie, coasting, synth drenched opus propelled by throbbing percussion and rippling leads, follows with "Die Darling Die" a 90s touched, left of centre house cut, complete with a skipping kick and playfully nostalgic horn, and wraps the side with creepy, deep and groove heavy "Razzy Moon".
On the B, we introduce Simonn for his first excursion on wax. "Unknown Habits" is a straight up, tried-and-tested party piece, its vibrant chords pulse amongst thumping drums issuing an undeniable call to the floor. He then turns his hand to something more aquatic, amphibious pads swell in "Lost In Progress" while layering percussion build before erupting into a euphoric break beat. Finally, "Raw and Unbleached" is a delicate arpeggio outing, melodic ideas tumble and burst over one another, it's light and dreamy yet gritty, innocence in sound.
More
A1 - THOMMYY RA - Journey Into Nowhere, A2 - THOMMYY RA - Die Darling Die, A3 - THOMMYY RA - Razzy Moon
B1 - Simonn - Unknown Habits, B2 - Simonn - Lost in Progress, B3 - Simonn - Raw and Unbleached
Release Info:
Night Tide's sophomore release welcomes two new names to the family. THOMMYY RA and Simonn bring us the "Lost Journey" EP, a 6 tracker of analogue laden esoteric house.
On the A, we have THOMMYY RA, label boss at Nasty Habits Tape Cltr and prone to a bi-annual name change, he contributed the silty SETH NK remix of Eluize's "Up All Night" on our label's debut record earlier this year. He opens with "Journey Into Nowhere", an eerie, coasting, synth drenched opus propelled by throbbing percussion and rippling leads, follows with "Die Darling Die" a 90s touched, left of centre house cut, complete with a skipping kick and playfully nostalgic horn, and wraps the side with creepy, deep and groove heavy "Razzy Moon".
On the B, we introduce Simonn for his first excursion on wax. "Unknown Habits" is a straight up, tried-and-tested party piece, its vibrant chords pulse amongst thumping drums issuing an undeniable call to the floor. He then turns his hand to something more aquatic, amphibious pads swell in "Lost In Progress" while layering percussion build before erupting into a euphoric break beat. Finally, "Raw and Unbleached" is a delicate arpeggio outing, melodic ideas tumble and burst over one another, it's light and dreamy yet gritty, innocence in sound.
More
1
Eluize - Make Me Sin
2
Eluize - Talk In Technicolour
3
Eluize - Up All Night (Hans Berg Remix)
4
Eluize - Up All Night
Vinyl 12” (Full Cover)
Track list:
A1 - Make Me Sin
A2 - Talk In Technicolour
B1 - Up All Night (Hans Berg Remix)
B2 - Up All Night (Original Mix)
Release Info:
Introducing Talk in Technicolour, the debut release of cross-continental imprint Night Tide. Produced by label founder Eluize (Emma Sainsbury), the EP features three original tracks that showcase her unique sound. The release is rounded out by remixes from Hans Berg & Seth NK and a trippy spoken word recording discovered while digging in the archives.
'Make Me Sin' swells and flows. It's a rapturous tale awash with cascading musical ideas, hypnotic rhythmic elements and a driving bottom end. This introspective cut combines orchestral instrumentation with breathy vocals from Eluize herself that sing of the lure of things that make us feel good.
'Talk in Technicolor', the title track, is self-explanatory. It's a dreamy and melodic club cut that packs a surprising amount of punch. The vast palette of sounds and fine details give it a cinematic quality not often heard in music aimed at the dance floor. We recommend you close your eyes while listening - let your mind drift and see what soaring colours float into view.
On the B side, 'Up All Night' is a sub-driven slow down. Unhurried and uncluttered, key and string lines float through open space while gentle vocals slide into the landscape, reflecting on sunsets that turn into sunrises. Hans Berg reinterprets the piece into a powerfully deep techno storm. His version is a relentless and energetic pairing of synth lines that whip and scatter over the original's playful melodic refrains. In other words, a monster that presents a not-so-subtle call to rave.
In addition, a batch of thirty records will come with a limited edition cassette. The tape features a remix of 'Up All Night' by Seth NK, the master of all things lo-fi. His version is a sleazy re-imagining with trashy drums and murky tones that weave through the silt. Turn the tape over and you'll find a bizarre recording of a young woman describing an LSD-induced psychedelic experience.
More
Track list:
A1 - Make Me Sin
A2 - Talk In Technicolour
B1 - Up All Night (Hans Berg Remix)
B2 - Up All Night (Original Mix)
Release Info:
Introducing Talk in Technicolour, the debut release of cross-continental imprint Night Tide. Produced by label founder Eluize (Emma Sainsbury), the EP features three original tracks that showcase her unique sound. The release is rounded out by remixes from Hans Berg & Seth NK and a trippy spoken word recording discovered while digging in the archives.
'Make Me Sin' swells and flows. It's a rapturous tale awash with cascading musical ideas, hypnotic rhythmic elements and a driving bottom end. This introspective cut combines orchestral instrumentation with breathy vocals from Eluize herself that sing of the lure of things that make us feel good.
'Talk in Technicolor', the title track, is self-explanatory. It's a dreamy and melodic club cut that packs a surprising amount of punch. The vast palette of sounds and fine details give it a cinematic quality not often heard in music aimed at the dance floor. We recommend you close your eyes while listening - let your mind drift and see what soaring colours float into view.
On the B side, 'Up All Night' is a sub-driven slow down. Unhurried and uncluttered, key and string lines float through open space while gentle vocals slide into the landscape, reflecting on sunsets that turn into sunrises. Hans Berg reinterprets the piece into a powerfully deep techno storm. His version is a relentless and energetic pairing of synth lines that whip and scatter over the original's playful melodic refrains. In other words, a monster that presents a not-so-subtle call to rave.
In addition, a batch of thirty records will come with a limited edition cassette. The tape features a remix of 'Up All Night' by Seth NK, the master of all things lo-fi. His version is a sleazy re-imagining with trashy drums and murky tones that weave through the silt. Turn the tape over and you'll find a bizarre recording of a young woman describing an LSD-induced psychedelic experience.
More
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Cat-No:AAR023
Release-Date:29.09.2023
Configuration:12"
Cat-No:AAR023
Release-Date:29.09.2023
Configuration:12"
1
Sean La'Brooy - Boxed In
2
Sean La'Brooy - Curse
3
Sean La'Brooy - 3rd And 28
4
Sean La'Brooy - 140 To The Pin
5
Sean La'Brooy - Let
6
Sean La'Brooy - There's Always Next Year
Analogue Attic presents the second solo release from label co-founder and one half of Albrecht La'Brooy.
6 stunning compositions to soundtrack your half-time break, or to celebrate the big win, 'There's Always Next Year' is a tribute to the misguided hopes and dreams of a sports fan.
Field recordings and commentary from a range of codes weave between silky saxophone lines and piano chords in what is a textbook showcase of the classic Analogue Attic downtempo and early evening sound we've come to know.
Credits:
Leo Yucht on Drums
Greg Carelton on Saxophone
Mastered by Corey Kikos More
6 stunning compositions to soundtrack your half-time break, or to celebrate the big win, 'There's Always Next Year' is a tribute to the misguided hopes and dreams of a sports fan.
Field recordings and commentary from a range of codes weave between silky saxophone lines and piano chords in what is a textbook showcase of the classic Analogue Attic downtempo and early evening sound we've come to know.
Credits:
Leo Yucht on Drums
Greg Carelton on Saxophone
Mastered by Corey Kikos More
1
albrecht la'brooy - No Title
2
albrecht la'brooy - No Title
3
albrecht la'brooy - No Title
4
albrecht la'brooy - No Title
Over the past three years Melbourne's Albrecht La'Brooy have patiently cultivated their own space within Australia's prolific electronic music scene. Deeply rooted in techno's ambient influences, the duo improvise their compositions with an overarching approach that breaks away from techno's conventional presentation. Recorded in one take from beginning to end, Escape Velocity sees Albrecht La'Brooy take on the Voyage aesthetic and principles to create a twenty five minute odyssey spanning four passages, to be played continuously across the 12 Inch medium. Utilising both sparse, drifting ambient palettes and driving, machine-led rhythms, Escape Velocity is a pensively uplifting account of future travels through space and the ninth installment to the Voyage catalogue.
More
More