Tracklist

A1 Ripples From the Edge
A2 I Wish You Hadn't Said
A3 Strange Perspective
B1 Stitch Up
B2 Machine Damhsa

Release Info:
Dublin's R.Kitt, fresh off the back of an incredible live throw down at AVA festival in Belfast sent us through some divine music we absolutely had to have. "Ripples from the Edge" shares five sentimental yet forward thinking originals from the rising producer as well as a remix from label founder Eluize.

The title track comes at us with cascading arps, ariose droplets and pure, smokey pads that burst through a jungle of thumping percussion. "I Wish You Hadn't Said" gets going with gritty breaks and glassy synths that would be at home on a fog laden warehouse floor, mood lightening melodic jabs slice through before things turn back to a tumultuous minor. "Strange Perspective" is casual and light hearted, funk charged electro.

On the flip "Stitch Up" feels ancestral, heavy bass, earthy leads and a dark and enigmatic vocal hit heavy. Damhsa, the Irish word for dance, inspires the next jam, "Machine Damhsa", a fast paced 4/4 beckoning to do so. The track's breath catching breakdown gives a moment of transcendence between it's boundless energy and pulsating drive.

Eluize couldn't resist the lush melodies from Ripples and dives in to turn out a cosmic, 80s touched b boy ready version.

Photography by EAST CHINA SEA PHOTO CLUB, a film photography collective based in Kagoshima Japan. Design by Danny Ogden Design. More

Track list:

A1 - Slate
A2 - For the Forgetful
B1 - The Blackout
B2 - Second Valley
B3 - Rest (Refrain)

Release Info:

Night Tide founder Eluize returns to the label with her follow up to last year's debut release "Talk In Technicolour". Her latest five track sonic trip "For the Forgetful" follows 24 hours searching to be lost, finding comfort in the dance floor, time spent after hours and the day that follows. It seeks out soaring highs and sweeping lows covering all energies.

"Slate" opens. A deep offering, subtle and enthralling. Bright eyed keys, smooth strings, a snare that snaps and a swelling sub alludes to what's to come. The tale continues with "For the Forgetful", a hypnotic, punchy, deep house workout, alluring and sensual it beckons with whispered promises, abyssal toms, twisted pads and intricate percussion.

We go harder on the flip, ruthless, pushing, pulsing "The Blackout" shakes away any last doubt and drives the sojourn into the night along with memories you'll try to retrieve tomorrow. Eluize's take on techno, the bass pumps beneath a grinding acid line, interspersed with echoed bleeps and a cutting lead. The build continues. "Second Valley" is ecstatic. Deep house meets trance-esque undertones, for peak time moments or as the day breaks. Its cinematic soundscape speaks to Eluize's penchant for the theatric as classical instruments twist through synthetic sounds.

We close with "Rest (Refrain)" which brings back themes from the session had in an ambient context, mustering the mood of recovery, waking, confused in the gentle afternoon light, when memories and motifs from the night before linger on the mind in gentler forms.

Photography by Christophe Mauberqué.


More

Track list:

A1 - Tempelhof
A2 - Hinterhof
B1 - U-bahn / S-bahn

Release Info:
Known for their take on the gentler side of house music, jazz pianists, electronic enthusiasts and label founders of the Analogue Attic imprint, Albrecht La'Brooy have joined Night Tide's family with their latest sojourn "Emissary" EP.

The release began with a concept from the artists, who asked for field recordings taken by Night Tide's Eluize from around her adopted home in Berlin. Sounds from parks, gardens, trains and stations that make up the local, everyday sonic landscape made their way across the Atlantic to arrive in Albrecht La'brooy's studio, where they were used as inspiration for the three outings on this record.

The Melbourne duo's live approach to programming and arrangement can be heard as the tracks ebb and flow effortlessly. In "Tempelhof" sub swells and a throbbing kick accompany delicate leads and lightly touched drums. The more uptempo "Hinterhof" pulses and sways with lively percussion, crystalline bells, euphoric strings and softly spoken melodies that float in and out of view.

"U-bahn / S-bahn" begins with glistening top lines and panoramic chords over a growling bass and a steady groove. As the journey rolls on from the underground into open-air window-gazing territory, the piece takes an ambient, beatless turn. Contemplative synth lines and arpeggios play while the station announcements drift somewhere in the distance.

Photograph by Christophe Mauberqué.


More

Vinyl 12” (Full Cover)

Track list:

A1 - Make Me Sin
A2 - Talk In Technicolour
B1 - Up All Night (Hans Berg Remix)
B2 - Up All Night (Original Mix)


Release Info:

Introducing Talk in Technicolour, the debut release of cross-continental imprint Night Tide. Produced by label founder Eluize (Emma Sainsbury), the EP features three original tracks that showcase her unique sound. The release is rounded out by remixes from Hans Berg & Seth NK and a trippy spoken word recording discovered while digging in the archives.

'Make Me Sin' swells and flows. It's a rapturous tale awash with cascading musical ideas, hypnotic rhythmic elements and a driving bottom end. This introspective cut combines orchestral instrumentation with breathy vocals from Eluize herself that sing of the lure of things that make us feel good.

'Talk in Technicolor', the title track, is self-explanatory. It's a dreamy and melodic club cut that packs a surprising amount of punch. The vast palette of sounds and fine details give it a cinematic quality not often heard in music aimed at the dance floor. We recommend you close your eyes while listening - let your mind drift and see what soaring colours float into view.

On the B side, 'Up All Night' is a sub-driven slow down. Unhurried and uncluttered, key and string lines float through open space while gentle vocals slide into the landscape, reflecting on sunsets that turn into sunrises. Hans Berg reinterprets the piece into a powerfully deep techno storm. His version is a relentless and energetic pairing of synth lines that whip and scatter over the original's playful melodic refrains. In other words, a monster that presents a not-so-subtle call to rave.

In addition, a batch of thirty records will come with a limited edition cassette. The tape features a remix of 'Up All Night' by Seth NK, the master of all things lo-fi. His version is a sleazy re-imagining with trashy drums and murky tones that weave through the silt. Turn the tape over and you'll find a bizarre recording of a young woman describing an LSD-induced psychedelic experience.


More